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X-WR-CALDESC:Events for Royale Boston
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BEGIN:VTIMEZONE
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190802T220000
DTEND;TZID=America/New_York:20190802T220000
DTSTAMP:20260407T210924
CREATED:20190617T165801Z
LAST-MODIFIED:20190617T165801Z
UID:10002786-1564783200-1564783200@royaleboston.com
SUMMARY:Vanic
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/vanic/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/06/puf_26_I.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190803T220000
DTEND;TZID=America/New_York:20190803T220000
DTSTAMP:20260407T210924
CREATED:20190727T213418Z
LAST-MODIFIED:20190727T213418Z
UID:10002088-1564869600-1564869600@royaleboston.com
SUMMARY:Royale Saturdays: Wild Wild West
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-wild-wild-west/
LOCATION:MA
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/07/EBD70078-19FD-4D70-9B3E-AB5F6ED14AE8.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190809T220000
DTEND;TZID=America/New_York:20190809T220000
DTSTAMP:20260407T210924
CREATED:20190611T172118Z
LAST-MODIFIED:20190612T152953Z
UID:10002785-1565388000-1565388000@royaleboston.com
SUMMARY:Above & Beyond
DESCRIPTION:*** On sale June 14th at 1PM***\nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/above-beyond/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/06/Ld-q678A.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190810T220000
DTEND;TZID=America/New_York:20190810T220000
DTSTAMP:20260407T210924
CREATED:20190731T003145Z
LAST-MODIFIED:20190731T003145Z
UID:10002089-1565474400-1565474400@royaleboston.com
SUMMARY:Royale Saturdays: Casino Royale
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-casino-royale-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/07/23EAE0FA-C4F6-4511-A378-534572B4C4C5.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190816T220000
DTEND;TZID=America/New_York:20190816T220000
DTSTAMP:20260407T210924
CREATED:20190627T154310Z
LAST-MODIFIED:20190627T154310Z
UID:10002788-1565992800-1565992800@royaleboston.com
SUMMARY:Sander Van Doorn
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/sander-van-doorn-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/06/fK1CI6Bh.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190817T080000
DTEND;TZID=America/New_York:20190817T220000
DTSTAMP:20260407T210924
CREATED:20190731T003848Z
LAST-MODIFIED:20190731T003950Z
UID:10002091-1566028800-1566079200@royaleboston.com
SUMMARY:Royale Saturdays: The Endless Summer
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-the-endless-summer/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/07/82284FC9-8254-42FE-BABB-73C4736044A8.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190823T220000
DTEND;TZID=America/New_York:20190823T220000
DTSTAMP:20260407T210924
CREATED:20190717T150021Z
LAST-MODIFIED:20190717T142917Z
UID:10002078-1566597600-1566597600@royaleboston.com
SUMMARY:Rusko
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/rusko/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/07/RmjDIx8.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190824T220000
DTEND;TZID=America/New_York:20190824T220000
DTSTAMP:20260407T210924
CREATED:20190731T004719Z
LAST-MODIFIED:20190731T004719Z
UID:10002798-1566684000-1566684000@royaleboston.com
SUMMARY:Royale Saturdays: Summer Send Off
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-summer-send-off/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/07/8A8A68F5-0CF3-46F9-94D4-BD2B95001A1F.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190830T220000
DTEND;TZID=America/New_York:20190830T220000
DTSTAMP:20260407T210924
CREATED:20190717T143754Z
LAST-MODIFIED:20190717T143848Z
UID:10002079-1567202400-1567202400@royaleboston.com
SUMMARY:Kayzo
DESCRIPTION:** ON SALE JULY 18th @ 11AM **\nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/kayzo/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/07/lkr_sZOI.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190831T220000
DTEND;TZID=America/New_York:20190831T220000
DTSTAMP:20260407T210924
CREATED:20190731T005632Z
LAST-MODIFIED:20190731T005632Z
UID:10002799-1567288800-1567288800@royaleboston.com
SUMMARY:Royale Saturdays: Labor Day White Party
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-labor-day-white-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/07/96B4E3FA-15DF-471F-8AE6-B684BE5C1573.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190901T220000
DTEND;TZID=America/New_York:20190901T220000
DTSTAMP:20260407T210924
CREATED:20190826T145752Z
LAST-MODIFIED:20190826T145901Z
UID:10002809-1567375200-1567375200@royaleboston.com
SUMMARY:White Party: Labor Day Sunday
DESCRIPTION:21+
URL:https://royaleboston.com/event/white-party-labor-day-sunday/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/08/1500PX-V2-WHITEPARTY2019.jpg
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190904T190000
DTEND;TZID=America/New_York:20190904T190000
DTSTAMP:20260407T210924
CREATED:20190621T212119Z
LAST-MODIFIED:20190807T144006Z
UID:10002072-1567623600-1567623600@royaleboston.com
SUMMARY:Pinegrove
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nOn sale now! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nPinegrove \n \nWebsite\nFacebook\nTwitter \nPinegrove are a band from Montclair\, NJ \n*** \nStephen Steinbrink \n*** \nCommon Holly
URL:https://royaleboston.com/event/pinegrove-3/
LOCATION:MA
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/06/1200x1200-2.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190905T190000
DTEND;TZID=America/New_York:20190905T190000
DTSTAMP:20260407T210924
CREATED:20190618T160031Z
LAST-MODIFIED:20190905T221243Z
UID:10002070-1567710000-1567710000@royaleboston.com
SUMMARY:Pinegrove
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nLimited number of tickets have been released and will be available at the door! \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nPinegrove \n \nWebsite\nFacebook\nTwitter \nPinegrove are a band from Montclair\, NJ \n*** \nStephen Steinbrink \n*** \nCommon Holly
URL:https://royaleboston.com/event/pinegrove-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/06/1200x1200-2.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190906T220000
DTEND;TZID=America/New_York:20190906T220000
DTSTAMP:20260407T210924
CREATED:20190627T155630Z
LAST-MODIFIED:20190627T155630Z
UID:10002789-1567807200-1567807200@royaleboston.com
SUMMARY:Ghastly
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/ghastly/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/06/6rwTFMCN.png
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190907T180000
DTEND;TZID=America/New_York:20190907T180000
DTSTAMP:20260407T210924
CREATED:20190715T170048Z
LAST-MODIFIED:20190904T141159Z
UID:10002797-1567879200-1567879200@royaleboston.com
SUMMARY:Pink Sweat$
DESCRIPTION:Presented by JAM’N 94.5 \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 7/19 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nPink Sweat$ \n \nWebsite\nFacebook\nTwitter \nPink Sweat$ is an artist/songwriter/producer from Philadelphia\, PA. Pink’s music is rooted in R&B and Soul\, stripping back the typical genre-specific production to showcase melodic intricacy and lyrical prowess. He began making music at the age of 19 as a demo vocalist\, and soon after found himself working at the legendary Sigma Sounds Studios where he began his career as a songwriter. After 7 years of working behind the scenes\, Pink Sweat$ launched as a solo artist in July of 2018. The rapid rise of his debut EP Volume 1 has earned him recognition from the New York Times\, Rolling Stone\, Billboard\, and Fader. \n*** \nPJ \n \nWebsite\nFacebook\nTwitter \nRaised in North Carolina and Atlanta\, singer-songwriter PJ moved to Los Angeles in 2014. She started her music career behind the scenes as a songwriter\, penning “Left Right Left” for Charlie Puth\, “I Don’t Know” for Meek Mill\, “True Colors” for Wiz Khalifa –among many more songwriting credits. Signed to Atlantic Records\, she transitioned to the spotlight by way of the 2015 EP Walking Around Pools followed by 2016’s Rare—which boasted collaborations with G-Eazy and Ty Dolla $ign. The project’s single “Tell Me”[feat. Jevon Doe] racked up over 3.5 million Spotify streams and garnered acclaim from Ones to Watch\, HipHopDX\, and many others.\nLife inevitably took a fewturbulent twists and turns\, so PJ a much-needed break. Emerging from these trials and tribulations in late 2018\, she embraced a newfound confidence. As part of this awakening\, she once again tapped into formative influences such as Kanye West\, Kid Cudi\, Stevie Wonder\, and Whitney Houston. She now draws inspiration from the sound and energy of Mary Blige to tell her story. She began bending genres and blending pop\, soul\, and country until the music began “dripping in soul\,” as she likes to say. PJ released her 2019 single “One Missed Call” as a reintroduction to her new artistry.\n“This is about me waking up and breathing for the first time as an adult\,” she leaves off. “I want people to see themselves in my songs. If you need to see what a real person looks like\, look at me. I don’t have shit figured out. I don’t pretend to either. It’s okay though. That’s who I am. That’s my music.”
URL:https://royaleboston.com/event/pink-sweat/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/07/square.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190907T220000
DTEND;TZID=America/New_York:20190907T220000
DTSTAMP:20260407T210924
CREATED:20190821T204745Z
LAST-MODIFIED:20190821T204745Z
UID:10002808-1567893600-1567893600@royaleboston.com
SUMMARY:Royale Saturdays: Back 2 School
DESCRIPTION:**Free Before 11PM with RSVP**\nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-back-2-school/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/08/image3.jpeg
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190908T190000
DTEND;TZID=America/New_York:20190908T190000
DTSTAMP:20260407T210924
CREATED:20190416T140035Z
LAST-MODIFIED:20190819T202648Z
UID:10002763-1567969200-1567969200@royaleboston.com
SUMMARY:[SOLD OUT] Avail
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nAvail \n \nWebsite\nFacebook\nTwitter \n*** \nAngel Du$t \nWebsite\nFacebook\nTwitter \n*** \nTied to a Bear \nWebsite\nFacebook
URL:https://royaleboston.com/event/avail/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/04/AVAIL-2019-by-Chris-Boarts-Larson-1.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190909T200000
DTEND;TZID=America/New_York:20190909T200000
DTSTAMP:20260407T210924
CREATED:20190404T135038Z
LAST-MODIFIED:20190710T171457Z
UID:10002758-1568059200-1568059200@royaleboston.com
SUMMARY:Hot Chip
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri 4/12 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nHot Chip \n \nWebsite\nFacebook\nTwitter \nOn June 21st 2019\, British group Hot Chip will release their seventh studio album\, A Bath Full of Ecstasy. Their third album for Domino\, A Bath Full of Ecstasy is the group’s definitive release\, crystallising the sound they’ve become celebrated for – bridging euphoria and melancholy with colourful melodies\, idiosyncratic vocalisations and pounding electronic pop rhythms. The album also sees them open up to a more adventurous and collaborative song-writing process\, choosing to work with outside producers for the first time: Philippe Zdar\, the French maestro who’s shaped the magic of Cassius and Phoenix\, and Rodaidh McDonald\, the Scot who’s collaborated with The XX\, David Byrne and Sampha\, among others.  \nThe group (Owen Clarke\, Al Doyle Joe Goddard\, Felix Martin and Alexis Taylor) began working on A Bath Full of Ecstasy in the autumn of 2018\, the bulk of it written and recorded in three\, one-week long sessions. At his Motorbass studio in Paris\, Zdar played the role of co-producer\, mixing engineer and gentle eccentric\, and built much of the sonic space that the album occupies: a focus on drums and bass\, with minimal use of guitar and plenty of multi-layered\, arpeggiated keyboard melodies; shaping A Bath Full of Ecstasy with the “French Touch” he’s known for. When recording in London\, the analytical McDonald encouraged the group to make each song leaner\, more direct. “Rodaidh was really good at getting us to think about the song-writing\,” says Goddard\, “especially on ‘Melody of Love.’ He was quite ruthless – ‘is this verse too long? Do we have to write something stronger? We should get to the chorus faster.’ He pushed us to be more ambitious.”  \nThe album’s opener\, “Melody of Love” began as a 12-minute instrumental track and features a sample from the gospel group The Mighty Clouds of Joy. Under the eye of McDonald\, the group turned it into a bombastic explosion of Technicolor pop. A repeating sampled vocal\, cut-up to the point of abstraction\, follows the lyrical chorus and an uplifting synthesizer motif. This musical passage is the melody of love\, the summation of the song’s workings; by working together\, the group may be able to find the perfect gesture for their emotions. “Melody of Love” is about the importance of the transformative\, non-verbal moment – ecstasy as personal happiness\, but also of transcendence\, of being outside oneself.  \nThe sound of A Bath Full of Ecstasy has a breeziness to it that comes in large part from Zdar: “You have to put air in it!” he’d exclaim theatrically\, says Doyle\, “it needs more air!” His liberal use of a Grampian spring reverb unit for pleasant distortion made sure of that\, along with the group’s choice of machines. They were particularly drawn to a select few: the wooden polyphonic KORG PS3200 synthesizer (“It sounds like the gates of heaven opening\,” exalts Doyle)\, the Yamaha CS70-M and CS-80\, synonymous with Stevie Wonder\, and the Oberheim OB-Xa\, an analogue synthesizer with a bright\, celestial quality\, beloved by Prince\, Depeche Mode\, and Detroit techno originators. Alongside these classic synthesizers and keyboards\, modular synthesis plays an important role in the sound of A Bath Full of Ecstasy. After building up his own Eurorack system over the years\, Martin made a corner of each studio cosy with wires and outboards\, riffing off the looping melodies and physical gestures of the sessions to create gentle dopamine rushes of electronic ambience\, amplifying the song structures as well as sculpting the lead and background vocals.  \nTo better render the emotional honesty that colours much of Hot Chip’s output\, the advice Taylor gives himself is to not “speak or verbalise too much through the creative process. Act instead.” That desire to act is most keenly felt on lead single “Hungry Child.” For 6 glorious minutes\, Hot Chip fuse the uplifting soft pads and melodic keys of classic soulful house and the percussive swing of UK garage\, full of sweet vocalisations and rhythmic snaps\, to make an instant\, club-ready hit. “Hungry Child” moves with a tender power that feels classically Hot Chip\, its driving pace primed for full body–swings on heaving dance floors\, hands raised and singing in unison.  \nThroughout Hot Chip’s albums\, a light-touch vocal production process allowed for the nakedness of Taylor’s falsetto to become one of the group’s signatures. A Bath Full of Ecstasy\, though\, proves to be more experimental in this sense – delays and effects\, modular wizardry and a more playful dynamic range in the mixing process take Taylor’s voice in new directions\, blossoming and wilting with the flow of the music.  On “Spell\,” this comes to the fore: manipulating voices to be playful and free\, without obfuscating the words; even harking to Prince’s gender-bending infectious lust\, allowing Taylor to becoming less immediately recognisable at times. On “Bath Full of Ecstasy\,” there’s a delicate display of lilting vocalisations\, laid back ’70s pop-rock rhythms and gentle modular synthesis\, all washed through like watercolour.  \nIn his lyricism\, too\, Taylor steps out of his comfort zone on A Bath Full of Ecstasy. Though rooted in first person\, autobiographical tales of romance and friendship\, his storytelling here becomes more bodily\, and more open to new ideas. On “Spell\,” Goddard encouraged Taylor to transform his wistful tone into something more erotic and alive. On “Positive\,” he chooses to sing from another person’s perspective altogether. In trying to understand how someone copes with illness and sadness\, with living a lonely life on the streets\, “Positive” tackles a dark subject matter while offering the protagonist a moment of respite through music: a juxtaposition between the frenetic euphoria of the sound and the melancholy of one human being\, just hoping that someone\, somewhere\, cares.  \nIt cycles back to what Taylor sees as the epitome of Hot Chip: “To demonstrate musically what is needed to be said; often\, indeed\, what is too difficult to be spoken.” Through the deep bond that the group have cultivated\, expanding on their sonic experimentation and lyrical openness\, A Bath Full of Ecstasy became their most dazzling album yet. \n*** \nHoly Fuck \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/hot-chip/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190912T200000
DTEND;TZID=America/New_York:20190912T200000
DTSTAMP:20260407T210924
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SUMMARY:Polo & Pan - Caravelle World Tour
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri 4/26 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nPolo & Pan – Caravelle World Tour \n \nWebsite\nFacebook \nIt’s a thriving end of the year for polo & pan:\nTheir debut album has sold +70k copies\,And they announced a new worldwide tour for 2019.\nTheir “caravelle” has crossed stages all over the world: Usa\, mexico\, canada\, asia\, middle-east and europe.\nAfter setting a tropical fire to great summer festivals\, they put together their new live show for a sold-out olympia in Paris\, another sold-out at oval space London\, and another one in amsterdam at melkweg closing the ade. They then moved to island Airswaves festival and to finish with\, a sold-out north america tour through Ny\, boston\, philly\, seattle\, vancouver and los angeles last december.\nThe duo will start 2019 by announcing its first us audiovideo show at coachella. \n*** \nMindchatter \n \nWebsite\nFacebook \nMindchatter is Bryce Connolly\, a producer and songwriter from New York City.
URL:https://royaleboston.com/event/polo-pan/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190913T183000
DTEND;TZID=America/New_York:20190913T183000
DTSTAMP:20260407T210924
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SUMMARY:Grace VanderWaal
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:00 pm \nTickets on sale Fri 6/14 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nGrace VanderWaal \n \nWebsite\nFacebook\nTwitter \nAward-winning singer\, songwriter\, actress\, model\, philanthropist\, high school freshman—Grace VanderWaal contains incredible multitudes. After her star-making turn as the winner of NBC’s America’s Got Talent in 2016\, VanderWaal has released a best-selling EP\, Perfectly Imperfect\, and full-length album\, Just The Beginning\, much to the delight of her millions-strong fanbase and critics alike. Now the New York Times-approved “mature songwriter” and “pop natural” is back with new music for 2019\, beginning with a new original song titled “Stray.” \n“When I write a song\, I don’t really know what they’re about until much later\, when I’m like ‘Oh\, that’s what my subconscious was trying to say\,’” says VanderWaal of her creative process\, which begins with songwriting and extends to musical arrangements and visual treatments. “Stray\,” which comes with a music video dreamt up by VanderWaal and brought to life with help from director Blythe Thomas\, eventually revealed itself to be about “the exhilarating fear and freedom of growing up.” The song features VanderWaal’s soulfully raspy vocals atop a moody\, searching sound that’s a departure from her signature airy ukulele riffs. \nIntrospection and vulnerability have always been hallmarks of VanderWaal’s songwriting\, and as she grows older\, the unique process of balancing stardom and adolescence has made its way into her work. “I’m maturing really fast and working a lot more\, and I feel like when this all first started happening\, I almost started to forget how to be myself\,” she says. “You only get one you. You get one shot when you’re born\, so if you forget\, what do you do?” For the time being\, the Rockland County-raised phenom is handling it all with aplomb. She’s as excited about her upcoming music as she is about her school’s prom\, and plans to work at her local movie theater’s concession stand this summer when she’s not headlining another tour\, following a string of sold-out headline shows last spring and a summer arena tour opening for Imagine Dragons that she did in 2018. \nAll throughout\, VanderWaal shares her day-to-day musings with nearly 10 million fans and counting via social media. In addition to snapshots\, videos\, and shoutouts\, her fan base can also keep tabs on Little Miracles\, the charity she created with the prize money she won on America’s Got Talent. The Little Miracles Foundation’s mission is to put music education back into marginalized school systems by spotlighting talented students\, and providing free musical instruments and audio equipment to local school districts and communities. \nVanderWaal’s ability to impact so many with her art marks an impressive trajectory from just a few years ago\, when the young artist was playing her ukulele and performing original songs at open mic nights where there were “15 to 20 people on a good night.” While America’s Got Talent was the vehicle that launched her into the national spotlight\, VanderWaal says that she only auditioned on a whim. \n“Me and my mom literally thought it would be like a bonding kind of thing\,” she explains. “You always see on TV the crazy lines and stuff\, so we were just going to wait in line\, take pictures\, bring a tent\, and stuff like that—and it just turned into something crazy. It just kept going.” VanderWaal’s astronomical rise has led to accolades (Billboard’s Women in Music 2017 Rising Star Award\, Teen Choice Next Big Thing Award\, and more)\, television performances\, (The Tonight Show with Jimmy Fallon\, The Ellen DeGeneres Show\, the Macy’s Thanksgiving Day Parade)\, and incredible partnerships with brands like Kate Spade and Fender\, who launched a Grace VanderWaal Signature ukulele\, making her their youngest ever Signature artist for Fender. \nIn addition to putting the finishing touches on more new music to be released later this year\, VanderWaal recently finished filming her first movie in New Mexico\, which is set to be released in early 2020. An adaptation of Jerry Spinelli’s New York Times best-selling young adult novel\, Stargirl\, VanderWaal will be playing the film’s title role of Stargirl Caraway\, a nonconformist\, homeschooled teen girl who plays the ukulele. “It’s all pretty surreal\,” she says. “It was so fun\, one of the best experiences of my life.” Fans hoping to connect with VanderWaal on the big screen before then can catch Wonder Park\, Paramount’s new animated feature coming out March 15—VanderWaal recorded a song titled “Hideaway” that will make an appearance in the film. \nAdd to this a full high school curriculum and it’s clear that VanderWaal is booked and busy for the foreseeable future\, but the three-time Billboard 21 Under 21 artist and youngest person ever included in Forbes’ 30 Under 30 list is taking it all in stride. As she puts it: “You can’t think about everything in the future right now. You just think about tomorrow. Being on stage and being at school\, it’s just two different parts of my personality.”   \n*** \nPatrick Martin \n \nWebsite\nFacebook\nTwitter \nRomance isn’t dead\, and we have Patrick Martin to thank for that. The Los Angeles-via-Wisconsin singer/songwriter’s debut single\, ‘Cinema Love\,’ is a picture-perfect evocation of new love’s impossible pleasures — a skyscraping pop song that doubles as a first taste of Martin’s debut album\, due later this year. Born and raised in Saukville\, WI\, Martin was introduced to music by his mom at an early age\, with classic-rock staples like the Beatles\, Fleetwood Mac\, the Allman Brothers\, and Crosby\, Stills\, Nash and Young on regular rotation. Inspired to learn guitar by an older cousin\, he practiced and played for years and eventually started dabbling in his own songcraft around the age of 16. Later\, while attending Marquette University\, a relationship during his sophomore year sparked a desire to write and play music on a broader scale. A semester studying abroad in London further encouraged him to pursue music full-time\, and soon after\, Martin moved to Los Angeles\, working on his music in between shifts at the Apple Store. Guided by his manager’s experience\, Martin eventually crafted his debut single\, ‘Cinema Love\,’ which was co-produced by longtime collaborator Jesse Mason. ‘Cinema Love’ is an expression of the emotion felt from one of Martin’s own most memorable relationships\, and it encapsulates the belief that real love can be as epic as it feels in the greatest romantic films of all time.
URL:https://royaleboston.com/event/grace-vanderwaal/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190913T220000
DTEND;TZID=America/New_York:20190913T220000
DTSTAMP:20260407T210924
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SUMMARY:Crankdat
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/crankdat/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190914T220000
DTEND;TZID=America/New_York:20190914T220000
DTSTAMP:20260407T210924
CREATED:20190904T141916Z
LAST-MODIFIED:20190904T141916Z
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SUMMARY:Royale Saturdays: Space Jam
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+ \nCalling all space cadets…Cosmic is back! On Saturday\, September 14\, join us for SPACE JAM; a party that is extraterrestrial at Royale! Expect some otherworldly surprises and don’t forget to download your free before 11 RSVP!
URL:https://royaleboston.com/event/royale-saturdays-space-jam/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190915T190000
DTEND;TZID=America/New_York:20190915T190000
DTSTAMP:20260407T210924
CREATED:20190514T140047Z
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SUMMARY:[SOLD OUT] The Band Camino
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nThe Band Camino \n \nWebsite\nFacebook\nTwitter \n*** \nValley \nWebsite\nFacebook\nTwitter \nVALLEY is a band comprised of the four kids you used to know back in grade school. They were the ones talking excitedly about that classic band and some new artist in the same breath. They were the ones feverishly writing songs and rushing home to record them so you could finally understand what they were trying to say. \nMade up of Rob Laska (vocals)\, Michael Brandolino (guitar)\, Alex Dimauro (bass) and Karah James (drums) is forged from two bands who were accidentally double-booked for studio time. The born-and-raised Canadians seized the opportunity in disguise and began developing what would ultimately become one of the most refreshing and engaging new bands of the decade. \nVALLEY wrote and self-produced the acclaimed 2016 EP This Room Is White\, amassing over 10 million streams\, as well as garnering radio and TV placements for indie pop hit “Swim”. Now VALLEY have returned with two new singles. “Closer To The Picture” written and produced by the band in collaboration with Andy Seltzer (Maggie Rogers\, Tor Miller\, Penguin Prison)\, deals with the cycle of anxiety and self-reflection inherent in the deafening digital noise of 21st century living. The second single\, “Push For Yellow (Shelter)”\, rings as a declaration\, inviting listeners to embrace feelings of uncertainty\, knowing they’re not alone in their search for security. So far\, the new music has caught the attention of the indie music world with features on The 405\, Idobi Radio\, Indie88 and many more. \nBoth tracks are featured on their upcoming EP\, MAYBE – Side A\, the first installment of a full length project that VALLEY have been working on for the past two years and will be released in three parts over the next few months. \nThe timeless\, anthemic songcraft for which VALLEY has become known has been refined in their home studio in Toronto’s outer suburban rim\, the bright sunshine of Los Angeles\, and the gritty real of New York City. The group found a lot of inspiration for new music in the neighborhoods of Brooklyn and found a sound that is utterly contemporary and sophisticated\, but also\, in all the right ways\, a little bit throwback. VALLEY are the Toronto band with an undeniable New York sound that are about to be at the top of your radar.
URL:https://royaleboston.com/event/the-band-camino/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190918T190000
DTEND;TZID=America/New_York:20190918T190000
DTSTAMP:20260407T210924
CREATED:20190618T140037Z
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SUMMARY:Frankie Cosmos
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 6/21 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nFrankie Cosmos \nFrankie Cosmos \nWebsite\nFacebook\nTwitter \nClose It Quietly is a continual reframing of the known. It’s like giving yourself a haircut or rearranging your room. You know your hair. You know your room. Here’s the same hair\, the same room\, seen again as something new. Close It Quietly takes the trademark Frankie Cosmos micro-universe and upends it\, spilling outwards into a swirl of referentiality that’s a marked departure from earlier releases\, imagining and reimagining motifs and sounds throughout the album. FC’s fourth studio release is a manifestation of the band’s collaborative spirit: Greta Kline and longtime bandmates Lauren Martin (synth)\, Luke Pyenson (drums)\, and Alex Bailey (bass) luxuriated in studio time with Gabe Wax\, who engineered and co-produced the record with the band. \nRecording close to home— at Brooklyn’s Figure 8 Studios— grounded the band\, and their process was enriched by working closely with Wax\, whose intuition and attention to detail made the familiar unfamiliar and allowed the band to reshape their own contexts. On opener “Moonsea\,” an unaccompanied Greta begins\, “The world is crumbling and I don’t have much to say.” Take that as a wink and a metonym for the whole album\, as her signature vocals are joined by Alex’s ascending bassline and Lauren’s eddying synths\, invoking a loungey take on Broadcast or Stereolab’s space-disco experimental pop. There’s much more than “not much” to say here\, and it’s augmented and expanded by experimentation with synth patches\, textures\, and other recording nuances courtesy of Wax. \nAs the lineup has solidified into the most permanent expression of full-band Frankie Cosmos\, the bandmates have felt more comfortable deviating from their default instruments and contributing bigger-picture ideas to continue pushing the sound forward. The synergy of its creation is clear upon listening: the multiple hands dipping and re-dipping into each song form a multifaceted whole. The band’s closeness and aesthetic consistency freed its members to take more musically-formal risks\, notes Luke: “Everything will sound like Frankie Cosmos because Greta has such a distinct voice (literally and figuratively). We have so much latitude to experiment with the instrumental music\, and this time around we really took advantage of that.”  \nThe album forms its own vortex of reinvention that’s embodied through both the tracks themselves and the recording and arranging processes. “A Joke” curls in on itself\, in word and in deed\, a series of undercuts defining negative space: “It’s just a joke I wasn’t trying to tell;” “It wasn’t really a game;” “I do not know what I am for/I wasn’t really keeping score.” Inverting technology’s human mimicry\, Luke impersonates a drum machine until the song’s end. “A Joke’s” tricks scratch at something bigger\, a small song embodying the laughability of attempting to neatly organize or adhere to any particular role. \n“Rings of a Tree” frees itself from its original context: released earlier this year on Greta’s solo piano album Haunted Items\, she didn’t initially anticipate a major deviation; then\, Luke says\, “Lauren and I had the same arrangement idea without talking about it. Like\, ‘let’s make this song funky. Let’s channel Orange Juice.’ We texted Greta and Alex before practice and Alex came in with a new guitar part that perfectly captured what Lauren and I heard in our heads.”  \n“I’m just fucking glad for my bubble/despite how often it is penetrated by evil” Greta sings on “Last Season’s Textures\,” taking to task the accusation that young people cloister themselves in complacency: she’s quick to point to\, thank\, and feel suspicious of that sphere all at once. The song explores the feeling of safety in her realm; reasonable despair re: reality (“the news is excruciating”); and a quick admission that darkness isn’t something a liberal-minded social network can block out. Kline notes how the song is “partly about misogyny and internalized misogyny–moments where I’ve felt betrayed by what is meant to be a safe space.”  \nWithout losing any intimacy of prior albums\, Close it Quietly is different\, is outer. The album functions as a benign doppelganger\, a shadow self of past releases; where other Frankie Cosmos records shine brightest looking inward\, Close it Quietly refracts the self into the world\, and vice versa\, miraculously echoing Thoreau’s assertion that “when I reflect\, I find that there is other than me.”  \nReflection–and refraction–isn’t tidy. “Flowers don’t grow/in an organized way/why should I?” Greta sings on “A Joke.” Growth isn’t linear. Change happens in circles. While recording the album\, Alex says\, “I closed my eyes a lot.” Stand in the sun\, listen to Close it Quietly\, and do the same. \n*** \nLina Tullgren \n \nWebsite\nFacebook \nLina Tullgren is from Southern Maine just over the border of the northernmost seacoast of New Hampshire. It’s an unexpected location for artistic incubation\, but if you grow up anywhere surrounded by family and friends and weirdos interacting at all times with their own interpretations of creative output\, osmosis is bound to occur. Shifting in trainings and traditions\, the 23 year old eventually found themselves a voice with the electric guitar\, uniquely flavored and shaped from the many years of fiddle lessons and classical technique. The shifts in genre and in instrumentation are stark\, but important. Lina’s morphing interaction with music has mirrored a growing determination to harness their ability to melodically and lyrically express complex emotions. \nWith 2016’s Wishlist EP – recorded to tape at the apartment of band mate Ty Ueda – Lina proved an ability to craft simple\, introspective and succinct songs\, each one a pulsing glow leaving you both hollow and whole\, alone but never lonely. It is on Lina’s debut album Won that we reap the full rewards of this newfound confidence in expression and rejection of internal hesitation. “The writing doesn’t necessarily get easier\, but I feel more comfortable tapping into emotions and going to those places that need to be written about. Won\, as it turned out\, is the product that I have been hearing and picturing in my head as I write and listen to music.” It is the product of what happens when you push past the fear of what it means to think out loud – to become accountable for your internal struggles by way of manifesting your ideas into songs that are then free to grow apart from you\, to exist on their own while always remaining specifically implicative of you. Now backed by a full band\, each track manages to remain piercingly intimate\, sometimes brief\, and always honest\, while gaining a wholly new sense of gestation both sonically and lyrically. \n“I am all the wiser now that I accept my fate” \n*** \nLocate S\,1 \nWebsite\nFacebook
URL:https://royaleboston.com/event/frankie-cosmos/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190919T190000
DTEND;TZID=America/New_York:20190919T190000
DTSTAMP:20260407T210924
CREATED:20190611T170007Z
LAST-MODIFIED:20190913T195414Z
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SUMMARY:grandson
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 6/14 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \ngrandson \n \nWebsite\nFacebook\nTwitter \n*** \nnothing\,nowhere. \nWebsite\nFacebook\nTwitter \n*** \nZero 9:36 \nFacebook\nTwitter
URL:https://royaleboston.com/event/grandson/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190920T180000
DTEND;TZID=America/New_York:20190920T180000
DTSTAMP:20260407T210924
CREATED:20190403T160036Z
LAST-MODIFIED:20190530T014901Z
UID:10002757-1569002400-1569002400@royaleboston.com
SUMMARY:Tinariwen
DESCRIPTION:Presented by Bowery Boston and Global Arts Live \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 4/5 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nTinariwen \n \nWebsite\nFacebook\nTwitter \nThe new album by Tinariwen could well have been called Exile on Main Street.  But other people have already thought of that. It also could have been called A la recherché du pays perdu (‘Remembrance of a lost country’). Except that would have been a tad Proustian for musicians who grew up pretty much between a rock and a sand dune\, in the midst of their goat herds and camel caravans. But the idea is apt. As is the painful paradox\, if you consider that while Tinariwen were busy criss-crossing the globe on their recent triumphant tours (160 concerts played in the past three years)\, expanding their audience on all five continents\, becoming one of the latest musical phenomena of truly universal calibre\, the frontiers that encircle their desert home were closing down and double-locking\, forcing them into exile to record this their 8th album.  \nOver the past five years\, their beloved homeland in the Adrar des Ifoghas\, a Saharan mountain range that straddles the border between north-eastern Mali and southern Algeria has\, in effect\, been transformed into a conflict zone\, a place where nobody can venture without putting themselves in danger and where war lords devoted either to jihad or trafficking (sometimes both at the same time)\, have put any activity that contradicts their beliefs or escapes their control in jeopardy. Even though the 12 songs on this new record evoke those cherished deserts of home\, they were recorded a long way away from them. And\, as a result of this separation\, at a time when the political\, military and humanitarian situation in the region has never been so critical\, the feelings and the emotions that the band managed to capture on record have never been so vivid.   \nIn October 2014\, making use of a few days off in the middle of a long American tour\, the band stopped off at Rancho de la Luna studios in California’s Joshua Tree National Park. The place has become the favoured refuge of the stoner rock tribe. Josh Homme and his Queens of the Stone Age were the first to make it their hive\, and since then\, whether in use by P J Harvey or the Foo Fighters\, Iggy Pop or the Arctic Monkeys\, neither the mixing console nor the kitchen ovens have had a moment to cool down. For Tinariwen\, the geographical location of the studios – lost in the middle of that horizontal desert\, that mineral immensity\, where Man is reminded of his own insignificance in ways that can only\, in the end\, either kill him or sublimate him – proved to be particularly propitious in terms of creativity. \nAnd the human climate was just as favourable. As session followed session\, musicians who know the place well dropped by to add their own touch to that pre-industrial boogie which comes from a world where only the essential and metaphysical passions of space and time have any meaning. Such was the case of Matt Sweeny\, guitarist of fine pedigree (Johnny Cash\, Bonnie Prince Billy and Cat Power) and an avowed fan of the band. Kurt Vile\, ex-member of the duo War On Drugs\, now spearheading a noisy indi-folk combo\, also took part in the debate. As did Alan Johannes\, multi-instrumentalist\, sound engineer and producer of the first few albums by Queens of the Stone Age\, a band with whom Mark Lanegan\, the other guest on the album\, has also been a singer. From their angle\, one might have expected all these contributions to result in something pretty heavy\, with those American guitars coming into to reinforce the ishumar (name of the musical style of which Tinariwen precursors) guitars of Ibrahim\, Abdallah Hassan and Elaga. In effect\, lovers of those sensual yet abrasive riffs that are the band’s signature won’t be disappointed. But neither will those who love the funky\, danceable side of Tinariwen\, which comes through loud and clear courtesy of bassist Eyadou and percussionist Sarid\, a veritable rhythm machine in the mould of Sly and Robbie. All that potential has been wonderfully honed by the album’s mixing engineer Andrew Schepps\, who has previously worked with the Red Hot Chilli Peppers\, Johny Cash\, and Jay Z. \nThat happy encounter between Tamasheks and rockers was already in evidence back in 2011\, with the involvement of Wilco and TV On The Radio on the album Tassili\, which was recorded in the depths of the Sahara. It was as if those musicians\, coming from their world of high tech\, leisure and entertainment\, sought to reinvigorate the way they do things by working with artists who have been forced by necessity to reduce everything to its essence\, and who bear a different destiny. In that sense\, Ibrahim and his tribe restore meaning to an activity which has been partially drained all existential significance. In a cultural environment that has been overtaken by the petty and the superficial\, the members of Tinariwen fascinate because they incarnate a salutary break and come across as the ultimate heroes in the midst of an army of fleshless puppets.  \nHaving said that\, in M’Hamid El Ghizlane they’re heroes for real\, so much so that the youth of the area know how to sing their songs in the same way that people in other parts of the world know how to sing the Stones or Led Zep . It was there\, in that oasis in southern Morocco\, close by the Algerian frontier\, that the band set up their tents for three weeks in March 2016 to record this 8th album\, accompanied now and then by the local musical youth in question\, or by a local Ganga outfit (a group of Berber ‘gnawa’ trance musicians). The album is called Elwan (‘The Elephants’)\, not Exile On Main Street\, though it fits nicely into that ‘road record’ category nonetheless.  \nThere are road records just like there are road movies. In American cinema\, a road movie always unfolds the same way. Characters travel from one place to another in search of some truth\, of a future might offer them some kind of revelation. But they always end up reconnecting with their own past\, their origins. Of course\, it’s an impossible return\, because that past\, those founding origins have been irrevocably erased. It’s the same for this record\, so musically powerful and yet poignant in human terms: every song evokes a land that can no longer be found\, a lost world\, with all that this implies in terms of emotional range\, from nostalgia for a joyous past to the tragic recent loss of a territory\, and of the dream that it nourished. The emotional ‘bite’ of that loss imbues some of the songs by Ibrahim\, such as Imidiwan n-akal-in (Friends from my country)\, Hayati (My life) or Ténéré Takhal (What’s Happened to the Desert). It’s in that last song that the famous elephants of the album title make their appearance\, an animal metaphor to describe those ‘beasts’\, whether militias or multinational consortiums\, who have trampled everything in their path: kindness\, respect\, solidarity\, ancestral traditions and the values essential to life in the desert\, where both the human and ecological equilibriums are extremely fragile.  \nBut the songs written by Abdallah\, such as Sastanaqqam (I Question You)\, or those penned by Hassan\, the deeply disturbing Ittus (Our Goal)\, also evoke a similar sense of helplessness and disempowerment. The same goes for Nannuflay (Fulfilled)\, written by Eyadou\, one of the ‘kids’ in the band; it’s a song echoes that sense of absolute crisis. Having said that\, between the weariness of the old fighters of the Touareg rebellion of the 1990s (Ibrahim\, Hassan\, Abdallah) and the dynamism of a youth that’s still emerging (Eyadou\, Elaga\, Sarid\, Sadam)\, you get a wonderfully symbiotic mix. The meeting of two such disparate generations in one band is relatively rare in today’s musical world. In Tinariwen\, it’s a meeting that celebrates\, even more powerfully might otherwise be the case\, the capacity of music to make experiences as intense and cruel as exile beautiful and\, in some ways\, even attractive\, experiences that would surely end up destroying those who lived them\, if this form of aesthetic relief didn’t exist.  \nFrancis Dordor\nTranslated by Andy Morgan \n*** \nLonnie Holley \n \nWebsite\nFacebook\nTwitter \nLonnie Holley was born on February 10\, 1950 in Birmingham\, Alabama. From the age of five\, Holley worked various jobs: picking up trash at a drive-in movie theatre\, washing dishes\, and cooking. He lived in a whiskey house\, on the state fairgrounds\, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood. \nSince 1979\, Holley has devoted his life to the practice of improvisational creativity. His art and music\, born out of struggle\, hardship\, but perhaps more importantly\, out of furious curiosity and biological necessity\, has manifested itself in drawing\, painting\, sculpture\, photography\, performance\, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects\, already imbued with cultural and artistic metaphor\, are combined into narrative sculptures that commemorate places\, people\, and events. His work is now in collections of major museums throughout the country\, on permanent display in the United Nations\, and been displayed in the White House Rose Garden. In January of 2014\, Holley completed a one-month artist-in-residence with the Robert Rauschenberg Foundation in Captiva Island\, Florida\, site of the acclaimed artist’s studio. \nHolley did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event\, concert\, and recording. In Holley’s original art environment\, he would construct and deconstruct his visual works\, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music\, likewise\, are the result of decades of evolving experimentation. \nHolley’s music caught the attention of Matt Arnett\, whose father has been collecting Holley’s art since the 1980s. In 2006\, Matt organized the first professional recordings of Holley’s music. In 2010\, Arnett set up a performance by Holley at his home. One of the people in attendance was Lance Ledbetter\, founder and owner of the record label Dust-to-Digital. Deeply moved by Holley’s keyboard playing and singing\, Ledbetter signed Holley to his record label. Soon after\, Holley found himself in the studio again\, and in 2010 and 2011\, more studio sessions ensued. The result was the album Just Before Music. More recordings continue to be made to celebrate and to document one of America’s most compelling musicians. In early 2014\, Holley recorded again with Richard Swift\, acclaimed musician and producer at his studio\, National Freedom\, in Cottage Grove\, Oregon. \nIn addition to the studio sessions\, Holley began touring as a musician. In August and September of 2013\, Holley toured the West Coast with Deerhunter. That tour was followed by a tour of the East Coast with Bill Callahan\, and in November and December of 2013\, Holley had his first tour through Western Europe (Spain\, Portugal\, Germany\, Denmark\, Belgium\, The Netherlands\, England\, and France). Holley has been joined on stage or in the studio by a variety of musicians\, including members of Deerhunter\, Black Lips\, The War on Drugs\, Animal Collective\, Dirty Projectors\, Bon Iver\, Julia Holter\, Megafaun\, as well as Ben Sollee\, Steve Gunn\, Jenny Hval\, Marshall Ruffin\, Daniel Lanois\, Laraaji\, Brian Blade\, Alexis Taylor (Hot Chip)\, Bill Callahan\, Dave Eggar\, Laraaji\, Kelly Pratt (Beirut/Arcade Fire/The Antlers)\, Sam Amidon\, Aaron Embry (Elliot Smith/Edward Sharpe and the Magnetic Zeros) and others. In 2013\, Holley’s first records were named to a number of Top Records of the Year lists\, including The Washington Post (#4) and The Chicago Sun Times (#2).  \nIn 2014\, Holley continued to tour\, completing another tour of Europe (Belgium\, Norway\, England\, Denmark\, the Netherlands\, and France) and a USA/Canada tour with Daniel Lanois. Also in 2014\, the Metropolitan Museum of Art announced that they had acquired three sculptures by the acclaimed artist and musician\, through the generosity of the Souls Grown Deep Foundation. \nHolley played a number of shows in 2015\, touring Europe again to audiences in England\, Germany\, Switzerland\, Belgium\, France\, and the Netherlands. That tour kicked off with a show at Queen Elizabeth Hall\, as part of David Byrne’s Meltdown Festival. In addition to his European tour\, Holley played shows at the Brooklyn Academy of Music\, The Hammer Museum in LA\, The American Folk Art Museum\, St. James Hall in Vancouver\, The Charleston Music Hall\, among many others\, but the majority of the year was not spent performing live. In 2015\, Holley recorded music for the film Five Nights in Maine\, which premiered at the Toronto International Film Festival and saw theatrical release in the summer of 2016. An exhibition of his visual art opened in the summer of 2015\, titled Something To Take My Place: The Art of Lonnie Holley\, at the Halsey Institute of Contemporary Art\, accompanied by a monograph of the same name. In the winter of 2015/16\, Supported By the Power: Lonnie Holley\, an exhibition of Holley’s sculptures opened at Duke University’s John Hope Franklin Center. \nLonnie Holley continues to make art\, record music\, and tour occasionally\, either alone or with collaborators. The songs and the shows are never the same\, as Holley never performs the same song twice. In the summer of 2016\, he embarked on a tour throughout the Southeastern United States\, this time with a full band of frequent collaborators that included Ben Sollee\, Stevie Nistor\, Kelly Pratt\, and Marshall Ruffin. On the tour\, the band visited artists\, art sites\, and museums\, and held workshops for adults and children along the way. \nIn late September\, 2016\, Holley’s music was sampled on the acclaimed third album (22\, A Million) from Bon Iver. That same month\, Holley was a featured visual artist at AfroPunk/Atlanta\, where his found object sculptures were on display. \nIn November of 2016\, Holley embarked on his fourth European tour\, playing a number of festivals and music venues\, culminating in a sold-out\, two-night residency at the acclaimed Café Oto in London. He returned to the States in time for the premiere of the short documentary about Holley\, The Man is the Music\, at Doc NYC in New York. \nHolley closed out 2016 with his final show of the year at Pioneer Works in Brooklyn\, sharing the stage with Bon Iver. \n2017 was also a busy year for the artist. In January\, an exhibition of his art\, Lonnie Holley: I Snuck Off the Slave Ship\, opened at the Atlanta Contemporary Art Center. In May\, an exhibition entitled Thumbs Up for the Mothership (a two-artist show with Dawn DeDeaux) premiered at MASS MoCA\, coinciding with the opening of the new Building 6. His work was also featured in two exhibitions at the de Young Museum (The Fine Arts Museums of San Francisco) and had two solo exhibitions at James Fuentes Gallery\, his New York gallery. \nAdditionally\, he made wood block prints with Paulson Fontaine Press\, collaborated on three etchings and a zine with artist Chris Johanson\, played a number of concerts\, spent a lot of time in the recording studio preparing for the release of his third album\, due out in the spring of 2018.
URL:https://royaleboston.com/event/tinariwen-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190920T220000
DTEND;TZID=America/New_York:20190920T220000
DTSTAMP:20260407T210924
CREATED:20190715T145628Z
LAST-MODIFIED:20190715T145628Z
UID:10002795-1569016800-1569016800@royaleboston.com
SUMMARY:Gareth Emery
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/gareth-emery-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190921T200000
DTEND;TZID=America/New_York:20190921T200000
DTSTAMP:20260407T210924
CREATED:20190905T185820Z
LAST-MODIFIED:20190905T185820Z
UID:10002096-1569096000-1569096000@royaleboston.com
SUMMARY:Da “GAI” Ru Ci World Tour in Boston
DESCRIPTION:Hosted by Jinquan and VISM Entertainment\nSponsored by Sunnity  \nThis is a 18+ event\, VIP tables are 21+ only.  \nTickets $89/$199\nTicket link: https://event.vism.ca/events/gai19boston\nVIP Tables please contact:\nWechat: vismevent\nPhone: 1-7789855267\nE-mail: admin@vism.ca \nZhou Yan\, known as “GAI”\, is a Chinese rapper\, singer\, and songwriter.\nHis stage name GAI is a childhood nickname meaning “lid” that he was given because of his bowl cut. \nIn early days as an underground rapper\, GAI was leading his music label GO$H!\, a local label in Chongqing\, China. He is one of the few Chinese rappers actively producing trap and Gangsta rap and helped create a type of Trap music called “C-Trap”. His famous songs includes “Gangsta”\, “Empty Fort Strategy”\, “Hot Pot Soup”. \nIn 2017\, GAI’s music career began to boom after attending Hip-Hop reality show The Rap of China\, and winning the contest.
URL:https://royaleboston.com/event/da-gai-ru-ci-world-tour-in-boston/
LOCATION:MA
CATEGORIES:Concerts,Special Events
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DTSTART;TZID=America/New_York:20190921T220000
DTEND;TZID=America/New_York:20190921T220000
DTSTAMP:20260407T210924
CREATED:20190906T145041Z
LAST-MODIFIED:20190906T145041Z
UID:10002098-1569103200-1569103200@royaleboston.com
SUMMARY:Royale Saturdays: Fall Fest
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-fall-fest-3/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190922T200000
DTEND;TZID=America/New_York:20190922T200000
DTSTAMP:20260407T210924
CREATED:20190826T151216Z
LAST-MODIFIED:20190909T141040Z
UID:10002811-1569182400-1569182400@royaleboston.com
SUMMARY:Nikos Oikonomopoulos
DESCRIPTION:Doors at 8pm\nValid US government issued ID or international passport required for entry.\n21+
URL:https://royaleboston.com/event/nikos-oikonomopoulos/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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