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SUMMARY:Allen Stone
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 11/8 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nAllen Stone \n \nWebsite\nFacebook\nTwitter \n*** \nSamm Henshaw \n \nWebsite\nFacebook\nTwitter \n*** \nAndy Suzuki and The Method  \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/allen-stone-4/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200312T190000
DTEND;TZID=America/New_York:20200312T190000
DTSTAMP:20260406T101548
CREATED:20191111T180058Z
LAST-MODIFIED:20200114T160753Z
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SUMMARY:Ekali
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 11/15 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nEkali \nwww.bvwphoto.com © Brian Van Wyk \nWebsite\nFacebook\nTwitter \nEkali is more than just an alter ego for musician Nathan Shaw. It’s not only the name for an electronic production project that — just a few months after posting his first track — brought a level of recognition that most artists spend a career dreaming about. It’s also a reflection of a remarkable musical journey that’s led him far outside the crowded beat-making field. \nAlthough only 26 years old\, Shaw has already been playing music for almost half his life. Growing up bouncing between Vancouver\, British Columbia and tiny Mayne Island (just across the Strait of Georgia from the city)\, Shaw absorbed his parents vinyl obsession early before picking up a violin when he was 12. Within a couple years he’d moved on to guitar\, then to bass\, which he played in his school’s jazz program before dropping out at age 15 to pursue music full time. He was a session bassist and touring musician\, playing indie rock\, folk\, jazz\, hardcore\, and posthardcore — and along the way won a Juno award his work with Vancouver indie group Said the Whale — before setting out on his own four years ago. \nEkali has given Shaw the chance to show off the stylistic flexibility he picked up from years playing across the musical spectrum. His breakthrough single “Unfaith” mixes Ciara samples and jazzy piano chords with the sonic and emotional intimacy of the indie rock and classic singer-songwriters he grew up on. (Which might explain how the track ended up being sampled not once but twice on Drake’s If You’re Reading This\, It’s Too Late.) He’s made apocalyptic trap music with rapper Denzel Curry (“Babylon”) and transcendent electronic pop with ZHU (“Blame”). \nBut while the self-taught musician draws from a sprawling set of influences — from Burial to Joni Mitchell to progressive metal icons Dream Theater — one constant in Shaw’s music is its commitment to analog-era ideals like warmth and texture that often go missing in modern beats. In an era of music tuned to computerized precision\, Ekali’s tracks resonate with a defiantly human touch. \nEkali’s debut EP\, Crystal Eyes was released last September 2018\, collaborating with the talented likes of K. Flay\, Yuna\, Slumberjack\, and Mossy. Following the release of the EP\, Shaw\, headed out on his third headline North America tour\, selling out most venues throughout the US & Canada. Ekali’s first full length album project is due out in January 2020 which features the likes of Au/Ra\, Kiiara\, Illenium\, Reo Cragun\, Nitti Gritti\, and more.  \n*** \nWilliam Black \n \nWebsite\nFacebook\nTwitter \nWilliam Black is a Los Angeles based producer and DJ. The blossoming electronic scene of Southern California in the late 2000s heavily influenced William’s music. His uniquely emotional sound and melodies are respected for being progressive\, inventive\, and meaningful. William’s artistic designs draw inspiration from the natural world around us\, and our interaction with it. His songs touch on important topics including depression\, addiction\, love\, and loss. These songs feature his signature soundscape of beautiful uplifting melodies with passionate singers. These qualities allowed his 2018 debut EP “Universe” to climb the iTunes Dance Charts to #1. The lead single\, “Wasted on You” premiered at #7 on the Billboard Dance Charts thanks to its immediately memorable chorus. William Black played to tens of thousands of fans in 2019 on both Adventure Club’s Spring “Death or Glory” tour and Illenium’s Fall Arena tour for “Ascend.”  In between this his first album\, “Pages”\, was released to critical acclaim for taking on important topics with unexpected music.  2020 continues to see William Black creating and playing emotionally raw dance music in his mission to display nostalgia through sound. \n*** \nJuelz \n \nWebsite\nFacebook \nFor the last three years\, Vancouver based producer Juelz has been crafting a catalog that fuses hip-hop and electronic boundaries effortlessly. Classical training in violin and a culturally diverse upbringing have proven fundamental in the development of his strong music writing and production skills.\nJuelz found initial success with the release of the SoundCloud club hit “Cocaine”\, which quickly led him to collaborations with the likes of josh pan\, Falcons\, and Promnite. In 2018 he teamed up with bbno$ to release a collaborative EP titled moneytalk\, and in early 2019 he released his Sophomore EP Shanghai Nights on Fools Gold Records.\nWith an influx of support coming from tastemakers including RL Grime\, A-Trak and his next EP coming soon\, Juelz is poised to make a colossal splash in the electronic music scene.
URL:https://royaleboston.com/event/ekali/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200314T180000
DTEND;TZID=America/New_York:20200314T180000
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SUMMARY:[CANCELED] Archers of Loaf
DESCRIPTION:The Archers of Loaf show at Royale on March 14th has been canceled. Refunds are available at point of purchase. \n*** \nArchers of Loaf \n \nWebsite\nFacebook \n*** \nSavak \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/archers-of-loaf/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200319T190000
DTEND;TZID=America/New_York:20200319T190000
DTSTAMP:20260406T101548
CREATED:20200123T170005Z
LAST-MODIFIED:20200326T142612Z
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SUMMARY:[CANCELED] Blood Orange
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nBlood Orange \n \nWebsite\nFacebook\nTwitter \nProducer\, multi-instrumentalist\, composer\, director and vocalist\, London born polymath Devonté Hynes is among the most influential voices in music today. Raised in England by Guyanese and Sierra Leonean immigrant parents\, Hynes started out as a teenage punk in the UK band Test Icicles before releasing two orchestral acoustic pop records as Lightspeed Champion. In 2011\, he released Coastal Grooves\, the first so far of five solo albums under the moniker Blood Orange. His 2016 album\, Freetown Sound\, was released to critical acclaim\, and saw Hynes defined as one of the foremost musical voices of his time\, receiving comparisons to the likes of Kendrick Lamar and D’Angelo for his own searing and soothing personal document of life as a black man in America. His 2018 album\, Negro Swan\, was released to equally rapturous response\, exploring elements of black depression and identity. His most recent release\, the 2019 mixtape Angel’s Pulse\, described by Hynes as an epilogue to Negro Swan\, further explores and builds upon those themes. He has collaborated with Solange Knowles\, fka twigs\, A$AP Rocky\, Puff Daddy\, Mariah Carey Janet Mock\, and many more\, and was recently one of four artists invited to the Kennedy Center to perform alongside Philip Glass. In addition to his production work\, he has sold out headlining tours around the world\, directed and edited 7 Blood Orange music videos as well as one for Beck’s 2019 “Uneventful Days”\, and composed the scores for the films “Palo Alto\,” directed by Gia Coppola\, and “Queen & Slim”\, directed by Melina Matsoukas.
URL:https://royaleboston.com/event/blood-orange/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200320T191500
DTEND;TZID=America/New_York:20200320T191500
DTSTAMP:20260406T101548
CREATED:20191209T154118Z
LAST-MODIFIED:20200312T231611Z
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SUMMARY:[RESCHEDULED] True Crime Obsessed
DESCRIPTION:This show has been rescheduled to Saturday\, August 8th.  \nTickets originally purchased for the Friday\, March 20th date will be honored at the rescheduled date. \n*** \nPresented by Bowery Boston \nDoors: 7:15 pm / Show: 8:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nTrue Crime Obsessed \n \nWebsite\nFacebook\nTwitter \nTrue Crime Obsessed is the True Crime / Comedy podcast you need in your life!  Each week\, hosts Gillian Pensavalle and Patrick Hinds recap true crime documentaries with humor\, sass\, heart\, and just the right amount of snark.  In their live show\, Gillian and Patrick bring their hilarious take on the absurdities of true crime characters and storylines to the stage\, tearing into one of your favorite true crime documentaries using video clips\, music\, and their signature garbage bell.
URL:https://royaleboston.com/event/true-crime-obsessed/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200321T180000
DTEND;TZID=America/New_York:20200321T180000
DTSTAMP:20260406T101548
CREATED:20191209T160830Z
LAST-MODIFIED:20200316T142225Z
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SUMMARY:[POSTPONED] ZZ Ward
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored for the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nZZ Ward \n \nWebsite\nFacebook\nTwitter \n*** \nPatrick Droney \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/zz-ward-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200328T183000
DTEND;TZID=America/New_York:20200328T183000
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SUMMARY:[POSTPONED] L'Impératrice - Matahari World Tour 2020
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:15 pm \nThis show has been postponed to a TBD date. All tickets will be honored at the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nL’impératrice \n \nFacebook\nTwitter \nL’Impératrice’s debut album arrived in 2018 all the pomp and circumstance of a coronation. “Impératrice” is French for “Empress”\, and if their moniker is the most difficult thing to grasp for anglophones\, then musically there’s nothing that doesn’t translate. The Parisians draw from a range of genres\, from 70s space disco to downtempo 90s synth pop\, taking in French film composers like François de Roubaix and Michel Legrand along the way. “Albums that sold 500 copies in the 1970s are the records that interest us most\,” they say. Matahari is a glittering\, cinematic summation of six years hard work that draws on some of the finest found sounds and forgotten sonic fandangos hiding in crates across the land\, all given L’Impératrice’s own inimitable 21st century twist.  \nWhat began as the project of one disaffected culture journalist is now\, some six years later\, a six-headed beast. Charles de Boisseguin had carved out a niche for himself as a respected journalist. Bylines all over France’s most respected music weekly Les Inrockuptibles sufficed for a time\, and he and some friends started Keith magazine in 2007 in homage to culture’s greatest Keiths\, from Richards to Haring. As a critic\, Boisseguin had a burning conviction that he could no longer disparage the works of others until he had a go himself. And so one beautiful spring morning in 2012 he made the jump and L’Impératrice was born. The poacher had turned gamekeeper. \nEarly productions were modest. Boisseguin traded in his poisoned pen for a Moog synthesiser and cut his teeth on GarageBand. This inchoate noise was still some way from becoming the chimerical analog disco monster that has enchanted so many ears in France\, but a strong feminine sound began to emerge nonetheless\, which eventually beget the name. A self-titled EP arrived on cool Parisian underground dance label Cracki in October of that year\, and by then Boisseguin was getting the hang of being a musician. The eponymously-titled track that opens the EP features slick jazzy motifs conflated with some old-skool hip hop flow. It won instant plaudits and set the tone for future successes.  \nThe band grew by stealth\, with Hagni Gwon arriving on claviers\, David Gaugué on the bass and Tom Daveau on the drums\, soon turning a one-man project into a gang. Chanteuse Flore Benguigui’s arrival gave their sophisti-pop sound a tangible femininity that had always been there as an undercurrent. Achille Trocellier on guitars became the final piece of the puzzle. L’Impératrice’s signed to microqlima in 2016. EPs such as Odyssée and Séquences received critical adulation. \nThen came a first glimpse of the long-awaited album in 2017 – with ‘Erreur 404’ – a lead single that juxtaposes silky\, almost simplistic French synthpop with a barbed lyric (the deliciously impertinent “bon voyage imbécile” line is a highlight). L’Impératrice make writing radio-friendly earworms look easy\, and the French have been voting with their feet in a positive way\, both on the dancefloor and at gigs. A show at La Cigale\, a 2\,000 capacity venue with an illustrious history in the 18eme arrondissement of Paris\, recently sold out within two weeks. \nMatahari is laden with sumptuous grooves and replete with potential singles\, subsuming all the elements\, from Air to Frank Ocean. The title track mixes analogue space disco with ostentatious\, irrepressible funk\, a mightily impressive undertaking featuring swooping philly strings and emphatic brass. It’s an ambitious production with a percussive core that was clearly recorded live in the studio\, and while there are many layers\, it’s pieced together with a deft hand. The track returns as a penultimate instrumental send-off\, and ‘Là-Haut’\, a weightless and dreamy instrumental to open proceedings\, features some inspired peripatetic bass from Gaugué and some diaphanous percussion that melts in the ears.   \nElsewhere ‘Paris’ captures the contemporary mise en scène of the bustling la Ville Lumière\, with a delectable vocal performance from Benguigui. Her adaptability as a vocalist is demonstrated with a sultry sprechgesang delivery on ‘Balade Fantôme’\, a spooky spoken word about being lost in space. ‘Masques’ adopts an almost klezmer-like tristesse\, with vertiginous violins and a classy musical chassis. Meanwhile ‘Dreaming of You’ is a steamy\, almost claustrophobic collaboration with electropop kindred souls and labelmates Isaac Delusion.  \nSubtle yet majestic\, L’Impératrice have a bright future in the republic\, though if the six-headed beast is to become real French musical royalty then they’ll have to watch their têtes. In fairness\, Boisseguin hasn’t put a foot wrong since he threw in the day job six years ago. If L’Impératrice’s stealthy rise to pre-eminence has all been part of the plan at home\, then you wouldn’t rule out la domination du monde being on the cards in the future.
URL:https://royaleboston.com/event/limperatrice/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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