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DTSTART;TZID=America/New_York:20160313T190000
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DTSTAMP:20260418T152136
CREATED:20160112T140010Z
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SUMMARY:Kyle Kinane
DESCRIPTION:Doors: 7:00 pm / Show: 8:00 pm \nThis event is 18+. \nThis is a partially seated show and seats are available on a first-come\, first-serve basis.  \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nKyle’s new special “I Liked His Old Stuff Better” debuted on Comedy Central in January\, 2015. He’s appeared on @Midnight\, Conan\, Workaholics\, Those Who Can’t and Comedy Bang! Bang! He can be heard as the voice of Comedy Central and in various animated programs such as\, Regular Show\, Aqua Teen Hunger Force\, Bob’s Burgers\, TripTank\, Adventure Time\, and Lucas Bros. Moving Co.. His first one hour special\, Whiskey Icarus\, aired on Comedy Central in 2012.
URL:https://royaleboston.com/event/kyle-kinane/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20160312T220000
DTEND;TZID=America/New_York:20160312T220000
DTSTAMP:20260418T152136
CREATED:20160308T205138Z
LAST-MODIFIED:20160308T205138Z
UID:10002272-1457820000-1457820000@royaleboston.com
SUMMARY:ALL THAT GLITTERS
DESCRIPTION:21+ \nManagement reserves the right to refuse admission.
URL:https://royaleboston.com/event/9344/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20160312T180000
DTEND;TZID=America/New_York:20160312T180000
DTSTAMP:20260418T152136
CREATED:20151124T161338Z
LAST-MODIFIED:20151124T161338Z
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SUMMARY:Rachel Platten [SOLD OUT]
DESCRIPTION:Doors: 6:00pm / Show: 6:30pm \nThis show is SOLD OUT. \nThis event is open to all ages. \n*** \nGrowing up in Boston\, Rachel Platten recalls harmonizing with her family to finely crafted pop songs – from Sam Cooke to The Beatles – that dominated her parents’ vinyl collection. As a teenager\, Rachel gravitated towards\, and began to become affected by\, hip-hop and female singer-songwriters. “My CD collection was Tori Amos and Patti Griffin but then A Tribe Called Quest and Nas.” The commonality between the two seemingly different genres: confessional and vulnerable songwriting.  \nAs a kid\, Rachel dreamt about music as a career but never really thought it could happen in real life. “I grew up playing classical piano and I knew I could sing but I had no model to follow creatively. The idea of growing up to be an artist seemed impossible.” However\, the electricity she felt on stage while studying abroad in college\, performing in front of 80\,000 at the International Soca Monarch Finals in Trinidad\, inspired Rachel to start chasing what she once thought was an impossible dream.  \nAfter finishing college\, Rachel immediately set out for New York City where she took up residence in the very apartment building on MacDougal Street in Greenwich Village where Bob Dylan once lived. Naturally\, she found a band on Craigslist and started performing in clubs around the city. Those years consisted of paying dues through a mix of temping during the day and getting fired a lot\, gigging until 4am\, and lugging an 80-pound keyboard to her fifth floor walk-up night after night. Despite the struggle and the setbacks\, Rachel loved being on stage\, even if at times nobody was listening.  \n“I felt crazy sometimes that I still believed in myself when there were no signs that I should.” During this time\, a conversation with her soon to be manager\, Ben Singer\, helped reignite her passion. “Ben helped me realize that I had to start my own fire and my songs would be the sparks.”  \nRachel would find her first big spark with “Fight Song\,” which took two years for the singer/songwriter to complete. She turned inward by telling her own story through the song. Turns out it was just the message people needed. “The reactions were honest\, and intense. People have been sending me the most beautiful stories of how they refuse to give up\,” she recalls. “Fight Song” is without a doubt the life-changing inspirational song of 2015\, topping iTunes and radio charts\, and selling more than 2 million downloads in the U.S. alone.  \nThe fire that “Fight Song” ignited has connected not only with music fans but also Columbia Records. Now planning her major label debut in early 2016\, Rachel is touring the world\, performing on countless television shows and being played on radio stations coast to coast. Rachel just recently premiered the beautifully uplifting music video for her newest single “Stand By You\,” another emotionally empowering anthem from the songstress. But ask Rachel what she wants people to take away from her music and she says\, “I’m in love with the idea of connecting people. Bringing people together is to me\, the most important thing we can do in this life. I feel like that’s my mission with my music. I think that’s why I’m getting this chance right now.”
URL:https://royaleboston.com/event/rachel-platten/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160311T220000
DTEND;TZID=America/New_York:20160311T220000
DTSTAMP:20260418T152136
CREATED:20160204T220053Z
LAST-MODIFIED:20160204T220053Z
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SUMMARY:INGROSSO
DESCRIPTION:21+ \n*Management has the right to refuse entry / No refunds of any kind all sales are final.
URL:https://royaleboston.com/event/ingrosso/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20160311T180000
DTEND;TZID=America/New_York:20160311T180000
DTSTAMP:20260418T152136
CREATED:20151211T162254Z
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SUMMARY:Brian Fallon & the Crowes
DESCRIPTION:Doors: 6:00pm \nTickets on sale Thu. 12/17 at 12pm \nThis event is 18+. \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n***\nBrian Fallon \n[Website] [Facebook] [Twitter] \n“This one is different\,” says Brian Fallon. “This one is mine.” \nBursting at its seams with huge hooks\, big choruses\, and enormous heart\, PAINKILLERS marks the first solo album from Brian Fallon\, known far and wide as singer/guitarist of the Gaslight Anthem\, as well as such acclaimed outfits as The Horrible Crowes and Molly & The Zombies. Produced by studio superstar Butch Walker (Taylor Swift\, Frank Turner\, Keith Urban)\, richly textured songs like “Long Drives” and the addictive title track encompass the great rush and flow of American music\, fusing sonic hits of heartland country and folk with hardcore punk energy and classic rock ‘n’ roll swagger. PAINKILLERS once again affirms the NJ-based rocker’s elemental gifts as a songwriter and storyteller\, booming with insistent imagery\, narrative craft\, and the extraordinary emotional acuity that has informed his music since the very start. \n“I’ve had this sound kicking around in my head for so long\,” says Fallon\, “but it took maturity to get it out.” \nFallon decided to begin work on PAINKILLERS immediately following the announcement of The Gaslight Anthem’s indefinite hiatus. Though his prior extracurricular projects were made under alternate band monikers\, a dear friend suggested that this time perhaps he might think otherwise. \n“She said I was limiting myself\,” Fallon says. “’If you make a Horrible Crowes record\, then you’ve got to make Horrible Crowes music. You have to float within those guidelines. But if you use your own name you can make any record\, you can change throughout your career\, work with different musicians\, be whatever you want to be and then wrap it all together.’ That’s one of the best pieces of advice I’ve ever gotten.” \nSolo or otherwise\, Fallon knew he couldn’t make his record all alone. He considered a number of potential collaborators but again and again\, Butch Walker’s name kept coming up as an ideal match. A meeting was arranged and the two musicians hit it off from the jump\, tracking four demos in three days\, including fleshed out versions of “Painkillers” and “Nobody Wins.” \n“It was just like fast friends\,” Fallon says. “All the sounds fell into place. There wasn’t any searching – it was all right there. We had a blueprint from the records we grew up on.” \nFallon set to work in September\, spending three weeks at Nashville’s Taxidermy Studios backed by a crack outfit featuring Walker\, Molly & The Zombies bassist Catherine Popper (Jack White\, Ryan Adams & The Cardinals\, Willie Nelson)\, and drummer Mark Stepro (Hayes Carll\, Ben Kweller\, Jackson Browne). Freed from any brand\, Fallon felt\nmore comfortable and confident than ever before\, unrestrained and able to fully articulate himself in the studio. \n“I felt like I was doing exactly what I should be doing\, at exactly the moment I should be doing it\,” he says. “There was a very nice feeling\, like\, you’ve been working towards this record your whole career and here you are getting to do it.” \nFallon had spent much of the past decade pushing himself in different directions\, challenging himself as a songwriter by trying on various guises and techniques. This being his solo debut\, he decided to return to his initial path\, cutting through the craft to simply write “couch songs” on his trusty acoustic guitar. \n“I’d been trying different things for the past few years now\,” Fallon says\, “but there’s a path that I started on. I thought\, let me go back to the very basics of where I started writing songs and maybe see if I’ve gotten any better. I know I haven’t mastered the craft but now that I’ve learned a bit\, let me see what I can pull out now.” \nInspiration came\, as it often does\, from Fallon’s lifelong canon\, specifically BORN IN THE USA and FULL MOON FEVER\, milestone rock records unafraid to work as mass appeal pop statements. Classic sounds abound throughout PAINKILLERS\, from the ringing Rickenbackers that drive “Among Other Foolish Things” to the shingled backing vocals that give lift and spirit to each of the album’s dozen songs. “A Wonderful Life” is perhaps Fallon’s greatest anthem thus far\, a righteous slice of 60s-fueled dance party rock ‘n’ roll brought full stop into the new century. \n“It’s got all the bits\,” Fallon says\, “the riff\, the whoa-whoa-whoas\, the chorus\, the whole thing. It’s simple but we just knew right away that that one was something else.” \nOther high spots include “Red Lights” and the intensely orchestrated “Long Drives\,” both originally written and demoed by the country rock-inspired Molly & The Zombies but never properly recorded. Walker helped Fallon retrofit the Molly tunes by “straightening out the beat\,” bringing them in from the front porch and placing them square on the boardwalk where they belong. \n“I didn’t want to make a country record\,” Fallon says. “I’m from New Jersey\, not Nashville. But I thought those songs were too good to throw away.” \nFallon’s garrulous lyricism – as ever\, ribboned with spot on setting\, telling character study\, and cultural references spanning “Famous Blue Raincoat” to DC post-hardcore heroes Rites of Spring – is more than matched here by his musical ambition\, for the first time truly weaving his wide-ranging tastes into a distinctive and dramatic unified whole. Remarkably\, PAINKILLERS was recorded with but one amp\, the very same Tone King Imperial 20th Anniversary Edition Fallon used to record his initial demos. \n“This thing does everything\,” Fallon says. “Sounds like the Byrds when you plug in the 12-string\, it rocks when you plug the Les Paul in\, it does country\, everything. I showed it to Butch and he was like\, alright\, cool\, we’ll use your amp. He plugs into it\, we recorded all the guitars for one song on it\, he goes\, wow\, that amp’s pretty good. Let’s use it tomorrow. And that’s what we did. At the end of the session\, Butch said to me\, I don’t think I turned on another amp this whole time. It was awesome!” \nFallon – with Tone King Imperial in tow – plans to spend much of 2016 on the road\, accompanied by a stellar combo comprised of The Gaslight Anthem guitarist Alex Rosamilia\, The Horrible Crowes’ Ian Perkins\, and the aforementioned Catherine Popper. With PAINKILLERS largely crafted in the studio\, transitioning its songs to the stage offers yet another happy challenge. \n“You just do it when you’re making a record\,” Fallon says. “Then to play it live you kind of have to pull it all apart and put it back together again. So the songs take on a whole new life\, which is the benefit of going to see a band live.” \nThe Gaslight Anthem will return\, avows Fallon\, but for the time being his focus is firmly locked on the present moment. For him\, PAINKILLERS marks neither an end nor even a beginning – where he’s at now is all that matters. \n“Pseudo-philosophically\,” Brian Fallon says\, “you really only have what’s in front of you today. That’s kind of where my head’s at with this. I’m doing this now\, I’ve always wanted to do it\, let’s see where it goes. And that’s kind of it.” \n*** \nAustin Plaine \n[Website] [Facebook] [Twitter] \n*** \nJared Hart \n[Soundcloud] [Twitter]
URL:https://royaleboston.com/event/brian-fallon-the-crowes/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20160305T100000
DTEND;TZID=America/New_York:20160305T220000
DTSTAMP:20260418T152136
CREATED:20160301T194050Z
LAST-MODIFIED:20160301T194050Z
UID:10002245-1457172000-1457215200@royaleboston.com
SUMMARY:Liz Ladoux
DESCRIPTION:21+ \nManagement reserves the right to refuse admission.
URL:https://royaleboston.com/event/liz-ladoux/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20160304T220000
DTEND;TZID=America/New_York:20160304T220000
DTSTAMP:20260418T152136
CREATED:20151201T205007Z
LAST-MODIFIED:20151201T205007Z
UID:10001606-1457128800-1457128800@royaleboston.com
SUMMARY:MICHAEL WOODS
DESCRIPTION:21+ \nMANAGEMENT RESERVES THE RIGHT TO REFUSE ENTRY. ADMISSION NOT GUARANTEED AFTER 12AM
URL:https://royaleboston.com/event/michael-woods/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20160302T220000
DTEND;TZID=America/New_York:20160302T220000
DTSTAMP:20260418T152136
CREATED:20151216T185759Z
LAST-MODIFIED:20151216T185759Z
UID:10002120-1456956000-1456956000@royaleboston.com
SUMMARY:HARDWELL
DESCRIPTION:21+
URL:https://royaleboston.com/event/hardwell/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Nightclub
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DTSTART;TZID=America/New_York:20160301T200000
DTEND;TZID=America/New_York:20160301T200000
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CREATED:20151111T165802Z
LAST-MODIFIED:20151111T165802Z
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SUMMARY:[SOLD OUT] Ty Segall & The Muggers
DESCRIPTION:[FACEBOOK EVENT] \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n***\nTy Segall & The Muggers \n \n[WEBSITE] [FACEBOOK] [TWITTER] \nTHE SEGALL HAS LANDED. And it’s fully loaded with everything that Ty Segall (and you and me) are gonna need in the world to come. Sticking his hand deeper into the machines all around him\, Ty is reaching ever further to the outer limits of inner space orbited throughout Twins and Sleeper. And now more than ever\, the chunks of the world that came before are like asteroids formed in his image\, picking up speed. Still fighting the power with all the energy that a determined mind-patriot can conjure\, Ty’s a fighter who loves\, a surfer\, a spaceman\, and yeah\, a casualty – like you\, he’ll never be free. But unlike you\, he knows it – and when he goes down and his head cracks in two\, out pour the multi-colored manias that make up Manipulator. Sour-sweet declarations featuring freaks and creeps alike: “The Singer\,” “The Faker\,” “Mister Main\,” “Susie Thumb\,” the “Connection Man\,” and “The Crawler\,” to name but a mutant fistful. \nTo see these peeps\, to realize their dreams and visions\, Ty kept working\, kept writing\, laying down more tracks than ever. New musical expressions pop and surprise relentlessly throughout all the knockout tunes of Manipulator which feature Ty’s helium-cooled vocals\, sounding more powerful and dynamic than ever\, and many sounds in the mix\, but most of all\, SO many guitars! Strangled-neck solos recalling the good old days down by the river with Neil\, numbed-and-unplugged discursions\, three-quarter quartets raising their din in a few key places\, waves of sparkling acoustics with ominous\, Love-ly undertones – and then\, torrents of filthy git-grunge\, exploding into the chorus\, washing everything away\, fusing the blackness of Sabbath with the grime and grab-ass of the Stooges and the sweet swinging tones of the Stones. All in the name of getting higher on the music. Why have one guitar solo when you can have a few in the same space? There’s so little time\, and a LOT to say. \n***\nCFM \n \nUp a dead end street just before you twist and turn your way up to Los Angeles’ majestic Mount Washington is a house of stairs and weeds and strays of all kinds. A large iguana remains perma-frozen in time on a brick wall\, guarding a small iron door. Sparse and small\, a place where time doesn’t matter and solitude is king. \nCharles Francis Moothart II went mostly unseen for a month or two. A prisoner of time in a dimension of sorrow and confusion\, Moothart was hitting a personal crossroads and nursing a brief and impermanent break up with his long time girlfriend/band mate by retreating\, putting the pain from his head into his tape machine\, stepping away from struggling for the answers in order to sit with them and pull from them. Greasing the pain to form relief. The only medicine was to challenge himself and sand down enough to break through the fear of failure. To see it all through to the end and find out what stood as truth. \nNow\, after the fog has lifted\, upon returning\, Moothart is sharing the souvenir of his travels to another dimension\, a postcard from a dream in which time stood still\, the girl got away and the wolf-man-glass-in-hand risked it all for the sea change. \nStill Life is unlike any other record Moothart has recorded; the songs came quickly\, were recorded as experiments and he went through the process alone. Previously Moothart’s bands have been collaborations from all sides\, from his high school hardcore punk quartet Culture Kids with CFM band mate Michael Anderson to the toughest pop band in Southern California\, Moonhearts\, to the fleeting garage rock band the Perverts with long time friend and collaborator Ty Segall. The monolithic super group Fuzz was the product of Charles’ master riffs marrying Segall’s songwriting prowess and unparalleled rhythmic style. A perfect meeting of minds of two musicians in their prime. Two friends with egos so intertwined in the midst of a five year touring spell in Segall’s band as his secret weapon\, heard but not seen\, hidden in tangles\, the two became a tangled force themselves. \nSometimes you realize you must shed what’s most comfortable to find truth in yourself again and so Moothart has denied the comforts of being the sideman to give listeners a slice of himself. \n***\nMidriffs \n \n[WEBSITE] [FACEBOOK] [TWITTER] \n  \nBoston\, MA. \nFlower punk.
URL:https://royaleboston.com/event/ty-segall-the-muggers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20160227T220000
DTEND;TZID=America/New_York:20160227T220000
DTSTAMP:20260418T152136
CREATED:20160224T191710Z
LAST-MODIFIED:20160224T191710Z
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SUMMARY:Red Carpet Party
DESCRIPTION:21+
URL:https://royaleboston.com/event/red-carpet-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20160226T220000
DTEND;TZID=America/New_York:20160226T220000
DTSTAMP:20260418T152136
CREATED:20151201T204349Z
LAST-MODIFIED:20151201T204349Z
UID:10001605-1456524000-1456524000@royaleboston.com
SUMMARY:EDX
DESCRIPTION:Support by:\nNora En Pure\nCroatia Squad\nAntonio Giacca \n21+ \nManagement reserves the right to refuse entry. Admission not guaranteed after 12AM
URL:https://royaleboston.com/event/edx/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160225T200000
DTEND;TZID=America/New_York:20160225T200000
DTSTAMP:20260418T152136
CREATED:20151102T163132Z
LAST-MODIFIED:20151102T163132Z
UID:10001983-1456430400-1456430400@royaleboston.com
SUMMARY:The Floozies
DESCRIPTION:The Granola Jones Tour \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nJust outside the jazz mecca of Kansas City springs liberal oasis Lawrence\, Kansas—separated only by the waves of wheat from the epicenter of the electronic music revolution in Colorado. From Lawrence\, it would logically follow that an act could rise to prominence fueled by the swing of Basie\, the birth of Charlie Parker’s bebop\, and the wild frontier of electronica. Born in funk and bred in the digital age\, live electronic duo The Floozies have burst onto the scene at a time when the industry needed them the most.  \nBrothers Matt and Mark Hill share the stage just as easily as they share a musical brain. Without a setlist\, and without a word between them\, Matt’s guitar is in lockstep with the thud of Mark’s kick. Endless looping and production builds the raw scenery upon which palm muted chugs\, searing solos\, and wobbling bass paint their dazzling array of colors.  \nWell versed in everything from Chris Cornell to Kavinsky\, the sonic vision shared by the brothers eschews contemporary electronic influences in favor of broader\, deeper tastes including Zapp & Roger\, Lettuce\, and Amon Tobin. That wide-angle view of a century of popular music allows the Hills to remix Toto and The Dead—in the music you can hear reverence for the giants of the past\, all the while producing wildly futuristic tunes for the masses to dig now.  \nWhen the pendulum swung as far as it could away from live instrumentation to laptops\, The Floozies rose up to the challenge\, swinging as hard as they could in the other direction with neck-snapping\, knee-breaking funk so dirty that the gatekeepers stood up\, wiped themselves off\, and took notice. A bold live show full of sonic exploration and unbreakably deep pocket grooves has landed the brothers on stage with luminaries of the jam world Umphrey’s McGee as readily as electronic elites STS9 and Big Gigantic. With sold out shows across the Country\, and huge festival appearances at Summercamp\, Wakarusa\, Camp Bisco\, Sommerset\, and Bumbershoot that continue to cement the duo’s ascent\, while also joining Griz at Red Rocks Amphitheater on September 4th for a sold out show.
URL:https://royaleboston.com/event/the-floozies/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160222T200000
DTEND;TZID=America/New_York:20160222T200000
DTSTAMP:20260418T152136
CREATED:20151207T155751Z
LAST-MODIFIED:20151207T155751Z
UID:10001612-1456171200-1456171200@royaleboston.com
SUMMARY:Animal Collective [SOLD OUT]
DESCRIPTION:Doors: 8:00pm / Show: 9:00pm \nThis show is SOLD OUT \nThis event is 18+. \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nAt the beginning there were two of them – Avey Tare and Panda Bear – banging drums and tweaking synths in their bedrooms\, singing strange and sometimes heartbreaking songs about imaginary friends and childhood pets. Carried along by washes of squalling feedback\, the music was noisy\, and it was weird\, but it was\, at heart\, pop music. This was the start of Animal Collective. For fifteen years Dave Porter (Tare)\, Noah Lennox (Bear)\, Brian “Geologist” Weitz and Josh “Deakin” Dibb have been rewriting the musical map\, their line-up and aesthetic shifting with each astonishing release as they continue their pursuit of a new psychedelia. Their wild path has taken them from cramped concrete basement shows and forest floor singalongs to immersive installations at the Guggenheim and performances to millions on national television. So where now from here? \n“Caveman circles”\, says Lennox\, discussing the vision for their eleventh full-length album\, Painting With; “Caveman circles\, the first Ramones record\, early Beatles and electronically produced. I think that was kind of our starting point”. Dizzyingly upbeat and gloriously realised\, their latest LP bounces and pops with an urgent\, ecstatic energy\, propelled by polyrhythmic beats and gurgling modular synth\, with Lennox and Portner’s vocals gleefully falling in and out of syncopation and off-kilter harmony. The songs are as experimental and deeply textured as anything that has come before but sound as sharp and snappy as chart hits\, finding the band at both their most minimal and most ambitious: “The idea with cavemen was about being more primitive – the way we sounded when we were first playing together in New York” says Portner. “I feel like what we were doing with the last record [2012’s Centipede Hz] was something a little more complicated. This time we wanted to strip it down and simplify it\, like techno and punk… And then put the Animal Collective filter on it all.” \nWorking as a trio\, Portner\, Lennox and Weitz began trading demos in early 2015\, pursuing a goal of what Portner calls “really short pop songs: no B.S\, get in\, get out material…” The three met up in Ashville during that Spring and began exploring the songs together. “I feel like lyrically there’s some really tough stuff” says Lennox\, “but the intention was for the songs to have the spirit of trying to work things out. To make things better.” The group made a conscious decision not to tour the songs first in an attempt to keep them fresh\, something Weitz found to be “a freeing process. That shift in perspective contributed to how much space is on the record.” \nRecording took place in the legendary EastWest Studios in Hollywood\, home to sessions by The Beach Boys and Marvin Gaye. Making the space feel like home was essential: they lit candles on lily pads and projected a two-hour reel of dinosaur movies – spliced together by Dave’s sister Abby – on a constant loop. A baby pool was set up to help add to the vibe of the room\, but the group soon discovered it sounded amazing when thudded and treated with effects. “Everything sounded good in that room” says Weitz.  \nYou can hear it. Everything about Painting With feels crisp and direct as though delivered in super high-definition Technicolor; the pitter-pattering handclaps of Lying In The Grass\, the delirious arcade-hall rave of Burglars\, the galloping bass and piano of the radiant On Delay – even Bea Arthur’s introduction to Golden Gal seems to shimmer. The interplay between Avey Tare and Panda Bear’s vocals (recorded while sat on high pedestals to lend the singing an “airy” quality) is brought front and centre with an uncharacteristic clarity: “With the vocals\, it’s not like a typical call and response or harmony.” says Lennox\, “It’s like two voices become one. Without one singer it doesn’t really work the same way. They dance with each other.” Portner interrupts: “Both vocals are meant to complete one thought”. The band put much of this down to their close collaboration with engineer Sonny Diperri: “He played a big part in how the vocals sounded. We didn’t put a lot of effects on the voices like in the past… We tried to be really careful about reverb\, to not make everything washed out. When there is echo on the album almost everything is acoustic reverb. It attests to the greatness of those old studios – it’s cool you can record in your apartment\, plenty of great music has been recorded that way\, but there is something to say about the time that went into crafting these rooms. It feels like a lost art form.” \nIn their search for more organic sounds\, the trio challenged themselves to incorporate elements they usually find off-putting\, either structurally or sonically “I remember specifically we brought up saxophone and brass instruments” recalls Portner. They enlisted the services of multireedist Colin Stetson – whose resumé includes collaborations with Arcade Fire\, Godspeed You Black Emperor\, Bon Iver and Tom Waits – to appear on the album’s rapturous\, swirling opener\, FloriDaDa\, an ode to breaking boundaries and not seeing any separation in people or places: “We were huge fans of Colin’s and the sound that he has is super unique. We don’t notate a score for somebody\, so it was cool to have him come in and lay down a bunch of ideas while the song was playing”. After discovering John Cale was a fan of their music\, the group invited him down to the studio to record drones for Hocus Pocus – a slow-burning collage of stroboscopic vocals and bleeping\, squelching modular synth that gives way to delirious release. Discovering the song wasn’t in a key the viola could be tuned for came as “a happy surprise” as they found themselves working with Cale’s material in new and exciting ways\, his bowed tones and electronic manipulations forming a hypnotic transition into the beautifully sun-warped Vertical. \nIt’s just that that kind openness to playing with expectation and experimenting with form that lies at the heart of this personal and human album. “When we were doing (2007’s) Strawberry Jam\, I thought it would be cool to literally rename ourselves The Painters.” recalls Portner\, “Everyone kind of rolled their eyes at that one. But Noah brought the idea back [this time]. We talked about painting – cubism\, Dada\, these distorted ways of looking at things…” It’s all there in Painting With: the sound of artists finding vivid new ways to shape their ideas and challenge their own conventions\, creating music that is at once startlingly fresh and still recognisably\, uniquely Animal Collective.
URL:https://royaleboston.com/event/animal-collective-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160221T190000
DTEND;TZID=America/New_York:20160221T190000
DTSTAMP:20260418T152136
CREATED:20151020T124946Z
LAST-MODIFIED:20151020T124946Z
UID:10001904-1456081200-1456081200@royaleboston.com
SUMMARY:Ron Pope + The Nighthawks
DESCRIPTION:Doors: 7:00 pm / Show: 8:00 pm \nThis event is open to all ages. \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nNashville-based\, independent artist\, Ron Pope\, has stood at a crossroads where so many musicians find themselves — at the intersection of record label and independence. In an ever-evolving industry filled with rejection and compromise\, he has plotted a new course for his music to reach loyal listeners\, taking the industry-road-less-traveled in exchange for the ultimate payback\, a league of devoted fans the world over. \nPope has made a name for himself in the music industry over the years as one of the top grossing independent acts on the scene today. On the sales front\, he has sold over 2 million singles to date\, averages 15 million spins a month on Pandora\, and his songs have been streamed over 120 million times. His songs have been featured on NBC’s “The Voice\,” CW’s “Vampire Diaries” and “90210” and multiple seasons of FOX’s “So You Think You Can Dance\,” which sent two of his albums into the top 100 on iTunes simultaneously. He was recently honored by premier digital music distributor TuneCore for being one of the top-selling independent artists using their service. \nPope’s fifth studio album\, Calling Off the Dogs\, found the passionate songwriter expanding upon his rootsy sound with a set of atmospheric\, moody songs. The album follows up Pope’s last two albums\, 2012’s Atlanta and Monster. Ostensibly a concept album\, Calling Off the Dogs found Pope investigating the twists and turns of one couple’s relationship\, from when they first meet and fall in love to when they finally say goodbye. He spent the better part of 2014 touring the album across the US\, UK\, & Australia. \nNot one for taking a break\, Pope found himself writing and recording his upcoming album\, Ron Pope & The Nighthawks (release date January 8\, 2016) while still on tour in 2014. Pope gathered his favorite Brooklyn-based musicians to form The Nighthawks (Paul Hammer\, Alex Foote\, Andrew Pertes\, Alex Brumel\, Alan Markley\, & Michael Riddleberger) and they were all instrumental in the creation of each song. Pope and his Nighthawks started their journey at a lake house in Blue Ridge\, GA where they took songs from concept to completion. They then took the tunes directly out onto the road and played most of them in front of a live audience – all while recording the process. “This is me going back to the roots of what made me a songwriter…I was trying to blow my own mind with the last album (Calling Off The Dogs); this time I’m trying to soothe it. I want to take those songs out on the road and get them dirty\, sharing them with the fans while they are still fresh and brand new rather than incubating them in a sterile environment for a long time” The first two singles from the album – “Ain’t No Angel” & “Southern Cross” – were released in early 2015.
URL:https://royaleboston.com/event/ron-pope-the-nighthawks/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160220T220000
DTEND;TZID=America/New_York:20160220T220000
DTSTAMP:20260418T152136
CREATED:20160216T203451Z
LAST-MODIFIED:20160216T203451Z
UID:10001638-1456005600-1456005600@royaleboston.com
SUMMARY:Aloha
DESCRIPTION:21+
URL:https://royaleboston.com/event/aloha/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160220T180000
DTEND;TZID=America/New_York:20160220T180000
DTSTAMP:20260418T152136
CREATED:20160110T181415Z
LAST-MODIFIED:20160110T181415Z
UID:10002083-1455991200-1455991200@royaleboston.com
SUMMARY:Best Coast / Wavves [SOLD OUT]
DESCRIPTION:SECOND SHOW ADDED DUE TO DEMAND! \nDoors: 6:00pm / Show: 6:30pm \nThis event is open to all ages.\nTickets on sale now! \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nBest Coast [Website] [Facebook] [Twitter] \nWavves [Website] [Facebook] [Twitter] \nCherry Glazerr [Website] [Facebook] [Twitter]
URL:https://royaleboston.com/event/best-coast-wavves-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160219T220000
DTEND;TZID=America/New_York:20160219T220000
DTSTAMP:20260418T152136
CREATED:20151201T203225Z
LAST-MODIFIED:20151201T203225Z
UID:10001604-1455919200-1455919200@royaleboston.com
SUMMARY:CARNAGE
DESCRIPTION:21+ \nMANAGEMENT RESERVES THE RIGHT TO REFUSE ENTRY. ADMISSION NOT GUARANTEED AFTER 12AM
URL:https://royaleboston.com/event/carnage/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160219T180000
DTEND;TZID=America/New_York:20160219T180000
DTSTAMP:20260418T152136
CREATED:20151207T140020Z
LAST-MODIFIED:20151207T140020Z
UID:10002068-1455904800-1455904800@royaleboston.com
SUMMARY:Best Coast / Wavves [SOLD OUT]
DESCRIPTION:Doors: 6:00pm / Show: 6:30pm \nThis event is open to all ages. \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nBest Coast [Website] [Facebook] [Twitter] \nWavves [Website] [Facebook] [Twitter] \nCherry Glazerr [Website] [Facebook] [Twitter]
URL:https://royaleboston.com/event/best-coast-wavves/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160217T200000
DTEND;TZID=America/New_York:20160217T200000
DTSTAMP:20260418T152136
CREATED:20151109T140057Z
LAST-MODIFIED:20151109T140057Z
UID:10001597-1455739200-1455739200@royaleboston.com
SUMMARY:St. Lucia [SOLD OUT]
DESCRIPTION:WERS 88.9 Discovery Show \nDoors: 8:00 pm / Show: 9:00 pm \nThis show is SOLD OUT. \nThis event is all ages. \n*** \nSt. Lucia is BACK with an infectious new single “Dancing On Glass” and a brand new album Matter. And with those comes a series of North American dates\, following up on the band’s sold out fall 2014 headline tour.  \nSt. Lucia’s 2013 debut LP When The Night earned raves everywhere from Entertainment Weekly (“an absolute smash”) to Elle (“we have an obsession for this group”) to Billboard (“essential listening”).  The last two years have also seen the band touring with the likes of Ellie Goulding\, Empire Of The Sun\, Charli XCX\, Foster The People\, performed at Coachella and Lollapalooza\, and appeared on Jimmy Kimmel Live!\,  and Late Night With Seth Meyers.
URL:https://royaleboston.com/event/st-lucia/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160214T220000
DTEND;TZID=America/New_York:20160214T220000
DTSTAMP:20260418T152136
CREATED:20160121T055849Z
LAST-MODIFIED:20160121T055849Z
UID:10002172-1455487200-1455487200@royaleboston.com
SUMMARY:DJ KIDD MADONNY
DESCRIPTION:21+
URL:https://royaleboston.com/event/dj-kidd-madonny/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160213T220000
DTEND;TZID=America/New_York:20160213T220000
DTSTAMP:20260418T152136
CREATED:20160107T190350Z
LAST-MODIFIED:20160107T190350Z
UID:10001624-1455400800-1455400800@royaleboston.com
SUMMARY:CLINTON SPARKS
DESCRIPTION:21+ \nTop 40 dance music \nVIP Reservations: 617-733-0505 \nWe do not have a guest list but strongly suggest you purchase your tickets at the reduced admission price online or grab your ladies free tickets in advance at the buy tickets button.
URL:https://royaleboston.com/event/clinton-sparks/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160212T220000
DTEND;TZID=America/New_York:20160212T220000
DTSTAMP:20260418T152136
CREATED:20151201T201923Z
LAST-MODIFIED:20151201T201923Z
UID:10001603-1455314400-1455314400@royaleboston.com
SUMMARY:GALANTIS
DESCRIPTION:21+ \nMANAGEMENT RESERVES THE RIGHT TO REFUSE ENTRY. ADMISSION NOT GUARANTEED AFTER 12AM
URL:https://royaleboston.com/event/galantis/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160206T220000
DTEND;TZID=America/New_York:20160206T220000
DTSTAMP:20260418T152136
CREATED:20160107T185752Z
LAST-MODIFIED:20160107T185752Z
UID:10001622-1454796000-1454796000@royaleboston.com
SUMMARY:BRAUN DAPPER & BREK.ONE
DESCRIPTION:21+ \nTop 40 dance music \nVIP Reservations: 617-733-0505 \nWe do not have a guest list but strongly suggest you purchase your tickets at the reduced admission price online or grab your ladies free tickets in advance at the buy tickets button.
URL:https://royaleboston.com/event/braun-dapper-brek-one/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160205T220000
DTEND;TZID=America/New_York:20160205T220000
DTSTAMP:20260418T152136
CREATED:20151201T201135Z
LAST-MODIFIED:20151201T201135Z
UID:10002102-1454709600-1454709600@royaleboston.com
SUMMARY:YELLOW CLAW
DESCRIPTION:21+ \nManagement reserves the right to refuse entry. Admission not guaranteed after 12AM.
URL:https://royaleboston.com/event/yellow-claw/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160204T190000
DTEND;TZID=America/New_York:20160204T190000
DTSTAMP:20260418T152136
CREATED:20151129T110044Z
LAST-MODIFIED:20151129T110044Z
UID:10002039-1454612400-1454612400@royaleboston.com
SUMMARY:Jack's Mannequin [SOLD OUT]
DESCRIPTION:Please note: Tickets for this show are WILL CALL ONLY and NON TRANSFERABLE. The ticket purchaser must use one of the tickets purchased and enter with their entire party upon entry. \nDoors at 7PM / Show at 8PM \nRadio 92.9 presents\n10 Years In Transit\nDoors: 7:00pm \nThis show is SOLD OUT. \nThis event is all ages. \n*** \nI am pleased to announce\, the Jack’s Mannequin band and I will be getting together for a handful of exclusive engagements to celebrate the album Everything in Transit. I will be the first to admit\, I prefer keeping my focus in the present\, but I cannot deny Transit’s place in my life and the lives of my fans. As I said so many years ago\, this is a story\, and it will be performed as such\, in its original running order from start to finish. The band and I are truly excited by the opportunity to revisit this album and we hope to see you there. \nLineup\nAndrew McMahon\nBobby “Raw” Anderson\nJay McMillan\nMikey “The Kid” Wagner \nGuest on Keys\nZac Clark
URL:https://royaleboston.com/event/jacks-mannequin/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160203T190000
DTEND;TZID=America/New_York:20160203T190000
DTSTAMP:20260418T152136
CREATED:20151209T162703Z
LAST-MODIFIED:20151209T162703Z
UID:10002104-1454526000-1454526000@royaleboston.com
SUMMARY:Reel Big Fish
DESCRIPTION:Doors: 7:00pm / Show: 8:00pm \nThis event is 18+. Patrons under 18 admitted if accompanied by parent or legal guardian. \nTickets on sale Fri. December 11 at 12PM! \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nReel Big Fish was one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-’90s success of No Doubt and Sublime. Like most of their peers\, the band was distinguished by their hyperkinetic stage shows\, juvenile humor\, ironic covers of new wave pop songs\, and metallic shards of ska. The group cultivated an underground following that broke into the mainstream in summer 1997\, when their single “Sell Out” became a modern rock radio and MTV favorite. Their appearance in the movie “Baseketball” as the halftime band also gained them more fans and helped the bands popularity to grow. Still fronted by original lead singer and song writer Aaron Barrett\, they continue releasing albums and touring relentlessly\, playing more and more countries and bigger venues all over the world. \nReel Big Fish recorded its self-released debut album\, “Everything Sucks”\, in 1995. “Everything Sucks” became a word-of-mouth underground hit in ska-punk and college circles\, which gave the band enough leverage to sign with the indie label Mojo Records. The label’s president\, Jay Rifkin\, and former Oingo Boingo bassist John Avila co-produced “Turn the Radio Off”\, which marked Reel Big Fish’s first album for Mojo. “Turn the Radio Off” was unleashed in August 1996\, and over the next year\, the group continually toured in support of the album’s release\, expanding their fan base all the while. In spring 1997\, the single “Sell Out” began receiving heavy airplay from several influential modern rock stations in the U.S.\, which soon translated into MTV support for the song’s quirky video. By summer\, the song had become a moderate modern rock hit\, and the album had charted in the Top 100. \nIn 1998 the song “Take on Me” from the “Baseketball” motion picture soundtrack was released as the promotional single for the movie and once again found the band in regular rotation on rock radio and MTV in the USA. \nThe Album “Why Do They Rock So Hard” followed a year later\, once again enlisting Oingo Boingo Bassist John Avila as producer. The album was not as commercially successful but is still regarded by many fans as the bands finest work. The band filmed a music video for “the Set up (You Need This)”\, the only single released from this album. \nThe guys wound up on Jive Records in fall 2001 when their current label\, Mojo\, was bought by Jive’s parent label\, Zomba. Reel Big Fish’s first release for Jive\, a more rock-oriented record entitled “Cheer Up!”\, appeared in mid-2002. This album was very successful in Europe with the video for the single “Where Have You Been” receiving heavy airplay on many music video channels. \nLater that same year\, RBF did a song for a Rice Krispies called “Snap\, Krackle\, Pop-punk” which was used in 3 separate commercials. Also that year\, they recorded a cover of Toots and the Maytals “Monkey Man” for the Nickelodeon movie “The Wild Thornberrys.” The single for “Monkey Man” was also released in the UK and received heavy radio play as well as the music video being put on heavy rotation on Kerrang TV. \nThe band’s next album\, the cynical yet catchy “We’re Not Happy ‘Til You’re Not Happy”\, was issued in April 2005. Touring continued for the rest of the year\, and Reel Big Fish happily parted ways with Jive in January 2006\, having wished to be dropped from the label since the “Cheer Up!” release.\nIn August 2006\, the group self-released a double-disc live CD (along with an accompanying DVD) titled “Our Live Album Is Better Than Your Live Album”. \nBarrett said of this album “We finally captured the energy\, excitement and humor of our live shows that we were previously unable to create in the recording studio environment. And it all sounds really good!” \nThis album is very popular with RBF fans and is sometimes referred to as “the Reel Big Fish Stand-up comedy album” because of all the silly stage banter. \nThe band returned with some new material in February 2007\, splitting an EP “Duet All Night Long” with their friends in Zolof the Rock & Roll Destroyer. “Monkeys for Nothin’ and the Chimps for Free” followed several months later\, marking Reel Big Fish’s first full-length studio release since leaving Jive’s roster\, and 2009′s “Fame\, Fortune and Fornication” found the band covering songs by the likes of Poison\, the Eagles\, and Tom Petty. \nIn 2010\, the band released “A Best of Us for the Rest of Us”. It includes a 22 song disc of re-recorded hits and classic fan favorites as well as a bonus disc of 14 Acoustic or “SKAcoustic” versions. \nOn July 31st\, 2012 Reel Big Fish released their 7th studio album\, Candy Coated Fury (Rock Ridge Music)\, an inspired and infectiously catchy return to the hyperkinetic ska and biting wit of the band’s beloved early albums. “This album is a lot like our first two albums. It’s got a lot of the same intensity\, frantic energy in the music\, and the same sarcastic sense of humor. I think these are the fastest songs we’ve done since those albums\,” Aaron Barrett\, founding vocalist\, guitarist\, and principal songwriter says. “We’re finally just doing what Reel Big Fish does best\, and that’s what we did on those first two albums.” \n“Candy Coated Fury pretty much describes what Reel Big Fish does\,” Barrett says of the significance of the new album’s title. “It’s hateful\, mean\, sarcastic\, and\, sometimes sad lyrics\, over happy\, wacky\, silly\, joyous\, fast music that makes you want to dance. This album is mostly love songs\, but bitter\, angry\, hateful love songs. Just about everybody knows what it’s like to be in a bad relationship. These songs could be sung by a 15 year old about his first love-gone-wrong\, or by a 55 year old about a bitter divorce after 30 years. They’re bad-relationship songs that everybody can relate to.”\nCandy Coated Fury is Reel Big Fish’s first album of newly recorded original material in five years. Overall\, it’s the seventh in the band’s twenty year history\, and it feels as vital and vitriolic as RBF’s foundational releases. The record opens with the huge sing-along vocal\, balmy horns\, and hyperactive ska groove of “Everyone Else Is An Asshole.” The track is an exceptional distillation of Reel Big Fish’s classic euphorically-juvenile ska punk. The stately arena riffs in “I Dare You To Break My Heart” reference cock rock\, new wave\, and soul without sacrificing one iota of RBF’s signature simmering skank. “I listen to the Darkness a lot; it was only a matter of time till I wrote a song like this! I can’t really sing as high as that guy so this song sounds more like Kiss\, if Kiss was a Motown band that played ska\,” Barrett says\, detailing the song’s diverse stylistic touchstones. The anthemic “I Know You Too Well To Like You Anymore” features some of Barrett’s finest cutely cruel lyrics. “I think that is an amazing bad-relationship song\,” he laughs. “I really captured the hateful love of two people who were once madly in love\, but have been together so long\, they can’t stand the sight of each other anymore but still say ‘they drive me crazy\, and I hate this and this about them\, but I love them.’” No RBF album would be complete without playfully irreverent 1980s covers. The band rounds things out ska-ifying the Wonderstuff’s “Don’t Let Me Down Gently” and When In Rome’s “The Promise.” \nOn December 12th\, 2014 RBF released their first Christmas Album\, A six song\, digital only album entitled “Happy Skalidays”. This album includes 4 classic Christmas songs and 2 RBF originals. \nReel Big Fish continues to tour non-stop\, playing over 250 shows a year to thousands of loyal fans all over the world\, gaining more and more underground popularity as the Ska scene continues to flourish.
URL:https://royaleboston.com/event/reel-big-fish/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160202T200000
DTEND;TZID=America/New_York:20160202T200000
DTSTAMP:20260418T152136
CREATED:20151102T162703Z
LAST-MODIFIED:20151102T162703Z
UID:10001981-1454443200-1454443200@royaleboston.com
SUMMARY:Ryan Bingham
DESCRIPTION:Doors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. \nTickets available at TICKETMASTER.COM\, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nRyan Bingham needed some peace and quiet. Free of the burdens that had saddled\nhim during the writing and recording of his recent albums\, he relocated to an old\nairstream trailer tucked away in the mountains of California\, camping out for several\nweeks and embracing the solitude to dig down deep and craft his most powerful album\nyet\, ‘Fear and Saturday Night.’\n“It gave me the space and time to tap into myself\,” Bingham says of the experience.\n“Up there\, it was totally isolated. No phones\, no noise\, no lights. At night the only\nthing you’d hear is the bugs and the coyotes. It’s lonely when you get back up in there\nand there’s nobody around\, but for me\, I kind of grew up that way in the middle of\nnowhere. Since I’ve started touring\, I’m surrounded by people all the time\, so getting\nback to the roots of everything\, that’s really where I seem to find stuff that’s\nmeaningful when I’m writing songs.”\nBingham was actually in the back of a van in North Dakota when he wrote ‘The Weary\nKind\,’ a song that became the centerpiece of the 2010 film ‘Crazy Heart’ starring Jeff\nBridges. It earned him an Academy Award\, a Golden Globe\, and a Grammy\, and\nskyrocketed him into the spotlight. Amidst the incredible success\, though\, was tragic\nloss behind the scenes that few knew about.\n“A lot of peopled didn’t realize when that Oscar stuff was going on and ‘Junky Star’ was\nreleased\, I was dealing with the loss of my parents\,” says Bingham\, who released the\nfollow-up album ‘Tomorrowland’ as a direct reaction to the emotional turmoil that\nsurrounded him. “My mother drank herself to death\, and my father shot himself. I was\nalso going through a huge transition with the band—we were breaking up—and I felt so\nlost playing with different musicians for the first time in years.”\nThere were positive changes in his life during that time\, too\, including his marriage\,\nwhich serves as a frequent well of inspiration on ‘Fear and Saturday Night\,’ particularly\non tracks like “Snow Falls In June” and “Top Shelf Drug\,” a Stones-esque rocker that’s\nbound to become a live favorite.\nBingham never really set out to be a musician\, though. His mother bought him a guitar\nwhen he was 16 years old\, and a neighbor taught him a mariachi tune. When he grew\ntired of playing the only song he knew\, Bingham began penning his own music\,\ndiscovering the writing process to be a therapeutic coping mechanism for dealing with\nthe tumultuousness of his upbringing. His first performances were informal affairs in\nthe backseats of cars with friends on the way to rodeos\, where he was competing\nprofessionally on the weekends. Every now and then\, Bingham’s friends would convince\nhim to break out the guitar in a bar\, and before he knew it\, he had more gigs playing\nguitar than riding bulls.\nRecorded mostly live with a brand new backing band and under the guidance of\nproducer/engineer Jim Scott\, ‘Fear and Saturday Night’ opens with “Nobody Knows My\nTrouble\,” a loping\, autobiographical ballad about trying to outrun a painful past and\nfinding redemption both in the strings of a guitar and in hitting the road with the love\nof your life. “Adventures Of You And Me” is a slide-guitar and mariachi-tinged barnburner\nabout a pair of misfits who travel the country together\, while “Island In The\nSky” again picks up the theme of travel as a means of salvation and escape.\n“I feel like I’ve been traveling my whole life\, even from when I was a little kid\,” says\nBingham. “Both of my parents were really bad alcoholics\, and my dad could never keep\ndown a job\, so we never lived in the same town for more than a couple years. And\neven if we did\, we’d move to different houses every other month. It felt like I lived out\nof a cardboard box growing up until I was old enough to buy my own suitcase\, and then\nI was just running from everything.”\nBingham faces down his past with a poetic grace throughout the album. Lead single\n“Radio” is about coping with a darkness that doesn’t want to let go\, searching for a safe\nplace to make sense of your life and the strength to stay on the right track through it\nall\, while “Hands of Time” deals with accepting what’s behind you and moving forward\nwith grit and determination. On “Broken Heart Tattoos\,” a wistful waltz written to an\nunborn child\, he imagines what kind of parent he’ll become\, singing\, “Take your sweet\ntime and walk a straight line in two / But don’t you be shy of your wilder side / Or be\nafraid to let loose / With broken heart tattoos.” Perhaps the most affecting moment\non the album arrives in the title track\, when Bingham sings\, “I don’t fear nothin’ except\nfor myself / So I’m gonna go out there and raise me some hell.”\n“Certain things aren’t going to change\,” he explains of the song. “You can’t run away or\nhide from the past. You have to live in it and deal with stuff and find your own way to\novercome. The way I grew up\,” he continues\, “you had to develop a certain kind of\ntoughness. Hanging with those guys on the rodeo circuits\, you learn at an early age\nhow to defend yourself. There’s lots of fights and rowdy bars and mean people out\nthere. But if you’re smart enough to stay out of situations where other people can hurt\nyou\, you’re the only one who can really hurt yourself. That’s something I had to learn\non my own.”\nThose hard-learned lessons\, through both good times and bad\, helped make Bingham\nthe man he is today. ‘Fear and Saturday Night’ is the most authentic\, personal\, and\ndeeply moving portrait of that man we’ve heard yet.
URL:https://royaleboston.com/event/ryan-bingham/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160130T220000
DTEND;TZID=America/New_York:20160130T220000
DTSTAMP:20260418T152136
CREATED:20160107T174838Z
LAST-MODIFIED:20160107T174838Z
UID:10001620-1454191200-1454191200@royaleboston.com
SUMMARY:BUDDY COSTA
DESCRIPTION:21+ \nTop 40 dance music \nVIP Reservations: 617-733-0505 \nWe do not have a guest list but strongly suggest you purchase your tickets at the reduced admission price online or grab your ladies free tickets in advance at the buy tickets button.
URL:https://royaleboston.com/event/buddy-costa/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160129T220000
DTEND;TZID=America/New_York:20160129T220000
DTSTAMP:20260418T152136
CREATED:20151201T200124Z
LAST-MODIFIED:20151201T200124Z
UID:10002090-1454104800-1454104800@royaleboston.com
SUMMARY:CEDRIC GERVAIS
DESCRIPTION:21+ \nMANAGEMENT RESERVES THE RIGHT TO REFUSE ENTRY. ADMISSION NOT GUARANTEED AFTER 12AM
URL:https://royaleboston.com/event/cedric-gervais/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160123T220000
DTEND;TZID=America/New_York:20160123T220000
DTSTAMP:20260418T152136
CREATED:20160107T173700Z
LAST-MODIFIED:20160107T173700Z
UID:10001618-1453586400-1453586400@royaleboston.com
SUMMARY:BREEAZY
DESCRIPTION:21+ \nTop 40 dance music \nVIP Reservations: 617-733-0505 \nWe do not have a guest list but strongly suggest you purchase your tickets at the reduced admission price online or grab your ladies free tickets in advance at the buy tickets button.
URL:https://royaleboston.com/event/breeazy-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VCALENDAR