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DTSTART;TZID=America/New_York:20180119T220000
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DTSTAMP:20260405T170706
CREATED:20171214T192013Z
LAST-MODIFIED:20171214T192013Z
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SUMMARY:Sofa King Fridays w/ Ferry Corsten & Ilan Bluestone
DESCRIPTION:21+ \nVIP 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-ferry-corsten-ilan-bluestone/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20180120T220000
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CREATED:20171221T155225Z
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SUMMARY:Cosmic Saturdays  Beach Party w/ HYTYD
DESCRIPTION:Beach Attire = Free entry! \nSupport by Rambo \n21+ \nVIP: \n617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-beach-party-w-hytyd/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20180121T190000
DTEND;TZID=America/New_York:20180121T190000
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CREATED:20170822T154550Z
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SUMMARY:Tennis
DESCRIPTION:Bowery Boston presents \nDoors: :00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited. \nTickets on sale Fri. 8/25 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nTennis \n \nWebsite\nFacebook\nTwitter \nTennis continue their extensive North American tour in celebration of their fourth full-length album\, Yours Conditionally. After a cross country tour in the Spring/Summer supporting artists including Spoon\, The Shins and Father John Misty the band is primed to head out on a Fall Headline tour crisscrossing the United States; their largest to date. \nYours Conditionally—out now on Mutually Detrimental via Thirty Tigers and available at all record stores as well as via iTunes and Spotify— continues to receive praise from NPR’s “Weekend Edition\,” Interview Magazine\, W\, New York Magazine and many more. \nThe new record was composed both on land and at sea during a five-month sailing trip through the Sea of Cortez. Upon returning\, Tennis’ husband-and-wife team of Patrick Riley and Alaina Moore self-produced the record in a small cabin in Fraser\, CO. It was mixed by Spoon’s Jim Eno at Public HiFi. \nNow based in Denver\, Moore and Riley began writing music together as a way to document the history of their time living aboard a sailboat. The result was their first release\, Cape Dory. Moore and Riley followed Cape Dory with Young and Old\, which The New Yorker described as “winsome as it is ebullient” and debuted #1 on Billboard’s Heatseeker Chart and #1 on CMJ Top 200\, where it remained for three straight weeks. The album also debuted on Soundscan’s “New Artist Chart” at #1\, remaining there for nine consecutive weeks. Their newest record comes on the heels of the group’s most recent release\, 2014’s Ritual in Repeat\, which received rave reviews from The New York Times\, NPR’s “All Things Considered” and “Fresh Air\,” TIME\, Vogue\, Pitchfork\, The FADER\, Entertainment Weekly and many more. The band has performed on “The Late Show with David Letterman\,” “The Tonight Show with Jay Leno\,” “Conan” and “Last Call with Carson Daly.” \n*** \nOvercoats \nOvercoats\, Hana Elion and JJ Mitchell\, in the studio with photographer Anna Azarov. \nWebsite\nFacebook \nOvercoats is the New York-based female duo of Hana Elion and JJ Mitchell. Their debut album YOUNG captures a sound rich in minimalism and melody: songs of connection and tension\, on the depths of love and challenges of family. \nOvercoats’ music draws strength from vulnerability\, finding light through darkness\, and the catharsis of simple\, honest songwriting. YOUNG is about a transformation: the passage into womanhood\, sung through the shared experience of two best friends. \nOn their first single “Hold Me Close\,” Hana and JJ’s melodies are purity in unison\, providing two distinct but entwined perspectives on the complexity of love. In their words\, “the song is about finding solace in the present when the future and past seem impossible to understand. It’s about loneliness and disillusionment that we can feel in relationships\, and how we must persevere anyway in hopes of finding the beauty in love.” \nElion and Mitchell were drawn to each other when they first met in 2011\, finding connection in their diverse love of music and an immediate closeness that verges on sisterhood. Their meeting was transformative emotionally as well as creatively. Both halves of Overcoats describe the first time hearing each other sing as an epiphany: the harmony of their voices leading to personal\, individual discovery. This bond forms the foundation of Overcoats\, and it fills the ecosystem of YOUNG with its stunning sound and sentiment. \nAlbum opener “Father” unfurls in clouds of three-dimensional sound: a cathedral of echo over waves of delay and the din of incidental noise. There is a rare resonance in Overcoats evident from these opening tones: between their separate (but inseparable) voices\, flawlessly intuitive performance\, and sublime musical production. Their harmonies slide from brassy to silken with elegant ease\, floating over muted rhythms wrapped in lush swells of synthesizers. \nYOUNG was written by Overcoats and co-produced by Nicolas Vernhes (Daughter\, The War On Drugs\, Dirty Projectors\, Cass McCombs) and experimental R&B artist Autre Ne Veut\, with additional production from Myles Avery and mixing by Ben Baptie (Lapsley\, Lianne La Havas\, Lady Gaga\, Mark Ronson). \nTheir palette is stealth and simple electronics\, with traces of folk\, pop\, and bluegrass embedded within. Like a spectrum from Sylvan Esso to Simon & Garfunkel\, Overcoats creates music deeply rooted in emotion\, and guided by the search for its innate expression through voice and electronics. Songs that began as bedroom creations flourished into rich but restrained productions\, with careful craft illuminating the nuance of Overcoats’ unique songwriting. \nOn YOUNG\, Overcoats creates music of mutual empowerment\, at once synthetic and organic\, wistful and uplifting\, triumphant and subdued. \n“The Fog” is a bay of lonesome\, oscillating synth chords: its boundaries defined by the reflection of echoic finger snaps. Elion and Mitchell find clarity through a lovers’ haze\, their stoic verses liberated by resounding chorus: Freedom is when I’m without you / When the fog lifts I’m the only one I see. \n“Leave The Light On” layers looped and transposed vocals over thumping two-step 808 and punctuations of club-ready brass. Showing the true breadth of influence\, songs like “Little Memory” and “Smaller Than My Mother” are laced with gospel and jazz\, strands woven in with Vernhes’ and Autre Ne Veut’s natural touch. \nYOUNG has a clear\, vertical ambience that lets the topical vibration of the music shine through. This is the arrival of a magical collaboration: a rare unification of two hearts under one imagination. Elion and Mitchell are bound by absolute belief in one another\, and the confidence that every creation is compelled by shared purpose. \nLike its arc of transformation\, from “Father” to album closer “Mother\,” Overcoats captures the notion that we are the intersections of our parents’ greatest fantasies and biggest follies. YOUNG is a startlingly wise portrayal of these complexities: of love\, on inspiration\, and the legacy of family.
URL:https://royaleboston.com/event/tennis/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20180126T180000
DTEND;TZID=America/New_York:20180126T213000
DTSTAMP:20260405T170706
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SUMMARY:J. Roddy Walston and the Business
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 7:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 11/10 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nJ. Roddy Walston and the Business \n \nWebsite\nFacebook\nTwitter \nHeading into Destroyers of the Soft Life\, the fourth LP by J. Roddy Walston and The Business set to be released September 29 via ATO Records\, JRWATB pursued a brighter\, more nuanced sound that teased out the band’s latent pop sensibilities without skimping on energy or attitude. As you press play on the opening track “You Know Me Better”\, anthemic guitars scream out of buoyant\, hooky lyrics as Walston’s chugging piano supplies a persistent heartbeat. The “bar band” sound of the past has been replaced by an aspirational\, booming cacophony that could fill stadiums. \nInstead of the raucous bombast JRWATB manifested on their breakout hit album Essential Tremors\, the band’s leader had certain rules he was determined to follow on Destroyers of the Soft Life. One was: “Speak/sing clearly\, no hiding behind mumbles.” Another was\, “D.I.Y. but hi-fi — record ourselves as much as possible but have it sound amazing and full.” The final\, most important\, rule was\, “Nostalgia is a cancer — acknowledge that you are in the present.” \n“We had never been a band where we pretended that it’s 1965\,” Walston says. “But we ended up in situations with our records where those rules were imposed on us.” \nOn Essential Tremors\, JRWATB inspired pangs of joy in music fans that yearn for the days of Bob Seger and early Bruce Springsteen. But when Walston returned home from touring in 2015 and began contemplating his next move\, he no longer felt the same connection to that classic-rock sound. \n“Loud rock and roll music has become less relevant because it’s just been on a loop\,” he says. “If there was any rule on this record\, it was\, let’s be a part of music right now. I want to be part of living music in this moment.” \nHelping the band realize a new vision for its music was veteran producer Phil Ek (Built To Spill\, Father John Misty\, Fleet Foxes)\, who came in to apply some finishing touches after JRWATB completed most of the record in Virginia. \n“The thing with Phil is he is a servant of the song and that is my vibe as well\,” Walston says. “Ego has no place in songwriting or the studio and we hit it off in that respect right away.” \n“Is there any point to making a record that has real instruments (guitars\, drums\, piano etc.) right now?” he continues. “Is there anything left to be said by writing this way? Do albums matter anymore? Can I make something that I care about right now because it’s a manifestation of the fear/love/excitement/ I am feeling right now\, not because is tickles some easy to reach nostalgic pleasure center.” \nLead single “The Wanting” boasts a shimmering\, uplifting guitar riff and an impossibly huge chorus that belies the song’s thoughtful exploration of familial relationships and the fallacy of distilling complicated people down to archetypes. “Did you do right by us / best it could be\,” Walston sings\, addressing a prodigal father figure. “You’ve done no harm / but you’ve been no good to me.” \nThroughout Destroyers of the Soft Life JRWATB similarly melds engaging\, melodic songwriting with sharp observations about American culture that take on a new kind of power in light of the 2016 presidential election. Standout tracks such as the infectious “Ways And Means” and swaggering “Blade Of Truth” offer the uncompromised\, salt-of-the-Earth perspective of a songwriter who grew up among the white working class and yet has enough perspective to see the ways in which those people have undermined themselves in the political realm. As Walston sings in “Blade of Truth\,” there is now “a judgement on the herd / and your privilege will burn.” \nAmid the torn-from-the-headlines commentary\, Walston revisits the same question: “Is the truth a hard line\, or it is a flexible line that can be messed with?” \n“I got to straddle the line a bit with this record\,” he says. “I hit a point in my life where I could pay my bills on time for the first time ever\, and take a breath. I got to see the life you can have when you’re not living a life of desperation. But I was just outside that line of desperation.” \nThe band’s newfound financial security is largely the result of the band’s hard work on the road. Looking back on the tour cycle for Essential Tremors\, Walston can only chuckle. \n“We probably toured on it way longer than our contemporaries would\,” he admits. \nOf course\, not many bands experience the sort of growth in prominence and audience size that Walston and his compatriots have witnessed in the past several years. Road warriors from the time they formed in 2002\, JRWATB has long been an underground favorite\, toiling away in clubs and bars and carving out its own niche outside of the rock mainstream. But the radio success of Essential Tremors opened new doors and fostered exciting opportunities\, including invites to Lollapalooza\, the Newport Folk Festival\, and Bonnaroo\, and a featured slot in an episode of the prestigious music TV institution\, Austin City Limits. With every new experience came requests to play more shows. \n“The train just kept rolling\,” Walston says\, until finally he hit a wall. “By the time I came off the road\, I thought\, ‘I’m toast. I don’t have anything in the tank.’” \nWalston’s world was also rocked by a huge life-changing event — the birth of his first child. “I think having a kid made me care less of what people think of me\,” he says. “I have one ultimate mission right now — keep a human alive. I don’t care if someone doesn’t like my pants or my hair or whatever. Being a parent makes you powerful in that way.” \nOver the next year and a half\, Walston committed to building himself and his band back up into a new kind of rock ‘n’ roll beast. But before JRWATB could get started on its fourth album\, Walston decided to do some literal construction on a new space for the band where it could rehearse and record. \nThe only space available in the band’s hometown of Richmond\, Va. hardly seemed promising — it was “a completely annihilated warehouse” that had been a grenade factory during World War II\, says Walston\, who decided to rent the place after the landlord offered the first two month’s rent for free. Perhaps the landlord expected JRWATB to eventually pack up and retreat. But that guy clearly knows nothing about this band’s work ethic\, or affinity for lost causes. Instead of giving up\, they gutted the place and spent the next seven months rehabbing the building until it was transformed into a suitable headquarters for JRWATB. \nWhy go to all the trouble of making your own space when there are any number of established studios where you can make your record? For JRWATB\, like it is with so many things in their lives\, building a personal studio was a matter of principle. When you’re renting studio time\, it’s always somebody else’s time. For once\, Walston wanted to make a record on his time. \n“I don’t listen to our old records because I get so stressed when I think about making them\,” he says\, reflecting on how rushed the band was in the studio back then. “We’re taking the experience back.” \n*** \nPost Animal \n \nWebsite\nFacebook\nTwitter \nPost Animal is a psych rock band born and bred in the roaring music hub that is Chicago\, Illinois. True to their DIY roots\, they feel most at home playing in a crowded basement surrounded by dancing strangers and sweaty friends. Members include Dalton Allison\, Jake Hirshland\, Javi Reyes\, Wesley Toledo and Matt Williams. \nMoving and grooving as this six-piece since 2016\, the boys of Post Animal developed a loyal fan base early on following their single “When I Get Home\,” which landed them shout outs in Paper Mag\, Vice and NME.
URL:https://royaleboston.com/event/j-roddy-walston-business/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20180126T220000
DTEND;TZID=America/New_York:20180126T220000
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SUMMARY:Sofa King Fridays w/ W&W
DESCRIPTION:21+ \nVIP Inquiries 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-ww/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20180127T170000
DTEND;TZID=America/New_York:20180127T220000
DTSTAMP:20260405T170706
CREATED:20171228T190221Z
LAST-MODIFIED:20171228T190221Z
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SUMMARY:1st Annual Generations Gala Hosted by Jeff Timmons
DESCRIPTION:THE JOHNNY WINTER FOUNDATION FOR THE ARTS IS BRINGING THE MOST ECCLECTIC CONCERT OF THE NEW YEAR TO THE ROYALE THIS JANUARY!\nJoin us on for an evening of incredible musical talent spanning three decades at the 1st Annual GENERATIONS GALA hosted by 98 DEGREES’ JEFF TIMMONS on January 27.\nUnlike any other concert you’ve ever seen\, this diverse show is filled with an array of musical genres from Blues to Soul\, Pop\, R&B\, Hip-Hop and across the musical spectrum to good old-fashioned Rock & Roll with performances by 2018 Rock & Roll Hall of Fame Inductee ELLIOT EASTON of THE CARS playing their mega-hit songs of the 1980’s\, JEFF TIMMONS of the multi-platinum selling vocal group 98 DEGREES\, Boston legend CHARLIE FARREN from the Joe Perry Project\, rising star and super-singer NICOLE MICHELLE\, singer/songwriter WOLFTYLA\, SIMONE CARDOSO\, THE STUMPS (with a special tribute to the late Johnny Winter) and JONNY GLENN. With special guests NICOLE SPILLER and BRITTANY BALDI of the hit MTV series ARE YOU THE ONE along with other surprise appearances\, this unique event pays homage with special honor and respect for our pop culture and showcases artists of many different styles with divergent musical interpretations. \nThe GENERATIONS GALA tributes Johnny Winter’s love of supporting newer generations of musicians and artists that pioneer contemporary music.\nThe JOHNNY WINTER FOUNDATION FOR THE ARTS is dedicated to the life and legacy of John Dawson Winter III. Johnny Winter graced the musical landscape with his youthful playing\, building admiration from peers and influences alike. His incendiary guitar playing and famous showmanship throughout his illustrious career changed the acceptance of music forever. Rolling Stone Magazine named him one of the 100 GREATEST GUITARISTS OF ALL TIME\, Guitar World Magazine chose Johnny Winter for the cover of the very first issue of the print in July of 1980 and he took the stage at the mythical Woodstock concert in 1969 on the third day of the show.  \nThe 1st Annual GENERATIONS GALA will bring you into a new world of music while simultaneously bringing you back to the sounds of musical eras now lost in time.\nDon’t miss this one-of-a-kind event where varying musical genres merge for one night under one roof at one of the most prestigious venues in Boston.\nA portion of the proceeds will be donated to the treatment of opioid abuse in the ongoing fight against this profound epidemic.
\nDate – January 27\, 2018\nTicket Links – https://www.ticketfly.com/purchase/mobile/index/1618594\nGeneral Admission – Show – 5PM-9PM (Ages 18+)\nVIP Meet & Greets – pre-show 4PM-5PM and post-show 9PM-10PM\nSponsors – All Access with Skybox Seating available. Please call (617) 821-1204 for more information on becoming a sponsor for this event.\n1.	$55 – General Admission tickets. (Show begins at *5PM)
\n2.	$100: VIP (Meet and Greet begins at *9PM*) – VIP’s remain on the second level after the show – meet the performers\, have one item signed\, take a photo\, and enjoy crowd-free merch shopping. VIP guests receive a VIP laminate lanyard. Includes one standing ticket for the show.
\n3.	DONATION: Any individual or company that donates as a sponsor to the event/cause will have All-Access VIP tickets (with laminate lanyard) and will have Skybox Seating (number of seats are case by case and not assigned). All sponsors can advertise their company logo on media screens on outer Skybox balconies. Larger sponsors can submit a media package that will loop on the media screens. Please call (617) 821-1204 for more info on sponsorships. 100% funds raised through donations or through individual ticket sales for Skybox Seating will be donated to the treatment of opioid abuse through our fiscal sponsor. The beneficiary of the monies raised will be disclosed to sponsors with a receipt referencing 100% tax deductible donation.
\nBuy your tickets now and experience the 1st Annual Generations Gala sponsored by the Johnny Winter Foundation for the Arts with an amazing lineup of artists on January 27\, 2018 at the Royale!
URL:https://royaleboston.com/event/1st-annual-generations-gala-hosted-jeff-timmons/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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DTSTART;TZID=America/New_York:20180127T220000
DTEND;TZID=America/New_York:20180127T220000
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LAST-MODIFIED:20171221T155634Z
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SUMMARY:Cosmic Saturdays w/ Brooke Evers
DESCRIPTION:21+ \nVIP Inquiries 617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-w-brooke-evers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20180128T193000
DTEND;TZID=America/New_York:20180128T193000
DTSTAMP:20260405T170706
CREATED:20171201T182709Z
LAST-MODIFIED:20171201T182709Z
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SUMMARY:Nikos Makropoulos w/ Kostas Karafotis
DESCRIPTION:VIP Tables available\, please call/text Themi 781.964.5014 or Maria 617.407.8664
URL:https://royaleboston.com/event/nikos-makropoulos-w-kostas-karafotis/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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DTSTART;TZID=America/New_York:20180131T200000
DTEND;TZID=America/New_York:20180131T200000
DTSTAMP:20260405T170706
CREATED:20170912T152045Z
LAST-MODIFIED:20170912T152045Z
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SUMMARY:Black Rebel Motorcycle Club
DESCRIPTION:Bowery Boston presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 9/15 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nBlack Rebel Motorcycle Club has partnered with PLUS1 so that $1 from every ticket goes to War Child to support children and families in communities affected by war throughout the world. More info at: https://warchildusa.org/homeusa \n*** \n \n*** \nBlack Rebel Motorcycle Club \n \nWebsite\nFacebook\nTwitter \nFor 15 years\, Black Rebel Motorcycle Club has carried the torch for true rock and roll. The latest edition of the firebrand rock troupe\, sees them at their most dynamic. Their sixth studio album\, “Specter at the Feast\,” ventures into diverse sonic territory\, delivering their most ambitious offering yet. It’s an album of impossible dichotomies; opposing sounds amalgamate into a seamless\, entirely coherent package\, that rumbles with driving rhythms\, and soars with skyward-arcing guitar howls. Robert Been delivers growling bass grooves on “Hate the Taste\,” and Peter Hayes’ guitar wails on what may be their most hard-rocking song\, “Rival.” Counterbalancing these frenetic outbursts are moments of star-gazing ambient textures\, like the crystalline harmonics introducing the slinking album opener\, “Fire Walker\,” and the organ drones of “Returning.” There are moments of down-home blues paired alongside flailing punk bombasticism; gnarled dark rock shores upon uplifting\, and optimistic anthems. Taking cues from all points of the band’s many years on the road\, this record is the band’s most well-realized album to date. “We thought about making it a double album\,” Been says of the many songs that were written for the record. \nTo write the album\, the Los Angeles band traveled north to the sleepy Northern California town of Santa Cruz\, where they holed up in an old Post Office-turned-recording studio. It was here\, just a few blocks from where Been grew up\, that they began to write. \n“Peter would spend all day and night in that studio\,” Been recalls\, “[Drummer] Leah [Shapiro] and I would go and check on him every few days\, and he’d show us these incredible textures and guitar lines that he built.” \n“I’ve never seen the sunrise so many times\,” Hayes laughs\, “I’d work all night on these songs\, trying to get them right.” \nPrior to heading north to Santa Cruz\, Dave Grohl invited them to his Studio 606\, home to the storied Neve 8028 console soundboard from the legendary Sound City — the subject of his recent documentary — and on which Nirvana created “Nevermind” and BMRC recorded their debut album in 2001. “It was a nice sense return\,” Been says\, “to come back to the place where it all began for us.” \nFor two years\, the band worked on creating the album\, a process that they all agree\, was one of the most difficult of their career. Like the Macbeth quote that became the album’s title\, there was a painful shadow that had been cast upon the band. \nDuring the band’s 2010 tour\, Robert’s father Michael Been — known for fronting 1980’s alt-rock group\, The Call — died while backstage. He was BRMC’s sound engineer\, and as Hayes says\, “he was like another member of the band.” They finished the tour but afterward\, the trauma began to set in. \n“Music began as the best way to escape what was out there\, all the shit in the world that feels false\, everything you want to say against it\,” Been says\, “but when a loss like this is so close to music\, it turns everything upside down. Music becomes the one place where you can’t escape. It’s like waking up in a completely different world. How do I get my bearings in this world?” \nSlowly\, the band began to rebuild. They fought grief and the pain of Michael’s death by confronting it directly\, with no fear. \n“The only thing that felt good was just getting together\, plugging in\, and turning up loud as shit\,” Been says. “It was kind of this therapeutic process\, playing really loud\, and just feeling this energy; letting that be a release. It really helped us pull out of that darkest place that we were in.” \nAs their momentum regained\, their synergy reconnected them to one another. Then one session began the process that unlocked their creative energy again. “I began playing this drumbeat that I had been working on\,” Shapiro says\, “the guys started playing\, and suddenly we realized that we were playing the Call’s ‘Let the Day Begin.'” \nThe unintentional homage to The Call turned into their own high-powered take on the song they performed with Michael around the world. The energy was explosive and real; it became the first song they recorded at Grohl’s studio\, as a tribute to Michael’s place in the band. For Robert\, of course\, the meaning transcended music. “This song was one of my earliest memories of my father’s music\,” he says. \nGrief transformed to joy. On this album\, where they dug deeper than ever before\, mining these difficult emotional landscapes\, the result is intense\, but rapturous. From personal and intimate hymns like the “Sometimes the Light” to the buzz-saw guitars of “Teenage Disease\,” Been says “it was these two extremes that we were drifting back and forth between\, you feel both when you are going through what we went trough.” \nAbove all\, “Specter at the Feast” is honest; it tells the story of a journey to Hell and back\, revealing that in darkness\, there can be light. Wounds will eventually heal\, and maybe\, music can save your life. As they sing on ‘Returning\,’ “I will follow you till we all return\, till we know our souls’ survived.” \n*** \nNight Beats \n \nWebsite\nFacebook\nTwitter \nDanny Lee Blackwell – guitar / vocals\nJakob Bowden — bass\nJames Traeger — drums\nNight Beats play pure psychedelic R&B music that spikes the punch and drowns your third eye in sonic waves of colour. Theirs is a bastard blues\, contorted and distorted into new shapes for 21st century wastoids — once tasted never forgotten. This is music to melt your sorry little minds.\nMake no mistake: their new album Who Sold My Generation sounds like it has been created against a backdrop of burning Stars and Stripes flags and with the whiff of napalm hanging in the air — an alternative universe where ‘Helter Skelter’ is the national anthem and Charlie Manson is still on the loose. Acid-test heaviness is Night Beats’ currency\, but this is no out-right nostalgia trip either. Instead of Nixon and Vietnam\, Night Beats have their own epoch of God and guns and bombs and drones to rail against…or flee from. Besides\, bad vibrations\, blues jams and id-shattering explorations are timeless pursuits – why shouldn’t today’s young generation be allowed to take a ride down the slippery spiral that sits within the centre of each of us?\nOn their third album – and first for Heavenly Recordings — Night Beats perhaps most recall their Texan forefathers and psyche-rock originators 13th Floor Elevators at their ‘69 peak\, just before The Man busted young Roky Erickson and dragged him to the psyche ward for barbaric doses of shock treatment. These boys represent the best of the Lone Star State’s flipside – that vast dusty hinterland of the soul where it’s easy to drift off the map and reinvent yourself as part of the long lineage of creative cowboys who prefer psychotropics to rodeo riding\, guitars rather than firearms.\n“Old cowboy culture is alive and well in Texas\,” says frontman Danny Lee Blackwell. “I grew up with Texan mythology all around us\, so as a band its instilled in our blood. My Dad didn’t wrangle steers but he did pick cotton when he was young. But then cities like Austin and Dallas\, where we spent most of our time growing up\, have a real sense of musical history that runs deep\, so we feed off legacy that too.”\nFrom the Elevators and The Red Krayola on to pre-ZZ Top band The Moving Sidewalks\, Butthole Surfers and The Black Angels – whose record label Reverb Appreciation Society have released Night Beats — and a clutch of other early cult bands besides (Bubble Puppy\, Shiva’s Headband and the Golden Dawn\, anyone?)\, Texas has always been a prime breeding ground for such outlaw music. “The Elevators were one of the reasons I decided to become a singer and form the group\,” says Blackwell. “I loved their attempt to play R ‘n’ B music\, but from a distinctly Texan approach. I’d say they have profoundly influenced the group\, but it’s now our job to take it to another level in a new age.”\nIt took a cross-country relocation to instigate their formation. Night Beats were born when frontman Danny Lee Blackwell upped stick from Dallas to Seattle\, Washington and was soon joined by childhood friend James Traeger. “James got me a copy of Ginsberg’s Howl when I was around 15 and it changed everything\,” remembers Blackwell of his old friend. “We grew up together and once he moved up to Seattle we did everything together there too. I wanted to try out a different place\, a new city\, where no one knew my music and there wasn’t anything remotely similar going on. Coming from Dallas\, Austin seemed like the obvious choice but I needed something more. Seattle was at one time the home to people we love like Ray Charles\, Jimi Hendrix and Quincy Jones so I didn’t feel too disconnected.”\nThe two existed initially as a guitar and drums duo\, named in honour of Sam Cooke’s 1963 album Night Beat\, before fellow Jakob Bowden Dallas resident joined on bass after a stint in Austin. Filtering a collective love of pioneering artists as disparate as Buddy Holly\, Fela Kuti\, Etta James\, James Brown and Leonard Cohen\, Night Beats dropped a clutch of singles\, split-singles\, cassette release and two albums – their self-titled debut in 2011 followed by Sonic Bloom in 2013 – as well as featuring on all manner of compilation albums that document the cutting edge of the head-bending\, modern counter-cultural US underground.\nNight Beats hit the road too\, touring extensively with Roky Erickson\, The Zombies\, The Jesus and Mary Chain\, The Strange Boys\, Black Lips\, The Growlers and The Black Angels in North America\, Europe\, Israel\, South Africa and Australia.\nRecorded on old two-inch tape in Echo Park\, Los Angeles at the home of producer Nic Jodoin and featuring co-production and guess bass playing from Robert Levon Been of Black Rebel Motorcycle Club\, new album Who Sold My Generation goes beyond merely being a retreading of well-worn garage / R&B path. Instead it offers a contemporary take on the psychedelic experience\, a heady set of hoodoo voodoo songs. Mordant and corrosive opener ‘Celebration #1’ sets the tone with its wailing guitar jams and Messiah-like monologue\, while ‘No Cops’ makes like the imaginary soundtrack to an orgiastic party somewhere in the LA hills as the summer of love gave way to an era of greed and paranoia. ‘Sunday Mourning’ is the sound of blood dripping on the twitching remains of a generation’s super ego and with a rockabilly strut\, ‘Egypt Berry’ chases the White Rabbit down into a cosmic underworld while shaking its burning tail feathers\nWith new Who Sold My Generation\, Night Beats have not only painted it black\, they’ve torched the fucker and driven it off the cliff\, crashing and burning into the arid canyon below.\nIn its afterglow only the lone howl of a solitary coyote remains.\nBen Myers. October 2015.
URL:https://royaleboston.com/event/black-rebel-motorcycle-club/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180202T220000
DTEND;TZID=America/New_York:20180202T220000
DTSTAMP:20260405T170706
CREATED:20171220T015243Z
LAST-MODIFIED:20171220T015243Z
UID:10001870-1517608800-1517608800@royaleboston.com
SUMMARY:Sofa King Fridays w/ Arty
DESCRIPTION:21+ \nVIP Inquiries text/call 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-arty-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180203T220000
DTEND;TZID=America/New_York:20180203T220000
DTSTAMP:20260405T170706
CREATED:20180124T032813Z
LAST-MODIFIED:20180124T032813Z
UID:10001887-1517695200-1517695200@royaleboston.com
SUMMARY:Cosmic Saturdays w/ DJ Tao
DESCRIPTION:Wear your favorite team gear for free entry before 11:30pm! \n21+ \n  \nVIP: 617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-w-dj-tao/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180204T210000
DTEND;TZID=America/New_York:20180204T210000
DTSTAMP:20260405T170706
CREATED:20171201T180125Z
LAST-MODIFIED:20171201T180125Z
UID:10002579-1517778000-1517778000@royaleboston.com
SUMMARY:Fernando & Sorocaba USA Tour 2018
DESCRIPTION:21+
URL:https://royaleboston.com/event/fernando-sorocaba-usa-tour-2018/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Concerts,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180206T190000
DTEND;TZID=America/New_York:20180206T190000
DTSTAMP:20260405T170706
CREATED:20170922T172038Z
LAST-MODIFIED:20170922T172038Z
UID:10001846-1517943600-1517943600@royaleboston.com
SUMMARY:Yung Lean & Sad Boys
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 9/29 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nYung Lean & Sad Boys \n \nWebsite\nFacebook\nTwitter \n*** \nThaiboy Digital \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/yung-lean-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180209T220000
DTEND;TZID=America/New_York:20180209T220000
DTSTAMP:20260405T170706
CREATED:20171220T015415Z
LAST-MODIFIED:20171220T015415Z
UID:10001871-1518213600-1518213600@royaleboston.com
SUMMARY:Sofa King Fridays w/ Goldfish
DESCRIPTION:21+ \nVIP Inquiries call 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-goldfish/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180210T220000
DTEND;TZID=America/New_York:20180210T220000
DTSTAMP:20260405T170706
CREATED:20180125T190308Z
LAST-MODIFIED:20180125T190308Z
UID:10002599-1518300000-1518300000@royaleboston.com
SUMMARY:STOP\, GO OR SLOW Party w/ DUDEnGUY
DESCRIPTION:Wear the color that represents your relationship status & we’ll see you on the dance floor! \nVIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, sneakers\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/stop-go-slow-party-w-dudenguy/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180216T220000
DTEND;TZID=America/New_York:20180216T220000
DTSTAMP:20260405T170706
CREATED:20180119T170025Z
LAST-MODIFIED:20180119T170025Z
UID:10001881-1518818400-1518818400@royaleboston.com
SUMMARY:Sofa King Fridays w/ Robin Schulz
DESCRIPTION:21+ \nVIP 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-robin-schulz-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/01/216-Robin-Schulz.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180217T170000
DTEND;TZID=America/New_York:20180217T213000
DTSTAMP:20260405T170706
CREATED:20171024T161739Z
LAST-MODIFIED:20171024T161739Z
UID:10001851-1518886800-1518903000@royaleboston.com
SUMMARY:The Decibel Magazine Tour 2018
DESCRIPTION:Bowery Boston presents \nDoors: 5:00 pm / Show: 5:15 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 10/27 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \nSince its launch in 2012\, the annual Decibel Magazine Tour’s ambitious curation has unified artists from around the extreme universe who would otherwise never have the opportunity to tour North America together. The lineup for the 2018 Decibel Magazine Tour continues that proud tradition\, as Norwegian progressive metal legends Enslaved join forces with Pacific Northwest black metal heroes Wolves in the Throne Room\, Danish post-black siren Myrkur and doomed rock ‘n’ crushers Khemmis (with regional openers in select markets to be announced next year). \n“I have always wanted Enslaved to be part of the Decibel Tour concept\,” says Enslaved guitarist and co-founder Ivar Bjørnson. “Not only is Decibel an institution\, and defender of the last line of resistance for the printed metal mag in North America (for a band started in 1991\, printed magazines are no small matter)\, but the Decibel Tour has also become an institution and an icon for metal that we admire here on the other side of the pond. So\, to be asked to headline\, and to perform with these other very fine artists\, is a great honor and a great pleasure. Be there or be trapezoid!” \nOf 2018’s four featured acts\, three have released new LPs in late 2017 to coincide with the Decibel Tour: Enslaved\, with their fourteenth full-length album\, E; Wolves in the Throne Room\, with sixth record Thrice Woven; and Myrkur\, with sophomore release Mareridt. The former have already been honored with a pair of authoritative Hall of Fame features (on 1994’s landmark Frost and 2003 groundbreaker Below the Lights). Wolves in the Throne and Myrkur each graced Decibel’s cover in 2017\, while in 2016\, Khemmis took home Decibel’s Album of the Year honor for their Hunted release. Additionally\, Enslaved\, Myrkur and Khemmis have each recorded and released exclusive tracks via the Decibel Flexi Series\, and the 2018 headliners will return with their second flexi contribution\, which will appear in the annual Decibel Tour issue of the magazine that hits stands February 2018. \n*** \nEnslaved \n \nWebsite\nFacebook\nTwitter \n*** \nWolves In The Throne Room \n \nWebsite\nFacebook\nTwitter \n*** \n Myrkur  \n \nWebsite\nFacebook \n*** \n Khemmis  \n \nWebsite\nFacebook
URL:https://royaleboston.com/event/decibel-magazine-tour-2018/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180217T220000
DTEND;TZID=America/New_York:20180217T220000
DTSTAMP:20260405T170706
CREATED:20180130T181545Z
LAST-MODIFIED:20180130T181545Z
UID:10002604-1518904800-1518904800@royaleboston.com
SUMMARY:Mardi Gras Party w/ Richard Fraioli
DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, sneakers\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/mardi-gras-party-w-richard-fraioli/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180218T220000
DTEND;TZID=America/New_York:20180218T220000
DTSTAMP:20260405T170706
CREATED:20180119T182128Z
LAST-MODIFIED:20180119T182128Z
UID:10001882-1518991200-1518991200@royaleboston.com
SUMMARY:Muscle Queen with MILK & Alex Acosta
DESCRIPTION:Chris Harris & Rafael Sanchez Presents… \nSpecial Guests MILK & Alex Acosta \n  \n21+ \n  \n 
URL:https://royaleboston.com/event/chris-harris-rafael-sanchez-presents-muscle-queen/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180222T210000
DTEND;TZID=America/New_York:20180222T210000
DTSTAMP:20260405T170706
CREATED:20180111T172022Z
LAST-MODIFIED:20180111T172022Z
UID:10002595-1519333200-1519333200@royaleboston.com
SUMMARY:IPANEMA & BUDA PRODUCTIONS PRESENT ALOK
DESCRIPTION:21+ \nDoors 9pm\nShow time 11pm \nMore info:\nINF.: (508)250-1193 – (617)583-3641\nwww.ipanemaproductionsusa.com
URL:https://royaleboston.com/event/ipanema-buda-productions-present-alok/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Nightclub,Special Events
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GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180223T220000
DTEND;TZID=America/New_York:20180223T220000
DTSTAMP:20260405T170706
CREATED:20171220T015537Z
LAST-MODIFIED:20171220T015537Z
UID:10001872-1519423200-1519423200@royaleboston.com
SUMMARY:Sofa King Fridays w/ Baauer
DESCRIPTION:21+ \nVIP Inquiries 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-baauer/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180224T220000
DTEND;TZID=America/New_York:20180224T220000
DTSTAMP:20260405T170706
CREATED:20180209T205748Z
LAST-MODIFIED:20180209T205748Z
UID:10001891-1519509600-1519509600@royaleboston.com
SUMMARY:Cosmic Saturdays w/ Lost Frequencies
DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/cosmic-saturdays-w-lost-frequencies/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180225T190000
DTEND;TZID=America/New_York:20180225T190000
DTSTAMP:20260405T170706
CREATED:20171106T163437Z
LAST-MODIFIED:20171106T163437Z
UID:10001855-1519585200-1519585200@royaleboston.com
SUMMARY:SOLD OUT - dvsn
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nNote: Ticket price includes $4/ticket album bundle. \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 11/10 at 10AM! \nThis show is SOLD OUT. \n*** \n \n*** \ndvsn \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/dvsn/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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GEO:42.3499959;-71.0656288
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180226T190000
DTEND;TZID=America/New_York:20180226T190000
DTSTAMP:20260405T170706
CREATED:20180108T191301Z
LAST-MODIFIED:20180108T191301Z
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SUMMARY:Kelela
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 1/12 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \nKelela \n \nFacebook\nTwitter \nKelela’s debut\, Take Me Apart\, spans the past and future of R&B while registering as an instant classic. With critical praise from The New York Times\, Pitchfork (Best New Music)\, and a cover story for The FADER\, it’s clear that Kelela is taking over. Having already performed at The Hollywood Bowl with Solange\, at massive festivals with the Gorillaz and gone around the world with The xx\, Kelela is now selling out her own headline tour.
URL:https://royaleboston.com/event/kelela/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180302T180000
DTEND;TZID=America/New_York:20180302T213000
DTSTAMP:20260405T170706
CREATED:20171112T150045Z
LAST-MODIFIED:20171112T150045Z
UID:10001865-1520013600-1520026200@royaleboston.com
SUMMARY:LP
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 6:15 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited. \n*** \n \n*** \nLP \n \nWebsite\nFacebook\nTwitter \nMusic doesn’t have to be complicated.\nAt the end of the day\, it’s all about being honest\, taking no B.S.\, and getting right back up after every fall. New York-born singer\, songwriter\, and all-around rock rebel LP puts it even more succinctly\, “I go Johnny Cash on that shit and just get through it.”\nLike the Man in Black\, she pens and performs timeless tunes with attitude—albeit minus the country twang and cowboy hats. Ukulele in hand\, voice booming with soul and spirit\, and pulling no punches\, LP’s palatability belies an underground unrestraint sharpened by several years in the industry. By 2014\, she had not only written hits for Rihanna\, Cher\, Backstreet Boys\, Cher Lloyd\, and more\, but also released her major label debut\, Forever For Now. The latter’s “Into The Wild” fueled a Citibank ad campaign as everyone from The Wall Street Journal\, CNN\, and USA Today to Vogue and BuzzFeed extolled the artist. She performed on Jimmy Kimmel LIVE! and ignited audiences at Austin City Limits\, Bonnaroo\, Lollapalooza\, and more. However\, as her six-year romantic relationship failed and she split from her label\, LP put her head down and wrote what would become 2016’s Death Valley EP [Vagrant Records].\n“My goal was just to create my best music\,” she says. “I stopped overthinking things. I didn’t know how it was going to come out or if anyone would ever hear it\, but I just wanted to write. No one told me what to do. I wasn’t trying to fit into some fucking label’s ideal of who I should be. I had complete artistic freedom.”\nDeath Valley became a watershed moment for the songstress and modern rock at large. Driven by her signature ukulele\, raspy acoustic guitars\, and the unshakable refrain\, “Baby is that lost on you?\,” its lead single “Lost On You” amassed over 91 million YouTube views as well as 44 million Spotify streams and went triple-platinum in Italy\, platinum in France\, Poland\, and Germany\, and gold in Switzerland. Meanwhile\, the title track\, “Muddy Waters\,” soundtracked the Season 4 climax of NETFLIX’s Orange Is The New Black.\n“I love a record that has an eclectic bunch of songs\,” she goes on. “I want it to be an interesting landscape\, and I like to use my voice in different ways. That was my goal with Death Valley.”\nIt also extends to her 2017 full-length album. Once again\, LP re-unites with the team behind Death Valley—producer POWERS’ Mike Del Rio [Christina Aguilera\, X Ambassadors] and writer Nate Campany [Tove Lo\, Carly Rae Jepsen\, Martin Garrix].\n“It’s a weird thing\,” she says. “I feel more confident than ever before. I don’t have to police myself anymore. For this record\, I decided to unapologetically tress on\, keep going\, and run with my emotion.”\nUltimately\, as LP writes more\, she continues to connect with audiences everywhere. “There’s a survivor mentality that comes through naturally\,” she leaves off. “That strikes a chord. I want to show people it’s possible to do whatever they want on their own terms.” \n*** \nNoah Kahan \n \nWebsite\nFacebook\nTwitter \nFrom the rural solitude of the quiet town of Strafford\, VT (Population: 1000)\, Noah Kahan discovered his penchant for songwriting early on. Long\, cold winters in the Vermont backcountry were spent honing his craft in the rolling hills of his family’s 133-acre tree farm. This serene location provided the backdrop for countless adventures that ranged from typical boyhood antics to the more rebellious teenage exploration. The older that Noah got\, the more he began to feel the pull of adulthood clash with the familiarity of his adolescence. Drawing heavily from these experiences\, Noah’s songs are laced with a youthful wisdom; nostalgia and whimsy taking a back seat to honesty and wit. He meets this conflict head on by acknowledging the loneliness of this new phase of his life coupled with his desire to stay true to himself. Noah’s writing reflects the all too universal feeling of being lost in one’s own backyard and foreshadows the excitement that comes with a leap into the unknown. \nNow 20 years old\, Noah once again finds himself deviating from the norm. As he follows a dream as old as he can remember\, his childhood friends are choosing majors and preparing for more conventional careers. No stranger to feeling lost or isolated\, he now chooses to embrace the uncertainty as fuel. The lyrics to his debut single “Young Blood” read as a letter of encouragement and advice to himself as he embarks on this new adventure. He reminds himself to “be surprised\, keep hungry.” Throughout unexpected challenges and new revelations\, Noah is staying true to his nature; questioning everything and enjoying the ride. \n*** \nKat Cunning \n \nWebsite\nFacebook\nTwitter \nKat Cunningham is a singer-songwriter and actress who frequents Sleep No More as the Master of Ceremonies and is currently performing in Refinery 29’s SOLD OUT “29 Rooms.” Her single\, “BABY” is out now on SPOTIFY. \nThe SUNY Purchase Dance Conservatory Graduate got her start in Baroque-Burlesque Operas with Company XIV. She recently made her dramatic debut playing Emilie in Les Liaison Dangereuses with Janet Mcteer and Liev Schreiber. and her Broadway Debut in 2016 playing Lila in Cirque Du Soleil’s\, PARAMOUR\, for which she co-wrote Lila’s score to suit her singular voice. \nThe New York Times has described that the “standout spots belong to the sultry-voiced Katrina Cunningham who brings an exquisite indie-siren quality…” \nAwards: Best Actor for Nothing Serious\, 2016 Traildance Film Festival \nBest Supporting Actor Pepper and the Salt Sea\, 2016 Damn! Series
URL:https://royaleboston.com/event/lp/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180302T220000
DTEND;TZID=America/New_York:20180302T220000
DTSTAMP:20260405T170706
CREATED:20180215T000115Z
LAST-MODIFIED:20180215T000115Z
UID:10001896-1520028000-1520028000@royaleboston.com
SUMMARY:Sofa King Fridays w/ Bijou
DESCRIPTION:Support by DUDEnGUY \n  \nVIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/sofa-king-friday-w-cazzette/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180303T220000
DTEND;TZID=America/New_York:20180303T220000
DTSTAMP:20260405T170706
CREATED:20180221T054707Z
LAST-MODIFIED:20180221T054707Z
UID:10001898-1520114400-1520114400@royaleboston.com
SUMMARY:Cosmic Saturdays Dr. Seuss Day w/ Breeazy
DESCRIPTION:21+ \n  \nVIP text or call 617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-dr-seuss-day-w-breeazy/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180304T193000
DTEND;TZID=America/New_York:20180304T193000
DTSTAMP:20260405T170706
CREATED:20180122T200935Z
LAST-MODIFIED:20180122T200935Z
UID:10001886-1520191800-1520191800@royaleboston.com
SUMMARY:Natasa Theodoridou
DESCRIPTION:21+ \n  \nDoors at 7:30pm \nShow begins at 8:45pm
URL:https://royaleboston.com/event/natasa-theodoridou/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Concerts,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180308T200000
DTEND;TZID=America/New_York:20180308T200000
DTSTAMP:20260405T170706
CREATED:20171024T154437Z
LAST-MODIFIED:20171024T154437Z
UID:10002570-1520539200-1520539200@royaleboston.com
SUMMARY:Tune-Yards
DESCRIPTION:Bowery Boston presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 10/27 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nNote: Ticket price includes $1/ticket for charity. \n*** \n \n*** \ntUnE-yArDs \n \nWebsite\nFacebook\nTwitter \nTune-Yards was formed by Merrill Garbus in 2006\, and that band name has ever since been synonymous with forward movement—whether because of the group’s explosive performance style\, the always-surprising way in which their songs unfold\, or the lines Merrill draws between music and social activism. First gaining notice with the debut BiRd-BrAiNs\, which The New York Times called “a confident do-it-yourselfer’s opening salvo: a staticky\, low-fi\, abrasive attention-getter\,” Garbus forged a reputation as a formidable live presence through relentless touring. \nGarbus became a producer in her own right working with bassist Nate Brenner and engineer Eli Crews on 2011’s w h o k i l l\, a startling and sonically adventurous statement that led to a whirlwind period where the band accrued accolades from critics (including the #1 spot on the Village Voice’s 2011 Pazz and Jop poll.) In 2014\, Tune-Yards released Nikki Nack\, and through touring and licensing music from that album\, they raised money to begin The Water Fountain\, a fund for water-related causes which has donated over $75\,000 to various nonprofits since its inception. \nTune-Yards has collaborated with Yoko Ono\, Laurie Anderson\, David Byrne\, Mavis Staples\, and others. They are currently working on their fourth album\, for release in 2018. \n*** \nXenia Rubinos \n \nWebsite\nFacebook\nTwitter \nVocalist and composer Xenia Rubinos crafts movingly powerful songs dipping in and out of genre and structure to create a sound that is fearlessly her own. Xenia’s powerhouse vocals are at the center of her music which grows from a wide range of influences from R&B to Hip-Hop to Caribbean rhythms and jazz all delivered with a soulful punk aura. Her debut album ‘Magic Trix’ was released in 2013 by Ba Da Bing! Records to wide critical acclaim. Pitchfork lauded the radiant singer as “a unique new pop personality” while a profile in The New Yorker described her work as “rhythmically fierce\, vocally generous music that slips through the net of any known genre.” Xenia’s energetic live show and presence echoes some of the larger than life iconic singers she admired as a child including Judy Garland\, Nina Simone and La Lupe while her powerhouse vocals recall the pop sensibility of Mariah Carey and soulfulness of Erykah Badu. Touring the US and Europe extensively\, she has played more than 150 shows both as a headliner and supporting act for such diverse bands as Man Man\, Battles\, Coco Rosie\, and Deerhoof. Xenia has been hard at work on her follow-up full-length LP\, due out Spring 2016.
URL:https://royaleboston.com/event/tune-yards/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180309T220000
DTEND;TZID=America/New_York:20180309T220000
DTSTAMP:20260405T170706
CREATED:20180110T143607Z
LAST-MODIFIED:20180110T143607Z
UID:10002591-1520632800-1520632800@royaleboston.com
SUMMARY:Sofa King Fridays w/ Dash Berlin
DESCRIPTION:21+ \nVIP Inquiries 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-dash-berlin-2/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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