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DTSTART;TZID=America/New_York:20170801T200000
DTEND;TZID=America/New_York:20170801T200000
DTSTAMP:20260410T181357
CREATED:20170405T130047Z
LAST-MODIFIED:20170405T130047Z
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SUMMARY:Nicolas Jaar
DESCRIPTION:Bowery Boston presents \nDoors: 8:00 pm / Show: 9:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale NOW! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nNicolas Jaar \n \n[Website] [Facebook] [Twitter] \nNicolas Jaar is a Chilean-American musician and founder of record label ‘Other People.’ He is a member of the New York based outfit DARKSIDE. ‘Space is Only Noise’ is the name of his first record and ‘Sirens’ is the name of his second record. He resides in New York.
URL:https://royaleboston.com/event/nicolas-jaar/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170803T193000
DTEND;TZID=America/New_York:20170803T193000
DTSTAMP:20260410T181357
CREATED:20170322T143349Z
LAST-MODIFIED:20170322T143349Z
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SUMMARY:Rag'n'Bone Man
DESCRIPTION:Bowery Boston presents \nDoors: 7:30 pm / Show: 8:30 pm \nThis event is open to All Ages.\nTickets on sale Fri. 3/24 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nRag’n’Bone Man \n \n[Website] [Facebook] [Twitter] \n*** \nIvy Sole \n \n[Website] [Facebook] [Twitter] \nEAST by IVY SOLE.
URL:https://royaleboston.com/event/ragnbone-man/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170806T190000
DTEND;TZID=America/New_York:20170806T190000
DTSTAMP:20260410T181357
CREATED:20170406T002739Z
LAST-MODIFIED:20170406T002739Z
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SUMMARY:[SOLD OUT] Neurosis & Converge
DESCRIPTION:Bowery Boston and Grayskull Booking presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis show is now SOLD OUT. No tickets will be available at the door.
URL:https://royaleboston.com/event/neurosis-converge/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170807T190000
DTEND;TZID=America/New_York:20170807T190000
DTSTAMP:20260410T181357
CREATED:20170425T144953Z
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SUMMARY:Little Dragon
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 4/28 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nLittle Dragon \n \n[Website] [Facebook] [Twitter] \nGrammy-nominated Little Dragon have announced their long-awaited new album Season High\, out now digitally on Loma Vista Records (CD + LP in stores May 5th). This is the first new music from the electro-pop band since they released their acclaimed 2014 album\, Nabuma Rubberband. Season High was produced by Little Dragon\, with co-production and mixing by James Ford\, in their hometown of Gothenburg\, Sweden. \nDiscussing the process behind recording Season High\, Yukimi muses\, “We have grown through the years but the making of this album has been a struggle. As much as our band is based on a deep friendship we are four strong wills who find it really frustrating to compromise. We have gotten better at that though\, but it’s still a real battle. It gets harder and harder for us to make records but we still love it. Sometimes it feels like we have 100% passion and life or death emotions yet there’s a pointlessness with everything. We want to exist in our own bubble where we can stay curious about sounds. The magic feeling that sounds can sprinkle over any boring day is what got us all hooked. That feeling of escapism …maybe because Gothenburg is a grey place for most of the year\, our curse and blessing is that we never quite succeed.” \n*** \n Xavier Omär \n \n[Website] [Facebook] [Twitter] \nHow does Xavier Omär want to be remembered? As a risk taker. A classic voice. An artist who blurs musical lines. A fearless dreamer. And with these big goals\, the singer-songwriter isn’t wasting any time. His debut studio album\, Bonfire\, released on 09/02/14 followed by his EP with Sango (Soulection) titled Hours Spent Loving You\, and singles Blind Man & Hesitate. \nXavier Omär takes pride in his songwriting ability and is most excited by the reward of evoking specific feelings in his listeners with his music. He draws inspiration from artists of all genres\, including James Blake\, Arcade Fire\, Kanye West\, Mumford & Sons\, John Legend\, Frank Ocean\, The Beatles\, and Sam Smith.  \nXavier Omär grew up as a military brat\, moving across the country and as far as Japan\, but he claims Georgia as home. Music balanced out the highly structured lifestyle of his military family\, as his mother and siblings sang and played drums and piano\, and his father was a writer\, producer and the minister of music at church. He wrote and produced his first song at 12 years old\, recording it in his basement on a 4 track tape recorder. A brief period of discouragement was tackled when Xavier Omär decided to audition for American Idol Season 11 in Houston\, TX. Not making it past the preliminary judging round gave him the determination to save up to buy equipment and begin recording music again—so add “proving American Idol wrong” to his list of goals. In 2012\, he hit the ground running with his solo career and hasn’t stopped since.
URL:https://royaleboston.com/event/little-dragon/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170812T180000
DTEND;TZID=America/New_York:20170812T213000
DTSTAMP:20260410T181357
CREATED:20170401T181031Z
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SUMMARY:Highly Suspect
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 7:00 pm \nThis event is 18+. Patrons under 18 permitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 5/5 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nHighly Suspect \n \n[Website] [Facebook] [Twitter] \nFestival-storming trio Highly Suspect returned with second album The Boy Who Died Wolf on November 18th\, 2016. The moving\, jubilant LP from the Brooklyn alt-renegades follows two Top 10 Mainstream Rock hits (“Lydia\,” “Bloodfeather”) and two Grammy nominations (Best Rock Song\, Best Rock Album) just one year from the release of their 300 Entertainment debut\, 2015’s Mister Asylum. For the follow-up\, the band —  Johnny Stevens (guitar/vocals)\, and fraternal twin brother rhythm section Rich (bass/vocals) and Ryan Meyer (drums/vocals) — are reappearing stronger\, livelier and more mature. The effort earned the boys a third Grammy nominated for “My Name Is Human” (Best Rock Song.) \n“The title The Boy Who Died Wolf\, it’s like\, we were so young and now we’re adults\,” says Stevens. “I went through a lot of issues that I had to sort out and sometimes I can’t believe that I’m alive. And now here I am traveling the world with my best friends\, making music\, and living the exact dream that we had set out to accomplish a long time ago … We’re learning a different lifestyle. And it’s good\, it’s positive. But it’s also hard to let go of everything that happened in the past.” \nThat new lifestyle comes in the wake of success that’s snowballed since 2014\, featuring Grammy nods; radio smashes; stops at major festivals (Lollapalooza\, Bonnaroo\, Reading and Leeds and so on); tours alongside Scott Weiland\, Chevelle  and Catfish & the Bottlemen to name a few; tours around the world including Australia\, New Zealand\, Europe and the UK as well as multiple headlining tours in the United States one of which is currently underway. The feeling of celebration infuses The Boy Who Died Wolf\, while still heading into haunted regions of Steven’s past\, yowling somewhere between the metronomic robot metal of Queens of the Stone Age\, the bluesy wallop of Jack White and the feedback-shrieking noise-pop of In Utero-era Nirvana.  \nTo record the LP\, the band traveled far from their New York comfort zone to Bogotá\, Colombia\, recording with Mister Asylum producer Joel Hamilton (The Black Keys and Wu-tang\, Tom Waits\, Elvis Costello\,). \n“Normally we would record in New York or L.A.\, and when we’re in those places we just have too many distractions\, too many friends\,” says Stevens. “When you’re trying to make art.. pure art\, it’s good to be secluded. So we were literally in a fortress\, 20-foot walls all around this compound in the middle of Bogota.” \n“The energy around you\, the culture that you’re taking in\, will affect the songs\,” he continues. “We were really enjoying ourselves. So I think there’s a little more step to this album. There’s happier tones. There’s some dark stuff too but there are simply more uplifting moments on this album.  I think we finally realized we are supposed to be here making music. That people like what we do. We had more trust in ourselves and each other and just let the music come out. \nThe upbeat vibe begins to show its face lyrically in the lead single “My Name Is Human” (“I’m feeling the way that I’m feeling myself”)\, and then appears full force on the blazing desert-rock dynamite of “Postres” (“I’m havin’ fun for the rest of my days”)\, but takes a back seat in their dreamy cover of Real Life’s 1983 new wave swooner “Send Me an Angel” and on the anthemic “Little One” which reminds us all of the hopeless\, lovelorn pangs that most have undoubtedly felt in the pit of their guts somewhere along the lines. But even the more serious songs are steeped in an unrelenting optimism. A great friend of theirs took his own life while the band were in Colombia\, to which they responded with “For Billy\,” a beaming post-grunge burst.  \n“The song is not a downer\, it’s sad\, but it’s a charged up anthem\,” explains Stevens. “It’s what he would have wanted. It was a really sad moment but he was such a happy person. So that song is something he can blare through his Harley speakers wherever he is now .” \nJohnny describes Billy as an “original crewmember” of MCID\, the collective shouted out on Highly Suspect’s jackets\, hats\, lyrics and tattoos. “That’s our ethos\,” says Johnny of the acronym that stands for “My Crew Is Dope.” “We’re trying to invite any and all positive people to what was once exclusively for us. We’ve realized its bigger than us; as long as you’re not a racist\, not a homophobe and you have good intentions then we welcome you to join the family and spread the love.” In turn\, Wolf’s “Viper Strike” namechecks MCID in a venomous\, knives-out attack on bigots: “We’re all equal except for you/’Cause you’re an asshole with an ugly point of view” \n“It’s a family of positivity that we’re really trying to build\,” says Johnny. “Our whole purpose is not just about being some famous fuckin’ band\, but kind of making a movement. Making a difference for our generation who are so constantly misled. We barely made it out of the wrong mentality. We want to help. We’re no fuckin hippies\, those days are gone. The irony is that now you have to “fight” for positivity. Which is crazy but so be it. We’re strapped and ready to defend free thinking. When you come to our shows\, it’s kind of like this family affair.” \n*** \n And The Kids  \n \n[Website] [Facebook] [Twitter] \nGrowing up\, often the safest haven to plot your dreams and get a handle on your identity is within the confines of trusted friendships. For the musicians in the critically acclaimed band And The Kids\, these bonds have been a life raft. \nBut as friendships evolve from adolescence to young adulthood\, sometimes the lines between friends\, lovers and all that comes in between can grow murky. On the Northampton\, MA-based band’s latest\, Friends Share Lovers (out June 3rd on Signature Sounds)\, And The Kids examines blurred boundaries in close-knit relationships. \n“The friends we grew up with were troublemakers\, lost souls\, dropouts\, and mother figures\,” says And The Kids guitarist and vocalist Hannah Mohan. “The title references the incestuousness of friend groups and how things get messy.” \nAnd The Kids channel existential crises into pop euphoria. With this sleight of hand\, the quartet manages to conjure chunky indie rock\, blissful new wave\, chamber folk\, jarring avant-garde\, and brawny classic rock. Mohan navigates this expansive creativity with aplomb. Effortlessly she swoops heavenly for high tones\, digs deep for swaggering rock n’ roll low tones\, and manages to mash up sweet sass with new wave bliss for a vocal feel that masks sage wisdom beneath sweet innocence. In addition to Mohan\, And The Kids is Rebecca Lasaponaro on drums\, Megan Miller on synthesizers and percussion\, and bassist Taliana Katz. \nThe quartet’s beginnings couldn’t be better scripted: Mohan and Lasaponaro met in band class in seventh grade. A few years later\, the duo dropped out of school and found themselves at a learning center that provided them with a free rehearsal space. There they practiced everyday\, inspired by such diverse artists as Modest Mouse\, Rilo Kiley\, The Doors\, and The Police\, among others.
URL:https://royaleboston.com/event/highly-suspect/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170817T190000
DTEND;TZID=America/New_York:20170817T190000
DTSTAMP:20260410T181357
CREATED:20170416T130051Z
LAST-MODIFIED:20170416T130051Z
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SUMMARY:[CANCELED] The Juliana Theory - 20 Year Anniversary Tour
DESCRIPTION:This event has been canceled. Refunds available at the point of purchase. \nMessage from the band HERE. \n***
URL:https://royaleboston.com/event/the-juliana-theory/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170819T180000
DTEND;TZID=America/New_York:20170819T213000
DTSTAMP:20260410T181357
CREATED:20170508T162408Z
LAST-MODIFIED:20170508T162408Z
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SUMMARY:Waxahatchee [MOVED TO THE SINCLAIR]
DESCRIPTION:PLEASE NOTE: THIS SHOW HAS BEEN MOVED FROM ROYALE TO THE SINCLAIR. ALL PREVIOUSLY PURCHASED TICKETS WILL BE HONORED. \nBowery Boston presents \nDoors: 6:30 pm / Show: 7:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n***\nWaxahatchee \n \n[Website] [Facebook] [Twitter] \nOut in the Storm\, Katie Crutchfield’s fourth album as Waxahatchee and her second release with Merge\, is the blazing result of a woman reawakened. Her most autobiographical and honest album to date\, Out in the Storm is a self-reflective anchor in the story of both her songwriting and her life. As Crutchfield prepared for the release of her Merge debut Ivy Tripp\, she found herself depleted emotionally and professionally amidst the dissolution of a noxious relationship. “Ivy Tripp doesn’t really have any resolution. It’s a lot of beating around the bush\, and superficially trying to see my life clearly\, but just barely scratching the surface. Out in the Storm digs into what I was going through without blinking. It’s a very honest record about a time in which I was not honest with myself.”\nThe album was tracked at Miner Street Recordings in Philadelphia with John Agnello\, a producer\, recording engineer\, and mixer known for working with some of the most iconic musicians of the last 25 years\, including Dinosaur Jr. and Sonic Youth. Agnello and Crutchfield worked together for most of December 2016\, along with the band: sister Allison Crutchfield on keyboards and percussion\, Katherine Simonetti on bass\, and Ashley Arnwine on drums; Katie Harkin\, touring guitarist with Sleater-Kinney\, also contributed lead guitar. At Agnello’s suggestion\, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases\, resulting in one of Waxahatchee’s most guitar-driven releases to date. \n***\nPalehound \n \n[Website] [Facebook] [Twitter] \nThe sophomore album from the Boston trio Palehound\, A Place I’ll Always Go\, is a frank look at love and loss\, cushioned by indelible hooks and gently propulsive\, fuzzed-out rock. \nEllen Kempner\, Palehound’s vocalist\, guitarist\, and songwriter explains\, “A lot of it is about loss and learning how to let yourself evolve past the pain and the weird guilt that comes along with grief.” \nKempner’s writing comes from upheavals she experienced in 2015 and 2016 that reframed her worldview. “I lost two people I was really close with\,” she recalls. “I lost my friend Lily. I lost my grandmother too\, but you expect that at 22. When you lose a friend — a young friend — nothing can prepare you for that. A lot of the record is about going on with your life\, while knowing that person is missing what’s happening — they loved music and they’re missing these great records that come out\, and they’re missing these shows that they would’ve wanted to go to. It just threw me for a loop to know that life is so fragile.” \nPalehound’s first release for Polyvinyl is also about the light that gradually dawns after tragedy\, with songs like the bass-heavy “Room” and the gentle dreamy album closer “At Night I’m Alright With You” feeling their way through blossoming love. “The album is also about learning how to find love\, honestly\, after loss\,” says Kempner. \nSince forming in 2014\, Palehound — Kempner\, drummer Jesse Weiss (Spook The Herd)\, and new bassist Larz Brogan (a veteran of Boston DIY who\, Kempner posits\, “had 13 local bands last year”) — have taken their plainspoken\, technique-heavy indie rock from the basements of Boston to festivals around the world. A Place I’ll Always Go was recorded in late 2016 at the Brooklyn complex Thump Studios with the assistance of Gabe Wax\, who recorded Dry Food. “I would put my life in his hands\,” Kempner asserts. “I trust him so much.” \nA Place I’ll Always Go builds on the promise of Palehound’s critically acclaimed 2015 album Dry Food with songs that are slightly more reserved\, but no less powerful. “Flowing Over” rides a sweetly hooky guitar line\, with Kempner using the fuzzed-out upper register of her voice as a sort of anxious counterpoint to the riff’s infectious melody. “That song is about anxiety\,” says Kempner\, “and when you’re sad and you listen to sad music to feed it and feel yourself spinning all these ‘what if’s and ‘I’m terrible’s in your head.” \n“This record represents a period of time in my life way more than anything I’ve ever written before\,” says Kempner\, who notes that the swirling “If You Met Her” and the piano-tinged “At Night I’m Alright With You” could represent the opposing poles of the record. “One of them is about love\, and the other one is about death — it was a really healthy experience for me to find my own dialogue within that\,” she says. “There’s so much that you learn and read\, and other people’s experiences that you internalize\, that you try to then base your own on. It was helpful to carve my own path for that.” \nPart of what makes A Place I’ll Always Go so striking is the way it channels feelings of anxiety — heart-racing moments both exhilarating and crushing — into songs that feel well-worn and comforting. The hushed confessionalism of “Carnations” and the fugue state described in the stripped-down “Feeling Fruit” are snapshots of moments marked by big\, confusing feelings\, but they’re taken with compassion and honesty — two qualities that have defined Palehound’s music from the beginning. \n***\nOuter Spaces \n \n[Website] [Facebook] [Twitter] \nA Shedding Snake by Outer Spaces \nCara Beth Satalino\nRob Dowler\nChester Gwazda
URL:https://royaleboston.com/event/waxahatchee/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170825T180000
DTEND;TZID=America/New_York:20170825T213000
DTSTAMP:20260410T181357
CREATED:20170705T192415Z
LAST-MODIFIED:20170705T192415Z
UID:10002529-1503684000-1503696600@royaleboston.com
SUMMARY:[SOLD OUT] SZA
DESCRIPTION:NOTE: GA + VIP ARE BOTH SOLD OUT. \nBowery Boston presents \nDoors: 6:00 pm / Show: 6:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. \n*** \n \n*** \nSZA \n \nWebsite\nFacebook\nTwitter \nSZA is one of the redefining voices of today’s contemporary music era first breaking into the music scene in 2012 with her first critically acclaimed EP\, See.SZA.Run. Following that\, she released S in 2013 and Z in 2014\, both to rave reviews. In 2013\, SZA signed to Top Dawg Entertainment\, being the first female artist to join the label. SZA wrote and performed on Rihanna’s Anti single “Consideration” in 2016 and helped write Nicki Minaj and Beyonce’s “Feelin Myself” in 2014. SZA’s recently released singles\, “Love Galore” featuring Travis Scott and “Drew Barrymore\,” will appear on her highly anticipated new album Ctrl\, set for release this summer on TDE/RCA Records. Born in Maplewood\, New Jersey as Solána Rowe\, SZA grew up listening to classic and avant-garde jazz\, alternative\, and rap. She renamed herself finding inspiration within the Supreme Alphabet: the ‘S’ stands for savior or sovereign\, the ‘Z’ for zig-zag\, and the ‘A’ for Allah. \n*** \nSmino \n \nWebsite\nFacebook\nTwitter \nblkjuptr EP available 6.3 on @iTunes @AppleMusic @Spotify and errwhere else. lets go global https://smarturl.it/blkjuptr \n*** \nRavyn Lenae \n \nWebsite\nFacebook\nTwitter \nIt’s hard to believe that someone so young could be bursting with so much talent; but listen to Ravyn Lenae and you’ll quickly realize that age is truly just a number. At 17 years old\, the classically trained singer/songwriter is taking the music world by storm with her inimitable style\, which seamlessly melds elements of R&B\, Electronic\, Soul and Hip-Hop. As Pitchfork declared\, “She roars. She soars. She has the right.” \nBorn and raised on Chicago’s often turbulent south side\, Lenae is part of “Zero Fatigue\,” a local music collective that boasts artists like Smino and Jean Deaux\, as well as producer\, Monte Booker. In early 2015\, Lenae released her single\, “Greetings\,” which quickly became a household favorite in the Chicago area and beyond. Soon after\, she signed with renowned Chicago-based record label\, Three Twenty Three Music Group.\nIn August of 2015\, Lenae soft released her highly acclaimed debut EP\, Moon Shoes\, which premiered on Fake Shore Drive and My Mixtapes and has well over two million plays on SoundCloud. Hypetrak appropriately described the EP as a “combination of entrancing vocals\, control over creative cadences and superb writing\,” and noted that Lenae demonstrates an “incredible collection of skills that many singers work a lifetime on perfecting.” After the success of Moon Shoes\, Lenae was named Verizon’s Big Break Artist on WGCI in Chicago\, as well as one of BBC Radio’s New Names of 2016. To date\, Lenae has performed all over the country\, including headlining appearances at Chicago’s African Fest and at House of Blues Chicago. On 7/29\, Moon Shoes will be available at all DSPs and will feature two new songs\, “Right Of Spring” and “Something In The Air.”\nGiven her remarkable ability to blend genres\, it’s no surprise that Lenae has been influenced by a wide variety of artists\, from Stereolab and Outkast to Bob Marley and Ella Fitzgerald. “I tend to take small bits and pieces from my favorite artist\, and incorporate them into my own work\,” shares Lenae. And\, maybe that’s why some of her favorites – like Erykah Badu and NAS – are now reaching out as dedicated fans of Lenae. \nWith a lifetime ahead of her\, fans can look forward to a whole lot more from Ravyn Lenae. “I plan to touch as many people with my music as I possibly can\,” says Lenae. “And\, I can’t wait to learn more about the world and about myself. I know I still have to tap into my full potential\, and discover the true Ravyn Lenae.”
URL:https://royaleboston.com/event/sza/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170828T190000
DTEND;TZID=America/New_York:20170828T190000
DTSTAMP:20260410T181357
CREATED:20170619T181248Z
LAST-MODIFIED:20170619T181248Z
UID:10001802-1503946800-1503946800@royaleboston.com
SUMMARY:Washed Out
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 6/23 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nWashed Out \n \n[Website]\n[Facebook] \nBoredom. Laziness. Complete apathy. Is it a quarter-life crisis or just an excuse to never grow up? This is the world that Washed Out\, aka Ernest Greene\, conjures up on the ambitious new visual album Mister Mellow.\nFor many millennials\, life can be overblown and over-dramatized to the point of absurdity. Their ways of distracting themselves from the insecurities they face on a daily basis are just as absurd\, from social media and fantasy to drugs and music. Mister Mellow\, Washed Out’s first fully immersive multimedia experience playfully guides the listener through the highs and lows of this often ridiculous struggle\, and shines a light on the humor in this paradox — how we can be so bored and unhappy in what is often a very privileged\, contented life? This theme isn’t entirely new to Washed Out: Greene started exploring way back in 2009 on the Life of Leisure EP; but the new visual album\, which he conceived and spent two years creating\, provides a fresh\, modern perspective\, musically and thematically.\nMister Mellow moves further away from the synthesizer-heavy sounds of the recent Washed Out releases and more band-driven sound of his work on iconic labels Sub Pop in America\, and Domino in Europe. On Mister Mellow\, Greene draws from the experimental collage techniques of musique concrete and plunderphonics artists such as The Residents. Combining styles as diverse as free jazz\, house\, hip-hop and psych together with interlude-esque voiceover samples\, often pulled from anonymous YouTube vlogs\, he creates a busy\, chaotic\, and caricaturish mix that mirrors the claustrophobic\, hyper-stimulated psyche so familiar to young adults.\nAs Greene tells it\, he and his sole collaborator\, Grammy Award-winning engineer Cole MGN deliberately avoided polishing the songs: “My previous albums were very clean and traditional in the sense that most of the music was composed of live instrumental performances\, and recorded in a way that was very high-fidelity and modern. With this album\, the idea was to bring some chaos to the mix – and to try my best to make songs out of the strangest sounds and textures I could find.”\nAs he continues to carve out his innovative sonic identity\, influenced by the world around him but unafraid to buck trends\, it’s fitting that Greene has partnered with legendary hip hop label Stones Throw Records\, long a home for beat-loving musical rebels. His approach to releasing music is every bit as individual\, too: in an environment where compiling singles into an album format or working with a single video director are the norm\, Greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life.\nIntegral to the Mister Mellow project is the full-length visual counterpart that utilizes almost every form of animation (collage\, claymation\, hand-drawn\, stop-motion.) Inspired by a handmade / human feel rather than the pristine hyper-realism of purely computer generated visual art\, these rich\, detailed patchworks give the Washed Out compositional process its purest visual counterpart to date. Much as Greene meticulously stitches together sonic collages\, his visual collaborators use collage\, fabric puppetry and claymation to come up with the beautiful\, unique vignettes featured in the film. Much like the music\, Greene says\, the visuals are “imperfect and distressed”\, helping to create “a very skewed\, impressionistic view of the world.”\nOn Mister Mellow\, Washed Out steers clear of emotion to empathise with the minutiae of the world around him. “I’ve been much less interested in sentimentality and emotion for the past couple of years\,” says Greene\, “In some ways\, I think its a reaction against getting older and having more responsibilities. Maybe I’m just nostalgic for a time in my life where I could just relax and block out the world for a moment.” Though Mister Mellow is an intensely personal album\, its ideas and observations speak to the lived experience of so many young adults\, an experience that we come to see as both funny and sad.\nTake a hit and get lost June 30th.
URL:https://royaleboston.com/event/washed-out/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170831T180000
DTEND;TZID=America/New_York:20170831T180000
DTSTAMP:20260410T181357
CREATED:20170424T195250Z
LAST-MODIFIED:20170424T195250Z
UID:10002496-1504202400-1504202400@royaleboston.com
SUMMARY:Epica
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 6:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 4/28 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nEpica \nwith \nLacuna Coil\nInsomnium\nElantris
URL:https://royaleboston.com/event/epica/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VCALENDAR