Bowery Boston presents
Doors: 7:00 pm / Show: 8:00 pm
This event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.
After playing the last of their 200 shows in more than 40 countries in support of their critically acclaimed 2012 album Celebration Rock, Japandroids took a much needed break to rest and recover after their last show in November of 2013. The band would not play again for three years. This month, they made their triumphant return to the stage, playing intimate shows in Vancouver, LA, Toronto, London and NYC, in which they treated fans to their favorites from Celebration Rock and Post-Nothing, and previewed a handful of new, unreleased songs. And today, the band has announced their much anticipated third album, Near To The Wild Heart Of Life, out worldwide on Anti- this January 27, 2017.
Near To The Wild Heart Of Life, was written clandestinely throughout 2014 and 2015 in Vancouver, Toronto, New Orleans, and Mexico City. It was (mostly) recorded by Jesse Gander (who had previously recorded both Post-Nothing and Celebration Rock) at Rain City Recorders in Vancouver, BC (September-November, 2015). One song, True Love And A Free Life Of Free Will, was recorded by Damian Taylor during an exploratory recording session at Golden Ratio in Montreal, QC (February, 2015). The album was mixed by Peter Katis at Tarquin Studios in Bridgeport, CT (May, 2016) and mastered by Greg Calbi at Sterling Sound in New York, NY (July, 2016).
Like Post-Nothing and Celebration Rock, the album is 8 songs. This is because 8 songs is the standard template for a great rock n roll album: Raw Power by The Stooges, Born To Run by Bruce Springsteen, Marquee Moon by Television, IV by Led Zeppelin, Horses by Patti Smith, Paranoid by Black Sabbath, Remain In Light by Talking Heads, Master Of Puppets by Metallica, etc.
Like Post-Nothing and Celebration Rock, the album was sequenced specifically for the LP. On Near To The Wild Heart Of Life, side A (songs 1-4) and side B (songs 5-7) each follow their own loose narrative. Taken together as one, they form an even looser narrative, with the final song on side B (song 8) acting as an epilogue.
Craig Finn & the Uptown Controllers
Perhaps best known as the singer of the Hold Steady, Craig Finn is a Minnesota-bred singer, songwriter, and guitarist based out of New York City. Combining literary influences like Jack Kerouac and John Berryman with the musical influences of Bruce Springsteen and fellow Minnesotan Paul Westerberg, Finn’s highly descriptive lyrical style has a focus on narrative, crafting whole worlds for the people in his songs to exist within. In 1994, the singer put this style to work with the indie rock band Lifter Puller, refining his craft over the course of their three albums before the band called it quits in 2000. After the band dissolved, Finn relocated from the Twin Cities to New York, where he would collaborate with producer Mr. Projectile on the short-lived project the Brokerdealer in 2001 before eventually reuniting with Lifter Puller bassist Tad Kubler to form the Hold Steady in 2004. While the band’s whiskey-fueled bar rock sound was a departure from the angular, synth-filled sounds of Lifter Puller, Finn’s lyrically dense storytelling style remained intact, making the Hold Steady the thinking man’s bar band. After five albums with the band, the singer and songwriter tried his hand at a solo album during some downtime from his main project, and in 2012 released Clear Heart Full Eyes through Vagrant Records. In 2015, Finn dropped his second solo album; Faith in the Future, released by Partisan Records, was drawn from a set of songs inspired by themes of loss and survival that Finn wrote in the wake of his mother’s death. ~ Gregory Heaney, Rovi