BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Royale Boston - ECPv6.15.18//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://royaleboston.com X-WR-CALDESC:Events for Royale Boston REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20170312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20171105T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20180311T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20181104T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20190310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20191103T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20180222T210000 DTEND;TZID=America/New_York:20180222T210000 DTSTAMP:20260407T192142 CREATED:20180111T172022Z LAST-MODIFIED:20180111T172022Z UID:10002595-1519333200-1519333200@royaleboston.com SUMMARY:IPANEMA & BUDA PRODUCTIONS PRESENT ALOK DESCRIPTION:21+ \nDoors 9pm\nShow time 11pm \nMore info:\nINF.: (508)250-1193 – (617)583-3641\nwww.ipanemaproductionsusa.com URL:https://royaleboston.com/event/ipanema-buda-productions-present-alok/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts,Nightclub,Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/222-Alok.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180223T220000 DTEND;TZID=America/New_York:20180223T220000 DTSTAMP:20260407T192142 CREATED:20171220T015537Z LAST-MODIFIED:20171220T015537Z UID:10001872-1519423200-1519423200@royaleboston.com SUMMARY:Sofa King Fridays w/ Baauer DESCRIPTION:21+ \nVIP Inquiries 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-baauer/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/12/223-Baauer.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180224T220000 DTEND;TZID=America/New_York:20180224T220000 DTSTAMP:20260407T192142 CREATED:20180209T205748Z LAST-MODIFIED:20180209T205748Z UID:10001891-1519509600-1519509600@royaleboston.com SUMMARY:Cosmic Saturdays w/ Lost Frequencies DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details. URL:https://royaleboston.com/event/cosmic-saturdays-w-lost-frequencies/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/02/224-Lost-Frequencies.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180225T190000 DTEND;TZID=America/New_York:20180225T190000 DTSTAMP:20260407T192142 CREATED:20171106T163437Z LAST-MODIFIED:20171106T163437Z UID:10001855-1519585200-1519585200@royaleboston.com SUMMARY:SOLD OUT - dvsn DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nNote: Ticket price includes $4/ticket album bundle. \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 11/10 at 10AM! \nThis show is SOLD OUT. \n*** \n \n*** \ndvsn \n \nWebsite\nFacebook\nTwitter URL:https://royaleboston.com/event/dvsn/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/11/dvsn-admat-2018-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180226T190000 DTEND;TZID=America/New_York:20180226T190000 DTSTAMP:20260407T192142 CREATED:20180108T191301Z LAST-MODIFIED:20180108T191301Z UID:10002589-1519671600-1519671600@royaleboston.com SUMMARY:Kelela DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 1/12 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \nKelela \n \nFacebook\nTwitter \nKelela’s debut\, Take Me Apart\, spans the past and future of R&B while registering as an instant classic. With critical praise from The New York Times\, Pitchfork (Best New Music)\, and a cover story for The FADER\, it’s clear that Kelela is taking over. Having already performed at The Hollywood Bowl with Solange\, at massive festivals with the Gorillaz and gone around the world with The xx\, Kelela is now selling out her own headline tour. URL:https://royaleboston.com/event/kelela/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/Kelela_SHOT_01_HASSELBLAD_008_SS_hires-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180302T180000 DTEND;TZID=America/New_York:20180302T213000 DTSTAMP:20260407T192142 CREATED:20171112T150045Z LAST-MODIFIED:20171112T150045Z UID:10001865-1520013600-1520026200@royaleboston.com SUMMARY:LP DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 6:15 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited. \n*** \n \n*** \nLP \n \nWebsite\nFacebook\nTwitter \nMusic doesn’t have to be complicated.\nAt the end of the day\, it’s all about being honest\, taking no B.S.\, and getting right back up after every fall. New York-born singer\, songwriter\, and all-around rock rebel LP puts it even more succinctly\, “I go Johnny Cash on that shit and just get through it.”\nLike the Man in Black\, she pens and performs timeless tunes with attitude—albeit minus the country twang and cowboy hats. Ukulele in hand\, voice booming with soul and spirit\, and pulling no punches\, LP’s palatability belies an underground unrestraint sharpened by several years in the industry. By 2014\, she had not only written hits for Rihanna\, Cher\, Backstreet Boys\, Cher Lloyd\, and more\, but also released her major label debut\, Forever For Now. The latter’s “Into The Wild” fueled a Citibank ad campaign as everyone from The Wall Street Journal\, CNN\, and USA Today to Vogue and BuzzFeed extolled the artist. She performed on Jimmy Kimmel LIVE! and ignited audiences at Austin City Limits\, Bonnaroo\, Lollapalooza\, and more. However\, as her six-year romantic relationship failed and she split from her label\, LP put her head down and wrote what would become 2016’s Death Valley EP [Vagrant Records].\n“My goal was just to create my best music\,” she says. “I stopped overthinking things. I didn’t know how it was going to come out or if anyone would ever hear it\, but I just wanted to write. No one told me what to do. I wasn’t trying to fit into some fucking label’s ideal of who I should be. I had complete artistic freedom.”\nDeath Valley became a watershed moment for the songstress and modern rock at large. Driven by her signature ukulele\, raspy acoustic guitars\, and the unshakable refrain\, “Baby is that lost on you?\,” its lead single “Lost On You” amassed over 91 million YouTube views as well as 44 million Spotify streams and went triple-platinum in Italy\, platinum in France\, Poland\, and Germany\, and gold in Switzerland. Meanwhile\, the title track\, “Muddy Waters\,” soundtracked the Season 4 climax of NETFLIX’s Orange Is The New Black.\n“I love a record that has an eclectic bunch of songs\,” she goes on. “I want it to be an interesting landscape\, and I like to use my voice in different ways. That was my goal with Death Valley.”\nIt also extends to her 2017 full-length album. Once again\, LP re-unites with the team behind Death Valley—producer POWERS’ Mike Del Rio [Christina Aguilera\, X Ambassadors] and writer Nate Campany [Tove Lo\, Carly Rae Jepsen\, Martin Garrix].\n“It’s a weird thing\,” she says. “I feel more confident than ever before. I don’t have to police myself anymore. For this record\, I decided to unapologetically tress on\, keep going\, and run with my emotion.”\nUltimately\, as LP writes more\, she continues to connect with audiences everywhere. “There’s a survivor mentality that comes through naturally\,” she leaves off. “That strikes a chord. I want to show people it’s possible to do whatever they want on their own terms.” \n*** \nNoah Kahan \n \nWebsite\nFacebook\nTwitter \nFrom the rural solitude of the quiet town of Strafford\, VT (Population: 1000)\, Noah Kahan discovered his penchant for songwriting early on. Long\, cold winters in the Vermont backcountry were spent honing his craft in the rolling hills of his family’s 133-acre tree farm. This serene location provided the backdrop for countless adventures that ranged from typical boyhood antics to the more rebellious teenage exploration. The older that Noah got\, the more he began to feel the pull of adulthood clash with the familiarity of his adolescence. Drawing heavily from these experiences\, Noah’s songs are laced with a youthful wisdom; nostalgia and whimsy taking a back seat to honesty and wit. He meets this conflict head on by acknowledging the loneliness of this new phase of his life coupled with his desire to stay true to himself. Noah’s writing reflects the all too universal feeling of being lost in one’s own backyard and foreshadows the excitement that comes with a leap into the unknown. \nNow 20 years old\, Noah once again finds himself deviating from the norm. As he follows a dream as old as he can remember\, his childhood friends are choosing majors and preparing for more conventional careers. No stranger to feeling lost or isolated\, he now chooses to embrace the uncertainty as fuel. The lyrics to his debut single “Young Blood” read as a letter of encouragement and advice to himself as he embarks on this new adventure. He reminds himself to “be surprised\, keep hungry.” Throughout unexpected challenges and new revelations\, Noah is staying true to his nature; questioning everything and enjoying the ride. \n*** \nKat Cunning \n \nWebsite\nFacebook\nTwitter \nKat Cunningham is a singer-songwriter and actress who frequents Sleep No More as the Master of Ceremonies and is currently performing in Refinery 29’s SOLD OUT “29 Rooms.” Her single\, “BABY” is out now on SPOTIFY. \nThe SUNY Purchase Dance Conservatory Graduate got her start in Baroque-Burlesque Operas with Company XIV. She recently made her dramatic debut playing Emilie in Les Liaison Dangereuses with Janet Mcteer and Liev Schreiber. and her Broadway Debut in 2016 playing Lila in Cirque Du Soleil’s\, PARAMOUR\, for which she co-wrote Lila’s score to suit her singular voice. \nThe New York Times has described that the “standout spots belong to the sultry-voiced Katrina Cunningham who brings an exquisite indie-siren quality…” \nAwards: Best Actor for Nothing Serious\, 2016 Traildance Film Festival \nBest Supporting Actor Pepper and the Salt Sea\, 2016 Damn! Series URL:https://royaleboston.com/event/lp/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/11/LP-admat-2018v2.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180302T220000 DTEND;TZID=America/New_York:20180302T220000 DTSTAMP:20260407T192142 CREATED:20180215T000115Z LAST-MODIFIED:20180215T000115Z UID:10001896-1520028000-1520028000@royaleboston.com SUMMARY:Sofa King Fridays w/ Bijou DESCRIPTION:Support by DUDEnGUY \n  \nVIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details. URL:https://royaleboston.com/event/sofa-king-friday-w-cazzette/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/02/C0BDFFA3-D1EA-42AB-8FDA-880172F86A95.png GEO:42.349951;-71.0656551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656551,42.349951 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180303T220000 DTEND;TZID=America/New_York:20180303T220000 DTSTAMP:20260407T192143 CREATED:20180221T054707Z LAST-MODIFIED:20180221T054707Z UID:10001898-1520114400-1520114400@royaleboston.com SUMMARY:Cosmic Saturdays Dr. Seuss Day w/ Breeazy DESCRIPTION:21+ \n  \nVIP text or call 617.733.0505 URL:https://royaleboston.com/event/cosmic-saturdays-dr-seuss-day-w-breeazy/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/02/33-FINAL-Dr-Seuss_WEB.png GEO:42.349951;-71.0656551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656551,42.349951 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180304T193000 DTEND;TZID=America/New_York:20180304T193000 DTSTAMP:20260407T192143 CREATED:20180122T200935Z LAST-MODIFIED:20180122T200935Z UID:10001886-1520191800-1520191800@royaleboston.com SUMMARY:Natasa Theodoridou DESCRIPTION:21+ \n  \nDoors at 7:30pm \nShow begins at 8:45pm URL:https://royaleboston.com/event/natasa-theodoridou/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Concerts,Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/34-Natasa-Theodoridou.jpg GEO:42.3499958;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499958 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180308T200000 DTEND;TZID=America/New_York:20180308T200000 DTSTAMP:20260407T192143 CREATED:20171024T154437Z LAST-MODIFIED:20171024T154437Z UID:10002570-1520539200-1520539200@royaleboston.com SUMMARY:Tune-Yards DESCRIPTION:Bowery Boston presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 10/27 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nNote: Ticket price includes $1/ticket for charity. \n*** \n \n*** \ntUnE-yArDs \n \nWebsite\nFacebook\nTwitter \nTune-Yards was formed by Merrill Garbus in 2006\, and that band name has ever since been synonymous with forward movement—whether because of the group’s explosive performance style\, the always-surprising way in which their songs unfold\, or the lines Merrill draws between music and social activism. First gaining notice with the debut BiRd-BrAiNs\, which The New York Times called “a confident do-it-yourselfer’s opening salvo: a staticky\, low-fi\, abrasive attention-getter\,” Garbus forged a reputation as a formidable live presence through relentless touring. \nGarbus became a producer in her own right working with bassist Nate Brenner and engineer Eli Crews on 2011’s w h o k i l l\, a startling and sonically adventurous statement that led to a whirlwind period where the band accrued accolades from critics (including the #1 spot on the Village Voice’s 2011 Pazz and Jop poll.) In 2014\, Tune-Yards released Nikki Nack\, and through touring and licensing music from that album\, they raised money to begin The Water Fountain\, a fund for water-related causes which has donated over $75\,000 to various nonprofits since its inception. \nTune-Yards has collaborated with Yoko Ono\, Laurie Anderson\, David Byrne\, Mavis Staples\, and others. They are currently working on their fourth album\, for release in 2018. \n*** \nXenia Rubinos \n \nWebsite\nFacebook\nTwitter \nVocalist and composer Xenia Rubinos crafts movingly powerful songs dipping in and out of genre and structure to create a sound that is fearlessly her own. Xenia’s powerhouse vocals are at the center of her music which grows from a wide range of influences from R&B to Hip-Hop to Caribbean rhythms and jazz all delivered with a soulful punk aura. Her debut album ‘Magic Trix’ was released in 2013 by Ba Da Bing! Records to wide critical acclaim. Pitchfork lauded the radiant singer as “a unique new pop personality” while a profile in The New Yorker described her work as “rhythmically fierce\, vocally generous music that slips through the net of any known genre.” Xenia’s energetic live show and presence echoes some of the larger than life iconic singers she admired as a child including Judy Garland\, Nina Simone and La Lupe while her powerhouse vocals recall the pop sensibility of Mariah Carey and soulfulness of Erykah Badu. Touring the US and Europe extensively\, she has played more than 150 shows both as a headliner and supporting act for such diverse bands as Man Man\, Battles\, Coco Rosie\, and Deerhoof. Xenia has been hard at work on her follow-up full-length LP\, due out Spring 2016. URL:https://royaleboston.com/event/tune-yards/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/10/tune-yards-admat-2017v2.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180309T220000 DTEND;TZID=America/New_York:20180309T220000 DTSTAMP:20260407T192143 CREATED:20180110T143607Z LAST-MODIFIED:20180110T143607Z UID:10002591-1520632800-1520632800@royaleboston.com SUMMARY:Sofa King Fridays w/ Dash Berlin DESCRIPTION:21+ \nVIP Inquiries 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-dash-berlin-2/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/01/39-Dash-Berlin.png GEO:42.3499958;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499958 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180310T220000 DTEND;TZID=America/New_York:20180310T220000 DTSTAMP:20260407T192143 CREATED:20180223T154810Z LAST-MODIFIED:20180223T154810Z UID:10002610-1520719200-1520719200@royaleboston.com SUMMARY:Cosmic Saturdays w/ Richard Fraioli DESCRIPTION:Going away party for Richard Fraioli \n  \n21+ \n  \nvip 617.733.0505 URL:https://royaleboston.com/event/cosmic-saturdays-w-richard-fraioli/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/02/C0191282-B7C5-4477-9736-5E159D0FD167.jpeg GEO:42.349951;-71.0656551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656551,42.349951 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180311T150000 DTEND;TZID=America/New_York:20180311T150000 DTSTAMP:20260407T192143 CREATED:20180124T214017Z LAST-MODIFIED:20180124T214017Z UID:10002598-1520780400-1520780400@royaleboston.com SUMMARY:Speed Rack Season 7 New England DESCRIPTION:Serious stirring and shaking is about to happen\, thanks to the return of Speed Rack\, the all-female speed-bartending competition that raises money to fight breast cancer. \nThe epic battle for the title of Miss Speed Rack Southeast will take place in New Orleans on Sunday\, March 11th\, 2018 as these tough babes duke it. \nEntry allows sampling our generous sponsors’ punches and tasty food from great local eateries. \nPlatinum Sponsors\nAltos Tequila\, Bacardi Fords Gin\, Four Roses Bourbon\, Jameson Irish Whiskey \nGold Sponsors\nAnchor Distilling Company: Luxardo\,  HINE Cognac\, Auchentoshan Single Malt Whisky\, Campari America:  Grand Marnier Campari\, Aperol Spritz; Fratelli Branca: Fernet Branca\, Carpano Antica\, Ketel One\, Knob CreekRye\, St-Germain \, Torres 10 \nSilver Sponsors\nCointreau\, Del Maguey\, Single Village Mezcal\, Lustau\, The Perfect Puree of Napa Valley Pig’s Nose Whisky\, Rutte Distillery:Heering (Peter F Heering)\, Singani 63 \nLocal Sponsors\nChartreuse East Imperial\, Haus Alpenz\, \nWater Sponsor\nPerrierer \nBitters Sponsor\nHella Cocktail Co. \nJuice Sponsor\nIndustry Juice \nGlassware\nOneida Limited \nAll proceeds from ticket sales will go to breast cancer research\, education and prevention. Tickets will be available at the door for $30. \nYou must be 21+ to attend. Please drink responsibly \n  URL:https://royaleboston.com/event/speed-rack-season-7-new-england/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/311-Speed-Rack_finalTIX.jpeg GEO:42.3499958;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499958 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180312T180000 DTEND;TZID=America/New_York:20180312T180000 DTSTAMP:20260407T192143 CREATED:20180207T170211Z LAST-MODIFIED:20180207T170211Z UID:10001889-1520877600-1520877600@royaleboston.com SUMMARY:Budweiser Presents USA vs IRELAND BOXING DESCRIPTION:The three-city 2018 USA vs. Ireland Northeast Boxing Tour kicks-off Monday\, March 12\, at Royale in Boston’s famed theater district.  The dual\, starting at 7 p.m. ET\,  will showcase up to 12 bouts\, featuring many of the best amateur boxers in the United States and Ireland.  Rosters for both teams will soon be announced\, including 2020 Olympic hopefuls and international competitors.  Go to (www.usaboxing.org) for additional information. \n  \nTickets on sale Monday 2/13 12pm URL:https://royaleboston.com/event/usa-vs-ireland-boxing/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Special Events ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/02/312-Boxing.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180314T190000 DTEND;TZID=America/New_York:20180314T190000 DTSTAMP:20260407T192143 CREATED:20171203T170015Z LAST-MODIFIED:20171203T170015Z UID:10002581-1521054000-1521054000@royaleboston.com SUMMARY:[CANCELED] Moose Blood DESCRIPTION:Due to heavy snowfall in Boston on Tuesday & Wednesday\, we are forced to cancel our Boston show & instore at Newbury Comics. Refunds available at points of purchase. The NYC show on March 15th will be going ahead as planned. Sorry for any inconvenience but travel safety comes first. \n*** \n \n*** \nMoose Blood \n \nWebsite\nFacebook\nTwitter \n*** \nLydia \n \nWebsite\nFacebook\nTwitter \nLeighton Antelman\nMatt Keller\nJustin Camacho\nShawn Strader \n*** \nMcCafferty \n \nWebsite\nFacebook\nTwitter \nNick Hartkop\nWes Easterly\nChris Joecken\nEvan Graham URL:https://royaleboston.com/event/moose-blood/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/12/Moose-Blood-admat-2018.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180316T220000 DTEND;TZID=America/New_York:20180316T220000 DTSTAMP:20260407T192143 CREATED:20180222T173159Z LAST-MODIFIED:20180222T173159Z UID:10001902-1521237600-1521237600@royaleboston.com SUMMARY:Sofa King Fridays w/ Cosmic Gate DESCRIPTION:21 + \n  \nVIP Inquiries please call/text 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-cosmic-gate/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/02/F47ED402-8258-4FE3-8B49-55E2EECB0D20.png GEO:42.349951;-71.0656551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656551,42.349951 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180317T190000 DTEND;TZID=America/New_York:20180317T213000 DTSTAMP:20260407T192143 CREATED:20171031T155853Z LAST-MODIFIED:20171031T155853Z UID:10001854-1521313200-1521322200@royaleboston.com SUMMARY:[SOLD OUT] Bianca Del Rio DESCRIPTION:This show is SOLD OUT! \nDoors: 7:00 pm / Show: 8:00 pm \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \nVIP PACKAGE CLASSIFICATIONS\, DESCRIPTIONS & DISCLAIMERS \n\nTHE GUILTY VIP PACKAGE ($199)\nOne ULTRA-Premium Ticket in Bianca’s “Guilty” Section *\n• Includes a Ticket in the First Row \nExclusive VIP Gift Item Created Especially For Guilty Package Purchasers\nSigning-Off – Each Guilty Guest Will Receive an Autographed\, Limited Edition “Blame It On Bianca” Tour Poster\nOne Exclusive Invite to the Preshow VIP Meet & Greet with Bianca Del Rio!\n• Individual Photo Opportunity with Bianca Del Rio\n• Forget the Lines! Access to the Merchandise Booth for All Your Bianca Del Rio Shopping Needs Before General Public\nEssential Bianca Del Rio VIP Merchandise\n• One Commemorative Bianca Del Rio VIP Laminate & Matching Lanyard\n* Venue seating configurations can vary market-by-market \nTHE INNOCENT VIP PACKAGE ($119)\nOne Premium Ticket in Bianca’s “Innocent” Section (Priority entry / entry prior to GA Ticketholders)\nOne Exclusive Invite to the Preshow VIP Meet & Greet with Bianca Del Rio!\n• Individual Photo Opportunity with Bianca Del Rio\n• Forget the Lines! Access to the Merchandise Booth for All Your Bianca Del Rio Shopping Needs Before General Public\nEssential Bianca Del Rio VIP Merchandise\n• One Commemorative Bianca Del Rio VIP Laminate & Matching Lanyard\n* Venue seating configurations can vary market-by-market \nVIP PACKAGE DISCLAIMER INFORMATION \nAll package purchasers will be contacted via e-mail a few days prior to the event date. Information will sent to the e-mail address provided at the time of purchase. If you do not receive an e-mail a few days prior to the event please contact BiancaDelRioVIP@aegpresents.com. \nAll sales are final. There are no refunds or exchanges under any circumstances. All packages and package contents are non-transferable. VIP merchandise will be distributed at the show\, some exceptions may apply. Package purchases are restricted to U.S. & Canadian addresses only. All preshow VIP programs and times may vary market-by-market and are subject to modification at any time for any reason. Information provided at the time of purchase (name\, address\, e-mail\, etc.) is the same information that will be utilized for individual contact requirements as applicable. The artist\, tour\, promoter\, ticketing company\, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. Commemorative VIP laminates are for commemorative purposes only. The VIP laminate does not gain or authorize access into the venue\, VIP or any backstage areas. \n*** \n \n  \nWebsite\nFacebook\nTwitter \nBIANCA DEL RIO\, the alter ego of seasoned comic Roy Haylock and season 6 winner of RuPaul’s Drag Race\, is a self-professed “clown in a gown.” This hilariously hateful comic is known for her foul mouth and unapologetic humor\, but her victims hardly have time to feel the sting before she zips on to the next topic. Besides\, Bianca is quick to point out that she’s the biggest joke of all. The NY Times calls her “The Joan Rivers of the Drag World\,” and Joan Rivers herself called Bianca’s humor “So funny! So sharp!” \nBianca’s first stand-up special\, “Rolodex of Hate”\, is available on Vimeo OnDemand\, and her first feature film\, “Hurricane Bianca”\, is available on Netflix. \nHer second stand-up special\, “Not Today Satan”\, will be available on Vimeo OnDemand December 2017. “Hurricane Bianca 2: From Russia with Hate” will be released in 2018.\nBianca is currently touring with her new stand-up comedy show “Blame It On Bianca Del Rio” to sold out audiences all over the world. URL:https://royaleboston.com/event/bianca-del-rio-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/10/Bianca-Del-Rio-Admat-2018.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180317T220000 DTEND;TZID=America/New_York:20180317T220000 DTSTAMP:20260407T192143 CREATED:20180227T170435Z LAST-MODIFIED:20180227T170435Z UID:10002615-1521324000-1521324000@royaleboston.com SUMMARY:Royale Saturdays St Patrick’s Celebration w/ DJ Tao DESCRIPTION:21+ \n  \nVIP 617.733.0505 URL:https://royaleboston.com/event/cosmic-saturdays-st-patricks-celebration-w-dj-tao/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/02/317-St-Patricks-TAO.png GEO:42.349951;-71.0656551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656551,42.349951 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180321T200000 DTEND;TZID=America/New_York:20180321T200000 DTSTAMP:20260407T192143 CREATED:20171112T150044Z LAST-MODIFIED:20171112T150044Z UID:10002571-1521662400-1521662400@royaleboston.com SUMMARY:K.Flay DESCRIPTION:ALT 92.9 presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale NOW \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nK.Flay \n \nWebsite\nFacebook\nTwitter \nSince making her debut in 2010\, K.Flay has spun fearlessly detailed lyrics that show the bright and dark of the world in her head. For her second full-length Every Where Is Some Where\, the L.A.-based alt-pop/hip-hop artist pushed deeper into introspection while adding an element of political commentary. The result is her most deliberate and dynamic work yet\, a thrillingly vital album that channels the frenzy and anxieties of today’s world. \nThe follow-up to her 2016 EP Crush Me—whose lead single “Blood in the Cut” hit the top 5 on Alternative radio—Every Where Is Some Where amps up its defiant spirit with a densely textured yet gritty sound. “After Life as a Dog I was listening to so much late-’90s/early-’00s rock\,” says K.Flay\, aka Kristine Flaherty\, referring to her 2014 full-length debut. “I was absorbing the energy of people like Karen O\, Shirley Manson\, and Emily Haines and feeling totally inspired by it\, so there’s lots more live guitar\, bass\, and drums on this record.” Working with producers like Mike Elizondo (Twenty One Pilots\, Fiona Apple\, Regina Spektor\, Skylar Grey) and Tommy English (BØRNS\, Andrew McMahon in the Wilderness\, Ladyhawke)\, K.Flay deftly infused the album with the same raw intensity she’s revealed in touring with such artists as Passion Pit\, Icona Pop\, Awolnation\, and Theophilus London.\n \nAn inimitable lyricist who names novelist Marilynne Robinson among her inspirations\, K.Flay also brought a literary sensibility to the making of Every Where Is Some Where. The album’s title\, for instance\, aims to “capture the flexibility of meaning\, the way we fashion our own narratives\,” according to Flaherty. “As a songwriter\, that’s my main enterprise—looking at the events in my life and engaging in a constant framing and reframing of those events\,” she says. “Experience is subjective. We get to decide what’s devastating\, what’s beautiful\, and what we do next. In the books of our lives\, we are both protagonist and narrator. And narrators have incredible power.”\n \nOn the lead single from Every Where Is Some Where\, K.Flay explores the power of lucid self-acceptance and delivers one of the album’s most blatantly upbeat tracks. Matching her seamless flow with sing-song melody\, “High Enough” fuses breezy rhythm and gritty guitar lines into a hopeful meditation on keeping clear-headed. “There are so many songs out there about getting fucked up\,” says Flaherty of the song’s inspiration. “I think a part of me was asking the question: ‘What if I’m already high enough? What if I don’t need anything but what I’ve got?’ There are many moments in my life—whether it’s because of a person or a place—that I don’t want to feel altered or high or buzzed. I just want to feel exactly what I’m feeling.”\n \nKaleidoscopic in mood\, Every Where Is Some Where also offers somber moments like “Mean It”—a stunningly vulnerable track built around K.Flay’s outpourings on love and family and lineage. Laced with subtle wisdom (“Remember what you love/So that when the world gets painful/You become your own god”)\, the starkly arranged song emerged from an especially cathartic writing session for Flaherty. “I wrote ‘Mean It’ in my bedroom in L.A.\, pretty late at night…the song just came pouring out\,” she recalls. “I remember I was crying while I wrote it\, which is pretty unusual for me.” “It’s Just a Lot\,” meanwhile\, came to life while Flaherty was “thinking about the world and how it’s so big and beautiful and sad\,” giving way to a blissfully uptempo but sweetly melancholic pop gem.\n \nOn “The President Has a Sex Tape\,” K.Flay’s measured vocal delivery and throbbing bassline brilliantly clash with her barbed lyrics about the state of the world. “Nothing feels sacred anymore—our highest elected official is a reality television star who is incompetent and openly hateful\,” says Flaherty. “The song started out as a lament\, but turned into a rallying cry as we finished it. I hope it can be a weird little anthem for people feeling disillusioned or alienated.” That anthemic quality intensifies on “Black Wave\,” a powerfully frantic track born from the post-election feeling that “we were all on a beach\, looking out at this terrible black wave in the distance\, knowing it was going to swallow us whole\,” as Flaherty explains. Driven by furious rhythms and urgent vocal work\, the song ends up offering a message of resistance and speaks to “facing something immense and menacing and choosing not to cower\, but to rise up.”\n \nIn a certain way\, defiance is at the root of K.Flay’s evolution as a musician. Originally from Illinois\, she “fell into music very haphazardly” at age 19—a decade after her dad taught her to play guitar. “I was in an argument with someone and was challenged to make a song\, which was my entry point to music\,” says Flaherty\, who studied at Stanford University. “From there I started producing and playing house parties on campus\, kind of as a release from the academic life. I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.”\n \nUpon graduating\, Flaherty moved to San Francisco and kept up with music\, making her breakthrough with the 2011 mixtape I Stopped Caring in ’96 and landing a deal with a major label. Not long after putting out her 2013 EP What If It Is (featuring a collaboration with Danny Brown)\, K.Flay launched her own label for the release of Life As a Dog. Then in 2016\, she became the first artist signed to Night Street/Interscope Records (an imprint helmed by Imagine Dragons frontman Dan Reynolds)\, releasing Crush Me that August. “I feel like I’ve somersaulted into everything that’s happened since I first started making music\,” says Flaherty. “It’s like I kept slowly turning to the right and ended up doing this for a living\, which is pretty amazing to me.”\n \nIn creating Every Where Is Some Where\, K.Flay hit a new level of complexity and candor in her lyrics\, as encapsulated in the stream-of-consciousness storytelling of tracks like “Champagne.” “Details are everything to me\,” says Flaherty of that gorgeously unhinged song’s lyrical intricacy. “There are only so many ways that humans feel—but infinite ways to describe and embody those feelings.” And in immersing herself in the process of crafting such lyrics\, Flaherty eventually arrived at the realization that “you can understand the fact of your own smallness in this world while still celebrating the very particular singularity of who you are and where you happen to stand.” That moment of truth proved to be an album-defining revelation\, and instilled Every Where Is Some Where with an unlikely sense of hope. “Each song on the record is about creating a different kind of meaning out of a different kind of something\,” Flaherty says. “Even the dark places are places. You’re still somewhere.” \n*** \nEd Balloon \n \nFacebook \nNO SMOKING by ED BALLOON URL:https://royaleboston.com/event/k-flay/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/11/KFLAY-Admat-2018v3.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180323T223000 DTEND;TZID=America/New_York:20180323T223000 DTSTAMP:20260407T192143 CREATED:20171218T234835Z LAST-MODIFIED:20171218T234835Z UID:10002585-1521844200-1521844200@royaleboston.com SUMMARY:Sofa King Fridays w/ Black Tiger Sex Machine DESCRIPTION:** 10:30pm DOOR TIME!** \n21+ \nVIP Inquiries call/text 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-black-tiger-sex-machine/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/12/323-Black-Tiger.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180324T220000 DTEND;TZID=America/New_York:20180324T220000 DTSTAMP:20260407T192143 CREATED:20180306T223315Z LAST-MODIFIED:20180306T223315Z UID:10002616-1521928800-1521928800@royaleboston.com SUMMARY:Royale Saturdays w/ Miami Vice ft. DUDEnGUY DESCRIPTION:21+ \n  \nVIP Inquiries call or text 617.733.0505 URL:https://royaleboston.com/event/cosmic-saturdays-w-miami-vice-ft-dudenguy/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/03/DE9DC85C-3E74-4822-A5F5-942FE997F894.png GEO:42.349951;-71.0656551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656551,42.349951 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180330T220000 DTEND;TZID=America/New_York:20180330T220000 DTSTAMP:20260407T192143 CREATED:20180222T200537Z LAST-MODIFIED:20180222T200537Z UID:10002609-1522447200-1522447200@royaleboston.com SUMMARY:Sofa King Fridays w/ Rusko DESCRIPTION:21+ \n  \nVIP Inquiries please call/text 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-rusko/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/02/330-Rusko_WEB.png GEO:42.349951;-71.0656551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656551,42.349951 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180331T220000 DTEND;TZID=America/New_York:20180331T220000 DTSTAMP:20260407T192143 CREATED:20180314T210015Z LAST-MODIFIED:20180314T210015Z UID:10002619-1522533600-1522533600@royaleboston.com SUMMARY:Electric Circus @ Royale Saturdays w/ Tone Terra DESCRIPTION:21+ \nCall or Text 617.733.0505 for VIP Table Reservations URL:https://royaleboston.com/event/cosmic-saturdays-electric-circus-w-tone-terra/ LOCATION:MA CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/03/unnamed.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180403T180000 DTEND;TZID=America/New_York:20180403T180000 DTSTAMP:20260407T192143 CREATED:20180115T060029Z LAST-MODIFIED:20180115T060029Z UID:10002597-1522778400-1522778400@royaleboston.com SUMMARY:Between the Buried and Me / The Dear Hunter DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 7:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 1/19 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nBetween the Buried and Me \n \nWebsite\nFacebook\nTwitter \nWhat if dreams could be broadcast for the purpose of entertainment? Could you consume the innermost thoughts of another person on screen? If you could\, what does that say about an attention-starved audience? More importantly\, what would become of the dreamer?\nBetween The Buried and Me pose those questions and more on their two-part eighth full-length and introductory offering for Sumerian Records\, Automata. The North Carolina quintet—Tommy Giles Rogers\, Jr. [lead vocals\, keyboards]\, Paul Waggoner [lead and rhythm guitar\, backing and lead vocals]\, Dustie Waring [rhythm and lead guitar]\, Blake Richardson [drums]\, and Dan Briggs [bass\, keyboards]—explore these themes by personally smashing boundaries once again. Automata marks the band’s first proper double LP-spanning concept. Moreover\, they continue to expand their ever-evolving style\, upholding a tradition of progression in the process.\n“We never want to repeat ourselves\,” affirms Paul. “We’re always trying to do something different\, and this album fell right into that sort of pattern. We push ourselves into new places\, while retaining our basic sound. Musically\, we go somewhere that’s fun and challenging. We never know how it’s going to turn out. These are uncharted waters for us. We’ve never written an entire piece and presented it in separate parts like this.”\nTommy agrees\, “This many years into our career\, we want to continue doing things differently.”\nThis approach cemented the group as progressive music’s most unpredictable outlier since its formation in 2000. Among many milestones\, they released 2007’s watershed Colors followed by The Parallax: Hypersleep Dialogues EP in 2011 and The Parallax II: Future Sequence a year later. 2015 saw Coma Ecliptic elevate them to new heights yet again. Not only did it bow at #12 on the Billboard Top 200 (a career high for the band)\, but it also garnered widespread acclaim from Noisey\, Revolver\, Alternative Press\, and The Guardian who welcomed the album with a rare perfect score. In between\, they launched countless sold out headline tours and support runs with the likes of Mastodon.\nNow\, they break more ground with Automata.\n“Lyrically\, I wanted to write something that I treated as a puzzle until it comes together at the end\,” continues Tommy. “For as deep and dark as it is\, there’s a positive outcome\, which we’ve never had. The story follow a protagonist whose dreams are used as entertainment broadcasted by a company called Voice of Trespass. Most of the record takes place within that dream. The character thinks it’s all real.”\n“Even though it takes place in the future\, there are a lot of parallels to modern society\,” adds Paul. “Oftentimes\, we turn athletes\, movie stars\, and musicians into commodities. We forget that they’re real people with problems and issues. They’re society’s escape from reality as we use them for entertainment. Hence\, society plays a role in their downfall\, be it drug dependence\, isolation\, or even suicide. Society perpetuates mental illness with those expectations.”\nAutomata – Part I unveils the first six songs comprising the entire body of work. Stretching near seven minutes\, “Condemned to the Gallows” kicks off this journey. Acoustic guitar builds in epic fashion before sweeping distortion takes hold followed by unpredictable rhythms and a seismic vocal performance which\, as Tommy puts it\, “sets up the whole story.”\nElsewhere\, the trudging eight-minute guitar symphony of “Yellow Eyes” spirals into the melodic bliss of “Millions.”\n“There are a lot of moments where we totally venture away from the traditional formula of what a progressive metal band can do\,” states Dan. “There are all these little moments where we’ve done something we never did before. ‘Millions’ is the perfect example. It’s four-minutes of straight melody—another first.”\nWith Automata Part I\, Part II\, and the myriad of visuals on the horizon\, Between The Buried And Me realize their potential to its fullest—and go one step further.\n“All of our music should build up to the newest record\,” Tommy leaves off. “That’s what happens with Automata. You can take little snippets from our past throughout this album. It sounds like Between The Buried And Me\, but it’s still new. We hope to keep the music industry on its toes. This is part of doing that.” \n*** \nThe Dear Hunter \n \nWebsite\nFacebook\nTwitter \nIt’s been almost a decade since Casey Crescenzo brought The Dear Hunter — both the band and the character of the same name — to life with his 2006 debut full-length\, Act I: The Lake South\, The River North. Although it was evident from his stint as singer of The Receiving End Of Sirens\, the record revealed Crescenzo’s incredibly inventive and ambitious musical flair\, something which has been evolving ever since. The two albums which followed — 2007’s Act II: The Meaning Of\, And All Things Regarding Ms. Leading and 2009’s Act III: Life And Death — cemented the now 32 year-old as a maverick\, idiosyncratic talent whose music\, while fitting a modern aesthetic\, was also from a bygone era. \nAnachronistic and timeless in equal measure\, the narrative of The Dear Hunter existed in both the past and the present\, its detailed plot standing simultaneously as an age-old and new age fable. As that tale progressed\, so did Crescenzo’s art\, his experimental compositions blurring the line between different genres to create a sound that was — and still is — unique to the band. But then\, halfway through the six envisioned Acts of the Dear Hunter narrative\, Crescenzo’s attentions shifted. Between 2010 and 2011\, the band recorded a series of nine four-track EPs known as The Color Spectrum. Later released as a single volume edition\, each EP was a musical interpretation of a color from the visible spectrum\, showcasing the increasingly far-reaching ambitions for Crescenzo’s musical vision and his inventive interpretation of the world around him. Two years later\, the more mellow and straightforward fifth full-length Migrant showcased a different side to the songwriter’s talents\, and last year he composed and recorded his first symphony Amour & Attrition. With such a storied musical repertoire\, its clear Crescenzo is no ordinary musician.\nNow\, six years and two albums after The Dear Hunter released Act III: Life And Death\, Crescenzo has returned to the narrative of the anti-hero who shares the band’s name\, applying all of the knowledge and experience of the last ten years to this new chapter. Picking up where the story left off — with the eponymous protagonist assuming the identity of his late brother and returning home — Act IV: Rebirth In Reprise is an album that explores the complex notions of who and what we are\, and which attempts to answer its own questions through the wanderings and wonderings of the album’s protagonist. Yet as the plot and the music weave their way through these fifteen songs\, it’s clear that they transcend the boundaries of the Dear Hunter story. This is as much about a return in real life as it is the fictional story.\n“Revisiting something that was six years removed from my life\,” explains Crescenzo\, “and going back to doing these records was actually a suggestion of my manager and friend Mike Marquis. We got talking about the title of the record and it really just made sense\, both within this story — which is about this character returning to a familiar place as a different person — but also in terms of the music\, which was returning to a familiar place as a different person for myself. So it was the perfect middle ground of describing conceptually\, and as far as the plot goes\, a story\, but also a very perfect paralleling between my personal life and the story of the record — that revitalization and rejuvenating that comes from revisiting something with a newfound perspective.”\nThe result is the band’s most orchestral and multi-layered set of songs to date. Both nuanced and euphoric — sometimes at the same time — their very essence breathes life back into a story that has been on pause for over half a decade\, reigniting the lives of the characters with heart and aplomb. That’s something Crescenzo insists could only have happened by taking a break from the world with The Color Spectrum and Migrant. The distance that making those records afforded Crescenzo means that of all the albums The Dear Hunter has made\, Act IV’s soundtrack to its main character’s physical and philosophical journey is also the closest Crescenzo has come to realizing the true musical vision inside his head.\n“I was trying to do it on Act I\, Act II and Act III\,” he says with a slight sigh of fake exasperation\, “but I could never get to the point where I was just in a room with an orchestra playing these parts\, because I didn’t know how to do it. It was this thing that I always wanted to incorporate into what I did before\, I always wanted this and I was always upset that I didn’t get it. This time\, I could apply this knowledge that I actually possess into this music. It was one of the most exciting experiences of my life because the orchestra is such an integral part of that album from start to finish\, as far as weaving in and out of the music and gluing it all together.”\nThat’s certainly an understatement. Aside from a couple of brief pauses\, Act IV is almost one continuous piece of music. Whether it’s the gracefully powerful lilt of “At The End Of The Earth”\, the frantic\, almost King Crimson-esque 9 minute epic surge of “A Night On The Town” or the angular guitars of “King Of Swords (Reversed)” — which Crescenzo says drew inspiration from unlikely sources such as ELO\, Talking Heads and Michael Jackson — it all creates a sense of dramatic momentum to parallel all the physical and metaphysical action that takes place across this record’s ambitious 64 minutes. Initially written and recorded at Crescenzo’s self-built studio in Port Angeles\, Washington (where he now lives) with the rest of the band\, once their parts were done\, Crescenzo then set about finishing the rest of it himself.\n“I tracked most of my guitar and then I finished writing the scores for the orchestra\, so before I even got in to doing vocals\, my girlfriend\, my dog and I drove down to California and tracked the orchestra.”\nPlayed by the community-based Awesöme Orchestra collective at Berkeley’s Fantasy Studios\, it means the album truly is the culmination of everything that preceded it. As such\, even though it’s part of a fictional narrative\, it doubles up as the band’s most autobiographical album to date. That might seem like a paradoxical concept\, but to listen to Crescenzo explain it\, and it makes perfect sense. As Crescenzo points out\, “There were always these big pillars of the story that I wanted to tell as far as broad strokes. It’s always had Point A and Point B on a grand scale\, but I like to grow as a human being\, a songwriter\, a lyricist\, and I didn’t want to bind myself to the outlook and my feelings and my personal headspace at 22\, when I started writing this\, knowing that it would be years and years and years before I’d ever get to the sixth part. I didn’t want to control the creativity of the 32 year-old me at 22. I left a lot of wiggle room so I could pull on the new experiences I’d have as an adult and through the years it would take to finish it. So a lot of the detail is told from the last six years of my life going into Act IV.”\nAs such\, the personal growth that Crescenzo experienced in his own life shaped those moments. For a start\, he wanted the band — completed by Nick Crescenzo (drums\, percussion)\, Robert Parr (guitar\, keyboards)\, Nick Sollecito (bass)\, Maxwell Tousseau (guitar\, keyboards) and Andrew Brown (keyboards) — to have more input into the development of the songs. Secondly\, he found his attitude towards the people who initially inspired the characters had changed over time — and so had the characters as a result.\n“Looking back on the way that it started\,” Crescenzo remembers\, “the story was rooted in such an intensely bitter place I was able to demonize whoever I wanted through the fiction of it. What’s really interesting is that\, just by coincidence\, in this story and in these characters who have been somewhat demonized in my mind relating to real life people\, there are these moments somewhat of redemption for these characters. It was like I knew I wasn’t going to want to make that record until I was in a personal place where I had sort of gotten past the initial bitterness and the grudge I’m incapable of not holding. If I had written it all as younger man\, I think it would have been bitterness from the beginning to the end\, and there would have been no room for my growth or the growth of whatever character I’m putting in there.”\nThere are still two more Acts planned\, as well as a graphic novel in the works\, but for now\, the life of the Dear Hunter — both the character and the band — is fully consumed by this newest part of the story. It’s been a long time in the waiting\, but that’s precisely why the pieces have all fallen so perfectly into place. “Honestly\,” Crescenzo chuckles\, “just the act of making this record after so long\, and making the record I said I was going to make and not damning the younger version of me to having lied\, is very cathartic. And when it was done\, I had no idea what to do with myself. All of a sudden\, I was finished with this thing I didn’t even know if I would get to. I was blindsided by the finality of it.”\nOne listen\, and you probably will be\, too. \n*** \nLeprous \n \nFacebook\nTwitter URL:https://royaleboston.com/event/buried-dear-hunter/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/between-the-buried-admat-2018.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180404T193000 DTEND;TZID=America/New_York:20180404T193000 DTSTAMP:20260407T192143 CREATED:20180116T165609Z LAST-MODIFIED:20180116T165609Z UID:10002596-1522870200-1522870200@royaleboston.com SUMMARY:The Black Angels with special guest Black Lips DESCRIPTION:Bowery Boston presents \nThe Birds and The Bees Tour \nDoors: 7:30 pm / Show: 8:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 1/19 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nThe Black Angels \n \nWebsite\nFacebook\nTwitter \nDeath Song is the first full-length release in four years from The Black Angels – Austin’s five-piece psych rock masters – and their debut for Partisan Records.  \nWritten and recorded in large part during the recent election cycle\, the music on Death Song serves as part protest\, part emotional catharsis in a climate dominated by division\, anxiety and unease. “Currency\,” a strong contender for the heaviest song the band has ever put to wax\, meditates on the governing role the monetary system plays in our lives\, while slow-building psychedelic earworm “Half Believing” questions the nature and confusing realities of devotion. \nRecorded between Seattle and Austin\, Death Songfeatures production from Phil Ek (Father John Misty\, Fleet Foxes\, The Shins). The 11-track collection offers a sharply honed elaboration on their signature sound – menacing fuzz guitar and cutting wordplay\, steeped in a murky hallucinatory dream.  \nThe band will tour extensively behind Death Song\, including a headline set at one of the first-ever shows at new NYC venue Brooklyn Steel on May 2nd. Full itinerary below for “The Death March Tour”\, which begins in Nashville. The band will be supported by A Place to Bury Strangers. \nSince forming in Austin in 2004\, The Black Angels have become standard-bearers for modern psych-rock\, and the New York Times has said they “play psychedelic rock as if the 1960s never ended\, and they are absolute masters of it”. The band has toured with Queens of the Stone Age\, Brian Jonestown Massacre\, the Black Keys + more\, and played festivals such as Glastonbury\, Fuji Rock\, Primavera\, Harvest Fest\, Coachella and Bonnaroo. Two of the band members co-founded Levitation Festival (formerly Austin Psych Fest) in 2008\, which has since grown into one of the best-reviewed and expertly-curated festivals in the country (returning in 2018). \n*** \nBlack Lips \n \nWebsite\nFacebook\nTwitter \nThe story of the Black Lips began in Dunwoody\, Georgia\, a quiet\, conservative suburb of Atlanta\, in the year 1999. Born of a mutual love of Link Wray\, The Stooges\, and The Ramones\, and sealed through a shared dedication to defiance\, the band formed after childhood friends Jared Swilley and Cole Alexander were kicked out of Dunwoody High for separate\, yet equally bad\, behavior. The former classmates took their love of\nmusic and restless energy and channeled it into their newly found free time\, and joined by\nfriends Ben Eberbaugh and Joe Bradley\, the Black Lips started playing shows around Atlanta\, at house parties and bars. They spent this time honing their sound – garage rock infused with blues\, psychedelia\, and punk\, plus a healthy dose of reckless abandon – and released their first 7-inch\, “Ain’t Coming Back\,” in 2002 on Die Slaughterhouse records (named in homage to the flophouse den they called home). Shortly before the band was set to head out on their first ever national tour\, Eberbaugh was tragically killed by a drunk driver. Devastated but determined to carry on in Eberbaugh’s honor\, the Black Lips hit the road as a trio just a few days later.\nIt’s been 15 years\, but that passionate dedication to touring has never left the\nband. The Black Lips have released eight full-length albums since that first tour\, and have\ntraveled the country and the world extensively\, making a name for themselves as an electrifying\, must-see live act. It helps that the same mischievous spirit that helped speed up their exit from the educational system is still very much alive\, thriving in its new environment on stage\, resplendent with punk rock theatrics and miscellaneous bodily fluids\, amongst other things. The band’s energy and unique “flower punk” sound helped them build a rabid fan base\, and after releasing their first two albums through Bomp!\, they put out the critically celebrated Let It Bloom on In The Red records. This record garnered the Black Lips features in Spin and Rolling Stone\, and they were soon signed to Vice Records\, subsequently releasing Los Valientos Del Mundo Nuevo\, an ambitious album recorded live at a bar in Tijuana\, Mexico\, in February of 2007.\nIn their decade-long tenure with Vice\, the Black Lips have evolved from wildly crooning over fuzzy\, raucous music at house shows full of kids to wildly crooning over fuzzy\, raucous music at international festivals in front of thousands of fans. They have toured consistently\, with their zeal for travel taking them all over the world\, and not without some international adventure: In 2009 the Black Lips went on their first (and last) tour of India\, playing shows in Bangalore and Mumbai before chaos struck in Chennai after the band ditched their toned-down presence in favor of classic Black Lips capers\, including some not so well received Lips-locking. After the same sex smooching and\nalso Alexander baring his butt to the rowdy crowd\, the tour’s sponsors pulled out and the band was nearly jailed\, their passports confiscated by the disgruntled promoters. According to Swilley: “The first few shows\, we were being really reserved because we didn’t want to offend anyone\, but they kept telling us to do what we wanted…I guess “do whatever you want” didn’t include kissing each other\, and I think Cole mooned the crowd\, which is a huge no-no. We had to physically wrestle our passports back from the promoters. It was the scariest 15 hours of my life\, but we got out of there.” The band ended up taking a 200 mile cab ride to the next province and hopped a flight to Berlin\, narrowly escaping Indian prison.\nUndeterred\, the band jumped at the chance to become the first Western punk band to tour another notoriously conservative continent\, the Middle East\, just a few years later. Why? “It was important for a number of reasons\,” Swilley says of the tour. “We’ve always wanted to push boundaries of where we go. Plus\, a lot of people told us we couldn’t do it\, and anytime someone tells us we can’t do something\, then we kind of have to. We have O.D.D\, oppositional defiance disorder.” This time\, their shows went off without a hitch\, and Black Lips played shows for crowds in Jordan\, Cyprus\, Egypt\, Lebanon\, Iraqi Kurdistan\, and the United Arab Emirates in 2011 in support of that year’s release of their record Arabia Mountain\, produced by Mark Ronson. The title was\nactually a reference to a mountain in Georgia\, but that didn’t stop the Lips from playing\nthe record all over the Middle East\, to enthused fans and without causing any further international incidents. “Everyone was really nervous about us going there\, but it really went off without a hitch\,” adds Swilley. The band also hasn’t abandoned plans to become the first rock band to play on all seven continents\, hoping to hit their last remaining one\, Antarctica in the near future\, and disregarding Metallica’s claim of this achievement: “Just when we were securing the funding\, Metallica sniped us. They took a boat\,\nprobably a gold plated Versace boat\, down there. But they actually didn’t play on land\, and they didn’t play with amps\, so technically they haven’t played Antarctica. Metallica hasn’t beat us yet.”\nFor their ninth studio album\, the Black Lips have teamed up with Sean Lennon\,\nwho got on board to produce Satan’s graffiti or god’s art? in 2016. The Black Lips had formerly worked with Lennon on Arabia Mountain\, where Lennon played theramin on several tracks. The band moved up to Lennon’s studio compound on a remote farm in upstate New York\, and spent several months living and breathing the new record. This removal from the outside world\, plus the return of beloved early guitarist Jack Hines and the exciting addition of new members Oakley Munson on drums and Zumi Rosow (the first female Black Lip) on saxophone\, infused the project with a focused\, intoxicating liveliness\, similar to the spirit that had brought the Black Lips to life in the first place\, way back in 1999. Only this time\, the band is drawing from nearly two decades of experience and musicianship\, and the newness is tethered by familiarity: Munson is a longtime friend of the band\, and Rosow has been playing live with the Black Lips for several years now. There’s even a dash of kismet: unbeknownst to the band\, after being off the grid for some time\, Munson had just recently moved to a cabin a short distance away from Lennon’s compound\, and the first time his phone ever rang after he plugged into the wall\, Alexander was on the other end\, asking him to play.\nAll of this excitement and immersion created the perfect storm for the Black Lips’\nmost musically evolved album to date. “It was a really beautiful experience. We were very far from civilization\, and we were all living at the studio. We weren’t going home to our own beds every night; that was our whole world\, 100% of the time\,” says Swilley of the experience. “Making this record was the most wonderful few months of my life. It\nwas by far my favorite time recording an album so far…It was just magic.” The Black Lips were joined by Saul Adamczewski of Fat White Family\, who helped co-produce the record with Lennon\, plus another rather magical guest: Yoko Ono. “She’s very cosmic\,” Swilley says of the celebrated artist and musician\, who makes an appearance on a few of the tracks. The final product is urgent and thoughtful\, reflecting the growth the Black\nLips have experienced since bursting onto the scene (once or twice quite literally on fire)\,\nbut it’s also true to their original blistering\, careening take on rock n’ roll: fuzzy\, dirty\, and rife with three and four part harmonies. Satan’s graffiti or god’s art? proves that while they may have grown up a bit and changed a few things around\, the Black Lips are still as creatively unhinged and exhilarating as ever.\nSatan’s graffiti or god’s art? is out May 5th on Vice Records. URL:https://royaleboston.com/event/black-angels-black-lips/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/the-black-angels-admat-2018.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180405T183000 DTEND;TZID=America/New_York:20180405T183000 DTSTAMP:20260407T192143 CREATED:20180207T193020Z LAST-MODIFIED:20180207T193020Z UID:10001890-1522953000-1522953000@royaleboston.com SUMMARY:[SOLD OUT] James Bay DESCRIPTION:SOLD OUT \nPlease note: tickets are NON-TRANSFERABLE. The original purchaser of the tickets must pick up their tickets at will call night of show with valid ID and will be required to enter the venue immediately. No exceptions will be made. \nBowery Boston presents James Bay \nDoors: 6:30 pm / Show: 8:00 pm \nPlease note: bags or backpacks larger than a purse are prohibited. \n*** \n \n*** \nJames Bay \n \nWebsite\nFacebook\nTwitter \nJames Bay is the definition of a modern day rock star.  Following the release of his debut album Chaos And The Calm\, featuring—“Hold Back The River” and “Let It Go”— BAY was nominated for “Best Rock Album\,” Best Rock Song\,” and “Best New Artist” at the 2016 Grammy Awards. In the UK\, the record became the “Biggest New Artist Album Release” that year and has been certified Gold in the United States\, Germany\, Australia\, Switzerland\, platinum in Canada\, Ireland\, Netherlands\, Sweden\, double platinum in the UK and has sold nearly 3.5 million albums in global consumption\, and 2.7 billion streams worldwide. Receiving the BRIT’s Critics Choice award in 2015\, BAY has gone on to receive a win for “Best Male Solo Artist” at the BRITS\, International Newcomer at the ECHO Awards\, “Best New Act” & “Best Solo Artist” at the Q Awards\, “Most Performed Work” at the Ivor Novello Awards and was nominated for “Best New” & “Best PUSH” at the MTV EMA’s and a MTV VMA for “Best New Act.” On the other side of the globe\, he has received a nod for “Best International Artist” at the ARIA Awards in Australia. In addition to selling out shows and performing at festivals across the globe\, BAY lent a new version of his song “Running” for the 2016 Sports Relief charity\,  is an advocate for the international non-profit Wateraid\, designed his own signature line for Topman\, and Epiphone created the Limited Edition James Bay Signature “1966 Century” Guitar in his name. \n*** \nDavid Ryan Harris \n \nFacebook \nDavid Ryan Harris. “Sounds like a law firm\, tastes like analog tape\,” says the soul singer/songwriter and guitarist. “I heard music\, melodies and stories in my head as a child. It never went away and I hope it never does\,” he says. \nBorn in Chicago and raised in Atlanta\, David was drawn to the blues after hearing songs by Son House\, Robert Johnson and others. Growing up at a time when Prince\, Parliament-Funkadelic\, Stevie Wonder and other musicians were stretching the boundaries of popular music\, he began to understand that music could not and should not be limited by our often narrow views of what it should be. \nIn 1991\, David co-founded Follow For Now\, a band that combined all of the influences that had been shaping his musical vision: Bad Brains meets Stevie Wonder and Public Enemy in Memphis. While the band had a short life\, it was David’s launching pad\, as it allowed him to taste the fruits of such a strange mess of musical ingredients. He signed to Columbia Records in 1997\, released a self-titled record and began to spread his wings as an artist\, writer and producer. In 2000\, he signed to Elektra with the band Brand New Immortals. Shortly after releasing an album\, the label folded and the band followed suit. \nToday\, David Ryan Harris calls Los Angeles home\, but is internationally recognized for playing guitar and singing in John Mayer’s band from 2004-2012. He has also had the pleasure of writing with\, playing with and/or producing artists from Dave Matthews\, Cassandra Wilson\, Derek Trucks\, Santana\, Marc Broussard\, and Guy Sebastian. Most recently\, he produced and co-wrote six songs on Indie.Arie’s album\, Songversation. \nSince his major label days\, David has independently released many singles and solo albums\, including the wildly popular 2007 LP\, The Bittersweet. On October 23\, 2015\, he released his fourth full-length album\, Lightyears\, which includes co-writes with Derek Trucks\, Susan Tedeschi\, Tyler Lyle and Joe Gil among others. The LP also features guest appearances by John Mayer\, Indie.Arie and Nikka Costa. “Lightyears is me sending up a flare into the darkness from where I live\,” says David. It’s a soulful look into my life. My past and how it informs my present. My sense of hope\, my sense of humor.” URL:https://royaleboston.com/event/james-bay/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/02/James-Bay-admat-2018-localized.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180407T193000 DTEND;TZID=America/New_York:20180407T193000 DTSTAMP:20260407T192143 CREATED:20171005T175131Z LAST-MODIFIED:20171005T175131Z UID:10002562-1523129400-1523129400@royaleboston.com SUMMARY:Suicide Girls: Blackheart Burlesque DESCRIPTION:SUICIDEGIRLS IS BRINGING THE SEXIEST SHOW ON THE PLANET TO BOSTON! \nThe SuicideGirls: Blackheart Burlesque is unlike any other burlesque act you’ve ever seen\, filled with pop culture references\, a high energy indie soundtrack and the sexiest choreographed strip tease that will make your inner nerd explode with glee. Join us at the Cotillion for our geeky burlesque show with striptease performances in tribute to Star Wars\, Orange Is The New Black\, Donnie Darko\, Clockwork Orange and more! \nVIP Doors at 5:30PM / Regular Doors at 6:30PM / Show at 7:30PM \nReserved and General Admission seating is available. VIP tickets include early entry with a chance to meet the performers\, have one item signed\, take a photo with the girls\, and enjoy crowd-free merch shopping. VIP guests receive a VIP laminate lanyard (*VIP doors open at 5:30pm*). \nPlease note that this event is 18 and over ONLY. Any ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event\, and will not be eligible for a refund! URL:https://royaleboston.com/event/suicide-girls-blackheart-burlesque/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/10/Suicide-Girls2018.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180407T220000 DTEND;TZID=America/New_York:20180407T220000 DTSTAMP:20260407T192143 CREATED:20180326T210022Z LAST-MODIFIED:20180326T210022Z UID:10001906-1523138400-1523138400@royaleboston.com SUMMARY:A Night In Vegas @ Royale Saturday DESCRIPTION:On Saturday\, April 7\, join us for a massive “Night In Vegas” themed party\, with music by one of the most in-demand open-format DJ’s in the country\,  JERZY! This master beat blender has residencies at Las Vegas Nightclub’s Tao\, Light and XS\, and will now bring his signature sound to Royale Boston! Support by Jake Knox. \n21+ \nCall or text 617.733.0505 for VIP Table Reservations. URL:https://royaleboston.com/event/night-vegas-royale-saturday/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/03/royale_jer.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180413T180000 DTEND;TZID=America/New_York:20180413T213000 DTSTAMP:20260407T192143 CREATED:20180130T170041Z LAST-MODIFIED:20180130T170041Z UID:10002602-1523642400-1523655000@royaleboston.com SUMMARY:Thirdstory DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 7:00 pm \nThis event is open to ALL AGES. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 2/2 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nThirdstory \n \nWebsite\nFacebook\nTwitter \nThirdstory is the stage name of soulful NYC-based group Ben Lusher\, Richard Saunders\, and Elliott Skinner. The chameleonic singers proved their genre-bending talent by stepping behind Grammy Award-winning recording artist Chance the Rapperon his 2017 tour – appearing alongside the superstar during performances on Saturday NightLive\, Late Night with Stephen Colbert\, and NPR’s Tiny Desk. \nReleasing an abundance of awing acoustic covers since 2015\, Thirdstory has cultivated a strong grassroots following\, including over 100\,000 YouTube subscribers. In 2017 they released their debut EP\, Searching – a showcase of the band’s bone-chilling harmonies and awe-inspiring vocal palates. Thirdstory’s debut LP – an 11 song album executive-produced by Malay (credits include Frank Ocean’s Channel ORANGE & Blonde) that blends pop songwriting and powerful vocals with both electronic and live instrumentation – is anticipated for a Spring 2018 release. URL:https://royaleboston.com/event/thirdstory/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/Thirdstory-admat-2018.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180413T220000 DTEND;TZID=America/New_York:20180413T220000 DTSTAMP:20260407T192143 CREATED:20180316T140039Z LAST-MODIFIED:20180316T140039Z UID:10002621-1523656800-1523656800@royaleboston.com SUMMARY:Sofa King Fridays w/ Malaa DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP Table Reservations URL:https://royaleboston.com/event/sofa-king-fridays-w-malaa/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2018/03/NV_mal_WEB.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT END:VCALENDAR