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SUMMARY:Deafheaven
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:30 pm \nTickets on sale NOW! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nDeafheaven \n \nWebsite\nFacebook\nTwitter \nDeafheaven is a California-based act that has garnered acclaim for their signature hybrid sound of black metal\, shoegaze\, and post-rock. On October 2 the band will release their next album New Bermuda on ANTI-. \nGeorge Clarke (vocals)\, Kerry McCoy (guitar)\, Dan Tracy (drums)\, Stephen Lee Clark (bass)\, and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland\, CA and Atomic Garden Recording in East Palo Alto\, CA in April 2015. It was produced\, engineered\, mixed\, and mastered by Jack Shirley who has worked with the band on their previous releases. Clarke says that he came up with the idea of “New Bermuda” to describe a new destination in life\, a nebulous point of arrival\, and an unknown future where things get swallowed up and dragged into darkness. The album artwork for New Bermuda is an oil painting\, dense in brush strokes of darker tones and deep blues\, by Allison Schulnik. The layout was designed by art director Nick Steinhardt. \nFormed in 2010 in San Francisco\, California\, the band has released two studio albums on Deathwish; Roads to Judah in 2011 and their lauded Sunbather in 2013. Sunbather received accolades from NPR on their Favorite Albums of 2013 list\, a coveted Best New Music at Pitchfork\, the Best Metal Album of 2013 per Rolling Stone\, a 9/10 star review from Decibel Magazine\, and it was the highest rated album of 2013 according to Metacritic. Deafheaven have spent the last two years touring extensively nationally and around the world with shows in Australia\, Japan\, Asia\, Europe\, Russia\, the UK\, and Canada with festival appearances at Pitchfork\, Bonnaroo\, Primavera\, Roskilde\, Fun Fun Fun\, FYF Fest\, SXSW\, Basilica Sound Scape 14\, Corona Capital\, ATP Iceland\, amongst others. Deafheaven will perform August 8 at Heavy Montreal in Canada. Details on a forthcoming North American tour are soon to be announced. \n*** \nDrab Majesty \n \nFacebook\nTwitter \nDrab Majesty began as a warbled transmission received via 4-track cassette in a dim\, Los Angeles bedroom in 2012. The entity known as Deb Demure\, an interdimensional muse of sorts\, lent an otherworldly vision to a human contact; one to be realized through meticulously composed lo-fi recordings. Focusing on the aesthetics of cult ritual and the devastating power of music\, Deb sought an alternative way to share the cosmic agenda. Culminating in a cassette titled Unarian Dances\, Drab Majesty’s manifesto to humanity was revealed: revel in the power of artistic influences that reside beyond the self.\nThe tape circulated through Los Angeles\, catching the attention of local tastemakers like the heads at Lollipop Records in Echo Park. It quickly found a place on the shelves of LA’s underground musical seekers. After a gauntlet of performances and late night manifestations\, Drab Majesty came on the radar of DAIS Records. \nIn 2015\, Drab Majesty released Careless\, the first LP which was received and recorded soley by Demure on living room floors and in cluttered spaces across the city. After three pressings and an imminent fourth\, Careless remains a fixture in LA’s somber yet sublime nightlife and a noted contribution to the murkier subcultures abroad. \nWielding a left-handed guitar\, Deb employs a unique style of arpeggiated finger picking\, producing vast and organic musical textures reminiscent of Vinny Reilly (Durutti Column) with the anthemic power of Sisters of Mercy and Cocteau Twins. In the past two years Deb has been invited to support bands such as Psychic TV\, Clan of Xymox\, The Frozen Autumn\, Prayers\, and label mates Youth Code and King Dude. \nFrom its incarnation\, Drab Majesty was a solo act; an interplay between guitar and triggered machines. In 2016\, with growing audiences and heightened interest\, Drab expanded into a duo\, employing the keyboard accompaniment of far-out twin\, Mona D – filling out frequencies and upping the spectacle of the live performance. \nJanuary of 2017 saw the release of Deb’s second album entitled The Demonstration\, recorded by Josh Eustis (NIN\, Telefon Tel Aviv). With extensive worldwide touring to follow\, Drab Majesty will spread its message to new and grander audiences around the globe. \n*** \nUniform \n \nWebsite\nFacebook\nTwitter \nUniform formed in New York City in late 2013 when old friends Ben Greenberg (Hubble\, The Men\, Pygymy Shrews) and Michael Berdan (York Factory Complaint\, Drunkdriver\, Believer/Law) realized they lived on the same street. Their impulsive collaboration quickly yielded Our Blood / Of Sound Mind and Body single. The six tracks that comprise the equally abrasive but more refined Perfect World have been coming together between tours and work ever since. \nThe music that Greenberg and Berdan conjure up under the Uniform moniker is immediate\, aggressive\, and even primal in form\, but it plumbs untold depths. Berdan’s venomous voice mines deeply personal themes of resentment\, regret\, reflection and addiction over the hum of Greenberg’s almost impossibly disciplined guitar\, bass synth\, and drum machine lines. Greenberg uses the word “templatized” to describe their approach to writing songs for Uniform. \n“There’s this set bunch of gear to create sounds\, and it only creates sound through a certain process\, or within its own limitations\,” Greenberg said. “The goal of songwriting is to see how many different kinds of sounds you can get from the same basic process and machine.” \nOn Perfect World\, that machine is firing on all cylinders. The guitar is run through a cheap ’80s preamp marketed to metal kids. The drum machine is equally no-frills\, an Akai XR20 that Greenberg says “most people wouldn’t want to keep around.” These humble components are combined with noisy synth and Berdan’s profound howling to form something much greater. Post-punk\, synthpunk\, and industrial traditions are borrowed from as needed\, but the constraints placed on the process mean the result is unique to Uniform. Berdan describes his lyrics as the consequence of feeling “so full of pain\, confusion\, deep selfishness\, and general animosity that you make some horrible mistakes and have to learn how to forgive yourself for them.” Perfect World feels like the sum of all that pain and confusion\, but it also feels like the catharsis.
URL:https://royaleboston.com/event/deafheaven-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20180726T200000
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SUMMARY:Raphael Saadiq
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri. 5/4 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nRaphael Saadiq \n \nWebsite\nFacebook\nTwitter \nRaphael Saadiq just announced his first headline tour dates in several years. The Oscar-nominated and Grammy-winning musician and producer will head out on a seven-city run including headline shows in NYC\, Boston\, Philadelphia and more\, and a performance at Chicago’s Pitchfork Festival (read ‘The Meaning of Soul Music According to Raphael Saadiq’ via the 2017 Pitchfork here). The dates come as he’s set to finish work on his anticipated fifth solo album and first since 2011’s Stone Rollin’. The upcoming shows follow 2017 performances as a headliner at Afropunk Brooklyn\, a surprise appearance with A Tribe Called Quest at FYF Fest 2017\, and several dates with Maxwell\, among other shows. See all upcoming tour dates below and get tix this Friday\, May 4 at 10am local time. \nIn addition to his own music\, Raphael has been working on many high profile projects with other musicians. In the last year\, he has worked with the likes of Chromeo\, Justin Timberlake\, Rick Ross\, Little Dragon\, and much more. In 2016\, he also served as executive producer on Solange’s critically lauded album A Seat at the Table. \nSaadiq has become a musical go-to in the film & television world over the last several years. He received his first Academy Award and Golden Globe nominations for co-writing the song “Mighty River” from Mudbound with co-songwriters Mary J. Blige and Taura Stinson. In addition to his work on Mudbound\, he composes the music for HBO’s hit series Insecure which returns soon for a third season (see him on the show’s ‘Wine Down’ here). Saadiq also scored the Netflix film Step Sisters and the Sundance documentary STEP with Laura Karpman; and he has composed music for the film Black Nativity\, television shows Underground (WGN) and Rebel (BET)\, performed on Luke Cage (Netflix)\, among others. \nRaphael Saadiq’s first foray into the international music scene came as a teenager when he performed as part of Sheila E.’s backing band and toured with Prince. Saadiq has also released critically acclaimed solo albums including his five-time Grammy-nominated debut album Instant Vintage and 2004’s Ray Ray. For the last two decades\, Saadiq has also worked behind the scenes as a celebrated producer and songwriter for major artists including D’Angelo (Grammy-winner for “How Does It Feel”)\, John Legend\, Miguel\, The Roots\, A Tribe Called Quest\, Stevie Wonder\, Mary J. Blige\, Snoop Dogg\, The Isley Brothers\, TLC\, Whitney Houston\, the Bee Gees\, Joss Stone\, and more. He was also a founding member of the multi-platinum selling group Tony! Toni! Toné! \n*** \n Ali Shaheed Muhammad  \n \nWebsite\nFacebook\nTwitter \nDJ/Producer Ali Shaheed Muhammad is known around the world as one-third of the legendary hip hop group A Tribe Called Quest\, but he began his musical career in his hometown of Brooklyn\, New York. It was there that his uncle\, Michael Jones\, a bass player and DJ himself\, pulled aside 8-year-old Ali and began teaching him music. Ali then spent years DJ-ing parties in his Bedford-Stuyvesant neighborhood and recorded a slew of demos before co-founding Tribe in 1985 with Q-Tip\, Phife Dawg\, and Jarobi. He was just 19 when the group released its first album\, People’s Instinctive Travels and the Paths of Rhythm\, in 1990\, and four more followed: The Low End Theory (released in 1991); Midnight Marauders (1993); Beats\, Rhymes and Life (1996); and The Love Movement (1998). All went either gold or platinum\, with The Low End Theory and Midnight Marauders both widely considered hip-hop classics. The group’s socially conscious lyrics – coupled with their unique production: heavy on jazz\, funk and ’70s rock samples – helped push it to the forefront of rap\, and scores of current artists/producers\, including Kanye West\, Pharrell Williams and Will. I. Am\, cite Tribe as an influence. \nThough Tribe disbanded in 1998\, the group’s place in hip hop’s pantheon has long been secured. It is unclear if the group will record another album\, but Tribe remains relevant\, recently eclipsing their contemporaries as co-headliners on the Rock the Bells 2010 Tour and starring in the 2010 documentary\, Beats\, Rhymes\, & Life: The Travels of A Tribe Called Quest. \nTribe\, however\, is just one representation of Ali’s talent. He formed the production company The Ummah in the ’90s with Jay Dee and Q-Tip\, and he’s worked with a wide range of artists\, including Faith Evans\, Mos Def\, and D’Angelo\, the last of whom he collaborated on the Grammy-nominated single\, Brown Sugar\, in 1995. That song led the way for the “neo-soul” movement\, making possible the rise of such performers as Erykah Badu\, Musiq Soulchild and Jill Scott. Ali has also remixed songs for Janet Jackson Maxwell\, Maroon 5and KRS-One. In all\, he has credits as writer\, producer or co-producer on 23 albums\, most recently with the Irish band The Kanyu Tree. The group’s lively\, fresh sound convinced Ali to work in a new genre – alternative music – and the debut album is due out summer 2011. \nAli also has a sharp eye for talent. Seeking to gain insider’s perspective on the record industry\, he took a job in 1996 as an A&R for Quincy Jones’ Qwest Records. While there\, he scouted and tried to sign Corey Glover\, Common\, The Black Eyed Peas and The Neptunes. Qwest passed on all. Feeling that he was unable to satisfy the needs of Qwest\, Ali parted ways with the label. Separately\, he was introduced by his friend\, producer Dahoud Darien\, to Bilal\, and Ali tried to get him signed\, as well\, but Ali could not convince his contacts to make the deal. Though he soon returned to his own artistic ambitions\, it is worth noting that Ali’s instincts were correct: those artists have gone on to sell millions of records. \nIn 1999 he co-founded the star trio Lucy Pearl\, aligning with Dawn Robinson\, formerly of En Vogue\, and Raphael Saadiq\, of Tony! Toni! Toné! Lucy Pearl fused funk\, rock\, R&B and hip-hop to create an organic\, sexy sound that was unprecedented at the time and still unmatched today. The group’s self-titled debut album produced the hits Don’t Mess With My Man\, and Dance Tonight\, the latter nominated for a Grammy in the best vocal performance by a duo or group category. \nAli has also built up a solo career\, beginning with his 2004 debut LP Shaheedulah and Stereotypes\, featuring the dance song All Night. Beyond engineering a unique sound for his first LP\, Ali also performed songs on it\, and he has two more albums scheduled for release in summer 2011. The first is pure hip hop and boasts collaborations with Phife Dawg\, De La Soul and Raphael Saadiq; the second is a dance album\, continuing the vibe he started with All Night. \nWhile the music world awaits those two albums\, Ali keeps busy by performing as a DJ around the globe\, reaching music fans of all types\, each gig adding to the journey he started as an 8-year-old in Brooklyn.
URL:https://royaleboston.com/event/raphael-saadiq/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:Felix Cartal
DESCRIPTION:21+ \nCall 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/felix-cartal/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20180728T180000
DTEND;TZID=America/New_York:20180728T213000
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SUMMARY:[SOLD OUT] Sleep
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 6:30 pm \nThis show is SOLD OUT! \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n***\nSleep \n \nWebsite\nFacebook \nThe words have failed them all. Since by the time you’ve read this far you’ve already read words that are intended to be touchstones but which do nothing but make it easier to not hear what should be all about hearing: their music. \nSo let’s dispense with “stoner” and “doom” and while “metal” is a good catch-all even that does what SLEEP does an injustice. What SLEEP does and has been doing since 1990. Since San Jose. Since vocalist and bassist Al Cisneros hinted darkly at his next act after Asbestosdeath. Make something that was like something you had never heard/felt before even if you had heard/felt it before. Like wind or the yawning subsonic expanse of an earthquake: something undeniably large. \nAnd like ragas\, the songs were not just songs but movements and the movements trended toward the eternal. Almost time-wise too with songs that lasted as long as some entire records\, which is as long as it needs to be to get short-sighted labels to drop you. And beyond time\, the weight was equally significant. Heavy\, sublime and not even a little bit ridiculous and whether or not these were influenced by the sacramental consumption of weed really misses the point. \nWhile there may have been a few like them before them\, there were none like them really and certainly none of after them. And so in 2009 when they were reborn with Cisneros who’d been reframing the world with the band OM\, Matt Pike doing double duty with this and his HIGH ON FIRE\, and the estimable Jason Roeder doing the same with NEUROSIS\, SLEEP did what it had done and what it had left to do. Largely and without pause\, make music in tune with The Ages. \nBest to be enjoyed? Live and living. See\, hear\, feel\, do it. Well\, beyond just music and well into the experiential joy of pure being. SLEEP. Undoubtedly. \n***\nHeavy Blanket \n \nWebsite\nFacebook \nIn a Dutch Haze – digital by Earthless Meets Heavy Blanket \nJ Mascis rounds up a couple partners-in-crime from his adolescence with an eye – and ear – towards shredding harder\, wailing louder\, and generally melting faces even more brutally than ever before. Stoner dirtbags cloaked in mystery\, j’s longtime buddies Pete Cougar and Johnny Pancake lay down the heavy rhythm base for j’s massive licks and blistering guitar mastery. Ever wondered what Band of Gypsies would sound like if you mixed it up with Japanese hard psych and smoked it through a giant power bong? Well\, now you know. Don’t say we didn’t warn you. \n***\nDylan Carlson \n \nWebsite\nFacebook \nGuitarist and founder/principal member of the rock band Earth\, as well as numerous solo/side projects. These include drcarlsonalbion\, an ongoing exploration reflecting Carlson’s long standing interest in occult folklore and history of the United Kingdom and his abiding love for all things British. Its ancillary project\, Coleman Grey\, dealing with the ffayre folklore of the British Isles. The improvisatory music of the Dylan Carlson/Rogier Smal duo. The Bug vs. Earth collaboration. Composer of the soundtrack for the German feature film ‘Gold’. Husband to Holly Carlson.
URL:https://royaleboston.com/event/sleep/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:Art Deko ft. Dirty Dek
DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/art-deko-ft-dirty-dek/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTEND;TZID=America/New_York:20180731T183000
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SUMMARY:Quicksand & Glassjaw
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:30 pm \nTickets on sale Fri 4/6 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nQuicksand \n \nWebsite\nFacebook\nTwitter \nInteriors is Quicksand’s best album yet. It sounds like nothing else you are going to hear this year. \nIt arrives deliberately unannounced\, two decades after the pioneering post-hardcore quartet’s last album. Made completely on the band’s own terms\, Interiors has a power\, strength and subtlety that will likely stun you. There are no wasted notes\, no flab\, and no excess whatsoever. It is absolutely perfect. \n“This struck a chord\, where we felt this is actually something that could represent us now\,” says bassist Sergio Vega. “It doesn’t sound like a third album a couple of decades later. It’s a piece of work that we really\, really can back.” \nThat may be an understatement: Interiors is breathtaking in its surging\, sculptured sonic attack\, a welcome reminder that the band’s longtime status as musical innovators is not undeserved. \nTo make the record\, the band first had to return to the beginning—to the purity of why Quicksand started making music in the first place. In the process\, they made a great record that speaks to their past—but\, more essentially\, to their present and future. \n“First we went out and made the record we wanted to make\, with the person we wanted to make it with\,” says drummer Alan Cage. “Then we went with a finished product and said ‘OK\, who’s going to put this thing out?’ Of course we want to share it\, have people listen to it\, and create their own relationship with it–but at the core\, it is our thing. “I think we landed in a perfect place to do that with epitaph.” \n“When we first became a band\, that’s what we did with making our EP. We put together $1500 and recorded the songs\, because no one knew or cared about what we were doing\, except for us. We took the same approach with Interiors.” \nAnd of course\, so much has changed since then. \n“I’m thrilled to be listening back to a record that we made with our own money\, on our own schedule and creative terms\,” says Quicksand front man/guitarist Walter Schreifels. “While it was definitely important for us to speak to our longtime fans\, we thought the best way to do that was to embrace who we are now\, to allow our selves to be open to people that have never heard of us. Our tastes and experiences as musicians and as people have grown\, and we decided to run with that. As a result\, I think ‘Interiors’ has a wider spectrum on it than our past records.” \nInteriors makes clear via its searing opening sequence of tracks that Quicksand’s skills as songsmiths and players have never been sharper. \nFrom the pulse-pounding start of the opening track “Illuminant\,” the band immediately draws you in with its unique combination of pounding rhythm and shifting loud/soft dynamics\, heightened by Schreifels’ deliberately restrained—but powerful—vocal. \n“To me\, ‘Illuminant’ was the first song that set the bar for the rest of the album. We had compiled various jams and song inspirations that we’d recorded at sound checks and rehearsals\, but it is a significant step to take song ideas\, riffs etc. and commit to the structure that makes it a ‘song.’ Especially for us. We were searching for the abstract idea of ‘what does a new Quicksand song sound like?’ Once we put ‘Illuminant’ together\, it happened pretty quickly. I felt confident we could make a great album.” \nA similar standout is “Cosmonauts\,” a stylistic leap forward for the band both in terms of its powerfully rhythmic\, slow pacing and Schreifels’ textured and melodic vocal. \n“One of the things about Quicksand back in the day that made it hard for me was that most of the vocals were close to the top of my range\, it had impact but was exhausting to perform live. As a Quicksand song\, ‘Cosmonauts’ has all the elements that our fans dig\, but I gave myself license to sing. Over time I’ve discovered that if you have the right emotional pitch–if you understand what you’re trying to say\, you don’t necessarily have to scream it to make a point.” \nThat point also applies to the album’s title track\, among the finest the band has ever recorded. “Interiors” is majestic\, glacial\, powerful\, throbbing—like no other song you’ve ever heard—pairing a howling\, repetitive guitar figure partnered with Schreifels’ emotional\, almost resigned delivery of the lyrics. It is a mind-blower from top to bottom\, and its final moments feature a stunning instrumental break ranking among Quicksand’s best ever work. \nThere’s an astounding array of sonic diversity displayed on Interiors that will satisfy Quicksand fans both old and new. And that’s been done purposely\, adds Schreifels\, pointing to the significant contributions of producer Will Yip. “I worked with Will on another project some years ago–Title Fight’s Shed album\,” he says. “We had a blast. And with Will’s combination of expertise and taste\, I knew that he would gel with the other Quicksand guys. \nNo small matter was the fact that Yip has produced the records of several young\, critically admired bands that cite Quicksand as an influence\, he adds. \n“It made sense to thread that with where music is now. While working on this record\, Will really joined the band–and every move we made was in service of the song sonically\, structurally and overall energy-wise. We were not afraid to diverge from formula moves\, and we were also down to embrace aspects of our style that our fans have come to expect–as long as there was a twist. \n“For example\, ‘Under The Screw’ I really dig because I wanted something that kind of connected to the Quicksand that people remember\,” he says. “But in the vocals\, I took a more surrealistic approach than I would have in the past–which I think gives license for us to take more unexpected turns as the song progresses.” \nThere is a sense of growth and maturity on Interiors that longtime fans will hear upon first listen. A lot has happened since the early ‘90s\, a lot has happened since those days of Manic Compression and the very first Warped Tour. And a lot has happened in the lives of the four members of Quicksand. \n“This record just sounds like who we are\,” says Schreifels. “Lyrically\, I wasn’t interested in re-creating some ersatz version of the struggles I was having when I was 20 years old\, I lived that already. It took me a minute to find the thread but once I had a few songs done\, the language and themes of Interiors began to write themselves.” \nFrom start to finish\, there is growth\, there is strength\, and there is power in this music. More power than ever before\, and it may surprise you. \nTranslation? Quicksand has made the album of a lifetime. And now the world gets to hear it. \n*** \nGlassjaw \n \nWebsite\nFacebook\nTwitter \nMaking things since 1993 \n*** \nPrimitive Weapons \n \nWebsite\nFacebook\nTwitter \nThe Future of Death
URL:https://royaleboston.com/event/quicksand-glassjaw/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180803T220000
DTEND;TZID=America/New_York:20180803T220000
DTSTAMP:20260405T050933
CREATED:20180608T170027Z
LAST-MODIFIED:20180608T170027Z
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SUMMARY:Sofa King Fridays "Night Bass" ft. AC Slater & Phlegmatic Dogs
DESCRIPTION:ON SALE MONDAY\, JUNE 11th @ 1PM \n21+ \nCall of text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/sofa-king-fridays-ac-slater-presents-night-bass/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180804T150000
DTEND;TZID=America/New_York:20180804T173000
DTSTAMP:20260405T050933
CREATED:20180614T181821Z
LAST-MODIFIED:20180614T181821Z
UID:10002648-1533394800-1533403800@royaleboston.com
SUMMARY:Bitch Sesh Live
DESCRIPTION:Second show added due to overwhelming demand! Tickets on sale NOW! \nDoors: 3:00 pm / Show: 4:00 pm \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nBitch Sesh \n \n[Facebook] \nCasey Wilson (Happy Endings) and Danielle Schneider (The Hotwives of Orlando) bring you a live version of their hilarious podcast Bitch Sesh. They’ll deep dive into all things Real Housewives\, unpack pertinent pop culture goings on and continue to process and hopefully come to accept Julia Roberts wig in “Mother’s Day.” One day at a time. Join them for dramatic reenactments\, audience questions\, clips and more. You won’t want to miss this very important\, nay – life altering\, evening.
URL:https://royaleboston.com/event/bitch-sesh-live-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180804T190000
DTEND;TZID=America/New_York:20180804T213000
DTSTAMP:20260405T050933
CREATED:20180201T180001Z
LAST-MODIFIED:20180201T180001Z
UID:10002614-1533409200-1533418200@royaleboston.com
SUMMARY:[SOLD OUT] Bitch Sesh Live
DESCRIPTION:This show is now SOLD OUT! \nNOTE: Due to overwhelming demand\, an early show has been added! Tickets for the early show are still available HERE. \nDoors: 7:00 pm / Show: 8:00 pm \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nBitch Sesh \n \n[Facebook] \nCasey Wilson (Happy Endings) and Danielle Schneider (The Hotwives of Orlando) bring you a live version of their hilarious podcast Bitch Sesh. They’ll deep dive into all things Real Housewives\, unpack pertinent pop culture goings on and continue to process and hopefully come to accept Julia Roberts wig in “Mother’s Day.” One day at a time. Join them for dramatic reenactments\, audience questions\, clips and more. You won’t want to miss this very important\, nay – life altering\, evening.
URL:https://royaleboston.com/event/bitch-sesh-live/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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GEO:42.3499959;-71.0656288
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180804T220000
DTEND;TZID=America/New_York:20180804T220000
DTSTAMP:20260405T050933
CREATED:20180712T220035Z
LAST-MODIFIED:20180712T220035Z
UID:10001944-1533420000-1533420000@royaleboston.com
SUMMARY:Royale Saturdays ft. Knife Party
DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/royale-saturdays-ft-knife-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180810T220000
DTEND;TZID=America/New_York:20180810T220000
DTSTAMP:20260405T050933
CREATED:20180719T170007Z
LAST-MODIFIED:20180719T170007Z
UID:10002658-1533938400-1533938400@royaleboston.com
SUMMARY:Gabriel & Dresden: The Only Road Tour
DESCRIPTION:21+
URL:https://royaleboston.com/event/gabriel-dresden-the-only-road-tour/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180811T220000
DTEND;TZID=America/New_York:20180811T220000
DTSTAMP:20260405T050933
CREATED:20180717T210052Z
LAST-MODIFIED:20180727T182209Z
UID:10001946-1534024800-1534024800@royaleboston.com
SUMMARY:Summer Chill ft. DJ RM
DESCRIPTION:21+ \nCall or Text 617- 733 -0505 for VIP table reservations
URL:https://royaleboston.com/event/summer-chill-ft-dj-rm/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180814T190000
DTEND;TZID=America/New_York:20180814T190000
DTSTAMP:20260405T050933
CREATED:20180612T153448Z
LAST-MODIFIED:20180806T184032Z
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SUMMARY:Jeremih / Teyana Taylor
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri. 6/15 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJeremih \n \nWebsite\nFacebook\nTwitter \n“I can make a great sex song anytime I want\, without even saying a body part\, without saying anything that would be omitted on the radio. Somehow I’ve just been given that ability\,” Jeremih remarks matter-of-factly\, not even the hint of a mischievous grin on his face. The man knows his talent\, and his calling card. And as enviable as that talent is\, no man of Jeremih’s intelligence and versatility would be satisfied in a pigeonhole: “In no way do I feel that ‘Birthday Sex’ defines me as an artist\, or defined my first album. People are quick to make comparisons: ‘he’s the next R. Kelly\, he’s the next Dream.’ That’s flattering talk but we’re all different\, as people and as artists.” \nIndeed\, 23-year-old Jeremih Felton has planted his own flag among the glittering banner acts at Def Jam: “I feel like I’m on the best label I could be on; I’m not intimidated by anyone musically\, and I’m honored and inspired by the artists around me. There were a lot to choose from\, a lot of labels were interested in a short period of time\, but I didn’t get this far by making bad decisions. And to be blessed with L.A. Reid’s thoughts and even his critiques\, I couldn’t ask for anything more.” \nSo the stage is set for Jeremih’s sophomore album\, All About You\, dropping September 28th. The singer/ rapper/producer/multi-instrumentalist has again aligned with producer Mick Schultz to deliver eleven songs long on sophistication\, sex appeal\, and even some old soul. “Mick and I have a great chemistry; we entered the game together\, and we have albums’ worth of music\,” Jeremih imparts. “I want him to get known too; I’m not selfish like this has to be the Jeremih show. This album is a great showcase for his ability as well as my own. Once people hear this album\, others will recognize what I recognized in him and reach out for more of what we create.” \nWhat they create is a sonic palate ranging from subtle savoir-faire to unapologetic\, house-shaking climax. First single “I Like\,” featuring labelmate Ludacris and co-written by Keith James\, is pure babymaking bliss. Jeremih’s uncanny falsetto wends into Ludacris’ irresistible\, irrepressible flow\, bobbing and weaving with Schultz’s bubbly\, scaled-back rhythm. Elsewhere\, the titular track is a languid 4/4 offset by sawing high-octave synth riffs. But Jeremih’s vocals\, smacking of a young Michael\, steal the show. Rare is a falsetto this controlled\, this textured\, this evocative. Listen for it also on “Take Off\,” what Jeremih terms a relationship record told from the lesser-heard male point of view: “Guys have feelings too\, guys get hurt\, and this record expresses that. There’s a point when we feel like we’ve done enough in trying to work this out\, and now it’s best if I take off for the both of us. I can say I been there\, but I also hear this from a lot of peers. Women can relate to it too\, even if it’s not from their perspective.” \n“Down on Me” featuring 50 Cent is a supersmash in the waiting. 50 unleashes an insistent\, machine-gun flow\, while Jeremih contorts himself through some outrageous vocal acrobatics. His voice\, spiced with an island cadence\, bends and stretches about one of the nastiest hooks R&B has seen in quite some time. “Down on Me” is definitely a song to be up on. “I’ve always respected 50 and always wanted to work with him\,” Jeremih notes. “I wanted to reach out to a couple artists who could bring to the table what I know I do.”\nJeremih doesn’t lack for confidence. Nor should he. A native of the unforgiving Southside Chicago ―“a city full of talent”― streets\, Jeremih kept to a positive path\, honing his prodigious musical chops on saxophone\, drums\, and piano. He graduated high school a year early and enrolled at the University of Illinois as a prospective engineering major. Bookworm by day\, beatmaker by night. “I write off beats\,” Jeremih reveals. “I’m a producer myself\, that’s how I thought I’d initially get into the game. After a while\, I just got to writing to the beats. And at the time\, I was rapping\, not singing.” Indeed\, the U of I campus couldn’t hold Jeremih; he transferred to Columbia College\, one of Chicago’s preeminent creative schools.  \n“That’s where I met Mick Schultz and started vibing with him\,” he continues\, “And began singing over his beats\, because that’s what a lot of his stuff called for at the time. But singing and rapping both came natural; that stemmed from playing instruments growing up. Playing the piano taught me how to sing\, or at least how to sound out\, reach\, and hold notes.” \nJeremih holds notes\, and court\, on All About You. The album has a depth\, a sense of growth\, an exploratory side. “The Five Senses” is a slow\, sultry firestarter featuring Jeremih’s peerless tone. Then there’s “Broken Down\,” full of ominous piano chords and cadenced like a frozen moment in jazz or soul lore. And “Holding On\,” the subsequent track: “After being broken down\, you gotta keep holding on\,” Jeremih affirms. “It’s about trying to see the future when you’re going through something in the moment that’s getting you down. I played this for my Grandpops and a lot of older listeners and they really responded to it. I’m proud of this song and how far I’ve come as an artist.” \nJeremih has other reasons to be proud. Concurrent with his album release\, he’ll be appearing on the second season of BET’s popular series\, Rising Icons. Icons\, presented by Grey Goose vodka\, pulls back the curtains and chronicles the lives of rising stars\, both at home and on tour. Jeremih will share the spotlight with fast risers such as J. Cole\, Estelle\, Laura Izibor\, and B.O.B. Elsewhere\, he’s been honing his pen game for other ballyhooed newcomers\, including Jenna Andrews\, for whom he and Mick wrote “Tumblin’ Down\,” her debut single on Island Records. “I write what I feel\, and with the pitch of my voice\, I can write for a man or a woman\,” he states. “My voice just has the ability to do a lot of different things.” \nSpeaking of different things\, fans yearning for even more Jeremih can cop the Deluxe version of All About You\, available via iTunes and featuring several tracks not on the physical CD. Expect also a Jeremih mixtape\, on which the young star does as much spitting as singing: “I rapped a little on my last album with ‘Raindrops\,’ and people asked ‘Who was that?’ Now\, I have some new stuff that I went hard on that just didn’t fit with the theme of this album. So I’m looking forward to the mixtape to let people see that side of me. A lot of singers try to do it\, and it can either A) turn all your fans away like ‘You need to stick to singing\, fam’ or B) get you respect as being able to do both. I can put rhyme to a melody and have it accepted.” \nIt’s been a whirlwind couple years for Jeremih\, first setting the Midwest ablaze with his indy anthem “My Ride\,” following that up with the RIAA-certified platinum “Birthday Sex\,” a nomination for an American Music Award\, and now\, an imminent sophomore album. “I’ve almost traveled the world in a year\, and that’s an amazing experience. I now know what to expect this time around. When I do shows\, I perform every song off the last album. People still want to hear those songs live\, and those are from a year ago. So I’m excited to see the response to this material.” Jeremih recognizes that without his dedicated fans\, none of these amazing experiences would be possible. That is why\, on September 28th\, he would like to tell each and every one of them it’s “All About You”. \n*** \nTeyana Taylor \n \nFacebook\nTwitter \n*** \nDaniLeigh \n \nWebsite\nFacebook\nTwitter \nWhen the end of Summer hits\, the desire to rewind time kicks in\, reliving every magical moment from the season’s past. It’s a vibe that newcomer DaniLeigh has managed to encapsulate in her debut EP Summer With Friends\, coming soon. The 22-year-old singing and dancing phenomenon cut her teeth in the business when she directed a music video for her late mentor\, Prince. She enhanced her buzz with back-to-back jams “Play” (featuring Kap G) and “Lurkin’”\, and is here to continue her mission of making music that both sounds and feels good. \nThe South Florida native had music in her blood\, singing from a young age. As an early teen\, DaniLeigh recorded YouTube covers of songs like Musiq Soulchild’s “So Beautiful\,” though she wasn’t quite ready for the big time. “I was really shy\,” she admits\, “and I didn’t realize the unique sound of my voice until later on.” It wasn’t until a few years later when she moved to Los Angeles at 16 that DaniLeigh began harnessing her craft. In LA she found her footing in the music industry\, starting with dancing. “I was dancing in music videos\, commercials\, you name it\,” she recalls. “From there\, I met a lot of producers onset and just networked.” Singing became the secret weapon\, as DaniLeigh would reveal her chops and be invited to studios for recording sessions. However\, a life-changing encounter with the legendary Prince would be the real catalyst. \nAfter learning of DaniLeigh’s talents as a dancer (through a one-minute video clip)\, the Purple One reached out to have her direct his video for “Breakfast Can Wait” at just 18 years old. The video hit worldwide\, appearing on networks like MTV\, BET\, and REVOLT. Prince ultimately took DaniLeigh under his wing\, mentoring her budding singing career. His untimely death in 2016 left a void in DaniLeigh’s life\, though his presence is still felt as DaniLeigh’s star is only getting brighter. \n“Play” truly kicked things off. The high-energy single is described by DaniLeigh as an empowering anthem for women. “It’s a bold statement\,” she says of the cut\, which carries a message of “making a play” in all areas of life. “I’m a very positive person and this song I feel can help motivate people to put in that work\,” she says. Bringing Kap G (who is of Mexican descent) into the fold as a feature was her way of uniting more Latinos in music\, as DaniLeigh’s Dominican heritage is evident in both her style and sound. The single “Lurkin’” immediately followed\, as a slick nod to social those stalkers who don’t congratulate moves\, yet look on from the social media sidelines. The song even made its way to the HBO hit series Insecure. The stage is now set for DaniLeigh to show the diverse angles of her talent on a grander scale.  \nAptly titled Summer With Friends\, the upcoming EP sums up DaniLeigh’s past few months\, which she lightheartedly describes as “just having fun and working.” The relatable nature of the project brings forth the aforementioned singles\, along with feel good songs that channel the young artist’s inspirations including Aaliyah\, Missy Elliott\, and Drake while showing her ability to fuse hip-hop and R&B with poppier electronic-driven vibes. Songs like “Questions” playfully target those relationship interrogation sessions (Where were you? Who were you with?)\, while “Ex” is a self-explanatory track about the now-single artist’s previous romance. “He got one song\,” she jokes. Other cuts like the infectious “On” and “All I Know” show DaniLeigh’s versatility within the pop-urban landscape\, while “All Day” highlights her Dominican roots. “That’s a bachata beat underneath [the production]\,” she proudly points out. “The time right now is in alignment\, showing that things are going the right way.” As DaniLeigh unveils her debut Summer With Friends and the projects that follow\, she maintains her goal of positive music\, though has one wish involving one important angel by her side. “I always say I wish Prince was here to see all of this happening with me right now\,” she says. “It’s okay though. I know he’s watching.”
URL:https://royaleboston.com/event/jeremih/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/06/Jeremih-Teyana-1080x1080.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180817T220000
DTEND;TZID=America/New_York:20180817T220000
DTSTAMP:20260405T050933
CREATED:20180712T150002Z
LAST-MODIFIED:20180712T150002Z
UID:10001943-1534543200-1534543200@royaleboston.com
SUMMARY:Eptic: ANTI-HUMAN North American Tour
DESCRIPTION:21+
URL:https://royaleboston.com/event/eptic-anti-human-north-american-tour/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180818T220000
DTEND;TZID=America/New_York:20180818T220000
DTSTAMP:20260405T050933
CREATED:20180727T140017Z
LAST-MODIFIED:20180802T130123Z
UID:10002668-1534629600-1534629600@royaleboston.com
SUMMARY:Endless Summer ft. Dj Tao
DESCRIPTION:21+
URL:https://royaleboston.com/event/endless-summer-ft-dj-tao/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180820T140337
DTEND;TZID=America/New_York:20180820T140337
DTSTAMP:20260405T050933
CREATED:20170526T163616Z
LAST-MODIFIED:20170526T163616Z
UID:10002512-1534773817-1534773817@royaleboston.com
SUMMARY:#WCKDsaturdays Breeazy vs NRG
DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No sneakers\, shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/wckdsaturdays-breeazy-vs-nrg/
LOCATION:MA
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/05/63-Breeazy-VS-NRG.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180820T140337
DTEND;TZID=America/New_York:20180820T140337
DTSTAMP:20260405T050933
CREATED:20170720T174813Z
LAST-MODIFIED:20170720T174813Z
UID:10001825-1534773817-1534773817@royaleboston.com
SUMMARY:Sofa King Fridays w/ San Holo
DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/sofa-king-fridays-w-san-holo/
LOCATION:MA
CATEGORIES:Nightclub
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180823T190000
DTEND;TZID=America/New_York:20180823T190000
DTSTAMP:20260405T050933
CREATED:20180529T160045Z
LAST-MODIFIED:20180529T160045Z
UID:10001925-1535050800-1535050800@royaleboston.com
SUMMARY:Belly
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri. 6/1 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nBelly \n \nWebsite\nFacebook\nTwitter \nAfter amicably exiting Throwing Muses and The Breeders\, Tanya Donelly formed Belly in 1991 with brothers Tom and Chris Gorman\, and were joined soon after by Gail Greenwood on bass. Belly released two albums ~ the first being Star\, which earned the band two Grammy nominations and eventually sold two million copies worldwide ~ and the second album being King\, which was produced by the legendary Glyn Johns and released in February 1995. After several extensive world-wide tours (including opening slots for REM\, U2\, and the Velvet Underground\, and tours with Radiohead\, Catherine Wheel\, and the Cranberries)\, Belly unfortunately fell prey to the all-too-common rock-and-roll cliché of industry pressure\, financial issues\, personal conflict and divergent creative ambitions. The band played its last show on Nov. 11\, 1995. Tanya went on to release five albums under her own name. Gail spent three years playing in L7\, then two years with Bif Naked\, and continues to play guitar in Benny Sizzler\, her band with her partner Chil. Chris and Tom opened a commercial and fine-art photography studio in New York City. In 2015\, Chris published his first children’s book\, Indi Surfs. Tom briefly played guitar and keyboards with both Buffalo Tom and Kristin Hersh. \nIn late 2015\, twenty years after last playing together\, the band decided it was ‘now or never’ and announced Belly would reunite for a limited tour in 2016. Falling right back into a laughter-fueled groove as they began rehearsing for the tour\, they decided to write a few new songs together. At the end of that joyful and successful tour\, they decided to expand on the idea and write a full album’s worth of music together and are now in the process of recording the new album with their old friend Paul Q. Kolderie at the board. Belly have partnered with Pledge Music\, and the album (not yet named) can be pre-ordered on vinyl\, CD\, or as a digital download\, or as part of a variety of “bundles” and exclusive limited-edition goodies. All advance orders through Pledge include member-only access to updates\, peeks into the studio\, and a soon to be released digital download of the band’s cover of “Hush-a-Bye Mountain\,” recorded just for fun while in the studio.
URL:https://royaleboston.com/event/belly-3/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180824T220000
DTEND;TZID=America/New_York:20180824T220000
DTSTAMP:20260405T050933
CREATED:20180620T150038Z
LAST-MODIFIED:20180620T150038Z
UID:10002656-1535148000-1535148000@royaleboston.com
SUMMARY:Sofa King Fridays ft. Kaeno & Standerwick
DESCRIPTION:21+
URL:https://royaleboston.com/event/sofa-king-fridays-ft-kaeno-standerwick/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180825T220000
DTEND;TZID=America/New_York:20180825T220000
DTSTAMP:20260405T050933
CREATED:20180727T140025Z
LAST-MODIFIED:20180727T175718Z
UID:10002669-1535234400-1535234400@royaleboston.com
SUMMARY:Where The Wild Things Rage ft. The Deadbeatz
DESCRIPTION:21+
URL:https://royaleboston.com/event/where-the-wild-things-rage-ft-the-deadbeatz/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180831T220000
DTEND;TZID=America/New_York:20180831T220000
DTSTAMP:20260405T050933
CREATED:20180816T120055Z
LAST-MODIFIED:20180816T150810Z
UID:10001961-1535752800-1535752800@royaleboston.com
SUMMARY:BROHUG
DESCRIPTION:21+
URL:https://royaleboston.com/event/brohug/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180901T160000
DTEND;TZID=America/New_York:20180901T220000
DTSTAMP:20260405T050933
CREATED:20180724T154549Z
LAST-MODIFIED:20180730T191353Z
UID:10002664-1535817600-1535839200@royaleboston.com
SUMMARY:Red Bull BC One Cypher Boston
DESCRIPTION:All Ages!
URL:https://royaleboston.com/event/red-bull-bc-one-cypher-boston/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180901T220000
DTEND;TZID=America/New_York:20180901T220000
DTSTAMP:20260405T050933
CREATED:20180820T155753Z
LAST-MODIFIED:20180820T155753Z
UID:10001963-1535839200-1535839200@royaleboston.com
SUMMARY:Labor Day Saturday White Party
DESCRIPTION:21+
URL:https://royaleboston.com/event/labor-day-saturday-white-party/
LOCATION:MA
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180902T220000
DTEND;TZID=America/New_York:20180902T220000
DTSTAMP:20260405T050933
CREATED:20180815T211218Z
LAST-MODIFIED:20180815T211218Z
UID:10001960-1535925600-1535925600@royaleboston.com
SUMMARY:Chris Harris & Rafael Sanchez Present: White Party
DESCRIPTION:21+
URL:https://royaleboston.com/event/chris-harris-rafael-sanchez-present-white-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180907T180000
DTEND;TZID=America/New_York:20180907T213000
DTSTAMP:20260405T050933
CREATED:20180417T160054Z
LAST-MODIFIED:20180906T215311Z
UID:10001914-1536343200-1536355800@royaleboston.com
SUMMARY:The Jesus Lizard
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 6:45 pm \nTickets on sale Fri. 4/20 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nThe Jesus Lizard \n \nWebsite\nFacebook\nTwitter \nFollowing an instantly sold-out handful of US shows this past winter\, the Jesus Lizard have confirmed eight more dates.  Kicking off September 6 at Washington\, DC’s Black Cat the itinerary also takes the legendary band to Boston\, Philadelphia\,  Detroit\, Austin\, Atlanta\, Seattle and Portland.  Prior to this past December\, the band had not played live together since 2009 and these new shows represent the only new appearances planned.  \nTickets for all shows are on-sale Friday\, April 20 at 10am local time.    \n2017’s tour reminded all that saw the Jesus Lizard that their live show is unparalleled.  Brooklyn Vegan noted\, “…it would be hard to say The Jesus Lizard have mellowed in the 30 years since forming” and reviewing Houston’s Day For Night Festival\, the Houston Press declared\, “it was hard to deny that the Jesus Lizard was the best act on Sunday\, hands down.”  Stereogum have called them “one of the greatest live bands ever” and The New York Times has used the words “extravagantly good” while Rolling Stone speaks of the band’s “shattering live performances.”   \nThe Jesus Lizard formed in late 80’s Austin\, TX after David Yow (vox) and David Wm. Sims’ (bass) previous band Scratch Acid broke up.  They started the Jesus Lizard with Duane Denison (guitar) and a drum machine and recorded their debut EP Pure with Steve Albini in 1989.  A move to Chicago prompted the firing of the drum machine in favor of Mac McNeilly (drums) and in 1990 the band recorded their first full-length\, Head\, for Touch and Go.   \nWhile the labels “seminal” and “legendary” are often applied too easily\, they both accurately describe the Jesus Lizard.  They released five more remarkable LPs before disbanding in 1999\, the last being 1998’s Blue. During that time\, they toured endlessly and issued not only the critically acclaimed studio LPs but also assorted singles\, EPs\, compilations and a live album.  Pitchfork has said of them: “the Jesus Lizard raised a bar that few bands have reached since…Rarely does a band have each member adding something essential to such a united\, ferocious whole.”   \n*** \nAll Souls \n \nWebsite\nFacebook\nTwitter \nLife’s paths twist and turn\, but we always eventually end up where we’re meant to be. \nIn that respect\, the story of All Souls feels pre-destined. Way back in 1994\, Tony Tornay [Fatso Jetson\, The Desert Sessions\, Linda Perry] first met Tony Aguilar and Meg Castellanos [Totimoshi\, Alma Sangre] by introduction from Erik Trammel [Black Elk\, Wadsworth]. They kept in touch and always bandied the idea of “writing and jamming” about. \nIt took 21 years\, but a band finally became a reality in 2015 when these four artists sat around a table and discussed officially working together… \n“One of the things that we did in this band that I’ve never done before is have that discussion\,” recalls Aguilar. “Meg and I had always wanted to play with Tony as did Erik. It finally fell into place. Once we figured out what the lineup was going to be\, we sat around and discussed what we wanted to sound like artistically before even jamming. It gave us a really great grasp on the artistic angle. It was almost like forming the painting before it was brought to life.” \n“This is the culmination of thirty years as a professional musician\,” adds Tornay. “It’s everything I’ve wanted for as long as I can remember. When we get together\, it feels like home. This embodies every reason why I do what I do.” \nThroughout 2016\, the quartet—Aguilar [vocals\, guitar]\, Castellanos [bass\, vocals]\, Trammell [guitar]\, and Tornay [drums]—recorded what would become their self-titled full-length debut\, All Souls\, during intermittent sessions at Sound of Sirens Studio in Los Angeles with producer Toshi Kasai [Tool\, The Melvins\, Foo Fighters]. \nFor Aguilar and Castellanos\, the music spoke to a dormant primal need that harked back to their time in the fan favorite underground mainstay Totimoshi. \n“At the time\, we had been doing Alma Sangre\, which was our take on flamenco meshed with Ranchero\,” says Aguilar. “We’re rockers at heart though\, and we had been wanting to be in another rock band. It also reunited us with Toshi who did three of our Totimoshi records. He has his own approach. It’s almost like you enter into a different world with his production. Each song becomes like a journey\, and nobody curtailed that. We were all on the same page.” \nFollowing tours with the likes of Red Fang\, The Sword\, Kvelertak\, and Torche\, the band unleash All Souls in 2018 via Sunyata—the label founded by iconic Screaming Trees and Mad Season drummer Barrett Martin. Earmarked by Spaghetti Western-style expanse and rough-and-tumble riffing\, the music proudly bears the wild wear-and-tear of the nineties Palm Desert scene with a twist of psychedelic voodoo and metallic edge. \nIntroducing the album\, the first single “Never Know” barrels forward at full speed powered by gusty distortion and a psychedelically catchy refrain. \n“Lyrically\, I want to keep it a little mysterious\,” Aguilar reveals. “It’s about people in our society who feel like they own the world\, act accordingly\, and behave in ways that are completely derelict of social responsibility. They’ll never know love or understand that responsibility. They’ll never know anything.” \nElsewhere\, “Party Night” dements a surf rock-style gallop with punchy delivery and overcast production. The melancholy melodies of the seven-minute “Rename The Room” paint a stark picture of bipolar mood swings and abuse inspired by a dark day in Aguilar’s childhood home. Tool drummer Danny Carey kicks off the entrancing “Sadist/Servant” with a spirited cameo on Tabla Drums\, providing a tribal flare. \n“‘Sadist/Servant’ one never gets boring\,” smiles Tornay. “It’s always in your face and never falls back in the pocket. Danny killed it. He’s playing this really aggressive instrument on the quietest part of the song!” \nIn the end\, these four musicians were always meant for this band. That’s why All Souls is so easy to get lost in. \n“When you hear this\, I hope you have that experience where you’re just completely inside the music\,” Aguilar leaves off. “You can just fall into it.”
URL:https://royaleboston.com/event/the-jesus-lizard/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180907T220000
DTEND;TZID=America/New_York:20180907T220000
DTSTAMP:20260405T050933
CREATED:20180628T170018Z
LAST-MODIFIED:20180726T154022Z
UID:10001940-1536357600-1536357600@royaleboston.com
SUMMARY:Sofa King Fridays ft. Claude VonStroke
DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/sofa-king-fridays-ft-claude-vonstroke/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180908T220000
DTEND;TZID=America/New_York:20180908T220000
DTSTAMP:20260405T050933
CREATED:20180820T160123Z
LAST-MODIFIED:20180822T202545Z
UID:10001964-1536444000-1536444000@royaleboston.com
SUMMARY:Royale Saturday ‘Back To School’
DESCRIPTION:21+
URL:https://royaleboston.com/event/royale-saturday-back-to-school/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180913T190000
DTEND;TZID=America/New_York:20180913T190000
DTSTAMP:20260405T050933
CREATED:20180424T140045Z
LAST-MODIFIED:20180424T140045Z
UID:10002629-1536865200-1536865200@royaleboston.com
SUMMARY:[SOLD OUT] Car Seat Headrest
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nSOLD OUT! \nPlease note: this show is open to all ages. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nCar Seat Headrest \n \nWebsite\nFacebook\nTwitter \nToledo always knew he would return to Twin Fantasy. He never did complete the work. Not really. Never could square his grand ambitions against his mechanical limitations. Listen to his first attempt\, recorded at nineteen on a cheap laptop\, and you’ll hear what Brian Eno fondly calls “the sound of failure” – thrilling\, extraordinary\, and singularly compelling failure. Will’s first love\, rendered in the vivid teenage viscera of stolen gin\, bruised shins\, and weird sex\, was an event too momentous for the medium assigned to record it. \nEven so\, even awkward and amateurish\, Twin Fantasy is deeply\, truly adored. Legions of reverent listeners carve rituals out of it: sobbing over “Famous Prophets\,” making out to ‘Cute Thing’\, dancing their asses off as ‘Bodys’ climbs higher\, higher. The distortion hardly matters. You can hear him just fine. You can hear everything. And you can feel everything: his hope\, his despair\, his wild overjoy. He’s trusting you – plural you\, thousands of you – with the things he can’t say out loud. ” I pretended I was drunk when I came out to my friends\,” he sings – and then\, caught between truths\, backtracks: ” I never came out to my friends. We were all on Skype\, and I laughed and changed the subject.” \nYou might be imagining an extended diary entry\, an angsty transmission from a bygone LiveJournal set to power chords and cranked to eleven. You would be wrong. Twin Fantasy is not a monologue. Twin Fantasy is a conversation. You know\, he sings\, that I’m mostly singing about you. This is Will’s greatest strength as a songwriter: he spins his own story\, but he’s always telling yours\, too. Between nods to local details – Harper’s Ferry\, The Yellow Wallpaper\, the Monopoly board collecting dust in his back seat – he leaves room for the fragile stuff of your own life\, your own loves. From the very beginning\, alone in his bedroom\, in his last weeks of high school\, he knew he was writing anthems. Someday\, he hoped\, you and I might sing these words back to him. \n“It was never a finished work\,” Toledo says\, “and it wasn’t until last year that I figured out how to finish it.” He has\, now\, the benefit of a bigger budget\, a full band in fine form\, and endless time to tinker. According to him\, it took eight months of mixing just to get the drums right. But this is no shallow second take\, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound. \nIt’s been hard\, stepping into the shoes of his teenage self\, walking back to painful places. There are lyrics he wouldn’t write again\, an especially sad song he regards as an albatross. But even as he carries the weight of that younger\, wounded Toledo\, he moves forward. He grows. He revises\, gently\, the songs we love so much. In the album’s final moments\, in those ” apologies to future me’s and you’s\,” there is more forgiveness than fury. \nThis\, Toledo says\, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy. \nHe’s not alone no more. \n*** \nNaked Giants \n \nWebsite\nFacebook\nTwitter \n‘SLUFF’ is a word that means both everything and nothing\, but it definitely sums up the three distinct personalities that make up Naked Giants. Depending which member you ask\, SLUFF is either slang for the black gunk that comes off your shoes when it snows in the winter\, an acronym that stands for South Lake Union Fuck Face (a reference to the tech bros who have infiltrated Seattle in recent years) or what a snake does when it sheds its skin. It’s also the title – and a song on – the band’s debut full-length. \nFormed in 2015\, the Seattle trio – guitarist/vocalist Grant Mullen\, bassist/vocalist Gianni Aiello and drummer Henry LaVallee – put out debut EP R.I.P. the following year and have been steadily building up their reputation as a live act in the meantime\, and having as much fun as possible while doing it. Because as much as the three-piece – who are all in their very early 20s now – have their heads screwed on and are fiercely intelligent people\, they also want to let loose and enjoy being in a band. After all\, that’s kind of what being in a band with your closest friends is all about. \n“I just want to make as much noise and have as much fun and get as sweaty as I can\,” says LaVallee\, “and if that resonates with people\, that’s who I want in my life. That’s who I want to play music for.” \nThat clash of the cerebral and the intelligent – the desire to say something meaningful but also just have some fun – is what underpins the very essence of who Naked Giants is. It’s a band of contradictions. Their music\, which is simultaneously timeless and modern\, new and old\, is loud and brash and raw\, but there’s vulnerability there\, too. In fact\, debut album SLUFF is a melting pot of ideas and sounds that\, on paper\, don’t seem like they would go together\, but which form one phenomenally cohesive whole. \n“These are songs that we’ve played live for a long time\,” explains Mullen. “We wanted to showcase the different kinds of songs we’ve written and put them all onto an album that flows together\, making it tie together into something that means something.” \nThat’s exactly what they do on SLUFF’s twelve weird and wonderful songs. Recorded with producer Steve Fisk (Nirvana/Screaming Trees/Beat Happening/Car Seat Headrest/Low/Minus The Bear) in Seattle at Avast! and Soundhouse Studios over the course of two and a half weeks in October\, the record is a dizzying mélange of influences and ideas. It swirls with hyperactive restlessness as 1960s harmonies share space with 1970s riffs while at the same time battling an undercurrent of punk rock and more modern indie influences. The song “TV”\, for example\, is a kaleidoscope of sound that seems to take in the whole history of rock’n’roll but reframes it in a more contemporary context. \n“From our perspective as millennials where everything is accessible all at once\,” explains Aiello\, “there is no difference to us between punk and classic rock or anything like that because we’re all observing it at the same time through the same lens. And yes\, history exists\, but if you’re just flipping through something on the TV\, it all kind of conflates together – kind of like the song does.” \nNeedless to say\, that song simmers with tension\, and it’s not the only one. “Everybody Thinks They Know (But No One Really Knows)” is a jaunty\, upbeat jangle but with distinctly sinister undertones\, “Slow Dance II” is a sumptuous\, soulful track with a desperate\, raw and bluesy swagger. “Dat Boi” is a rash of brash guitars that’s soon swept by an off-kilter\, psychedelic melody while closer “Shredded Again” is a graceful\, lackadaisical comedown after the rush of energy that precedes it. Raucous and rabid\, but also considered and complex\, Naked Giants’ music is the sum of all their influences and then some. And then some more. \n“What’s really interesting to me\,” ponders Aiello\, “is we have very different influences\, so when we’re jamming it’s like it’s being pulled apart and pushed together in so many different directions. And I think that’s a good thing.” \nThen\, of course\, there’s the quasi-grunge title track\, which chugs along with an ominous yet uplifting attitude as its title is shouted with a fervent zeal – “SLUFF!” – and which carries with it both the weight of the world and the reckless abandon of youth. \nSo while Naked Giants are happy to play the role of the dumb\, hedonistic rock band\, don’t be fooled for a second – they’re one of the brightest\, smartest acts out there at the moment. And this is also just the beginning of what they’re already planning to be a long and rewarding career. Even at this early stage\, they’re taking it as seriously as they are just having a good time. They have a lot to say and they’re not afraid to say it\, but they also relish in what making music has\, even already\, given back to them. \n“Performing on a stage has been very purpose-giving\,” says LaVallee. “Being in a group of people all experiencing music together brings a strong sense of community\, which excites me. Hopefully going forward we’ll be playing to more and more people. I want us to spread respect and fun rock’n’roll music to a whole lot of people. That just seems like a good deal all around.” \n“We’re just here to play music\,” says Mullen\, “so the more it goes well the more we’ll be thinking about our own art and our own voices. And that’s really the progression of it – personal growth and artistic growth. And whatever people think of that on a greater scale when it reaches them is all kind of up to them.” \n“Not everyone gets to go onstage and have a microphone in front of their mouth\,” says Aiello\, “so that’s a certain amount of responsibility. If you’re given the responsibility of having a microphone then you better say something pretty important. The pressure is to learn and listen to as much as we can so we can say the right thing and hopefully impact people.”
URL:https://royaleboston.com/event/car-seat-headrest/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:Royale Saturdays 'Fall Fest'
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SUMMARY:Sofa King Fridays Ft. Juicy M
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