BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Royale Boston - ECPv6.15.16//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Royale Boston X-ORIGINAL-URL:https://royaleboston.com X-WR-CALDESC:Events for Royale Boston REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20190310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20191103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20200308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20201101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20200506T190000 DTEND;TZID=America/New_York:20200506T190000 DTSTAMP:20260404T015334 CREATED:20191028T031433Z LAST-MODIFIED:20200520T155410Z UID:10002828-1588791600-1588791600@royaleboston.com SUMMARY:[CANCELED] Highly Suspect - Night 2 of 2 DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nHighly Suspect \n \nFacebook\nTwitter \nTwo Time Grammy-nominated\, festival-storming trio Highly Suspect\, are returning with second album The Boy Who Died Wolf on November 18th. The moving\, jubilant LP from the Brooklyn alt-renegades follows two Top 10 Mainstream Rock hits (“Lydia\,” “Bloodfeather”) and two Grammy nominations (Best Rock Song\, Best Rock Album) just one year from the release of their 300 Entertainment debut\, 2015’s Mister Asylum. For the follow-up\, the band — Johnny Stevens (guitar/vocals)\, and fraternal twin brother rhythm section Rich (bass/vocals) and Ryan Meyer (drums/vocals) — are reappearing stronger\, livelier and more mature. \n“The title The Boy Who Died Wolf\, its like\, we were so young and now we’re adults\,” says Stevens. “I went through a lot of issues that I had to sort out and sometimes I cant believe that I’m alive. And now here I am traveling the world with my best friends\, making music\, and living the exact dream that we had set out to accomplish a long time ago … We’re learning a different lifestyle. And it’s good\, it’s positive. But it’s also hard to let go of everything that happened in the past.” \nThat new lifestyle comes in the wake of success that’s snowballed since 2014\, featuring Grammy nods; radio smashes; stops at major festivals (Lollapalooza\, Bonnaroo\, Reading and Leeds and so on); tours alongside Scott Weiland\, Chevelle and Catfish & the Bottlemen to name a few; tours around the world including Australia\, New Zealand\, Europe and the UK as well as multiple headlining tours in the United States one of which is currently underway. The feeling of celebration infuses The Boy Who Died Wolf\, while still heading into haunted regions of Steven’s past\, yowling somewhere between the metronomic robot metal of Queens of the Stone Age\, the bluesy wallop of Jack White and the feedback-shrieking noise-pop of In Utero-era Nirvana. \nTo record the LP\, the band traveled far from their New York comfort zone to Bogotá\, Colombia\, recording with Mister Asylum producer Joel Hamilton (The Black Keys and Wu-tang\, Tom Waits\, Elvis Costello\,). \n“Normally we would record in New York or L.A.\, and when we’re in those places we just have too many distractions\, too many friends\,” says Stevens. “When you’re trying to make art.. pure art\, it’s good to be secluded. So we were literally in a fortress\, 20-foot walls all around this compound in the middle of Bogota.” \n“The energy around you\, the culture that you’re taking in\, will affect the songs\,” he continues. “We were really enjoying ourselves. So I think there’s a little more step to this album. There’s happier tones. There’s some dark stuff too but there are simply more uplifting moments on this album. I think we finally realized we are supposed to be here making music. That people like what we do. We had more trust in ourselves and each other and just let the music come out.” \nThe upbeat vibe begins to show its face lyrically in the lead single “My Name Is Human” (“I’m feeling the way that I’m feeling myself”)\, and then appears full force on the blazing desert-rock dynamite of “Postres” (“I’m havin’ fun for the rest of my days”)\, but takes a back seat in their dreamy cover of Real Life’s 1983 new wave swooner “Send Me an Angel” and on the anthemic “Little One” which reminds us all of the hopeless\, lovelorn pangs that most have undoubtedly felt in the pit of their guts somewhere along the lines. But even the more serious songs are steeped in an unrelenting optimism. A great friend of theirs took his own life while the band were in Colombia\, to which they responded with “For Billy\,” a beaming post-grunge burst.\n“The song is not a downer\, it’s sad\, but it’s a charged up anthem\,” explains Stevens. “It’s what he would have wanted. It was a really sad moment but he was such a happy person. So that song is something he can blare through his Harley speakers wherever he is now.” \nJohnny describes Billy as an “original crewmember” of MCID\, the collective shouted out on Highly Suspect’s jackets\, hats\, lyrics and tattoos. “That’s our ethos\,” says Johnny of the acronym that stands for “My Crew Is Dope.” “We’re trying to invite any and all positive people to what was once exclusively for us. We’ve realized its bigger than us; as long as you’re not a racist\, not a homophobe and you have good intentions then we welcome you to join the family and spread the love.” In turn\, Wolf’s “Viper Strike” namechecks MCID in a venomous\, knives-out attack on bigots: “We’re all equal except for you/’Cause you’re an asshole with an ugly point of view” \n“It’s a family of positivity that we’re really trying to build\,” says Johnny. “Our whole purpose is not just about being some famous fuckin’ band\, but kind of making a movement. Making a difference for our generation who are so constantly misled. We barely made it out of the wrong mentality. We want to help. We’re no fuckin hippies\, those days are gone. The irony is that now you have to “fight” for positivity. Which is crazy but so be it. We’re strapped and ready to defend free thinking. When you come to our shows\, it’s kind of like this family affair.” \n*** \nSummer Cannibals \nSummer Cannibals at Cobalt Studios in Portland\, OR\, March 2019. Photo by Jason Quigley. \nWebsite\nFacebook\nTwitter \nYou know what you did\, you know what I saw. Now I take back my doubt so that you’ll crawl. \nSummer Cannibals’ fourth album Can’t Tell Me No\, out June 28th on Tiny Engines\, is a defiant release whose very existence is the result of taking back power—after escaping a manipulative personal and creative relationship\, guitarist/vocalist and bandleader Jessica Boudreaux chose to scrap an entire record that had been finished for over a year and start from scratch. “We had to sacrifice an album we’d worked hard on so that someone abusive and manipulative couldn’t benefit from it\,” says Boudreaux. “It was\, in a matter of 24 hours\, making the decision to start something new or let them win.” \nCreation and determination prevailed; along with Cassi Blum\, Devon Shirley\, and Ethan Butman\, Boudreaux wrote and recorded and mixed many of the new tracks during 14-hour days. She and Blum hunkered down in Boudreaux’s home studio\, where they had been already been engineering records for other bands\, and finished Can’t Tell Me No as Summer Cannibals’ first entirely self-engineered and produced album. \n“Writing this record and making it ourselves was about liberation from the parts of an industry that have protected abusers for way too long\, and about saying fuck you to the people who have invalidated my and so many others’ experiences of abuse\,” says Boudreaux. “It’s really easy for people to condemn the government and figures we see on the news\,” says Boudreaux\, “but those same people often fail when it comes to standing up to and calling out the people in their lives who are just as evil.” Songs like “False Anthem” confront this cowardice; “Hate who they are\, say you hate what they do\,” snarls Boudreaux against an insistent\, hard-charging guitar\, “but you love all the things that they promise you.” \nThe Cannibals formed in 2012 and gained a fervent following on the local Portland scene\, eventually playing with some of their musical heroes including L7\, Mudhoney\, Stephen Malkmus and the Jicks\, and The War on Drugs\, and touring with Ted Leo & the Pharmacists and Cursive. They’ve played some major festivals including Sasquatch\, Project Pabst and Riot Fest\, and made their TV debut in 2016 on Last Call with Carson Daly. Along the way\, they released 2013’s No Makeup and 2015’s Show Us Your Mind on their own label\, New Moss Records\, and 2016’s Full Of It on Kill Rock Stars. Show Us Your Mind appeared on NPR’s Sound Opinions Best of list in 2015\, and Pitchfork said that on Full Of It\, the Cannibals “expertly balance flame-belching Mad Max riffage with lyrics frankly exploring questions of co-dependence and need.” \nNow with Can’t Tell Me No\, the Cannibals are as honest and confrontational as they’ve ever been; though ironically\, more harmonious as a band. With the inspiration and adrenaline driving the new album’s creation\, the current members of Summer Cannibals are working together in a new\, reinvigorated way. “This is the first time that we’ve had all four members who are really dedicated and care about their role in the band\,” says Boudreaux. “We function as a unit and everything goes so smoothly. I think we all feel very supported.” That support comes through in the confidence on songs like “Like I Used To\,” a self-assured anthem to the renewal that comes with independence and leaving violent toxicity behind you. \nBecause where there is anger there is also hope\, and Can’t Tell Me No is\, as much as anything\, about finding love and acceptance on the other side of pain. “Part of getting over my past has meant looking forward and letting myself know that I’m capable of love in the context of an honest\, open and communicative relationship\,” says Boudreaux. Songs like “Into Gold” encapsulate this; a warm\,Be My Baby manifesto that promises “I’ll be the one to want to break this mold\, pull you out of the dark and back into gold.” \nAnd on a larger scale\, Can’t Tell Me No stands up not just to a relationship or an industry\, but to the people and constructs that have been trying to silence women and hold them down for so long. “It’s about doing the right thing\,” says Boudreaux\, “even when it’s terrifying.” URL:https://royaleboston.com/event/highly-suspect-night-1-of-2-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/10/0505-06-Boston-HighlySuspect-4x6.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200511T190000 DTEND;TZID=America/New_York:20200511T190000 DTSTAMP:20260404T015334 CREATED:20200114T174131Z LAST-MODIFIED:20200316T182931Z UID:10002154-1589223600-1589223600@royaleboston.com SUMMARY:[POSTPONED] The Darkness DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored for the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Darkness \n \nWebsite\nFacebook\nTwitter \n*** \nThe Dead Deads \n \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/the-darkness-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/TheDarkness-1200x628.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200513T180000 DTEND;TZID=America/New_York:20200513T180000 DTSTAMP:20260404T015334 CREATED:20200218T180033Z LAST-MODIFIED:20200324T160538Z UID:10002164-1589392800-1589392800@royaleboston.com SUMMARY:[CANCELED] The Receiving End of Sirens & Envy on the Coast DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Receiving End of Sirens \nFacebook\nTwitter \n*** \nEnvy on the Coast \nFacebook\nTwitter URL:https://royaleboston.com/event/the-receiving-end-of-sirens-envy-on-the-coast/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/0513-BOS-Sirens-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200514T190000 DTEND;TZID=America/New_York:20200514T190000 DTSTAMP:20260404T015334 CREATED:20191121T221415Z LAST-MODIFIED:20191122T182437Z UID:10002845-1589482800-1589482800@royaleboston.com SUMMARY:7th Annual Battle of the Biotech Bands DESCRIPTION:For more information on the event and sponsorship opportunities: www.battleofthebiotechbands.com \nDoors – 6:30 PM\nShow – 7:00 PM\n21+ \nCash Bar\, hors d’oeuvres. URL:https://royaleboston.com/event/7th-annual-battle-of-the-biotech-bands/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts,Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/BOBB2020_ROYALE_TICKETING_IMAGE.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200516T180000 DTEND;TZID=America/New_York:20200516T180000 DTSTAMP:20260404T015334 CREATED:20200221T170051Z LAST-MODIFIED:20200324T160523Z UID:10002169-1589652000-1589652000@royaleboston.com SUMMARY:[CANCELED] The Receiving End of Sirens & Envy on the Coast DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Receiving End of Sirens \nFacebook\nTwitter \n*** \nEnvy on the Coast \nFacebook\nTwitter URL:https://royaleboston.com/event/the-receiving-end-of-sirens-envy-on-the-coast-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/0513-BOS-Sirens-1200x1200-2.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200518T193000 DTEND;TZID=America/New_York:20200518T193000 DTSTAMP:20260404T015334 CREATED:20200203T150736Z LAST-MODIFIED:20200320T144844Z UID:10002875-1589830200-1589830200@royaleboston.com SUMMARY:[POSTPONED] Uncle Acid & the Deadbeats DESCRIPTION:Presented by Bowery Boston \nDoors: 7:30 pm / Show: 8:30 pm \nThis show has been postponed to a TBD date. All tickets will be honored for the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nUncle Acid & The Deadbeats \n \nWebsite\nFacebook \nUncle Acid – Wasteland. By Dom Lawson.\nYou can probably feel it already. Amid the shimmering haze of dusk. In the marrow of your bones. The darkness is getting darker. Malevolent forces are on the prowl. The wasteland is beckoning. Uncle Acid is on his way home.\nThe brainchild of mercurial Cambridgeshire mystic Kevin Starrs\, Uncle Acid & The Deadbeats have been making extraordinary music since 2009. Always too bold and idiosyncratic to be easily pigeonholed\, they emerged from an obscure corner of the labyrinthine English underground as shadowy purveyors of a new and overwhelmingly psychedelic take on the gruff and gritty rudiments of hard rock and turbo-blues\, powered by the dark\, lysergic heart of the late ‘60s and early ‘70s and drenched in woozily macabre imagery. Steeped in both the wayward melodies and mischievous arrangements of psychedelic pop and the dissonant thunder of proto-metal and doom\, Starrs’ greatest feat has been to create an entirely fresh sonic world from these most familiar of ingredients.\nUncle Acid & The Deadbeats’ reputation was swiftly built on towering\, riff-driven milestones like 2011’s breakthrough opus Blood Lust and its warped and wicked follow-up\, Mind Control (2013); both released through Rise Above Records and subsequently showered with critical acclaim. By the time Starrs’ band created The Night Creeper in 2015\, their mutation into heavy music’s most unmistakable eccentrics was complete\, as their leader cranked up the melodic weirdness\, rendering his monstrous ideas in something approaching three-dimensional Technicolor.\nFirmly established as cult heroes\, Uncle Acid & The Deadbeats consolidated The Night Creeper’s triumph by touring the world extensively\, including a string of sold out shows in the U.S.\, Europe and Australia. After sustaining that momentum with Starrs’ long-awaited remix of his band’s hard-to-find eponymous debut album from 2010\, the singer/guitarist and his henchmen spent much of the last year immersed in the process of making a fifth full-length album. 47 minutes of vital\, audacious and frequently bewildering heavy psychedelia\, it bears the title Wasteland and is instantly recognisable as Starrs’ most immersive and evocative body of work yet.\n“There’s not enough melody or harmony in new music for my liking\,” says Starrs. “I wanted to go even further with all of that this time\, and really force it down people’s throats! It’s important to me that someone keeps it going\, especially in heavy music. I always write to my own tastes\, so as long as it appeals to me\, I don’t really think about it. But I would say that it’s all been an instinctive progression.”\nA disorientating journey through Starrs’ wonkiest dreams\, Wasteland glides majestically from punchy and direct psych-rock anthems like I See Through You and Shockwave City to the viscous\, somnambulant ooze of the eight-minute No Return and the twinkly-eyed bad trip of the album’s mesmerising title track. Recorded at the legendary Sunset Sound studio in Los Angeles\, Wasteland boasts the kind on irresistibly raw and exuberant sound that only the greatest bands can generate. Later completed at Starrs’ own studio\, the new songs showcase a newly refreshed line-up\, with Starrs once again joined by long-time bassist Vaughn Stokes (who will play rhythm guitar at future live shows\, handing over bass duties to Jus Smith) and also latest recruit\, drummer Jon Rice.\n“We recorded the basic tracks the way we always do\,” says Starrs. “Everyone in one room\, live and straight to tape. We worked with a great engineer called Geoff Neal (NIN/Motorhead/Fuzz)\, who really understood what we were going for and how to capture it. Playing in the same room where so many classic albums were made definitely inspired us. Even small things like running the guitars through the same echo chamber that Van Halen used in the ‘70s\, it all added to the overall experience.”\nYet more confirmation that Uncle Acid exist in their own musical universe\, Wasteland is also a powerful cautionary tale: one rooted in the alien landscapes of Starrs’ imagination\, but with a very clear connection to the deranged chaos of today’s political world. As humanity cheerfully circles the plughole\, Dystopian visions and present-day horrors have become more-or-less interchangeable\, making Wasteland’s ghoulish surrealism a lot more pertinent and disturbing in the process.\n“The album is set in a land where people live in walled cities\, under heavy surveillance\, cut off and in fear of one another\,” Starrs explains. “All their thoughts\, knowledge and memories have been wiped clean\, leaving them like the living dead\, barely functioning and addicted to the glow of flickering propaganda screens.”\n“In the underworld\, there are program discs for the brain that can replace stolen thoughts and allow people to finally think for themselves\,” he continues. “It gives them knowledge to escape the misery of the cities and to reach the freedom of the outer wastelands\, but the wasteland\, of course\, is total hell on earth. The general idea seemed quite fitting with all the propaganda and misinformation that we’ve been bombarded with in recent years.”\nWhile most musicians seem content to chase their own (or other people’s tails)\, Uncle Acid & The Deadbeats remain proud and resolute individualists and Wasteland is simply their most powerful and memorable spurge of creativity to date. Masterfully echoing the magical atmospheres of heavy music’s turbulent past while sounding entirely unlike anything else available to human ears\, this is what happens when the shadows come to life and suffocating darkness\, Uncle Acid & The Deadbeats style\, is the only show in town. \n*** \nTwin Temple \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/uncle-acid-the-deadbeats-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/UA-photo-2019.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200529T180000 DTEND;TZID=America/New_York:20200529T180000 DTSTAMP:20260404T015334 CREATED:20200204T180011Z LAST-MODIFIED:20200501T150126Z UID:10002876-1590775200-1590775200@royaleboston.com SUMMARY:[CANCELED] lovelytheband DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 6:30 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nlovelytheband \n \nWebsite\nFacebook\nTwitter \nMusic gives a voice to those who need it when they need it the most. Our favorite artists say the difficult things out loud\, so we don’t have to — but can learn how to. \nBy the same token\, lovelytheband translate emotions\, anxieties\, and feelings into lush\, layered\, and lively indie pop anthems. When the band was founded by lead singer Mitchy Collins\, guitarist Jordan Greenwald and drummer Sam Price in 2017\, the trio maintain a lasting connection to listeners by holding nothing back. \n“I really believe the importance of songwriting is saying something when someone else doesn’t know how to\,” affirms Mitchy. “In the songs\, I’m talking about life\, trials\, tribulations\, depression\, anxiety\, and shit I deal with as well as the headaches that come along with the good and bad days. My problems don’t define me\, but we should embrace every side of who we are. The message is\, ‘Everything will be fine.'” \nThis message immediately resonated among audiences everywhere. A centerpiece of the everything I could never say… EP\, the group’s debut single “broken” caught fire as “the longest running #1 track on Alternative Radio thus far in 2018” with six weeks at the top. In under a year\, it amassed 25 million total global streams. BuzzFeed summed it up as “So. Damn. Good.” Billboard proclaimed the group among “10 Rock & Alternative Artists to Watch in 2018” as they supported Vance Joy and AWOLNATION on tour between headlining dates everywhere. Everything paved the way for the arrival of the band’s first full-length\, finding it hard to smile [RED MUSIC]. Produced by “broken” collaborator Christian Medice\, these 16 tracks entrance\, engage\, and enchant\, offsetting shimmering keys\, sweeping synths\, and spacey guitars with cathartic\, compelling\, and catchy choruses. \nThe title speaks directly to its thematic push-and-pull. \n“finding it hard to smile touches on my life\,” says Mitchy. “There are days when it’s hard to even walk out of my front door or get out of bed. So\, you find the will to power through\, call on your friends\, and rely on loved ones to pick you up when you’re down and bring magic out of you. A lot of the record is about embracing who you are as well as dealing with relationships\, breakups\, nostalgia\, and unrequited love. It’s really introspective for me.” \nThey preceded the album’s release with the single “these are my friends\,” which quickly cracked 2 million streams worldwide. Wound up by faint guitar and a chant\, “These are my friends\, these are my friends\, I love them\,” the track crescendos towards an ambitious arena-ready hook. \n“I was walking around Los Angeles one day thinking\,” he recalls. “I left a party where I had a really good time at. Right after\, I wrote the main lyric in my phone. I held onto it for a little while\, but it eventually turned into a song about wanting love and wanting to fit in. I brought it to the guys in the studio\, and they really took it to the next level. It becomes a lovelytheband song when everyone is on it.” \nWhether it’s the feedback buzz and 808 rush of “pity party” or orchestral ambiance on “alone time\,” the soundscapes mirror the emotional ebb and flow encoded in the lyrics. Elsewhere\, the intimate “maybe i’m afraid” unveils an infectious confession as the band admits their fears without filter. \n“It’s one of my proudest moments as a songwriter\,” says the frontman. “It turned into the story of relationship. You’re in it. You know things are beautiful\, but you’re scared to commit to the other personal. I think a lot of people struggle with the same thing. It feels relatable.” \nAs they round out 2018 on a headlining tour and hitting the stages of Lollapalooza\, the Billboard Hot 100 Festival\, and more\, lovelytheband’s voice will only get dramatically louder. \nIt might just make crowds feel better too… \n“I hope when you listen to it\, you can find some solace or reassurance\,” Mitchy leaves off. \n“Maybe you didn’t know how to communicate something aloud\, and it helps for us to talk about it. Hearing it might inspire you to make a move. Music moved me and gave me a little hope as a kid. I hope you can take away something from this in the same way my favorite records helped me. That would be my biggest goal with lovelytheband.” \n*** \nTessa Violet \n \nWebsite\nFacebook\nTwitter \nLast year Violet released “Crush” – the first single from her forthcoming album Bad Ideas. In the time since her last three singles have exploded\, Tessa has gone from an acoustic-leaning solo artist\, to an inspirational female fronting a shredding live band (anchored by badass drummer Jess Bowen). Although her recordings are competitive modern productions which perform well on playlists\, her live show has a raw organic energy that is intoxicating. She sold out her first ever headline shows (The Troubadour in LA; and Mercury Lounge in NYC; two show at Camden Assembly Hall in London) and finally achieved her goal of bonafide rock queen when she was offered her first festival slot at Lollapalooza (incidentally selected by Billboard as one of the 10 new festival acts to look out for in 2019). In addition she was tapped for main support for AJR’s west coast leg on their Neotheater tour this September\, and COIN’s US tour in February. The sole songwriter on all but one of her releases\, Tessa Violet is one to look out for. Her album Bad Ideas came out 10/25 while she was on her headline tour of Europe and Spotify promoted the album release on a Billboard in Times Square! \n*** \nValley \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/lovelytheband/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/ltb-Ticketmaster.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200604T190000 DTEND;TZID=America/New_York:20200604T190000 DTSTAMP:20260404T015334 CREATED:20200224T154135Z LAST-MODIFIED:20200518T145556Z UID:10002880-1591297200-1591297200@royaleboston.com SUMMARY:[POSTPONED] EOB DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored at the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nEOB \n \nWebsite\nFacebook\nTwitter \nEd O’Brien never planned to make a solo record. As guitarist with Radiohead\, who over almost three decades and nine albums have established themselves as one of the most innovative and influential musical forces of our time\, he thought his artistic side had its outlet and was happy to spend any downtime from Radiohead with his family. Plus\, he wondered\, would it really be necessary? “Thom\, Jonny and Phillip are making music\,” he says\, “and I’m like\, ‘The last thing the world needs is a shit album by me.’” \nBut suddenly a switch was flicked and the songs came pouring out of him. That creative surge resulted in an album of rediscovery and adventure by O’Brien under the moniker EOB that deftly veers from moments of delicate folk to euphoric house\, its songs seamlessly pinned together by unswerving melodic hooks and candid lyricism. URL:https://royaleboston.com/event/eob/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/EOB-Press-Photo.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200608T190000 DTEND;TZID=America/New_York:20200608T190000 DTSTAMP:20260404T015334 CREATED:20191112T180018Z LAST-MODIFIED:20200325T160921Z UID:10002839-1591642800-1591642800@royaleboston.com SUMMARY:[CANCELED] HYUKOH DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nHYUKOH \n \nWebsite\nFacebook\nTwitter \n*** \nHot Flash Heat Wave \n \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/hyukoh/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/HYUKOH-00-MAIN.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200609T190000 DTEND;TZID=America/New_York:20200609T190000 DTSTAMP:20260404T015334 CREATED:20200127T170014Z LAST-MODIFIED:20200629T195742Z UID:10002873-1591729200-1591729200@royaleboston.com SUMMARY:[CANCELED] mxmtoon: dawn & dusk tour DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nmxmtoon \n \nWebsite\nFacebook\nTwitter \nOn her 2019 debut album the masquerade\, 19-year-old singer/songwriter mxmtoon delivers what she calls “rhyming diary entries”: an off-the-cuff account of her most private thoughts and feelings\, usually dashed off very late at night\, straight from her brightly lit brain. In her deliberate refusal to hide behind metaphor\, the now Brooklyn-based artist otherwise known as maia achieves a quiet bravery\, an unrestrained honesty that gives voice to those who often go unheard. \n“When I first started making music it felt like an escape from my day-to-day life\, where I’d have to put on a mask to hide what I was really feeling\,” says maia in reflecting on the title to the masquerade. “Writing songs was a way to express all the things I couldn’t talk about in face-to-face interactions\, and share them with a community of people who maybe also needed to put up a façade to get through the day.” \nOver the past couple of years\, maia has built a remarkable bond with her audience entirely on the strength of her resonant songwriting and unaffected presence. Her 2018 debut EP plum blossom clocked more than 100 million streams on Spotify alone—not bad for songs recorded by herself in her parents’ guest room. She’s now amassing millions of followers and subscribers across YouTube\, TikTok\, and Instagram\, making a point of using her ever-growing platform to speak out on issues close to her heart. “As a young bisexual woman of color from a family of immigrants\, a lot of current events directly affect who I am\,” says maia\, who’s mixed Chinese-American. “I firmly believe it’s my obligation and opportunity to speak on issues that affect us all.” \nSince the release of the masquerade—as well as its accompanying original Spotify podcast and graphic novel—mxmtoon’s following has only continued to flourish. Boosted by glowing praise from the likes of The New York Times and The New Yorker (who lauded her songwriting for showing an “emotional sophistication that reminded us that there are some things we never outgrow”)\, the album’s breakout success recently saw maia embarking on her first-ever UK tour. In addition\, she’s now gearing up to support Lauv on his forthcoming spring tour of Asia. \nNewly relocated from her native Oakland\, maia is currently at work on a pair of back-to-back EPs due out later this year with the first single the spellbinding “fever dream.” With its soaring chorus and shapeshifting textures\, the song finds mxmtoon executing her sound on a far more sonically adventurous scale than she’s ever explored before. \n“Writing and producing with other people has really helped me step outside what my brain would normally gravitate to\, and helped me to take more risks\,” maia points out. “At first it was nerve-racking to go from writing alone in my bedroom to working with other people—in a way you’re essentially having a therapy session with complete strangers. That’s a really intense environment to be in\, but it’s also been so fun and eye-opening to have other people help me unpack all these ideas swirling around my mind.” \nDespite the grander scope of “Fever Dream”—an element amplified by her notably more powerful vocal command—mxmtoon’s upcoming output carefully preserves the warm intimacy that’s always defined her material. As evidenced on the masquerade\, she possesses a singular talent for turning detailed narrative of the most mundane moments into songs with deep meaning—a transformation propelled by her delicate melodies and utter aversion to self-seriousness. Made in collaboration with musician/producer Robin Skinner (aka Cavetown)\, the album offers such standouts as “prom dress”: a layered meditation on expectation and disappointment penned by maia in a moment of sheer frenzy (“I ate a Double-Double from In-N-Out and then couldn’t fit in my prom dress and started having a panic attack\,” she explains). \nOn songs like the impossibly breezy “seasonal depression\,” the masquerade reveals mxmtoon’s rare gift for illuminating experiences typically unrecognized in pop music. “I wanted to be honest about the feeling of waking up and having no desire to do anything with your day—but then also maybe help people feel a little better and lighter when they’re stuck in that gray moment\,” she says. Meanwhile\, on the album’s showstopping centerpiece\, mxmtoon presents a particularly confessional track called “my ted talk.” “I find myself writing all these songs about romantic relationships\, which is ironic considering I’ve had very little experience with that\,” says maia. “That song came from me asking\, ‘Am I even allowed to write something I barely know anything about?’ But I’ve realized that my songs are a way for me to untangle my emotions and try to make sense of what I’m going through\, even if I don’t fully understand it in the moment.” \nIn each piece of music she creates\, mxmtoon matches her lack of artifice with the graceful musicality she first honed by studying violin and cello as a child. After writing her first song with two friends for a music class at age 13\, she continued writing on her own but mostly kept her output to herself. In 2017\, Maia began posting her music on SoundCloud\, first only sharing her comedy songs but eventually uploading a heart-on-sleeve track called “feelings are fatal.” “At the time I was like\, ‘Whatever—I have 200 followers\, I’m just gonna post it\,’” she recalls. “But then people really responded to it\, which made me realize that I needed to keep my music as candid as possible\, because that’s what people connect with.” \nAs her recent touring has shown\, mxmtoon relentlessly brings that unabashed candor to her disarming live performance. Her first ever headline US tour sold out months in advance in part to her army of fans across social media platforms. In the past year\, she’s augmented her live set to include a drummer and guitarist/keyboardist/background vocalist\, a shift that’s paradoxically made each show all the more intimate. “Having my band frees me up to interact with my audience in a way that I can’t normally do if it’s just me up there with my ukulele\,” she says. “It’s been so much fun\, and I’m excited to keep elevating the live show as I keep touring.” \nIn her endless effort to create true connection onstage and in her music\, mxmtoon has attained an undeniable solidarity with her listeners\, ultimately providing some much-needed solace for the shy\, the sensitive\, the routinely underrepresented. “When I listen to my first album\, it feels like a musical of the things I’ve gone through and the life inside my head\,” says Maia. “I hope people come away from it feeling like the songs belong to them too—like now there’s a piece of art in the world that speaks to their own experiences\, even if they’d always felt like they were alone.” \n*** \nClaud \n \nWebsite\nFacebook\nTwitter \nClaud is the solo project of Claud Mintz. After releasing their debut EP that was made out of their college dorm room under the name Toast with Terrible Records\, Claud dropped out of college to pursue music full time. Following a quick stint in Los Angeles to be closer to family\, they soon relocated to New York City and the Sideline Star was born. The EP came out of a dark period of transition and growth that ultimately resulted in Claud’s evolution as an artist and a 20-year-old closer to finding themselves and belonging. The project chronicles relationships\, friendships and feelings of being an outsider amongst a massive transition through their tender pop anthems. They’ve since toured and played with the likes of girl in red\, The María’s\, Clairo\, Triathalon\, and more. URL:https://royaleboston.com/event/mxmtoon-dawn-dusk-tour/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/0609-BOS-mxmtoon-1200x1200.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200612T180000 DTEND;TZID=America/New_York:20200612T180000 DTSTAMP:20260404T015334 CREATED:20200210T180014Z LAST-MODIFIED:20200331T161631Z UID:10002879-1591984800-1591984800@royaleboston.com SUMMARY:[CANCELED] Bombay Bicycle Club DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show has been canceled. Refunds are available at point of purchase. URL:https://royaleboston.com/event/bombay-bicycle-club-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/0612-Boston-BBC-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200615T190000 DTEND;TZID=America/New_York:20200615T190000 DTSTAMP:20260404T015334 CREATED:20200211T180028Z LAST-MODIFIED:20200415T142137Z UID:10002161-1592247600-1592247600@royaleboston.com SUMMARY:[POSTPONED] Jeremy Zucker: love is not dying world tour DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. Ticket holders – there is nothing you need to do\, your original tickets are valid for the new date and will be honored at the door. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nJeremy Zucker \n \nWebsite\nFacebook\nTwitter \nGrowing up in suburban New Jersey\, 23-year-old singer\, songwriter and producer Jeremy Zucker has always been surrounded by music. In 2015\, he released his first EP as a freshman at Colorado College pursuing a degree in Molecular Biology\, and by 2017 he had signed a major label record deal with Republic Records. Since then\, he has released 4 EP’s with breakthrough singles such as “talk is overrated” featuring blackbear\, “all the kids are depressed\,” and his biggest song to date\, the Gold-Certified hit “comethru”. Overall\, Zucker has already crossed over a staggering 1 billion total streams on his catalogue as he gears up for his debut album\, coming early 2020. \n*** \nCehryl \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/jeremy-zucker-love-is-not-dying-world-tour/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/TRUAX_JEREMYZUCKER_REDHOOK_SHOT08-54.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200620T180000 DTEND;TZID=America/New_York:20200620T180000 DTSTAMP:20260404T015334 CREATED:20200121T170054Z LAST-MODIFIED:20200413T202208Z UID:10002867-1592676000-1592676000@royaleboston.com SUMMARY:[CANCELED] The Growlers DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nThe Growlers \n \nWebsite\nFacebook\nTwitter \nLed by singer Brooks Nielsen and music director/guitarist Matt Taylor\, The Growlers have forged their own twisted path on the global music scene since their founding in 2006 in Dana Point\, California. They’re the party band that grew into a traveling circus\, spawning their own annual event (Beach Goth) and growing an international fanbase\, while releasing six studio records that trace a line from garage psych ballads to edgy radio pop. \nOn their first three records – Are You In Or Out? (2009)\, Hot Tropics (2010)\, and Hung at Heart (2013) – The Growlers combined reverb-rich waves of vintage surf rock with the dark\, slow-burn melancholy of outlaw country. Chinese Fountain (2014) introduced a new\, disco-infused direction that saw them move away from their swampy roots and relocate to Los Angeles. The band teamed up with producer Julian Casablancas (and frontman of The Strokes) to make City Club (2016)\, infusing their sound with Casablancas’ angular melodies and speaker- popping mixes. 2018 brought Casual Acquaintances\, a raw collection of City Club-era demos and outtakes that – even as b-sides – ranks with the band’s finest material.\nBetween records they toured constantly\, raising their status as icons of the Los Angeles music underground\, capable of drawing arena-sized crowds for their hometown shows. On their latest\, self-produced record Natural Affair (2019)\, The Growlers move their DIY aesthetic into an even sturdier\, synthier\, dancier sound\, bolstered by Nielsen’s finest lyrics to date: social commentary\, rhymes\, and ruminations on the pleasures (and perils) of modern love. URL:https://royaleboston.com/event/the-growlers-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/The-Growlers-Press-Photo_Credit-Taylor-Bonin.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200706T190000 DTEND;TZID=America/New_York:20200706T190000 DTSTAMP:20260404T015334 CREATED:20200218T152145Z LAST-MODIFIED:20200406T175124Z UID:10002163-1594062000-1594062000@royaleboston.com SUMMARY:[POSTPONED] Jessie Reyez DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored for the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n\n*** \nJessie Reyez \n \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/jessie-reyez/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/0706-Boston-JessieReyes-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200724T183000 DTEND;TZID=America/New_York:20200724T183000 DTSTAMP:20260404T015334 CREATED:20191217T155637Z LAST-MODIFIED:20200319T160419Z UID:10002854-1595615400-1595615400@royaleboston.com SUMMARY:[Moved to The Sinclair] Delta Rae DESCRIPTION:Presented by Bowery Boston \nThis show has been moved from 4/18 at Royale to 7/24 at The Sinclair. All tickets for the 4/18 show at Royale will be honored for the new date. URL:https://royaleboston.com/event/delta-rae/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/12/DR1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200801T190000 DTEND;TZID=America/New_York:20200801T190000 DTSTAMP:20260404T015334 CREATED:20191212T201005Z LAST-MODIFIED:20200526T160142Z UID:10002853-1596308400-1596308400@royaleboston.com SUMMARY:[CANCELED] Bitch Sesh Live DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nBitch Sesh Live \n \nWebsite\nTwitter URL:https://royaleboston.com/event/bitch-sesh-live-3/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/12/bitchsesh-fbpostimage-gen-1200x1200.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200808T191500 DTEND;TZID=America/New_York:20200808T191500 DTSTAMP:20260404T015334 CREATED:20200312T231923Z LAST-MODIFIED:20200624T142142Z UID:10002885-1596914100-1596914100@royaleboston.com SUMMARY:[POSTPONED] True Crime Obsessed DESCRIPTION:Rescheduled from Friday\, March 20th. All previously purchased tickets honored. \n*** \nPresented by Bowery Boston \nDoors: 7:15 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored for the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nTrue Crime Obsessed \n \nWebsite\nFacebook\nTwitter \nTrue Crime Obsessed is the True Crime / Comedy podcast you need in your life! Each week\, hosts Gillian Pensavalle and Patrick Hinds recap true crime documentaries with humor\, sass\, heart\, and just the right amount of snark. In their live show\, Gillian and Patrick bring their hilarious take on the absurdities of true crime characters and storylines to the stage\, tearing into one of your favorite true crime documentaries using video clips\, music\, and their signature garbage bell. URL:https://royaleboston.com/event/sold-out-true-crime-obsessed/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/12/artwork.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200828T180000 DTEND;TZID=America/New_York:20200828T180000 DTSTAMP:20260404T015334 CREATED:20191119T140026Z LAST-MODIFIED:20200811T200326Z UID:10002843-1598637600-1598637600@royaleboston.com SUMMARY:Larkin Poe [POSTPONED] DESCRIPTION:This show has been postponed. Ticketholders will be notified when new show information is announced. Thank you for your patience. URL:https://royaleboston.com/event/larkin-poe/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/0828-Boston-LarkinPoe-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200902T190000 DTEND;TZID=America/New_York:20200902T190000 DTSTAMP:20260404T015334 CREATED:20200325T160010Z LAST-MODIFIED:20200324T220011Z UID:10002886-1599073200-1599073200@royaleboston.com SUMMARY:Kurt Vile & Cate Le Bon DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale now! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nKurt Vile \n \nWebsite\nFacebook\nTwitter \nTravel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years\, the eclectic and electrifying Bottle It In\, which he recorded at various studios around the country over two very busy years\, during sessions that usually punctuated the ends of long tours or family road trips. Every song\, whether it’s a concise and catchy pop composition or a sprawling guitar epic\, becomes a journey unto itself\, taking unexpected detours\, circuitous melodic avenues\, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better\, to continue absorbing new music\, new sounds\, new ideas—it’s due to his precise\, witty playing style\, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next. \nUsing past albums as points of departure\, Bottle It In heads off in new directions\, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who\, like his hero John Prine\, can make you laugh and break your heart\, often in the same line\, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise\, laconic jive-talkin’ drawl. He revels in the minutiae of the music—not simply incorporating new instruments but emphasizing how they interact with his guitar and voice\, how the glockenspiel evokes cirrocumulus clouds on “Hysteria\,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies\,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.” \nThese journeys took Vile more than two years to navigate\, during which time he toured behind his breakout 2015 album b’lieve I’m goin’ down\, recorded a duets album with Australian singer-songwriter-guitarist Courtney Barnett\, opened for Neil Young in front of 90\,000 people in Quebec\, famously became a clue on Jeopardy\, hung out with friends\, took vacations with his wife and daughters. “I’ve been bouncing around a lot and recording all over. My family would meet me in the middle of America\, and we’d go on a road trip somewhere. I would record in between all that stuff.” \nLet’s start in Philadelphia\, Vile’s hometown and a perennial inspiration. The first song recorded for Bottle It In became the album’s opener: A quintessential Violators tune featuring longtime band members Jesse Trbovich\, Rob Laakso and Kyle Spence\, “Loading Zones” is a paean to the City of Brotherly Love as well as an explication of his peculiar parking strategy. “I park for free!” he and the Violators all proclaim\, proudly and defiantly\, as he moves his car from one loading zone to another\, always avoiding meter fare and parking tickets. The song dates back to the b’lieve sessions\, but it took Vile a while to figure out how to put the song across. “It ended up feeling too weird for the last record\, and I’m glad I waited because it had to grow into a guitar jam. I don’t think I was ready for the swagger it took to deliver such a ridiculous concept. It’s about owning your own town. It’s about knowing a place like the back of your hand.” And if that curious guitar tone—the one that sounds like a distorted voice\, sounds familiar\, it’s because Vile used the same kind of pedal that his friends/idols Sonic Youth used on 1995’s “The Diamond Sea\,” which at 27 minutes is roughly the amount of time Vile can leave his car in one Philly loading zone. Coincidence? \nFrom there Vile headed west. In April 2017\, he trekked out to Indio\, California\, to catch the Stagecoach Festival and sit in with his friends the Sadies (“my favorite modern band”). Inspired by Willie Nelson’s epic set\, Vile spent a few days in Los Angeles working with producer Rob Schnapf at his Mant Sounds studio. “He does these really cool pop things\, weird versions of pop songs\,” says Vile of Schnapf\, who has produced albums for Beck\, Elliott Smith\, and Guided by Voices\, among many others. The two had previously worked together on “Pretty Pimpin\,” the leadoff track on b’lieve that became a number-one AAA radio hit. Their second collaboration was similarly inspired: Featuring backing vocals from Cass McCombs\, the eleven-minute title track is full of ominous bass rumbles\, hazy-steady drumbeats from Warpaint’s Stella Mozgawa\, delicate harp stabs from Mary Lattimore\, and what sounds like chewy distortion leaking out of a David Lynch flick. “I didn’t know exactly what was going to happen. I didn’t know ‘Bottle It In’ was going to be that long. It’s sort of like living something rather than having it all planned out. You have to go out there for the experience and the inspiration.” \nMonths later\, when a lengthy Violators tour ended in Salt Lake City\, Vile let the momentum carry him further west\, where he recorded several more songs with engineer/producer Shawn Everett (Alabama Shakes\, the War on Drugs) at The Beer Hole in Los Angeles. Another epic came out of that meeting\, the loping “Bassackwards\,” the album’s beating heart and Vile’s most compelling evocation of how he sees the world. “I was on the ground circa Planet Earth\, but out of sorts\,” he sings over a gently psychedelic bed of backmasked guitars. “But I snapped back\, baby\, just in time to jot it down.” Other songs were put to tape during sojourns to Portland\, Oregon\, and to Greenpoint\, Brooklyn\, where fellow Violator Rob Laakso co-produced. The bulk of Bottle It In was bottled up at Tarquin Studios in Bridgeport\, Connecticut\, with Peter Katis (Interpol\, the National) engineering and producing. Bottle It In captures the spontaneity of these impromptu sessions\, revealing Vile as a diligent and singularly determined musician. \nThese recordings are the destinations\, but the journeys were just as important\, whether they gave him time with his wife and kids or an opportunity to get some writing done. “For a while I was terrified of flying\, so I would be listening to whatever country songs I was obsessed with. I’d have George Jones blasting in my ears. Or\, I would be reading something about country music. Or\, I would start writing songs in that flash of being afraid\, being swallowed by life. I’m up there on a plane drinking wine because like everybody else I’m afraid to die. And I wrote ‘Hysteria’ up there.” That new song\, with its woozy guitar fanfare\, captures mid-flight queasiness well\, as Vile daydreams about escaping the flight: “Stop this plane ‘cause I wanna get off\,” he sings. “Pull over somewhere on the side of a cloud.” \nBottle It In is about place only insofar as it is about the people in those places: friends and family\, bandmates and music heroes\, colleagues and collaborators. There’s a lot of love in these big-hearted songs\, a lot of warmth toward everyone in Vile’s orbit and even toward those whose paths he’s yet to cross. “Loved you all a long\, long while\,” he sings on “One-Trick Ponies.” “Looked down into a deep dark well\, called all of your names.” The jangly country-rock tune serves as a valentine to… he won’t say\, but he and Mozgawa and Farmer Dave Scher deliver a beautifully sympathetic sing-along chorus that invites every one of us one-trick ponies to join in. \nAs Vile prepares for another round of lengthy tours and countless shows\, these songs should prove good company\, reminders of the love and responsibility he has toward those he leaves at home and those he meets along the way. That makes the sentiments resonate more strongly and lends Bottle It In an emotional weight. “It’s like that moment on the airplane\,” Vile says\, “when you’re on your way somewhere and you have that burst of panic. When you’re terrified of dying\, that’s when you want people to know you love them.” \n*** \nCate Le Bon \n \nWebsite\nFacebook\nTwitter \nAs sure as if it had been mapped in the stars\, or written in a prophecy buried deep beneath the sands of the Marfa desert\, a collaboration between Cate Le Bon and Bradford Cox was always something of an inevitability. \nFourth in Mexican Summer’s Myths EP series (and following previous tie-ups between Dev Hynes and Connan Mockasin\, Ariel Pink and Weyes Blood\, and Dungen and Woods)\, Myths 004 sees Le Bon and Cox — each a much-revered musical innovator in their own right — finally united. \nFor both artists\, Myths 004 signals a change of tack: meticulousness thrown to the wind as spontaneous\, jammy tales of firemen and 5p plastic bags\, unbrushed hair and shoelessness and makeup-daubed landscapes — all miraculously written and recorded in just one week — roll effortlessly off their cuffs. \nThough this EP materialises after two individual 2019 album campaigns — Le Bon’s Mercury-nominated fifth album Reward\, and Cox’s eighth with his band Deerhunter\, Why Hasn’t Everything Already Disappeared? (which Le Bon co-produced) — the chronologies are tangled: Myths 004 is in fact a snapshot of the pair’s very first meeting. After years of admiring each other’s work from afar\, Cox and Le Bon finally converged on Marfa\, Texas in 2018\, at Mexican Summer’s annual Marfa Myths music\, visual art\, and film festival. \n“Marfa is an extraordinary town\,” says Le Bon. “It feels like nothing else exists when you’re in it which is both comforting and unnerving.” In this otherworldly enclave\, and with a band of frequent Cate Le Bon co-conspirators on hand to putty the gaps with drums\, saxophone\, percussion\, keys\, and additional guitar (Stella Mozgawa of Warpaint\, Stephen Black of Sweet Baboo\, Tim Presley of White Fence\, and Samur Khouja)\, the EP was assembled whiplash-quick. \n“Writing and recording in a week is a tall order — especially when such chemistry exists between all the musicians involved\, and the possibilities are boundless\,” Le Bon explains. “We committed ourselves to embracing the chaos\, surrendering to all moments and moods that travelled through. It’s a crude holiday scrapbook shared by all involved\, an amalgamation of the changes in mood and light that shaped the days.” \nIndeed\, Myths 004 is wondrous in its variety. On the opening song “Canto!\,” Cox dons the ill-fitting leathers of an ageing biker and urges us to come ride with him\, baby. He and Le Bon gaze into one another’s eyes with semi-serious sweetness as tough\, wiry guitars stab through the romance. \nEverything shrinks and softens on the EP’s sole single\, the gently melancholic “Secretary\,” as Le Bon and Cox spout verse over a mysterious percussive rhythm; perhaps made by miniature cymbals from a mantric parade\, perhaps by someone rummaging in the cutlery drawer. Together\, they combat the office humdrum of filing\, answering the phone\, and eating “the same old plastic lunch” with a surreal and beautiful daydream of “mascara brushed across the plains / all of the phone calls you made disconnected.” \nMost freeform are the short instrumental interludes — the garage-y\, hammily menacing “Companions in Misfortune\,” could easily soundtrack a gang sauntering down an alleyway\, whilst “Jericho” emulates a dog and a brass band falling down the stairs (with jazzy panache\, thank you very much). \n“Fireman” sees Le Bon and Cox cast themselves as postulating heroes\, as in a flash of tongue-in-cheek\, lyrical-comic wordplay\, Cate sings “I am a fireman / putting out fires\, man” and Bradford\, in a low faux-macho drawl\, rambles immodestly in the background about his fire-extinguishing prowess. \nAnd final track “What Is She Wearing\,” drips with cynicism\, wit\, and parody punk spirit as Le Bon lists universally relatable and not-so-nice\, day-to-day shit: having to take the bins out\, stepping in chewing gum\, taking your jumper off when you’re wearing an ugly t-shirt underneath\, finding dirt on the fork at a fancy restaurant\, going to the supermarket and paying five pence for a plastic bag you don’t want. It wouldn’t be hard to believe that John Cale is sawing his bow across an electric guitar somewhere in the background as Le Bon lippily gripes: “I’m walking to get myself a croissant from the bakery / and everybody is looking at me as if I have committed a crime.” \nBut for all their twists and turns\, Myths 004’s seven tracks sit perfectly alongside one another — each sounding simultaneously like a Bradford Cox song\, and like a Cate Le Bon song. In the true spirit of collaboration\, a feeling of sheer joy prevails\, uniting the EP’s every shape\, character\, prang\, plod and playful bite. URL:https://royaleboston.com/event/kurt-vile-cate-le-bon/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/03/KV.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200907T190000 DTEND;TZID=America/New_York:20200907T190000 DTSTAMP:20260404T015334 CREATED:20191015T170039Z LAST-MODIFIED:20200504T190126Z UID:10002113-1599505200-1599505200@royaleboston.com SUMMARY:[CANCELED] Brent Faiyaz DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nBrent Faiyaz \n \nWebsite\nFacebook\nTwitter \n*** \nGRIP \n \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/brent-faiyaz/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/10/0907-Boston-BrentFaiyaz-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200917T190000 DTEND;TZID=America/New_York:20200917T190000 DTSTAMP:20260404T015334 CREATED:20191105T180037Z LAST-MODIFIED:20200518T145948Z UID:10002117-1600369200-1600369200@royaleboston.com SUMMARY:[CANCELED] Best Coast DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. URL:https://royaleboston.com/event/best-coast/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/BestCoast-000062660001_R3.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20200928T190000 DTEND;TZID=America/New_York:20200928T190000 DTSTAMP:20260404T015334 CREATED:20200115T171416Z LAST-MODIFIED:20200115T171416Z UID:10002865-1601319600-1601319600@royaleboston.com SUMMARY:Ty Segall and the Freedom Band DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 1/17 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nTy Segall and the Freedom Band \n \nWebsite \nTy Segall has been playing music and producing records since 2005\, producing over a dozen albums under his own name and multiple other headings\, including Epsilons\, The Traditional Fools\, Fuzz\, GØGGS and The CIA. His music has been heard in movies and he has composed several television theme songs as well as playing on most of the late night shows currently on the air. His most recent album\, Deforming Lobes\, was recorded on the Freedom’s Goblin tour of North America\, in support of one his most popular collections yet – all of his last four solo album have landed in the Billboard Top 200. Ty’s also played tons of shows and festivals around the world\, toured most of the continents and is down to do some more. URL:https://royaleboston.com/event/ty-segall-and-the-freedom-band/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/09.28.20-Ty-Segall-and-The-Freedom-Band-PromoPic.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20201001T190000 DTEND;TZID=America/New_York:20201001T190000 DTSTAMP:20260404T015334 CREATED:20200313T171007Z LAST-MODIFIED:20200715T172650Z UID:10002884-1601578800-1601578800@royaleboston.com SUMMARY:Emancipator Ensemble - CANCELED DESCRIPTION:This show has been canceled. Refunds will be issued at the point of purchase. Please email info@boweryboston.com with any questions. URL:https://royaleboston.com/event/emancipator-ensemble/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/03/1001-Boston-Emancipator-11x17-1-scaled.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20201020T200000 DTEND;TZID=America/New_York:20201020T200000 DTSTAMP:20260404T015334 CREATED:20200402T170041Z LAST-MODIFIED:20200911T140805Z UID:10002887-1603224000-1603224000@royaleboston.com SUMMARY:Caribou - POSTPONED DESCRIPTION:This show has been postponed. Ticketholders will be notified when new show information is announced. Thank you for your patience. \n*** \n \n*** \nCaribou \n \nWebsite\nFacebook\nTwitter \nIn 2014\, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim and top-five Album of the Year positions from the likes of The Guardian\, Mixmag\, Loud and Quiet\, and NME. Now\, five years later\, Caribou returns with his new studio album Suddenly\, a warm\, untamable\, and constantly surprising record about family and the changes we go through as those relationships evolve. Our Love was an open-armed exploration of the concept of love in its grandest form\, both as an expression of gratitude to his fans and as an examination of the one thing that matters most in life. Suddenly\, however\, takes that concept and winnows it down\, directly applying it to real life and the people to whom that love means the most. \n“It used to be easier to make music that existed in my imagination only\,” says Snaith. “That sense of exploration and discovery\, the visceral excitement of creating something\, is still there\, but it doesn’t seem like it’s possible any longer to have the changes in my life not make an impression on my music.” \nOn this album\, the exploration of love for the people in Snaith’s life is deeply personal and direct\, little snapshots of his own life seeping into his music. In fact\, many of the tracks are written through the eyes of others; Snaith puts himself in the shoes of his loved ones and tackles what they’re going through head-on. \nEven the album’s title stems from his home life. Towards the end of the lengthy process of this album’s creation\, Snaith’s youngest daughter added a new word to her vocabulary with dramatic effect: “suddenly.” She began saying it non-stop\, which led to Snaith’s wife suggesting it as a title. “Then I started hearing it everywhere\, and it resonated on all sorts of levels\,” says Snaith. \nMost prominently\, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family—universal themes that can catch you off guard and change your life in a heartbeat. “There are specific things\,” he says\, “whether those are losses and traumas from my life and the lives of the people around me\, or reflections on the joys and challenges of seeing my relationships with my kids and my parents change over time—things from the grain of my day-to-day life that insisted on making their way into the music.” \nSnaith also acknowledges that those dramatic moments are part of a slower process. These moments rear their heads\, for good or bad\, during the everyday flow of life. “There’s a tension between those sudden things which blindside you and the more glacial\, gradual day-to-day changes\,” he observes. “I feel\, and maybe others can relate to this\, that it’s a difficult thing to navigate in our lives. We are so caught up in the immediate—the details that require our attention every day—that we can be blind to the bigger forces shaping us. That’s why so often when something drastic happens suddenly\, it catalyzes all sorts of changes in our lives. Our perspective shifts.” \nSuddenly is in the music\, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor\, this album is littered with swerves and left turns. “It’s been great watching the first few people I let listen to it react at those points and to see the genuine shock when they first hear those moments\,” Snaith says. “I wanted to balance the familiar—the sound that people associate with my music—against these moments of surprise.” \nSongs drop out and morph into something else entirely just as they’re hitting their stride\, like when the lush warmth of “Lime” flips into ghostly chanting. Samples chopped up beyond all recognition burst out of nowhere as in “Sunny’s Time\,” the pitch- bending piano lines making way for undecipherable but addictive vocals. “You and I” starts as a dreamy\, undeniably Caribou-like love song before breaking down into a huge chorus littered with sampled yelps and finally going rogue completely with a screaming guitar solo\, swaggering into being from nowhere. All these moments and more make for a record that feels like home\, but one where you have to constantly double-take to see if something you spotted in the corner was ever really there. \nAs with previous Caribou albums\, Suddenly was mined from hundreds of draft ideas (this time over 900). “I record music every day\, and I love it—as much or more than I have always done. I feel very lucky—the thrill has never\, ever left me\,” Snaith says. This results in a daunting process of piecing these ideas together\, a process that has become increasingly familiar to Snaith. “There’s this contradiction between the day-to-day work of making more and more musical ideas that seem like they are adding nothing\, and the gradual accretion of that stuff becoming the album.” He has come to realize\, though\, that there’s a point at which that changes: “At some point\, it all adds up into some bigger picture\,” he says. “How that happens is always a mystery to me. I just follow my instincts.” \nThere is a moment where the daunting piling up of rough ideas morphs into an album quickly taking shape. “For the last few albums at least\, there’s been a point about three-quarters of the way through where I work late into the night (as usual)\, but when I try and go to bed\, ideas keep forcing me to get up and go back to the studio again\,” Snaith recalls. “It happens over and over in one night. I can feel the gears whirring as I lie there trying to sleep\, and I can’t ignore the ideas for fear that it will be gone when I wake up the next morning.” \nSnaith has come to recognize that once these moments begin to disturb him in the night\, the process of the album must be headed towards its conclusion. So here\, in a quick burst—after five years of ideas—is a complete project. \nThere are a few subtle differences in the process that set Suddenly apart from any other Caribou album. For the first time ever\, Snaith sings on every single track. “I’m not a strong singer\,” he admits with humility. “It’s taken me a long time to build the confidence and find a way to sing my songs that I can live with.” On Suddenly\, it’s clear Snaith is in that place; his voice is everywhere on the album\, clear and confident. The melodies are more complex than they’ve \never been\, and Snaith’s voice is right there at the forefront. Not only is he more present than ever\, but for the first time since 2005\, Snaith is the only lead vocalist (though there are\, of course\, some sampled vocals from his extensive record collection). This was initially unintentional\, but as the album developed\, Snaith realized “that’s the only way it could be.” \nIn a sense\, this is not quite true. There is one other voice\, a very special guest contribution: Snaith’s mother. She appears briefly and angelically on “Sister.” “My parents moved from England to Canada before I was born\, and they used to make tapes to mail back to my grandparents in England\,” Snaith explains. “The line I used is my mum singing a nursery rhyme to my sister when she was just a baby. For all that I’ve said about putting my life into my music\, that moment is the most personal.” It’s a fitting and touching moment\, one of many tiny moments of Snaith’s life placed lovingly into the music. “I haven’t told her she’s on there yet—I’m hoping it’s a welcome surprise!” he laughs. \nRecorded almost entirely alone at his home studio\, there were three crucial days where Snaith did have a collaborator. Longtime friend Colin Fisher plays saxophone and guitar on Suddenly\, but as something of a jack-of-all-trades and\, more importantly\, as a guiding force\, his touches are all over the record. Fisher flew over from Toronto and stayed with Snaith and his family who were immediately drawn to him\, Snaith’s wife dubbing him the Laughing Buddha for his near constant hyena-like laugh and his calm benevolence. “Aside from recording\, he also changed the whole atmosphere in the house in a really nice way\,” Snaith says. “It was great to see my kids trying to figure out this puzzle of a person who appeared out of nowhere. He would go out for a stroll and reappear with a Turkish flute that he had bought nearby. And then sit playing while they bounced on the trampoline beside him.” \nAs Snaith goes it alone more and more\, these are the kind of people who are still welcomed with open arms onto a Caribou record— friends he’s close to and who see music-making in a similar way. As Snaith puts it\, “These albums are like photo albums for me—when I look back at the old ones\, they’re a snapshot of my life at that time\, full of people who are close to you.” \nSo for all the strings Snaith has to his bow these days\, this is the drive to continue to make Caribou albums. Full bodies of work where Snaith is able to evaluate things\, look at those around him\, and celebrate them. As his passion and joy in music-making remains as fresh as ever\, Suddenly is the purest example of this yet. \n*** \nKaitlyn Aurelia Smith \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/caribou/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/04/1020-Boston-Caribou-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20201023T180000 DTEND;TZID=America/New_York:20201023T180000 DTSTAMP:20260404T015334 CREATED:20200131T170927Z LAST-MODIFIED:20200131T170927Z UID:10002874-1603476000-1603476000@royaleboston.com SUMMARY:Sammy Rae & The Friends DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale now! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nSammy Rae & The Friends \n \nWebsite\nFacebook\nTwitter \nSinger/songwriter\, bandleader\, and human being Samantha Bowers was born in the small town of Derby\, Connecticut. Sam first began writing songs at age 12 while taking piano lessons and listening to Bruce Springsteen\, Billy Joel and Freddie Mercury playing on the family stereo. By 16\, Sam developed a love of jazz and began to study the great female vocalists of the century (mainly Ella Fitzgerald\, Etta James and Sarah Vaughn) as she started to perform original compositions in local Connecticut and New Jersey venues. She would go on to write and release 3 LP records by the age of 18.\nIn 2013 at age 19\, Sam packed up and moved to New York to pursue music and songwriting. In 2016\, The Friends were born from a collection of talented musicians and friends. Sammy Rae & The Friends would play shows around the NY Metro area as Sam kept composing and sharpening her craft\, culminating in the July 2018 release of the self-produced EP ‘The Good Life’\, premiered to a sold-out crowd at C’Mon Everybody in Brooklyn. The release marked a fresh start for the seasoned vocalist showcasing her skills as a composer\, arranger\, lyricist\, and bandleader on her fourth release. Since the release of their May single ‘Saw It Coming’\, The Friends have enjoyed 6 sold-out shows in New York at well-known venues such as Knitting Factory\, Bowery Electric\, DROM\, and Rockwood Music Hall. The lyrics focus on themes of coming-of-age\, defiance\, and self-expression. Her genre blending performances are high-energy\, honest and quirky\, influenced by the great performances of her childhood classic rock heroes.\nIn short\, The Friends are the band. A rotating cast with some core all-the-time members. Their full band performances feature 9 pieces: a rhythm section\, a horn section\, keyboards\, and two back up singers\, all lead by Rae through high-energy vocals and an assortment of instruments. On a grander scale\, The Friends is the community of followers\, artists and creatives who help in the creation of the songs and the world. Merchandise item ‘The Official Friends Membership Card’ offers a goodie bag at every show\, drink deals\, discounted admission and invite-only after-parties. We don’t have fans\, we have Friends.\nAppearances by SR&TF are fully conceptualized and contained shows with opening and closing themes offering the invitation ‘I Wanna Be Friends With Ya’\, sung interludes\, choreography\, and the occasional costume change or skit. The community of the band is tangible and the energy is contagious. Performances are safe spaces for our audiences to make Friends\, dress boldly and dance how they like. Described as ‘a celebration\, a revival\, and an inclusive community all in a rock and roll performance’\nThe mission statement of Sammy Rae & The Friends is made clear in the final remarks sung at every show: ‘Go put a smile on somebody’s face\, go tell somebody they’ve got a place in this world\, go tell somebody you wanna be Friends with them.’ URL:https://royaleboston.com/event/sammy-rae-the-friends/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/SammyRae-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20201128T200000 DTEND;TZID=America/New_York:20201128T200000 DTSTAMP:20260404T015334 CREATED:20191120T150036Z LAST-MODIFIED:20200331T142014Z UID:10002844-1606593600-1606593600@royaleboston.com SUMMARY:[Moved to The Sinclair] Squarepusher DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nThis show has been rescheduled to 11/28 at The Sinclair. All tickets for the 4/9 show at Royale will be honored at the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nSquarepusher \n \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/squarepusher/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/Block_logo_white_on_black.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210125T190000 DTEND;TZID=America/New_York:20210125T190000 DTSTAMP:20260404T015334 CREATED:20200228T160055Z LAST-MODIFIED:20201222T163532Z UID:10002882-1611601200-1611601200@royaleboston.com SUMMARY:[POSTPONED] STRFKR DESCRIPTION:This show has been postponed. At this time\, we still don’t have information on a new date. Hold onto your tickets; there is nothing you need to do and they will still be valid for the rescheduled date. \nWe are in regular communication with our event partners to identify a new date. As soon as we have new information\, we will email you and update all listings online. Thank you for your continues patience. URL:https://royaleboston.com/event/strfkr-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/02/STRFKR-admat-2021.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210126T190000 DTEND;TZID=America/New_York:20210126T190000 DTSTAMP:20260404T015334 CREATED:20200703T111610Z LAST-MODIFIED:20210122T002532Z UID:10002889-1611687600-1611687600@royaleboston.com SUMMARY:[RESCHEDULED TO 11/22/2021] The Driver Era DESCRIPTION:This show has been rescheduled to 11/22/2021. All previously purchased tickets will be honored for this new date. URL:https://royaleboston.com/event/the-driver-era-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/07/NEW-Press-photo-MK-Sadler-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210129T180000 DTEND;TZID=America/New_York:20210129T180000 DTSTAMP:20260404T015334 CREATED:20200121T180013Z LAST-MODIFIED:20201202T050658Z UID:10002868-1611943200-1611943200@royaleboston.com SUMMARY:[CANCELED] The Fratellis DESCRIPTION:This show has been canceled. Refunds will be issued at point of purchase. \nIf you purchased tickets in person at the Royale or The Sinclair box office\, please email info@boweryboston.com for refund information. URL:https://royaleboston.com/event/the-fratellis/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2020/01/0129-BOS-Fratellis-1200x1200-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210305T180000 DTEND;TZID=America/New_York:20210305T180000 DTSTAMP:20260404T015334 CREATED:20191112T150053Z LAST-MODIFIED:20210202T175632Z UID:10002130-1614967200-1614967200@royaleboston.com SUMMARY:[RESCHEDULED] The Tallest Man on Earth DESCRIPTION:This show been rescheduled to Thursday\, March 3\, 2022. Ticket holders – there is nothing you need to do\, your original tickets are valid for the new date and will be honored at the door. \nTickets for the 2022 show are available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nThe Tallest Man on Earth \n \nWebsite\nFacebook\nTwitter \nOn April 19th\, 2019\, The Tallest Man On Earth released his first album in 4 years. I Love You. It’s A Fever Dream. was written\, produced and engineered by Kristian Matsson and was recorded almost entirely in his apartment in Brooklyn\, NY.\nWhen asked for some insight into the album\, Matsson says “Here’s what I can tell you: Of course there are some love songs and then there are some other songs. Making the album I was thinking a lot about the lenses we view our lives through and that\, for some reason\, our worst tendencies seem to be carried out so loudly\, while our best can go unnoticed. I’ve come to realize that some of the most powerful\, most inspiring moments in my life have been the most subtle and that so often the thing that deserves my attention\, is trying the least to get it.”\nIn recent years Matsson has undertaken single oriented projects that incorporate writing\, producing and self releasing songs and videos in regular intervals\, often with purposefully intense deadlines. He’s described finding inspiration in the entire process\, and in particular in the satisfaction of making something and having it out quickly. For listeners and viewers the fascination has been in watching an artist work through his life\, in problems and celebrations large and small\, putting his thoughts out into the world while he’s still processing them himself and watching them evolve over time. URL:https://royaleboston.com/event/the-tallest-man-on-earth/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/11/Press-Photo.jpeg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT END:VCALENDAR