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Skip the bar line and pre-order your drink with Noble

The Cat Empire

March 2, 2019 @ 6:00 pm

Dress Code

NO DRESS CODE

Venue

Royale Nightclub Boston, MA
279 Tremont Street
Boston, MA 02116 United States

Organizer

Bowery Boston
Phone:
617-451-7700
Email:
info@boweryboston.com
Website:
boweryboston.com

Other

with
Neal Francis
advance:
$32.50
day of show:
$35

Presented by Bowery Boston

Doors: 6:00 pm / Show: 7:00 pm

Tickets on sale Fri. 9/7 at 10am!

Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM.

Please note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches, backpacks, professional cameras, video equipment, large bags, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry.

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The Cat Empire

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f it has been a while since you danced up a storm, sang out loud, smiled until your face hurt, had a night out with your friends or lover…the time has come…

For over a decade, The Cat Empire have been known far and wide as one of the worlds greatest party bands. Their colourful, genre-bending music, shipped across the globe in travellers backpacks, seems at home almost anywhere. Difficult to describe and impossible to categorise, The Cat Empire’s reputation is built upon a chaotic and fiercely uplifting live show that saw their last album debut Top 20 in 16 countries around the world.

Loved around the globe for their melody driven mood lifting music, and with well over 1200 shows under their belts, their career has been spectacular. This is testament to the quality of their musicianship, showmanship and unstoppable energy and generosity as performers.

The Cat Empire have chosen to kick off their 2019 Global Tour in North America to celebrate the release of their new album, due Feb 2019. Expect to hear new songs, and old favourites. Shows will sell out quickly, so secure your tickets early.

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Neal Francis

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“I just wanted to be honest about everything, from my musical influences to my story,” muses Neal Francis. After years of dishonest living — consumed by drugs, alcohol, and addiction — such sincerity is jarring from the 30-year-old Chicago-based musician. Liberated from a self-destructive past and born anew in sobriety, Francis has captured an inspired collection of songs steeped in New Orleans rhythms and Chicago blues. His music evokes a bygone era of R&B’s heyday while simultaneously forging a new path on the musical landscape. Ohio-based Karma Chief Records (a subsidiary of rising soul label Colemine Records) will release two songs, “These Are The Days” and “Changes, Pt. 1,” in early 2019 with the full LP to follow in summer 2019.

There is a deep connection between Francis’s childhood — his obsession with boogie woogie piano, his father’s gift of a dusty Dr. John LP — and the songs he’s created. The result is an astonishing collection of material without parallel in the contemporary funk and soul scene. The influences are unmistakable: the vocal stylings of Allen Toussaint and Leon Russell; the second line rhythms of The Meters and Dr. John; the barroom rock ‘n’ roll of The Rolling Stones; the gospel soul of Billy Preston; the roots music of The Band. Francis pays tribute to the masters but has his own story to tell: “It’s the life I’ve lived so far.”

And what a life it’s been. Born Neal Francis O’Hara, the piano prodigy found himself touring Europe by the age of 18 with Muddy Waters’ son and backing up other prominent blues artists coast-to-coast. In 2012, Francis joined popular instrumental funk band The Heard. With Francis at the creative helm, The Heard transformed into a national act, touring with boogaloo progenitors The New Mastersounds and chart toppers The Revivalists and appearing at Jazz Fest and Bear Creek. As The Heard’s star rose, however, Francis sunk deeper into addiction. Once a promising sideman, by 2015 he had been fired from his band, evicted from his apartment, and was perilously close to self-destruction. “When you get close to death like that you can feel it,” Francis recalls. An alcohol-induced seizure that year led to a broken femur, dislocated arm, and, finally, the realization that he needed to get clean.

The journey from a hospital bed to launching his solo career was neither predictable nor straightforward. There were musical fits and starts, relapses, and broken relationships. Yet the overwhelming passion driving Francis in this second act has been an overabundance of creative energy. “Drinking held my music in a half-cocked slingshot. I was always so consumed by drugs and alcohol that I didn’t have the time, money, or creative energy to do it. Sobriety let it loose.”

Determined to realize the songs swirling in his head, Francis assembled a crack team of musicians, calling on bassist Mike Starr (The Heard) and drummer PJ Howard (The Revivalists, The Heard). He linked up with producer and analog-obsessive Sergio Rios (Orgone, Cee Lo Green, Alicia Keys) and self-funded a trip to Killion Sound in Los Angeles to record the initial batch of material. “I learned to trust my instincts in that room,” says Francis. Buoyed by classic horn arrangements and Rios’ fierce guitar work, the resulting tracks illuminate a lifetime spent studying the masters of soul music.

From the RMI electra-piano riff that kicks off “She’s A Winner” to the screaming organ swells of “This Time,” Francis and company let it all hang out. This is fun music, dance music. Yet verse after verse and chorus after chorus, Francis wrestles with his past in a straightforward manner: “It’s 5 o’clock in the morning, but I’m not home/ I’m surrounded by people, but I’m really alone.” Like Toussaint and Russell before him he’s married the upbeat rhythms of New Orleans R&B with the lyrical approach of a confessional singer/songwriter. The refrain on “This Time” serves as a foxhole prayer for a better future: “Let me get it this time/I won’t let you down/Let me get it this time/I won’t fool around.”

2018 has been a busy year. In February Francis finished recording basic tracks for the yet-to-be named debut album in Los Angeles and spent the following months doing overdubs in Chicago with engineer Mike Novak (who also recorded demos for the project). After playing his first show in November, Francis was signed by Paradigm Talent Agency. He is now preparing to tour relentlessly to promote his own music. “I’m doing this to fulfill a drive within myself, but also to pay tribute to the gifts I’ve been given. And it comes from a place of immense gratitude. I’ve been given so much in my life, especially in the last two years, that this feels like a bonus.”