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DTSTART;TZID=America/New_York:20190110T190000
DTEND;TZID=America/New_York:20190110T190000
DTSTAMP:20260409T115827
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SUMMARY:[SOLD OUT] Noname
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show is SOLD OUT! \nPlease note: This show is open to all ages.. Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nNoname \n \nWebsite\nFacebook\nTwitter \nNoname (born Fatimah Warner) is an American artist from Chicago\, Illinois\, who blurs the lines of poetry and rap through the music she creates. \nNoname grew up in Bronzeville\, a historic neighborhood on the southside of Chicago that famously attracted accomplished black artists and intellectuals of all types. Noname first discovered her love for words while taking a creative writing class as a sophmore in highschool. \nShe became enamored with poetry and spoken word- pouring over Def Poetry Jam clips on YouTube and attending open mics around the city. Noname regularly attended and performed at an open mic at Harold Washington Library- YouMedia’s Lyricist Loft. \nAfter sessions at YouMedia\, Noname would participate in cyphers and started getting into freestyling. When she was just a senior in highschool\, she placed third in “Louder Than A Bomb”\, a poetry competition with 120 Chicago high schools in participation. She remained connected with the artists she met at YouMedia and in 2013\, her verse on Chance the Rapper’s “Lost” attracted the beginning of her large fan base\, most of whom have been following her every move since. \nOn July 31st Noname released her debut project entitled Telefone which was 3 years in the making and highly anticipated by fans and media alike. Instantly the project gained critical acclaim with a rave review by Pitchfork and landing her praise from major outlets like Rolling Stones\, Complex and Dazed & Confused. Noname has been hailed by The FADER\, Complex\, and Rolling Stone as one of the most exciting and important new artists of 2016. \nThanks to Telefone’s success\, Noname played some shows in support of Ms. Lauryn Hill\, who hand-picked Noname to open for her on tour. When first approaching the project\, Noname set out to emulate the feeling of talking on the phone with someone for the first time. She describes Telefone as “an introductory conversation with someone you’re interested in”. But as Noname continued to work on the tape\, it also transitioned a bit into mortality: the idea of life and death and the duality between those two things. \n*** \nElton \n \nWebsite\nFacebook \nElton began his musical journey with the Art of Cool\, a multi instrumentation jazz/hip hop group that included long time collaborator & friend Phoelix. This laid the groundwork for MDMC where we first see Elton’s lyrical prowess on display. After moving to Chicago & struggling to find his place both internally and artistically. Elton utilized his collaborative skills to team up with Chicago producers The Burns Twin’s & Bedows for their EP’s; ​Sun Shower & Side Eye​ . His growth during this time resulted in the completion of his Solo Project – ​Elevated​ . Released in August 2018. \nReaching from his past experiences\, and current realities. ​Elevated​ ​takes you on a whirlwind of intrinsic instrumentation\, while Elton’s delivery ​paints a portrait with poetic melodies\, wrapped in bedroom soul.
URL:https://royaleboston.com/event/noname-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190111T180000
DTEND;TZID=America/New_York:20190111T180000
DTSTAMP:20260409T115827
CREATED:20180914T145059Z
LAST-MODIFIED:20181219T003148Z
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SUMMARY:[SOLD OUT] Noname
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! A second show has been added due to overwhelming demand. Tickets are available here now! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.. Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nNoname \n \nWebsite\nFacebook\nTwitter \nNoname (born Fatimah Warner) is an American artist from Chicago\, Illinois\, who blurs the lines of poetry and rap through the music she creates. \nNoname grew up in Bronzeville\, a historic neighborhood on the southside of Chicago that famously attracted accomplished black artists and intellectuals of all types. Noname first discovered her love for words while taking a creative writing class as a sophmore in highschool. \nShe became enamored with poetry and spoken word- pouring over Def Poetry Jam clips on YouTube and attending open mics around the city. Noname regularly attended and performed at an open mic at Harold Washington Library- YouMedia’s Lyricist Loft. \nAfter sessions at YouMedia\, Noname would participate in cyphers and started getting into freestyling. When she was just a senior in highschool\, she placed third in “Louder Than A Bomb”\, a poetry competition with 120 Chicago high schools in participation. She remained connected with the artists she met at YouMedia and in 2013\, her verse on Chance the Rapper’s “Lost” attracted the beginning of her large fan base\, most of whom have been following her every move since. \nOn July 31st Noname released her debut project entitled Telefone which was 3 years in the making and highly anticipated by fans and media alike. Instantly the project gained critical acclaim with a rave review by Pitchfork and landing her praise from major outlets like Rolling Stones\, Complex and Dazed & Confused. Noname has been hailed by The FADER\, Complex\, and Rolling Stone as one of the most exciting and important new artists of 2016. \nThanks to Telefone’s success\, Noname played some shows in support of Ms. Lauryn Hill\, who hand-picked Noname to open for her on tour. When first approaching the project\, Noname set out to emulate the feeling of talking on the phone with someone for the first time. She describes Telefone as “an introductory conversation with someone you’re interested in”. But as Noname continued to work on the tape\, it also transitioned a bit into mortality: the idea of life and death and the duality between those two things. \n*** \nElton \n \nWebsite\nFacebook \nRenaissance Vocalist Elton (+-) is an artist\, writer and producer from “The Valley” referring to Fox River Valley a west Chicago Suburb. \nElton began his musical journey with the Art of Cool\, a multi instrumentation jazz/hip hop group that included long time collaborator & friend Phoelix. This laid the groundwork for MDMC where we first see Elton’s lyrical prowess on display. After moving to Chicago & struggling to find his place both internally and artistically. Elton utilized his collaborative skills to team up with Chicago producers The Burns Twin’s & Bedows for their EP’s; ​Sun Shower & Side Eye​ . His growth during this time resulted in the completion of his Solo Project – ​Elevated​ . Released in August 2018. \nReaching from his past experiences\, and current realities. ​Elevated​ ​takes you on a whirlwind of intrinsic instrumentation\, while Elton’s delivery ​paints a portrait with poetic melodies\, wrapped in bedroom soul.
URL:https://royaleboston.com/event/noname/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190124T190000
DTEND;TZID=America/New_York:20190124T190000
DTSTAMP:20260409T115827
CREATED:20181009T140028Z
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SUMMARY:Neko Case
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri. 10/12 at 10AM! \nNeko Case has partnered with PLUS1 so that $1 from every ticket will go to Peer Solutions and support their positive youth leadership and development program designed to prevent harm before it begins and engage lifetime ambassadors of positive change. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nNeko Case \n \nWebsite\nFacebook\nTwitter \nFive years have passed since Case’s last solo project\, The Worse Things Get\, the Harder I Fight\, the Harder I Fight\, the More I Love You. In the interim\, she sang on Whiteout Conditions\, the 2017 release from longtime bandmates the New Pornographers. The year before that\, she released a vinyl box set of her solo work and joined k.d. Lang and Laura Veirs on the case/lang/veirs project. \nRecording that record was a revelation\, from Veirs’ innovative guitar tunings to Lang’s skills in studio. “I learned so much experiencing the work ethic of those two\,” Case says. She considers Lang “probably the most natural producer I’ve ever seen. Watching her work was awe-inspiring.” \nAfter their national tour together\, Case found similar transcendence in October 2016 sitting on a panel at the first-of-its-kind “Woman Producer” summit in Brooklyn\, NY. Between discussions and performances from a diverse group of women who produce music from around the world\, she wondered how it had taken such a long time to get to that moment\, and why so many female pioneers had been forgotten. \nShe felt lucky to have worked with the people she had encountered across her career—Darryl Neudorf\, Tucker Martine\, Craig Schumacher\, and Chris Schultz among them—who encouraged her to expand her own skills in studio. But she had also gotten fed up with a world in which women’s accomplishments seemed to vanish from public memory. “The George Martins and Quincy Joneses of the recording pantheon deserve every drop of praise and every project they have received\,” Case says. “But we can’t keep telling the same stories over and over. We need more stories\, more inspiration\, more flavors.” \nShe set to work on her next record looking for not just new stories but also new sounds. This time\, she wanted to put herself in a setting far away from everything she knew. She recalled Björn Yttling’s skill with Lykke Li\, Camera Obscura\, and his own band\, Peter Bjorn and John. “I’ve worked with the same people so long\, I never had to step outside my comfort zone\,” Case says. “In this instance\, I chose to.” \nThe two met over breakfast in Washington\, DC\, and decided to team up. By the time she went to Sweden in the fall of 2017\, Case had already written songs with longtime collaborator Paul Rigby\, laid down vocal and guitar tracks at WaveLab Studio in Tucson\, and built Carnacial Singing\, her recording space in Vermont. But in the middle of her stint in Stockholm\, with the finish line in sight\, she received a surreal 3am call telling her that her house was burning and would likely be completely destroyed. She felt panicked and helpless.  \nThe fire had started in the barn\, where she kept an assortment of belongings\, from artwork to old pianos. A friend had managed to get the dogs to safety. After the flames jumped to the house\, her home was engulfed\, too. \nA few hours later\, she went into a studio in Stockholm and laid down the vocals for “Bad Luck\,” singing the lines she had written long before she realized they would land on her. \nCase is now stoic about the fire. “If somebody burned your house down on purpose\, you’d feel so violated. But when nature burns your house down\, you can’t take it personally.” The month before the blaze\, Hurricane Harvey had slammed into Texas and flooded Houston. Her home burned just as Puerto Rico was plunged into a nightmare by Hurricane Maria and wildfires incinerated California. “In the big picture\, my house burning was so unimportant\,” she says. “So many people lost so much more: lives and lives and lives.” \nShe was hell-bent on not losing sight of the goal\, reminding herself there was still beauty in the world and in the process of making music. She had been reading a lot of ancient history\, including Adrienne Mayor’s The Amazons\, and thinking about how for millennia\, women have been more central to events than the average history class admits. “We were always there\, we were just erased. And I knew it. As a little girl I knew it. As a young person I knew it\,” Case says. “Now I know it anew with a ferocious\, righteous\, razor- sharp tribe of witnesses\, and it makes me feel like a super-powerful human being. It makes me feel joy. There’s an inheritance there that’s really important\, and I want to share it.” \nShe decided to climb inside her role as producer and wield it more directly. It just meant owning what she was already doing. \n*** \nThe record that came out of this reckoning with lost stories delivers both familiar Neko Case and something different. Death\, extinction\, exploitation\, tides\, animals\, and adoration all blend recognizably. Case’s trademark narrative gaps\, just large enough for listeners to enter each song\, likewise remain. As with Fox Confessor Brings the Flood and Middle Cyclone\, Hell-On spins away from conventions of story\, slipping into real life\, with its fierce mess and blind catastrophes. \n“I’m writing fairy tales\, and I hear my life story in them\, but they’re not about me\,” Case says. “I still can’t figure out how to describe it. But I think that’s why we make music or write things. You’ve got to invent a new language.” \nThere are differences\, too. The opening kalimba notes of the first track\, “Hell On\,” lead into a waltz of deep forces\, irresistible as gravity\, that refuse to be leashed or controlled (“You’ll not be my master / you’re barely my guest”). This tornado might not love you. \nCase planned this record with a commitment to big choruses and a goal of making them even bigger. The results appear in the anthemic “Last Lion of Albion\,” a requiem for every landscape and iconic creature (“last tiger of Tasmania / the last she-wolf to suckle Rome”) erased through massacre and marketing. \nRounding out the opening trilogy of false possession is “Halls of Sarah\,” a song for unwilling muses tormented by poets who love women “as lions love Christians.”  \n“Bad Luck\,” recorded from the ground up in Stockholm\, opens at a gallop and never breaks stride. A song always poses the challenge of when to move away from the groove and how to get back to it. But Yttling pointed out to Case that sometimes the whole song should be the hook—that there’s no shame in exploiting the catchiest part. That became the strategy for bringing “Bad Luck” to life. Longtime collaborators Kelly Hogan and Nora O’Connor came up with backing vocals that build a giddy\, knowing call and response into the song. \nFor “The Curse of the I-5 Corridor\,” former Screaming Trees frontman Mark Lanegan duets with Case on a ballad of memory and departure. Melancholy grooves “Gumball Blue” and “My Uncle’s Navy” mark Case’s first songwriting efforts with New Pornographers cofounder Carl Newman. And after performing it live for years\, Case has finally done a studio recording with Eric Bachmann of his song “Sleep All Summer\,” which moved her to pull over to the side of the road and cry the first time she heard it on the radio. \nThe labyrinthine “Dirty Diamond” opens onto room after room of shifting vocals that soar above a march- like rhythm. “Oracle of the Maritimes\,” perhaps the most fairy tale song on the record\, floats over a tuning invented by co-writer Laura Veirs\, carrying a love that longs to prove itself (“come on sweet girl let’s find you an ocean / that goes with your eyes”). \nClouds of mosquitoes rising out of hot tires\, a chest of drawers that rides out into the waves\, a box filled with unnamed newborn creatures: these songs are bursting with images that can only be understood through peripheral vision\, shards of imaginary lives wired into a mosaic. \nLater comes “Winnie\,” a pirate love song for a woman with a mouth “as sharp as the rib of a star.” The song came from the afterglow of reading Amazons. “There aren’t enough songs that are obviously about a woman loving another woman\, just loving her\, Sapphic or Platonic\,” Case says. “I thought there should be one\, because I know I sit around loving them all day.” \nThe record ends with “Pitch or Honey\,” winding its way through intimate verses sung over a drum machine before blooming into layered vocals\, a bigger beat\, and a wall of sound. “Am I making pitch or honey?” fades into repetition of “I love you better when you’re wild.”  \nThe record was born at the hands of some three dozen performers in all\, from k.d. Lang\, Laura Veirs\, Beth Ditto\, and Robert Forster on backing vocals\, to Joey Burns of Calexico and Doug Gillard of Guided by Voices on guitars\, and Barbara Gruska and Matt Chamberlain on drums. The sidelong perspective is part of the known Neko galaxy\, but the production is more expansive and edgier\, moving into new universes. These are songs that can swallow you. \n*** \nWhen Case returned to the US and walked through the ruins of her home\, the fire that had blazed after these songs were written became part of the record. For the cover\, she made a warrior’s helmet out of cigarettes. Interior and exterior shots of her incinerated house appear on the gatefold and booklet. And a tiny pop-open charred Brothers-Grimm cottage serves as the set for the video of “Bad Luck.” \nIt was as if nature invented a landscape for Hell-On after the fact: a melted ladder\, seared insulation dangling in ribbons\, the internal organs of pianos. She thought it should all be included in solidarity with those who had lost so much in the past year. \nAll the living creatures present at the time of the fire were found alive\, and so Case was able see beauty in the bleak scene. “It felt like this out-of-time Jacques Cousteau undersea expedition through a sunken World War II ship. Of course there’s some shit I miss\,” she says\, citing family photographs and a favorite sweater. “But none of it matters.”  \nAnd as for those fairy tales she’s writing and the history she’s remembering: “We need them now more than ever. We need stories from all sectors. Stories without endings. Stories with multiple endings. Stories that don’t end happily\, cautionary tales\, everything. We don’t need Disneyfied stories anymore.” \nA force of nature\, an act of a mercurial\, forgotten god\, Hell-On is a record sealed by fire\, filled with love and rage and dangers that might lay waste to everything at any moment. So if you wake up dazed in a smoking landscape\, walking through the detritus of your own lost civilization with the smell of ash in your hair\, your favorite sweater gone and a new song in your head\, don’t say you weren’t warned. \n*** \nMargaret Glaspy \n \nWebsite\nFacebook\nTwitter \nBorn Yesterday is a bookend to New York singer-songwriter\, Margaret Glaspy’s lauded 2016 debut Emotions and Math (ATO Records). “In releasing it\, I feel set free to sink deep into my new inspirations while taking a break from the road and make something entirely new.” Glaspy continues\, “These songs are the end of this chapter and mark a new beginning!” \nEmotions and Math was featured on many Year-End lists when it was released in 2016\, including The New York Times\, NPR Music\, Billboard\, Mother Jones\, and more. Glaspy toured the record intensely\, playing countless shows throughout North America\, Europe\, and Asia. This season on the road birthed her new EP released on ATO Records\, Born Yesterday. Margaret recalls\, “I wrote these songs on the road\, in my hotel\, on the plane\, and at soundcheck. They were the product of the little time that I had to myself – three songs about different sides of love: love gone wrong\, love gone right\, and love at a distance.” She continues\, “Born Yesterday is a bookend on the adventure that was my last record\, Emotions and Math.”  \nGlaspy self-produced the new EP\, which frames these love stories in catchy choruses\, dark harmony\, and her ever evolving sense of the electric guitar. Her finely tuned ear for production and tone shine on Born Yesterday.
URL:https://royaleboston.com/event/neko-case/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190125T180000
DTEND;TZID=America/New_York:20190125T180000
DTSTAMP:20260409T115827
CREATED:20181102T153045Z
LAST-MODIFIED:20190111T171438Z
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SUMMARY:[SOLD OUT] King Princess
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nKing Princess \n \nWebsite\nFacebook\nTwitter \nBorn and raised in Brooklyn\, NY\, King Princess is a vocalist\, multi-instrumentalist\, songwriter and producer. The product of a musical family\, she spent much of her childhood tinkering on the vintage Neve board in her father’s Brooklyn studio Mission Sound\, learning instrumentation along the way. At 11 she turned down a record deal in favor of finishing school\, which eventually led her to USC’s Thornton School of Music for college. She studied there for a year with legendary pianist and singer Patrice Rushen before leaving USC to pursue music full time. \n*** \nSeverity Stone \n \nFacebook \nSeverity Stone is a towering spooky drag entertainer hailing from Boston MA. She has been performing in and around the city for almost 8 years. Severity is best known for her commanding stage presence\, her ever-evolving witchy sense of style\, and sassy quick wit. She was crowned Scream Queen of Salem in 2014\, and Boston Comedy Queen in 2017. Severity is a regular performer at Machine Nightclub\, Jacques Cabaret and DADT at Great Scott. She also hosts Rupaul’s Drag Race viewing parties as well as Glam Brunch at Trophy Room! \n*** \nBanoffee \n \nWebsite\nFacebook\nTwitter \nAfter performing in Charli XCX’s band across the global Taylor Swift Reputation tour and curating three sold out Australian parties with Charli XCX\, Melbourne-born\, LA-based multidisciplinary artist Banoffee has released her new single ‘Bubble.’  \nPremiered on triple j’s Home & Hosed and Paper Magazine\, ‘Bubble’ exemplifies Banoffee’s unique style of subversive electronica-pop  \nBanoffee: “Bubble is my combat to bullies. It’s for the underdogs when they lose sight of their power. Being different\, being unheard or unseen is so dispiriting. I hope in those moments something like this song is a little pick me up. There’s power in difference. Don’t mistake vulnerability as weakness. What a typical doozy we all make.   \nI made the video to this song in my hotel room in Dallas. It was a funny week because I’d always imagined a big budget clip for this song. But without the funds or means to do anything accept something on the road\, I came to the realisation what we put together was perfect.   \nI don’t claim to represent everyone I hope this song can reach out to. The video is limited to the cast I had on hand which were my friends. But in all their beauty and pure love for the project we made something which shows who we are very clearly. The Dallas party we threw that night was full of such amazing strong characters\, all unique and proud of their identities.  I asked them to sing this with me\, and with them helping me along I think we made something really special. You can see that by the goofy smile on my face the whole way through.   \nNo lights\, not make up\, just us dancing in a pub\, sitting on the toilet\, jumping on our beds and singing to each other the lines I know I wish someone had sung to me at times when I thought I was a complete loser.   \nI hope you like this song\, it’s for you.”  \nBanoffee’s own brand of experimental electronica has been praised by FACT\, Clash Magazine\, DIY and BBC Radio 1 to name a few. A relocation to LA in 2017 offered up a fresh creative start for her without preconceptions\, a space filled with new collaborators\, an opportunity to flex muscles Banoffee didn’t even know were there. The past few months have seen her collaborate with the likes of SOPHIE\, HTML flowers\, l8loomer as well as join Charli XCX’s live band.  \nThis is Banoffee’s first batch of work that looks outside of self. The songs remain dark\, but instead of wallowing in dread\, they seek to inspire contentment. Banoffee is interested in the future of a more hyper textualised vein of pop\, one that pushes its listeners outside of their comfort zone.
URL:https://royaleboston.com/event/king-princess/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190127T210000
DTEND;TZID=America/New_York:20190127T210000
DTSTAMP:20260409T115827
CREATED:20181207T165123Z
LAST-MODIFIED:20181207T165136Z
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SUMMARY:Eduardo Costa
DESCRIPTION:
URL:https://royaleboston.com/event/eduardo-costa/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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