BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Royale Boston - ECPv6.15.16//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://royaleboston.com X-WR-CALDESC:Events for Royale Boston REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20190310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20191103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20200308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20201101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20201020T200000 DTEND;TZID=America/New_York:20201020T200000 DTSTAMP:20260404T161211 CREATED:20200402T170041Z LAST-MODIFIED:20200911T140805Z UID:10002887-1603224000-1603224000@royaleboston.com SUMMARY:Caribou - POSTPONED DESCRIPTION:This show has been postponed. Ticketholders will be notified when new show information is announced. Thank you for your patience. \n*** \n \n*** \nCaribou \n \nWebsite\nFacebook\nTwitter \nIn 2014\, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim and top-five Album of the Year positions from the likes of The Guardian\, Mixmag\, Loud and Quiet\, and NME. Now\, five years later\, Caribou returns with his new studio album Suddenly\, a warm\, untamable\, and constantly surprising record about family and the changes we go through as those relationships evolve. Our Love was an open-armed exploration of the concept of love in its grandest form\, both as an expression of gratitude to his fans and as an examination of the one thing that matters most in life. Suddenly\, however\, takes that concept and winnows it down\, directly applying it to real life and the people to whom that love means the most. \n“It used to be easier to make music that existed in my imagination only\,” says Snaith. “That sense of exploration and discovery\, the visceral excitement of creating something\, is still there\, but it doesn’t seem like it’s possible any longer to have the changes in my life not make an impression on my music.” \nOn this album\, the exploration of love for the people in Snaith’s life is deeply personal and direct\, little snapshots of his own life seeping into his music. In fact\, many of the tracks are written through the eyes of others; Snaith puts himself in the shoes of his loved ones and tackles what they’re going through head-on. \nEven the album’s title stems from his home life. Towards the end of the lengthy process of this album’s creation\, Snaith’s youngest daughter added a new word to her vocabulary with dramatic effect: “suddenly.” She began saying it non-stop\, which led to Snaith’s wife suggesting it as a title. “Then I started hearing it everywhere\, and it resonated on all sorts of levels\,” says Snaith. \nMost prominently\, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family—universal themes that can catch you off guard and change your life in a heartbeat. “There are specific things\,” he says\, “whether those are losses and traumas from my life and the lives of the people around me\, or reflections on the joys and challenges of seeing my relationships with my kids and my parents change over time—things from the grain of my day-to-day life that insisted on making their way into the music.” \nSnaith also acknowledges that those dramatic moments are part of a slower process. These moments rear their heads\, for good or bad\, during the everyday flow of life. “There’s a tension between those sudden things which blindside you and the more glacial\, gradual day-to-day changes\,” he observes. “I feel\, and maybe others can relate to this\, that it’s a difficult thing to navigate in our lives. We are so caught up in the immediate—the details that require our attention every day—that we can be blind to the bigger forces shaping us. That’s why so often when something drastic happens suddenly\, it catalyzes all sorts of changes in our lives. Our perspective shifts.” \nSuddenly is in the music\, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor\, this album is littered with swerves and left turns. “It’s been great watching the first few people I let listen to it react at those points and to see the genuine shock when they first hear those moments\,” Snaith says. “I wanted to balance the familiar—the sound that people associate with my music—against these moments of surprise.” \nSongs drop out and morph into something else entirely just as they’re hitting their stride\, like when the lush warmth of “Lime” flips into ghostly chanting. Samples chopped up beyond all recognition burst out of nowhere as in “Sunny’s Time\,” the pitch- bending piano lines making way for undecipherable but addictive vocals. “You and I” starts as a dreamy\, undeniably Caribou-like love song before breaking down into a huge chorus littered with sampled yelps and finally going rogue completely with a screaming guitar solo\, swaggering into being from nowhere. All these moments and more make for a record that feels like home\, but one where you have to constantly double-take to see if something you spotted in the corner was ever really there. \nAs with previous Caribou albums\, Suddenly was mined from hundreds of draft ideas (this time over 900). “I record music every day\, and I love it—as much or more than I have always done. I feel very lucky—the thrill has never\, ever left me\,” Snaith says. This results in a daunting process of piecing these ideas together\, a process that has become increasingly familiar to Snaith. “There’s this contradiction between the day-to-day work of making more and more musical ideas that seem like they are adding nothing\, and the gradual accretion of that stuff becoming the album.” He has come to realize\, though\, that there’s a point at which that changes: “At some point\, it all adds up into some bigger picture\,” he says. “How that happens is always a mystery to me. I just follow my instincts.” \nThere is a moment where the daunting piling up of rough ideas morphs into an album quickly taking shape. “For the last few albums at least\, there’s been a point about three-quarters of the way through where I work late into the night (as usual)\, but when I try and go to bed\, ideas keep forcing me to get up and go back to the studio again\,” Snaith recalls. “It happens over and over in one night. I can feel the gears whirring as I lie there trying to sleep\, and I can’t ignore the ideas for fear that it will be gone when I wake up the next morning.” \nSnaith has come to recognize that once these moments begin to disturb him in the night\, the process of the album must be headed towards its conclusion. So here\, in a quick burst—after five years of ideas—is a complete project. \nThere are a few subtle differences in the process that set Suddenly apart from any other Caribou album. For the first time ever\, Snaith sings on every single track. “I’m not a strong singer\,” he admits with humility. “It’s taken me a long time to build the confidence and find a way to sing my songs that I can live with.” On Suddenly\, it’s clear Snaith is in that place; his voice is everywhere on the album\, clear and confident. The melodies are more complex than they’ve \never been\, and Snaith’s voice is right there at the forefront. Not only is he more present than ever\, but for the first time since 2005\, Snaith is the only lead vocalist (though there are\, of course\, some sampled vocals from his extensive record collection). This was initially unintentional\, but as the album developed\, Snaith realized “that’s the only way it could be.” \nIn a sense\, this is not quite true. There is one other voice\, a very special guest contribution: Snaith’s mother. She appears briefly and angelically on “Sister.” “My parents moved from England to Canada before I was born\, and they used to make tapes to mail back to my grandparents in England\,” Snaith explains. “The line I used is my mum singing a nursery rhyme to my sister when she was just a baby. For all that I’ve said about putting my life into my music\, that moment is the most personal.” It’s a fitting and touching moment\, one of many tiny moments of Snaith’s life placed lovingly into the music. “I haven’t told her she’s on there yet—I’m hoping it’s a welcome surprise!” he laughs. \nRecorded almost entirely alone at his home studio\, there were three crucial days where Snaith did have a collaborator. Longtime friend Colin Fisher plays saxophone and guitar on Suddenly\, but as something of a jack-of-all-trades and\, more importantly\, as a guiding force\, his touches are all over the record. Fisher flew over from Toronto and stayed with Snaith and his family who were immediately drawn to him\, Snaith’s wife dubbing him the Laughing Buddha for his near constant hyena-like laugh and his calm benevolence. “Aside from recording\, he also changed the whole atmosphere in the house in a really nice way\,” Snaith says. “It was great to see my kids trying to figure out this puzzle of a person who appeared out of nowhere. He would go out for a stroll and reappear with a Turkish flute that he had bought nearby. And then sit playing while they bounced on the trampoline beside him.” \nAs Snaith goes it alone more and more\, these are the kind of people who are still welcomed with open arms onto a Caribou record— friends he’s close to and who see music-making in a similar way. As Snaith puts it\, “These albums are like photo albums for me—when I look back at the old ones\, they’re a snapshot of my life at that time\, full of people who are close to you.” \nSo for all the strings Snaith has to his bow these days\, this is the drive to continue to make Caribou albums. Full bodies of work where Snaith is able to evaluate things\, look at those around him\, and celebrate them. As his passion and joy in music-making remains as fresh as ever\, Suddenly is the purest example of this yet. \n*** \nKaitlyn Aurelia Smith \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/caribou/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/04/1020-Boston-Caribou-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20201023T180000 DTEND;TZID=America/New_York:20201023T180000 DTSTAMP:20260404T161211 CREATED:20200131T170927Z LAST-MODIFIED:20200131T170927Z UID:10002874-1603476000-1603476000@royaleboston.com SUMMARY:Sammy Rae & The Friends DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale now! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nSammy Rae & The Friends \n \nWebsite\nFacebook\nTwitter \nSinger/songwriter\, bandleader\, and human being Samantha Bowers was born in the small town of Derby\, Connecticut. Sam first began writing songs at age 12 while taking piano lessons and listening to Bruce Springsteen\, Billy Joel and Freddie Mercury playing on the family stereo. By 16\, Sam developed a love of jazz and began to study the great female vocalists of the century (mainly Ella Fitzgerald\, Etta James and Sarah Vaughn) as she started to perform original compositions in local Connecticut and New Jersey venues. She would go on to write and release 3 LP records by the age of 18.\nIn 2013 at age 19\, Sam packed up and moved to New York to pursue music and songwriting. In 2016\, The Friends were born from a collection of talented musicians and friends. Sammy Rae & The Friends would play shows around the NY Metro area as Sam kept composing and sharpening her craft\, culminating in the July 2018 release of the self-produced EP ‘The Good Life’\, premiered to a sold-out crowd at C’Mon Everybody in Brooklyn. The release marked a fresh start for the seasoned vocalist showcasing her skills as a composer\, arranger\, lyricist\, and bandleader on her fourth release. Since the release of their May single ‘Saw It Coming’\, The Friends have enjoyed 6 sold-out shows in New York at well-known venues such as Knitting Factory\, Bowery Electric\, DROM\, and Rockwood Music Hall. The lyrics focus on themes of coming-of-age\, defiance\, and self-expression. Her genre blending performances are high-energy\, honest and quirky\, influenced by the great performances of her childhood classic rock heroes.\nIn short\, The Friends are the band. A rotating cast with some core all-the-time members. Their full band performances feature 9 pieces: a rhythm section\, a horn section\, keyboards\, and two back up singers\, all lead by Rae through high-energy vocals and an assortment of instruments. On a grander scale\, The Friends is the community of followers\, artists and creatives who help in the creation of the songs and the world. Merchandise item ‘The Official Friends Membership Card’ offers a goodie bag at every show\, drink deals\, discounted admission and invite-only after-parties. We don’t have fans\, we have Friends.\nAppearances by SR&TF are fully conceptualized and contained shows with opening and closing themes offering the invitation ‘I Wanna Be Friends With Ya’\, sung interludes\, choreography\, and the occasional costume change or skit. The community of the band is tangible and the energy is contagious. Performances are safe spaces for our audiences to make Friends\, dress boldly and dance how they like. Described as ‘a celebration\, a revival\, and an inclusive community all in a rock and roll performance’\nThe mission statement of Sammy Rae & The Friends is made clear in the final remarks sung at every show: ‘Go put a smile on somebody’s face\, go tell somebody they’ve got a place in this world\, go tell somebody you wanna be Friends with them.’ URL:https://royaleboston.com/event/sammy-rae-the-friends/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/SammyRae-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20201128T200000 DTEND;TZID=America/New_York:20201128T200000 DTSTAMP:20260404T161211 CREATED:20191120T150036Z LAST-MODIFIED:20200331T142014Z UID:10002844-1606593600-1606593600@royaleboston.com SUMMARY:[Moved to The Sinclair] Squarepusher DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nThis show has been rescheduled to 11/28 at The Sinclair. All tickets for the 4/9 show at Royale will be honored at the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nSquarepusher \n \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/squarepusher/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/Block_logo_white_on_black.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210125T190000 DTEND;TZID=America/New_York:20210125T190000 DTSTAMP:20260404T161211 CREATED:20200228T160055Z LAST-MODIFIED:20201222T163532Z UID:10002882-1611601200-1611601200@royaleboston.com SUMMARY:[POSTPONED] STRFKR DESCRIPTION:This show has been postponed. At this time\, we still don’t have information on a new date. Hold onto your tickets; there is nothing you need to do and they will still be valid for the rescheduled date. \nWe are in regular communication with our event partners to identify a new date. As soon as we have new information\, we will email you and update all listings online. Thank you for your continues patience. URL:https://royaleboston.com/event/strfkr-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/STRFKR-admat-2021.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210126T190000 DTEND;TZID=America/New_York:20210126T190000 DTSTAMP:20260404T161211 CREATED:20200703T111610Z LAST-MODIFIED:20210122T002532Z UID:10002889-1611687600-1611687600@royaleboston.com SUMMARY:[RESCHEDULED TO 11/22/2021] The Driver Era DESCRIPTION:This show has been rescheduled to 11/22/2021. All previously purchased tickets will be honored for this new date. URL:https://royaleboston.com/event/the-driver-era-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/07/NEW-Press-photo-MK-Sadler-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210129T180000 DTEND;TZID=America/New_York:20210129T180000 DTSTAMP:20260404T161211 CREATED:20200121T180013Z LAST-MODIFIED:20201202T050658Z UID:10002868-1611943200-1611943200@royaleboston.com SUMMARY:[CANCELED] The Fratellis DESCRIPTION:This show has been canceled. Refunds will be issued at point of purchase. \nIf you purchased tickets in person at the Royale or The Sinclair box office\, please email info@boweryboston.com for refund information. URL:https://royaleboston.com/event/the-fratellis/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/0129-BOS-Fratellis-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210305T180000 DTEND;TZID=America/New_York:20210305T180000 DTSTAMP:20260404T161211 CREATED:20191112T150053Z LAST-MODIFIED:20210202T175632Z UID:10002130-1614967200-1614967200@royaleboston.com SUMMARY:[RESCHEDULED] The Tallest Man on Earth DESCRIPTION:This show been rescheduled to Thursday\, March 3\, 2022. Ticket holders – there is nothing you need to do\, your original tickets are valid for the new date and will be honored at the door. \nTickets for the 2022 show are available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nThe Tallest Man on Earth \n \nWebsite\nFacebook\nTwitter \nOn April 19th\, 2019\, The Tallest Man On Earth released his first album in 4 years. I Love You. It’s A Fever Dream. was written\, produced and engineered by Kristian Matsson and was recorded almost entirely in his apartment in Brooklyn\, NY.\nWhen asked for some insight into the album\, Matsson says “Here’s what I can tell you: Of course there are some love songs and then there are some other songs. Making the album I was thinking a lot about the lenses we view our lives through and that\, for some reason\, our worst tendencies seem to be carried out so loudly\, while our best can go unnoticed. I’ve come to realize that some of the most powerful\, most inspiring moments in my life have been the most subtle and that so often the thing that deserves my attention\, is trying the least to get it.”\nIn recent years Matsson has undertaken single oriented projects that incorporate writing\, producing and self releasing songs and videos in regular intervals\, often with purposefully intense deadlines. He’s described finding inspiration in the entire process\, and in particular in the satisfaction of making something and having it out quickly. For listeners and viewers the fascination has been in watching an artist work through his life\, in problems and celebrations large and small\, putting his thoughts out into the world while he’s still processing them himself and watching them evolve over time. URL:https://royaleboston.com/event/the-tallest-man-on-earth/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/Press-Photo.jpeg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210316T190000 DTEND;TZID=America/New_York:20210316T190000 DTSTAMP:20260404T161211 CREATED:20200709T170745Z LAST-MODIFIED:20201202T050555Z UID:10002171-1615921200-1615921200@royaleboston.com SUMMARY:[CANCELED] Stephen Malkmus DESCRIPTION:This show has been canceled. Refunds will be issued at point of purchase. \nIf you purchased tickets in person at the Royale or The Sinclair box office\, please email info@boweryboston.com for refund information. URL:https://royaleboston.com/event/stephen-malkmus-2021/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/07/NY_Stephen-Malkmus_1200x1200.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210906T200000 DTEND;TZID=America/New_York:20210906T200000 DTSTAMP:20260404T161211 CREATED:20210415T210018Z LAST-MODIFIED:20210826T180654Z UID:10002890-1630958400-1630958400@royaleboston.com SUMMARY:Marc Rebillet [SOLD OUT] DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nThis show is SOLD OUT! \nPlease Note: All attendees will be required to show evidence of their full vaccination against COVID-19 OR produce a negative COVID-19 test within 72 hours prior to attending the event. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. All attendees are encouraged to wear a mask indoors\, per CDC guidance. For more information and FAQ’s about this policy\, visit aegpresents.com/health-policy. \nThe City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. \nPlease note that individual events may have additional restrictions or requirements as determined by artists or promoter. \nAge Limit: This show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \n Marc Rebillet \n \nWebsite\nFacebook\nTwitter \n“Marc Rebillet is a one-man improvised meltdown. No two shows are ever the same.” \n*** \n Oompa URL:https://royaleboston.com/event/marc-rebillet/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/04/marc_tour2021_Website_Local_1080x1080-BOSTON.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210909T190000 DTEND;TZID=America/New_York:20210909T190000 DTSTAMP:20260404T161211 CREATED:20210615T140028Z LAST-MODIFIED:20210909T203006Z UID:10002195-1631214000-1631214000@royaleboston.com SUMMARY:Japanese Breakfast DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nSecond show added due to overwhelming demand! \nPlease Note: All attendees will be required to show evidence of their full vaccination against COVID-19 OR produce a negative COVID-19 test within 72 hours prior to attending the event. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. All attendees are encouraged to wear a mask indoors\, per CDC guidance. For more information and FAQ’s about this policy\, visit aegpresents.com/health-policy. \nThe City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. \nPlease note that individual events may have additional restrictions or requirements as determined by artists or promoter. \nAge Limit: This show is all ages. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJapanese Breakfast \n \nWebsite\nFacebook\nTwitter \nFrom the moment she began writing her new album\, Japanese Breakfast’s Michelle Zauner knew that she wanted to call it Jubilee. After all\, a jubilee is a celebration of the passage of time—a festival to usher in the hope of a new era in brilliant technicolor. Zauner’s first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment\, while Soft Sounds From Another Planet took the grief she held from her mother‘s death and used it as a conduit to explore the cosmos. Now\, at the start of a new decade\, Japanese Breakfast is ready to fight for happiness\, an all-too-scarce resource in our seemingly crumbling world. \nHow does she do it? With a joyful noise. From pulsing walls of synthgaze and piano on “Sit\,” to the nostalgia-laden strings that float through “Tactics\,” Jubilee bursts with the most wide-ranging arrangements of Zauner’s career. Each song unfurls a new aspect of her artistry: “Be Sweet\,” co-written with Wild Nothing’s Jack Tatum\, is a jagged\, propulsive piece of ‘80s pop that’s followed by a sweetly melancholic ballad in “Kokomo\, IN.” As she rides a crest of saxophones and synthesizers through “Slide Tackle\,” a piece of nimble pop-funk run through a New Order lens\, Zauner professes her desire to move forward: “I want to be good—I want to navigate this hate in my heart somewhere better.” \nIn the years leading up to Jubilee\, Zauner also took theory lessons and studied piano in earnest for the first time\, in an effort to improve her range as a songwriter: “I’ve never wanted to rest on any laurels. I wanted to push it as far as it could go\, inviting more people in and pushing myself as a composer\, a producer\, an arranger.” She pours that sentiment into the album from the very beginning\, weaving a veritable tapestry of sound on the opening track “Paprika.” To build such an anthem of self-actualization\, Zauner maxed out the technical limits of her recording rig\, expelling her anxieties and egoism with layers upon layers of triumphant horns and marching snares. “How’s it feel to be at the center of magic? To linger in tones and words?” she ponders\, conjuring the widescreen majesty of Kate Bush. “I opened the floodgates and found no water\, no current\, no river\, no rush!” \nLater\, on “Savage Good Boy”—a kooky\, terrifyingly prophetic jam co-produced with (Sandy) Alex G—Zauner reduces the excess of modern capitalism to an emotional level\, sarcastically imagining the perspective of a billionaire trying to convince his lover to join him underground as the apocalypse unfolds. “I want to make the money until there’s no more to be made/And we will be so wealthy\, I’m absolved from questioning/That all my bad behavior was just a necessary strain/They’re the stakes in a race to win.” \n“I don’t want to weave politics into my music in a way that feels cheap\, but I couldn’t make something that doesn’t comment on the reality we live in\,” says Zauner. “I think that you need to push yourself to care\, and that’s part of what this album is about: If you want change\, in anything\, you need to go to war for it.” \nAt the end comes “Posing for Cars\,” one of the longest\, most visceral Japanese Breakfast songs to date. In its muted opening\, Zauner quietly re-embraces impassioned facets of youth—wistful daydreaming\, fierce loyalty—atop a bed of slowly-strummed guitars. Those same feelings pour out of her fingertips as she erupts into a cathartic\, nearly three-minute-long solo to close out the record\, with gradual swells of distortion that evoke the arena-sized guitars of bands like Wilco or Sonic Youth. \nJubilee is an album about processing life and love in the quest for happiness\, and how that process sometimes requires us to step outside of ourselves. “Savage Good Boy” isn’t the only time Zauner takes on a persona; On the cavernous masterpiece “Posing In Bondage\,” she imagines a woman left behind in the confines of an empty house\, traversing the blurred lines between domesticity and dominance as she sings to an absent lover. Meanwhile\, “Kokomo\, IN” was written from the perspective of a small-town Indiana boy\, forced to say goodbye to a girlfriend who’s shipping off to study abroad. But throughout Jubilee\, Zauner is hardly fictionalizing her lyrics\, instead pouring her own life into the universe of each song to tell real stories\, and allowing those universes\, in turn\, to fill in the details. Joy\, change\, evolution—these things take real time\, and real effort. And Japanese Breakfast is here for it. URL:https://royaleboston.com/event/japanese-breakfast-4/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/04/JB-2021-Promoter-SQ-2SHOW-nosoldout.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210910T180000 DTEND;TZID=America/New_York:20210910T213000 DTSTAMP:20260404T161211 CREATED:20210426T170624Z LAST-MODIFIED:20210909T203040Z UID:10002892-1631296800-1631309400@royaleboston.com SUMMARY:Japanese Breakfast DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nPlease Note: All attendees will be required to show evidence of their full vaccination against COVID-19 OR produce a negative COVID-19 test within 72 hours prior to attending the event. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. All attendees are encouraged to wear a mask indoors\, per CDC guidance. For more information and FAQ’s about this policy\, visit aegpresents.com/health-policy. \nThe City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. \nPlease note that individual events may have additional restrictions or requirements as determined by artists or promoter. \nAge Limit: This show is all ages. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJapanese Breakfast \n \nWebsite\nFacebook\nTwitter \nFrom the moment she began writing her new album\, Japanese Breakfast’s Michelle Zauner knew that she wanted to call it Jubilee. After all\, a jubilee is a celebration of the passage of time—a festival to usher in the hope of a new era in brilliant technicolor. Zauner’s first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment\, while Soft Sounds From Another Planet took the grief she held from her mother‘s death and used it as a conduit to explore the cosmos. Now\, at the start of a new decade\, Japanese Breakfast is ready to fight for happiness\, an all-too-scarce resource in our seemingly crumbling world. \nHow does she do it? With a joyful noise. From pulsing walls of synthgaze and piano on “Sit\,” to the nostalgia-laden strings that float through “Tactics\,” Jubilee bursts with the most wide-ranging arrangements of Zauner’s career. Each song unfurls a new aspect of her artistry: “Be Sweet\,” co-written with Wild Nothing’s Jack Tatum\, is a jagged\, propulsive piece of ‘80s pop that’s followed by a sweetly melancholic ballad in “Kokomo\, IN.” As she rides a crest of saxophones and synthesizers through “Slide Tackle\,” a piece of nimble pop-funk run through a New Order lens\, Zauner professes her desire to move forward: “I want to be good—I want to navigate this hate in my heart somewhere better.” \nIn the years leading up to Jubilee\, Zauner also took theory lessons and studied piano in earnest for the first time\, in an effort to improve her range as a songwriter: “I’ve never wanted to rest on any laurels. I wanted to push it as far as it could go\, inviting more people in and pushing myself as a composer\, a producer\, an arranger.” She pours that sentiment into the album from the very beginning\, weaving a veritable tapestry of sound on the opening track “Paprika.” To build such an anthem of self-actualization\, Zauner maxed out the technical limits of her recording rig\, expelling her anxieties and egoism with layers upon layers of triumphant horns and marching snares. “How’s it feel to be at the center of magic? To linger in tones and words?” she ponders\, conjuring the widescreen majesty of Kate Bush. “I opened the floodgates and found no water\, no current\, no river\, no rush!” \nLater\, on “Savage Good Boy”—a kooky\, terrifyingly prophetic jam co-produced with (Sandy) Alex G—Zauner reduces the excess of modern capitalism to an emotional level\, sarcastically imagining the perspective of a billionaire trying to convince his lover to join him underground as the apocalypse unfolds. “I want to make the money until there’s no more to be made/And we will be so wealthy\, I’m absolved from questioning/That all my bad behavior was just a necessary strain/They’re the stakes in a race to win.” \n“I don’t want to weave politics into my music in a way that feels cheap\, but I couldn’t make something that doesn’t comment on the reality we live in\,” says Zauner. “I think that you need to push yourself to care\, and that’s part of what this album is about: If you want change\, in anything\, you need to go to war for it.” \nAt the end comes “Posing for Cars\,” one of the longest\, most visceral Japanese Breakfast songs to date. In its muted opening\, Zauner quietly re-embraces impassioned facets of youth—wistful daydreaming\, fierce loyalty—atop a bed of slowly-strummed guitars. Those same feelings pour out of her fingertips as she erupts into a cathartic\, nearly three-minute-long solo to close out the record\, with gradual swells of distortion that evoke the arena-sized guitars of bands like Wilco or Sonic Youth. \nJubilee is an album about processing life and love in the quest for happiness\, and how that process sometimes requires us to step outside of ourselves. “Savage Good Boy” isn’t the only time Zauner takes on a persona; On the cavernous masterpiece “Posing In Bondage\,” she imagines a woman left behind in the confines of an empty house\, traversing the blurred lines between domesticity and dominance as she sings to an absent lover. Meanwhile\, “Kokomo\, IN” was written from the perspective of a small-town Indiana boy\, forced to say goodbye to a girlfriend who’s shipping off to study abroad. But throughout Jubilee\, Zauner is hardly fictionalizing her lyrics\, instead pouring her own life into the universe of each song to tell real stories\, and allowing those universes\, in turn\, to fill in the details. Joy\, change\, evolution—these things take real time\, and real effort. And Japanese Breakfast is here for it. URL:https://royaleboston.com/event/japanese-breakfast-3/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/04/JB-2021-Promoter-SQ-2SHOW-nosoldout.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210911T180000 DTEND;TZID=America/New_York:20210911T213000 DTSTAMP:20260404T161211 CREATED:20210909T204628Z LAST-MODIFIED:20220110T183919Z UID:10002232-1631383200-1631395800@royaleboston.com SUMMARY:Guided By Voices [RESCHEDULED TO 3/5/2022] DESCRIPTION:This show has been rescheduled from 9/11/21 and 1/15/22 to 3/5/22. All previously purchased tickets will be honored at the new date. \nPlease Note: All attendees will be required to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nPlease note that individual events may have additional restrictions or requirements as determined by artists or promoter. \nAge Limit: This show is 18+. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nGuided By Voices \nMINNEAPOLIS\, MN DECEMBER 30: Guided By Voices at First Avenue on December 30\, 2018 in Minneapolis\, Minnesota. Credit: Tony Nelson \nWebsite\nFacebook\nTwitter \nWith 10 studio albums already under their belts in less than 5 years\, Guided By Voices present-day line-up is nothing less than a new Golden Age of GBV.  \n “Earth Man Blues could be the band’s best album since 1995’s Alien Lanes. Put this record on and see how long it takes to utter your first joyful expletive.” **** 4 stars – Rolling Stone \n“Astonishing” – GRAMMY.com  \n“Tremendous. A knockout from start to finish. Earth Man Blues is all killer.” ***** 5 stars  – Shindig!   \n“This is their best album in decades. Let these tunes into your head and your heart and you’ll be singing them for weeks.” – The Quietus URL:https://royaleboston.com/event/guided-by-voices-rescheduled/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/05/GBV_Tony-Nelson_Color-Standing-scaled.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210915T200000 DTEND;TZID=America/New_York:20210915T200000 DTSTAMP:20260404T161211 CREATED:20210511T150059Z LAST-MODIFIED:20210820T174528Z UID:10002897-1631736000-1631736000@royaleboston.com SUMMARY:Moon Taxi DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri 5/14 at 10am! \nPlease Note: All attendees will be required to show evidence of their full vaccination against COVID-19 OR produce a negative COVID-19 test within 72 hours prior to attending the event. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. All attendees are encouraged to wear a mask indoors\, per CDC guidance. For more information and FAQ’s about this policy\, visit aegpresents.com/health-policy. \nThe City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. \nPlease note that individual events may have additional restrictions or requirements as determined by artists or promoter. \nAge Limit: This show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/moon-taxi-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/05/MT_SDTour_LocalizedSquare.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210918T183000 DTEND;TZID=America/New_York:20210918T213000 DTSTAMP:20260404T161211 CREATED:20210720T224028Z LAST-MODIFIED:20210916T142747Z UID:10002214-1631989800-1632000600@royaleboston.com SUMMARY:[CANCELED] Leon Bridges DESCRIPTION:The 9/18/2021 Leon Bridges show at Royale has been canceled. Refunds will be issued at point of purchase. A message from Leon: I am honored to share that the Television Academy has graciously asked me to perform during the In Memoriam telecast at this weekend’s Emmy Awards. To my fans in Boston\, it’s with great difficulty that I’ve elected to cancel my show at Royale\, but I also appreciate your understanding of this great honor\, to help remember the lives lost in the film and TV industry during such a challenging year. Your tickets will be refunded at the point of purchase and you will have first access to presale tickets for my next show in Boston\, to be announced soon. I promise you; we’re working on it as I type this note. URL:https://royaleboston.com/event/leon-bridges-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/07/LB_Tour_Sq_-SQUARE-scaled.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210922T190000 DTEND;TZID=America/New_York:20210922T190000 DTSTAMP:20260404T161211 CREATED:20210506T140050Z LAST-MODIFIED:20210827T191954Z UID:10002894-1632337200-1632337200@royaleboston.com SUMMARY:[CANCELED] Andrew W.K. DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. URL:https://royaleboston.com/event/andrew-w-k/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/05/AndrewWK_2021_Art_FINAL-OSF-sq.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210927T183000 DTEND;TZID=America/New_York:20210927T183000 DTSTAMP:20260404T161211 CREATED:20210726T121418Z LAST-MODIFIED:20210923T180523Z UID:10002217-1632767400-1632767400@royaleboston.com SUMMARY:Ingrid Andress DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:30 pm \nTickets on sale Thu 7/29 at 10am! \nPlease Note: All attendees will be required to show evidence of their full vaccination against COVID-19 OR produce a negative COVID-19 test within 72 hours prior to attending the event. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. All attendees are encouraged to wear a mask indoors\, per CDC guidance. For more information and FAQ’s about this policy\, visit aegpresents.com/health-policy. \nThe City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. \nPlease note that individual events may have additional restrictions or requirements as determined by artists or promoter. \nAge Limit: This show is open to ages 18+. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/ingrid-andress/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/07/IA_Admat_Localized-Boston-SQ.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211002T180000 DTEND;TZID=America/New_York:20211002T213000 DTSTAMP:20260404T161211 CREATED:20210622T160240Z LAST-MODIFIED:20210920T203421Z UID:10002921-1633197600-1633210200@royaleboston.com SUMMARY:Sarah Jarosz DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nPlease Note: This event will be presented in accordance with applicable public health requirements as of the date of the event; which could include changes to capacity\, attendance prerequisites\, procedures\, and other protective measures. \nAge Limit: This show is open to ages 18+. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/sarah-jarosz/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/06/Sarah-Jarosz-admat-2021-SQ.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211004T190000 DTEND;TZID=America/New_York:20211004T190000 DTSTAMP:20260404T161211 CREATED:20210720T170057Z LAST-MODIFIED:20210924T184127Z UID:10002213-1633374000-1633374000@royaleboston.com SUMMARY:Emotional Oranges DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:30 pm \nMoved from The Sinclair due to overwhelming demand! All previously purchased tickets honored\, additional tickets on sale now! \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is open to all ages. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/emotional-oranges/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2021/07/EO-FLYER-FEED-BOSTONpng.png ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211005T190000 DTEND;TZID=America/New_York:20211005T190000 DTSTAMP:20260404T161211 CREATED:20210719T160014Z LAST-MODIFIED:20210910T142249Z UID:10002931-1633460400-1633460400@royaleboston.com SUMMARY:[POSTPONED] Andy Mineo DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 7/23 at 10am! \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is open to all ages. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/andy-mineo/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/07/andy-mineo-2021-promoter-ad-mat.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211013T190000 DTEND;TZID=America/New_York:20211013T190000 DTSTAMP:20260404T161211 CREATED:20210819T130040Z LAST-MODIFIED:20210914T163141Z UID:10002937-1634151600-1634151600@royaleboston.com SUMMARY:WILLOW DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:30 pm \nTickets on sale Fri 8/20 at 10am! \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nWILLOW \n \n*** \nDe-Wayne \n*** \nKid Sistr URL:https://royaleboston.com/event/willow/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/08/WILLOW-LIFETOUR-localized-SQ.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211015T183000 DTEND;TZID=America/New_York:20211015T213000 DTSTAMP:20260404T161211 CREATED:20210621T151913Z LAST-MODIFIED:20210901T203629Z UID:10002910-1634322600-1634333400@royaleboston.com SUMMARY:Lukas Nelson & Promise of the Real DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:00 pm \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is open to 18+. Patrons under 18 admitted if accompanied by a parent or guardian. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/lukas-nelson-promise-of-the-real-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/06/Lukas-Nelson-admat-2021-boston.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211016T183000 DTEND;TZID=America/New_York:20211016T213000 DTSTAMP:20260404T161211 CREATED:20210414T160027Z LAST-MODIFIED:20211015T190708Z UID:10002185-1634409000-1634419800@royaleboston.com SUMMARY:Waxahatchee [POSTPONED] DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:00 pm \nThis show has been postponed to a TBD date. Hang onto your tickets\, and we will more info on the rescheduled date soon! \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nWaxahatchee \n \nWebsite\nFacebook\nTwitter \nWhat do we hold on to from our past? What must we let go of to truly move forward? \nWaxahatchee’s Katie Crutchfield\, a lyricist who has always let her listeners know exactly where she is at a given moment\, spent much of 2018 reckoning with these questions and revisiting her roots to look for answers. The result is Saint Cloud\, an intimate journey through the places she’s been\, filled with the people she’s loved. \nWritten immediately in the period following her decision to get sober\, the album is an unflinching self-examination. From a moment of reckoning in Barcelona to a tourist trap in Tennessee to a painful confrontation on Arkadelphia Road\, from a nostalgic jaunt down 7th Street in New York City to the Mississippi Gulf\, Crutchfield creates a sense of place for her soul-baring tales\, a longtime staple of her storytelling. \nThis raw\, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars\, well-honed noise\, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters\, Saint Cloud strips back those layers to create space for Crutchfield’s voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time. \nFrom the origins of her band name—the beloved creek behind her childhood home—to scene-setting classics like “Noccalula” and “Sparks Fly\,” listening to Waxahatchee has always felt like being invited along on a journey with a steely-eyed navigator. On Saint Cloud\, Crutchfield adds a new sense of perspective to her travels. Reflecting on this\, she says\, “I think all of my records are turbulent and emotional\, but this one feels like it has a little dose of enlightenment. It feels a little more calm and less reckless.” \nMany of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones\, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on “Fire\,” which she says was literally written in transit\, during a drive over the Mississippi River into West Memphis\, and serves as a love song to herself\, a paean to moving past shame into a place of unconditional self-acceptance. Coming from a songwriter long accustomed to looking in other directions for love\, it’s a stirring moment when Crutchfield sings\, “I take it for granted/If I could love you unconditionally/I could iron out the edges of the darkest sky.” \nWhich is not to say that Saint Cloud lacks Crutchfield’s signature poetry on matters of romantic love. Still\, her personal evolution in this area is evident too\, as this time around\, Crutchfield examines what it really means to be with someone and how it feels to see our own patterns more clearly. On “Hell\,” she sings: “I hover above like a deity/But you don’t worship me\, you don’t worship me/You strip the illusion\, you did it well/I’ll put you through hell.” \nCrutchfield also looks at what it’s like to be romantically involved with another artist\, someone in search of their own truth\, on “The Eye”: “Our feet don’t ever touch the ground/Run ourselves ragged town to town/Chasing uncertainty around\, a siren sound” and “We leave love behind without a tear or a long goodbye/as we wait for lightning to strike/We are enthralled by the calling of the eye.” \nAnd of course\, even when Crutchfield is taking a more nuanced approach to love\, her ease with all-encompassing sentiments is still clear\, with lines like “I give it to you all on a dime/I love you till the day I die” which sound culled from a classic torch song. \nOver the course of Saint Cloud’s 11 songs\, which were recorded in the summer of 2019 at Sonic Ranch in Tornillo\, TX\, and Long Pond in Stuyvesant\, NY\, and produced by Brad Cook (Bon Iver\, Big Red Machine)\, Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country (like the honky tonk ease of “Can’t Do Much”)\, folk-inspired tones (heard in the confessional lilt of “St. Cloud”)\, and distinctly modern touches (like the pulsating minimalism of “Fire”). \nTo bolster her vision\, Crutchfield enlisted Bobby Colombo and Bill Lennox\, both of the Detroit-based band Bonny Doon\, to serve as her backing band on the record\, along with Josh Kaufman (Hiss Golden Messenger\, Bonny Light Horseman) on guitar and keyboards and Nick Kinsey (Kevin Morby\, Elvis Perkins) on drums and percussion. Bonny Doon will also perform as Crutchfield’s live band during her extensive tours planned for 2020\, which include the US and Europe. \nSaint Cloud marks the beginning of a journey for Crutchfield\, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm\, she’s now firmly in the eye of it\, taking stock of her past with a clear perspective and gathering the strength to carry onward. \n*****************************************************************************************\nSaint Cloud was released on March 27th\, 2020 on Merge Records. \n*** \nKaty Kirby \n \nWebsite\nFacebook\nTwitter \nKaty Kirby is a songwriter and indie rock practitioner with an affinity for unspoken rules\, misunderstanding\, and boredom. She was born\, raised\, and homeschooled by two ex-cheerleaders in small-town Texas and started singing in church\, amidst the pasteurized-pop choruses of evangelical worship\, about which she shares acute perceptions. \nLike many bible belt late-millennials\, Katy grew up on a strict diet of this dependably uncool genre. She recalls\, “In the mid-90s\, the American evangelical church was making music of an extraordinarily digestible\, almost unprecedentedly easy-listening kind\, stylistically void and vaguely dubbed Christian Contemporary Music\, or CCM. It was pop that wasn’t quite pop\, determinedly hanging on to the openhearted melodies of a decade prior\, straightforward so as to be easily memorable\, and in a key that an average churchgoer could sing along to.” \nAccordingly\, Cool Dry Place finds her dismantling it. “I can hear myself negotiating with that worship-ish music\, fighting that deeply internalized impulse to make things that are super pleasant or approachable.” She hasn’t fully overcome the itch to please\, but to a listener’s benefit. Instead of eradicating the pop sensibilities of her past\, she warps them\, lacing sugary hooks with sneaky\, virulent rage\, twisting affectionate tones into matter-of-fact reproach\, and planting seemingly serene melodies with sonic jabs. The fun is in the clash. \nTake “Portals” for example\, a song of country-traditional chords and gentle vocal delivery that might have easily materialized as a placid ballad. Rather\, Katy drenched its soft core in metallic noise and oscillating string textures. You can imagine someone bussing glassware from a table nearby\, while Katy sits you down at a booth and trusts you with notes on a pre-breakup\, the first couple of minutes living in the last part of a relationship. \nWith the same masterful trickery\, “Traffic!” juxtaposes sound and sentiment\, a jittery combination of saturated pop and Rainforest Cafe’ faux-tropicalia projecting (arguably false) sympathy toward a character absorbed in his own self-inflicted misery. Though her chorus wails jubilant\, Katy weaponizes its catchy gusts to criticize privilege: “Nobody has it better than you.” \nKaty’s residual ties to church life are audial alone; spiritually\, she has worked to detach. “Until a couple of years ago\, I spent much of my time falling out of love with God. My life until then hadn’t just been participating in a church so much as completely\, profoundly believing—youth group\, sure\, but also a few attempts to cast out demons. Learning how to think or see things outside of that very intense\, clarified space was like rewiring my brain. I guess that if there’s one thing that unifies these songs\, it’s that they’re figuring out what to do\, or how to love\, or who to rely on outside of that context.” \nThe nine tracks that make up Cool Dry Place are miscellaneous in subject (motherhood\, late capitalism\, disintegrating relationships\,) but unified by the angle from which they’re told\, from a person re-learning to process life with intense attention. Each song is a catalog of fragments\, the number of segments in an orange or the cut of an obsessively-worn shirt\, distilled into meditations on the bizarre and microscopic exchanges that make up modern life — a relationship splintering\, an uncomfortable pause\, an understanding finally found. These emotional dioramas are moderated by the angular storytelling that unites Gillian Welch and Phoebe Bridgers\, a favor for the conventions of short fiction over confession. \nKirby readily admits that Cool Dry Place feels like a late-bloomer’s record. “These songs were written and recorded over an embarrassingly long period of time\, by a few different versions of myself.” The album began in Nashville years ago. Kirby had moved there for college\, changed majors five times\, briefly dropped out\, and finally graduated with a handful of songs\, a circle of artistic allies\, an amorphous collection of leftist beliefs\, and an English degree. She flailed in the solo-artist archetype for a period of time before turning to friends capable of constructing a satisfying full length. Kirby\, Alberto\, Hunt\, Logan\, and Zook spent over a year carving out bits of spare time to record in bedroom studios\, living rooms\, and a now-demolished former residence of Keith Urban. Tracking was finally completed over Thanksgiving 2019 at Kirby’s childhood home outside of Austin. \nAs its title track flips the advisory on a package of Tylenol into a hymn to human need for protection and acceptance\, Cool Dry Place asks a listener to embrace the precious and contradictory nature of being a person. Katy Kirby is an artist simultaneously tender and angry\, vulnerable and protected\, calculated and resigned. URL:https://royaleboston.com/event/waxahatchee-3/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/04/1016-BOS-Waxahatchee-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211020T190000 DTEND;TZID=America/New_York:20211020T190000 DTSTAMP:20260404T161211 CREATED:20210809T160014Z LAST-MODIFIED:20210921T184421Z UID:10002223-1634756400-1634756400@royaleboston.com SUMMARY:the Mountain Goats DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 8/13 at noon! \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/the-mountain-goats/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/08/tmg-admat-2021-SQ.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211022T183000 DTEND;TZID=America/New_York:20211022T213000 DTSTAMP:20260404T161211 CREATED:20210616T140029Z LAST-MODIFIED:20210901T203733Z UID:10002908-1634927400-1634938200@royaleboston.com SUMMARY:Shannon and the Clams DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:00 pm \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is open to 18+. Patrons under 18 admitted if accompanied by a parent or guardian. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nShannon and the Clams \n \nWebsite\nFacebook\nTwitter \n“I am terrified of spiders\,” says Shannon Shaw. “My mom always told me that they’re drawn to me. Like\, they would drop down and dangle in my face as a baby\, or they’d get in my bed.” \nBut the powerhouse singer-bassist of retro-rock band Shannon & The Clams had bigger fears when she went to an astrologer two years ago. Shaw was at an emotional tipping point — willing to try anything — because everything she loved was falling apart. \n“It felt like the end of an era\,” Shaw says\, which began to unravel in 2016 with the tragic Ghost Ship warehouse fire in the Clams’ DIY community in Oakland. In 2018\, the California wildfires in Napa almost caused her parents to evacuate their homes. In 2019\, a lurking intruder drove Shaw out of the beloved apartment she’d lived in for 14 years. And then\, right as her band was getting invited on big tours with bands like Greta Van Fleet and The Black Keys\, her father was diagnosed with cancer. “The idea of leaving my family was agonizing — it was torture\,” Shaw says. \nThe astrologer told her to summon Durga when she felt powerless\, a Hindu goddess who holds a weapon in each of her eight arms. Shaw saw the connection. “The symbolism of the spider made a full turn in an interesting way\,” she says. “I was getting protection from the thing I feared the most.” Plus\, she says with a laugh\, “Spiders destroy the bullshit bugs. Like mosquitoes. Who needs ‘em?” \nYear Of The Spider\, the band’s sixth studio album\, rages against death and disease with the power of a thousand angry Ronettes. Songs like “All Of My Cryin’\,” “Mary\, Don’t Go\,” and “Year Of The Spider\,” pulse with girl-group elegance and punk ferocity. On a Clams record\, you always get both. \nThat harsh/soft balance often comes down to Clams keyboardist Will Sprott. “Different keyboards lend themselves to different tones\,” Sprott says\, “a Rhodes [piano] is more soft and bell-like\, whereas a Wurlitzer has these chunky\, abrasive bites. So when I’m deciding which instrument to play on a song\, I’m thinking\, what does the song make you feel? What do you want it to communicate? It’s like\, do you want this organ to scream at you or soothe you?” \nOn the album opener\, it was a little bit of both. “Do I Wanna Stay” is a slow tango between Shaw’s voice and Sprott’s piano that builds to a break point when Shaw rasps\, “I dream at night…” sounding like someone whittled Brenda Lee into a shiv. \n“We went line by line with a fine-toothed comb to make sure the instrumentation matched each scene\, almost like a movie\,” Sprott says\, adding\, “That’s one thing about having Dan [Auerbach] as your producer — he is really good at seeing an overall vision of the sound — knowing when and where to add or remove certain layers.” \nDrummer Nate Mahan agreed\, saying “Stay” was a true collaboration. “Shannon had a very unique idea about the tempo of that song that we had to work out with Dan … The timing took us quite a while to get right\, but I’m really proud of how it came out.” \nWhen Mahan moved to Oakland in 2007\, he was a fan of the band before he joined. “I was in a lot of improvisational and noise bands in a city that has every micro-genre you can imagine floating around … Shannon and the Clams stuck out to me because they had great songs with great singers\, which I thought that really lacking in Oakland at the time.” \nMahan’s intuitive approach shines through on songs with dense imagery like\, “Mary Don’t Go” — one of Shaw and Auerbach’s favorites. “I wanted to leave space for the words and pull back [on the drums]\,” Mahan says. “When you slow the pace\, the words can feel more powerful.” \nOn “Godstone\,” which tells the story of a surreal underwater encounter Shaw had in Hawaii\, Mahan ditched the drums completely and played a halting\, horn-like piano line while Sprott added the eerie arpeggiated synths. \nThe other source of the Clams’ signature sound comes from the decade-long creative partnership between Shaw and Clams’ guitarist Cody Blanchard. In “I Need You Bad\,” their voices lock into bewitching minor chords. “It’s like a zipper when we sing together\,” Shaw said\, “I think we have a blood harmony\, though we’re not related.” Bands that do have blood harmonies — the Everly Brothers\, the BeeGees — are major musical touchstones for them. But unlike those groups\, Shaw\, Blanchard are close friends. They live 15 minutes away from each other and when both are in town\, will rehearse in the goat shed turned recording studio that Blanchard built in his yard. \nBlanchard mixed Spider at Dan Auerbach’s Easy Eye Sound Studios the same week tornadoes devastated parts of Nashville right before the COVID-19 shutdowns in early 2020. He also wrote and sings lead on roughly half the songs on Spider. His songs\, like “Flowers Will Return” and “In The Hills\, In The Pines\,” have swelling pop arrangements and a mysteriously sparse falsetto\, reminiscent of bands like The Hollies and The Association. \nAs a songwriter\, Blanchard said he can get neurotic\, so he tried Dolly Parton’s trick: writing songs from another person’s point of view. It worked\, yielding some of Spider’s darkest songs: the howling “Crawl\,” which has a roiling hard-rock guitar (“that was really fun — just a classic\, rippin’ ‘70s guitar solo”) and the album’s first single\, “Midnight Wine\,” a thundering baroque-pop number that was inspired by friends and people in the Oakland arts community who died of drug overdoses over the last few years. \n“I was thinking specifically of the feeling of alienation\,” said Blanchard. “Where it feels like nothing in society works for you. The only thing that makes sense is to get fucked up to the point where you don’t care if you die or not because life is too difficult and bleak.” \nSpider ends with the slinky Motown-esque\, “Vanishing.”Shaw dons her spiritual spider armor once more\, singing directly and poignantly to her father (who is doing well\, she said.) At first\, Shaw wondered if the lyrics were too personal to put on the record. \n“It’s very emotional\, very tender\,” she said. “I also had these ideas that made no sense\, like having the weird call-and-response\, but we made it work so it was one of those songs that gave me the chance to grow.” \n*** \nDelicate Steve \n \nWebsite\nFacebook\nTwitter \nTILL I BURN UP \n“In a time where nothing makes sense\, or when everyone is trying to make sense of everything\, even the right idea might not make perfect sense to everybody at that moment.” \nSteve Marion\, the songwriter\, guitarist\, and producer who has made four studio records of primarily word-less\, guitar-first music as Delicate Steve\, is talking about the bifurcated and reactionary culture of the moment. But by no coincidence he’s also describing musical moments that helped to inspire Till I Burn Up (Anti-\, 2019) his forthcoming LP. \nThe album name comes from a line in Dr. John’s “Walk on Guilded Splinters” where Steve misheard John’s actual phrase “Tit Alberta” as “Till I Burn Up.” But more than fodder for an album title\, John’s Gris Gris\, and records like it\, informed a new frame-of-mind for an artist who has historically set out to make a predetermined statement with every recording. \n“The idea of this young freak making Gris Gris in LA\, and nobody knowing what to do with it in 1968… He gave me confidence to be a little more freaky and abstract instead of quirky and nicely-packaged like my last album was.” Steve goes on to cite early records by Iggy Pop and Dylan and The Band’s electric tour that were panned at the time and lauded in hindsight. “There is a confidence that comes with abandoning the idea of wanting to create something that everyone might like to check out.” \nBut all is not bifurcated\, and we know two things can be true at once. The confidence necessary for Steve to make Till I Burn Up could also be self-inspired. Now nearly ten years into his career\, Steve is a cult artist of his time who has been called to record with his heroes (Paul Simon\, Kanye West) and contribute significantly to his contemporaries’ modern masterworks (Amen Dunes\, Freedom)\, all the while recording and releasing his own critically hailed work and sharing the stage with Tame Impala\, Mac DeMarco\, Growlers and others. \nThe artist whose songwriting and playing has been marked through by transcendent moments of buoyancy and joy has created a pulsing and propulsive record in Till I Burn Up. He put up at a studio in Woodstock and found himself playing Freddie Mercury’s Oberheim synthesizer and his guitar plugged into Robbie Robertson’s Fender amp. \nWith the intent to turn away from the times\, Steve managed instead to document the sound of this moment — the ever-undwinding feed that feeds the feedback loop of talking heads\, twitter tick-ticking like a bomb\, the timed drip- like morphine- of news breaking in our hands\, the party before the shoe drops\, our interior dialogue\, all the contradictions… \nA song called “Freedom” is underpinned by a grinding circular guitar line interrupted by what sounds like synthetic warning sirens. “Rat in the House”\, “Rubberneck”\, and “Madness” are blinkered dancefloor rippers suited for a bunker party. “Selfie of Man” recognizes the pervasive behavior and its result\, as a literal portrait of our times. It moves along in marched lockstep\, with inversely reflecting guitar lines. The album’s closer ‘Dream’ allows Steve and his listeners some free range. Until then\, each song is self-contained and self-referential — an ouroboros within a greater ouroboros called Till I Burn Up. \nThere are turns on Till I Burn Up as dark as anything Delicate Steve has recorded\, but not without reminders that a joy ride into an apocalypse is still a joy ride. Like the harrowing moment it documents\, Till I Burn Up would not be true if not imbued by contradiction. True to form\, this Delicate Steve record is a distillation. URL:https://royaleboston.com/event/shannon-and-the-clams/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/06/Shannon-Clams-admat-2021-sq-localized.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211023T180000 DTEND;TZID=America/New_York:20211023T180000 DTSTAMP:20260404T161211 CREATED:20210915T190035Z LAST-MODIFIED:20210915T200709Z UID:10002950-1635012000-1635012000@royaleboston.com SUMMARY:Queen Naija DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 9/17 at 10am! \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nQueen Naija URL:https://royaleboston.com/event/queen-naija/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/09/Facebook-1080x1080-2.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211025T190000 DTEND;TZID=America/New_York:20211025T190000 DTSTAMP:20260404T161211 CREATED:20210713T170457Z LAST-MODIFIED:20211006T185751Z UID:10002925-1635188400-1635188400@royaleboston.com SUMMARY:100 gecs [SOLD OUT] DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nSOLD OUT! Due to demand\, a second show has been added on 12/12. Tickets for the 12/12 show available HERE. \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is 18+. Patrons under 18 admitted if accompanied by a parent or legal guardian.. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/100-gecs/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/07/10k-Tour-IG-Square-TWO-SHOW.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211027T200000 DTEND;TZID=America/New_York:20211027T200000 DTSTAMP:20260404T161211 CREATED:20211026T163145Z LAST-MODIFIED:20211026T163145Z UID:10002252-1635364800-1635364800@royaleboston.com SUMMARY:Open Haüs - Volume 2 Featuring SIGALA w/ Special Guest NOTD DESCRIPTION:18+ URL:https://royaleboston.com/event/open-haus-volume-2-featuring-sigala-w-special-guest-notd/ LOCATION:MA CATEGORIES:Concerts,Nightclub ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/10/ThisWednessday-03-1-scaled.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211029T180000 DTEND;TZID=America/New_York:20211029T213000 DTSTAMP:20260404T161211 CREATED:20210421T204741Z LAST-MODIFIED:20211015T141749Z UID:10002891-1635530400-1635543000@royaleboston.com SUMMARY:Jukebox the Ghost - HalloQueen 2021 DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 6:30 pm \nTickets on sale Fri 4/23 at 10AM! \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJukebox the Ghost \n \nWebsite\nFacebook\nTwitter \nWE HAVE BEEN A BAND FOR ALMOST 10 YEARS. WE HAVE RELEASED FOUR ALBUMS. ONE OF THEM TWICE! WE LIKE TOURING. WE TOUR A LOT. WE HAVE PLAYED ALMOST A THOUSAND SHOWS. FOR A MORE DETAILED AND PROFESSIONAL BIOGRAPHY PLEASE CONTINUE READING. \nJukebox the Ghost’s latest record\, Off To The Races is a giddy\, vibrant collection of Jukebox the Ghost’s most bombastic\, colorful songs to date. Though it’s the fifth studio outing from this long-running trio of piano pop wizards\, it plays like an energetic debut album: Just as eager to please as it is eager to surprise you. Every generation has a band that puts a fresh twist on piano-rock\, and Jukebox the Ghost’s latest studio offering serves as a memorably vivid and kaleidoscopic step forward for the genre. \n From the opening vocal stack of “Jumpstarted\,” it’s obvious that Jukebox the Ghost has newfound confidence in embracing bold musical risks. A mishmash of modern pop\, retro vocals and classic rock indulgence\, it’s a head-spinning listen for the first go-round that the band describes as “what it’s like to be inside of Ben (Thornewill\, lead singer/pianist)’s brain.” A thickly-layered vocal intro builds into a showcase of Thornewill’s virtuosic classical piano chops and then abruptly vaults into a bouncy\, upbeat pop chorus led by Jesse Kristin’s punchy backbeat drumming. A synth solo enters and you’re suddenly in a section vaguely resembling hip-hop. The guitar solo kicks the door down and you’re front row at an arena rock show. Thornewill recorded over 170 vocal tracks in “Jumpstarted\,” and somehow you can hear them all. \n One influence stands out in particular as a common thread: Queen. This isn’t a matter of happenstance — The band has recently made a tradition of “HalloQueen\,” a yearly show where they perform two sets: One as themselves\, followed by a set break\, and one in costume (and in character) as Queen. Through being forced to do a deep dive into Queen’s catalogue\, the band says they ended up discovering themselves in the process. “Something magical about Queen to me is that their songs are so catchy\, but the song structures are so wonderfully wrong and they’re so unafraid to showcase their chops\,” said Tommy Siegel. “Their music is a reminder to me that pop music doesn’t have to come in a neat\, restrained package\,” added Thornewill\, “It’s ok to get weird and own it — And you can still be catchy.” \nThe second track from Off To The Races\, “Everybody’s Lonely” provides a mix of old and new\, evocative of Queen crossed with Walk the Moon. In addition to a distinctly modern pop chorus\, it also features a surprising time signature shift and a bridge that has more in common with “Bohemian Rhapsody” than it does current radio morés. And though Thornewill’s lyrics thumb their nose at modern pop radio\, it’s also easy to envision it becoming a modern pop hit in its own right. The third track\, a snarky ode to the 9-to-5 from guitarist/singer Tommy Siegel called “People Go Home” sounds like you’ve tuned into some 1970s AM radio station that’s been humming along in a parallel universe for decades\, an otherworldly early-Beatles-style track for the new millennium. The remainder of the record serves as a bright\, exciting showcase of the band’s well-honed sense of pop craft\, coated in thick harmony stacks that serve as a brand new instrument for the band\, dramatic cinematic climaxes\, and broad hooks that playfully nod to the past with a decisively modern sensibility. \nOff To The Races is their fifth studio outing\, mostly recorded at Studio G in Brooklyn and engineered\, produced and mixed by Chris Cubeta and Gary Atturio (two exceptions: “Everybody’s Lonely” was produced by CJ Baran and Peter Thomas and “Fred Astaire” was produced by Chris Wallace). Longtime fans will hear little bits of past Jukebox the Ghost embedded in the record blanketed in a fresh\, more colorful sonic palette. The flamboyance and quirkiness of Let Live and Let Ghosts (2008)\, the retro sensibility of Everything Under the Sun (2010)\, the concise modern pop smarts of their recent self-titled album (2014) and Safe Travels (2012) and the raw live energy of their live album Long Way Home (2016) are all on full display if you listen closely. \nThe album is the result of a three-year songwriting and recording process\, culled from dozens of demos that the band brought to the table. Recording in their home base of Brooklyn enabled them to do more outside-the-computer sonic experimentation and live performance than past records have afforded. “In ‘Boring’ we sent Tommy’s backing harmonies through a distorting rotary speaker which created this totally weird underwater sound\,” explained Jesse Kristin. “And for ‘See You Soon’ we ran an electronic tabla machine through an amplifier and then I played drums along with it. That’s the sort of thing I think we wouldn’t have spent the time to do on our other records.” \n Jukebox the Ghost formed in college in 2006 and has been a steadily growing cult favorite and a globally touring band ever since. Composed of Ben Thornewill (piano/vocals)\, Tommy Siegel (guitar/bass/vocals) and Jesse Kristin (drums/vocals)\, they have played over 1\,000 shows across the country and around the world over the course of their career. In addition to countless headlining tours\, they have also toured as openers alongside Ingrid Michaelson\, Ben Folds\, Guster\, Motion City Soundtrack\, A Great Big World and Jack’s Mannequin\, among others. In addition to festivals like Lollapalooza\, Outside Lands\, Bonnaroo\, and Bottlerock\, Jukebox the Ghost has also performed on The Late Show with David Letterman and Conan. \n*** \nLuke Null URL:https://royaleboston.com/event/jukebox-the-ghost-halloqueen-2021/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/04/Jukebox-HalloQueen-2021-Royale-1080x1080-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211030T180000 DTEND;TZID=America/New_York:20211030T213000 DTSTAMP:20260404T161211 CREATED:20210621T161619Z LAST-MODIFIED:20211026T201158Z UID:10002917-1635616800-1635629400@royaleboston.com SUMMARY:Wild Nothing & Beach Fossils DESCRIPTION:Presented by Bowery Boston \nDoors: 5:00 pm / Show: 5:45 pm \nPlease Note: All events beginning 10/1/2021 will require attendees to show evidence of their full vaccination against COVID-19. Full vaccination means 14 days or more have passed since the attendee has received a single-dose vaccine or the second dose in a two-dose series. Acceptable vaccination documentation may be a physical copy of a COVID-19 Vaccination Record Card\, a digital copy of such card or such other proof as is permitted locally. The City of Boston Public Health Commission is requiring all attendees to wear a mask while indoors in a public setting. In addition to the above\, please check https://royaleboston.com/policy-faq/ for information on any local rules or restrictions. \nAge Limit: This show is open to ages 18+. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nOpening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** URL:https://royaleboston.com/event/wild-nothing-beach-fossils/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/06/BF_WN_2021_Tour_Flyer-Cropped.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211031T220000 DTEND;TZID=America/New_York:20211031T220000 DTSTAMP:20260404T161211 CREATED:20210917T161649Z LAST-MODIFIED:20211020T190228Z UID:10002951-1635717600-1635717600@royaleboston.com SUMMARY:The Boulet Brothers' Halloween Night Spooktacular [SOLD OUT] DESCRIPTION:Join us for this HUGE Halloween spectacle with spooky non stop drag performances happening throughout the night hosted by THE BOULET BROTHERS:\nStarring\n????TRIXIE MATTEL\n????KATYA\n????KYLIE SONIQUE LOVE\nFeaturing\n????JAN\n????Laila McQueen\n????Jade Jolie\n????Saint\n????La Zavaleta\n????Sigourney Beaver\n????Violencia!\n????Fena Barbitall\n????more monsters TBA! \nPlease note:\n-All sales are final. No refunds!\n-Prices subject to change.\n-This show is all ages.\n-This is mostly a standing room event. All tickets include access to balcony where there is limited seating. Arrive early to grab a spot close to the stage!\n-Dragathon Ticket includes entry to Hot Mess After Party for all attendees 21+\, Valid ID will be required\n-Proof of Covid-19 vaccination is not required; however\, if you’ve experienced symptoms\, you should self-isolate and contact your doctor. Per the City Boston\, all patrons must wear masks while indoors unless actively eating or drinking regardless of vaccination status. URL:https://royaleboston.com/event/the-boulet-brothers-halloween-night-spooktacular/ LOCATION:MA CATEGORIES:Concerts,Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2021/09/IMG_4711.jpg END:VEVENT END:VCALENDAR