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DTSTART;TZID=America/New_York:20180131T200000
DTEND;TZID=America/New_York:20180131T200000
DTSTAMP:20260408T102317
CREATED:20170912T152045Z
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SUMMARY:Black Rebel Motorcycle Club
DESCRIPTION:Bowery Boston presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 9/15 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nBlack Rebel Motorcycle Club has partnered with PLUS1 so that $1 from every ticket goes to War Child to support children and families in communities affected by war throughout the world. More info at: https://warchildusa.org/homeusa \n*** \n \n*** \nBlack Rebel Motorcycle Club \n \nWebsite\nFacebook\nTwitter \nFor 15 years\, Black Rebel Motorcycle Club has carried the torch for true rock and roll. The latest edition of the firebrand rock troupe\, sees them at their most dynamic. Their sixth studio album\, “Specter at the Feast\,” ventures into diverse sonic territory\, delivering their most ambitious offering yet. It’s an album of impossible dichotomies; opposing sounds amalgamate into a seamless\, entirely coherent package\, that rumbles with driving rhythms\, and soars with skyward-arcing guitar howls. Robert Been delivers growling bass grooves on “Hate the Taste\,” and Peter Hayes’ guitar wails on what may be their most hard-rocking song\, “Rival.” Counterbalancing these frenetic outbursts are moments of star-gazing ambient textures\, like the crystalline harmonics introducing the slinking album opener\, “Fire Walker\,” and the organ drones of “Returning.” There are moments of down-home blues paired alongside flailing punk bombasticism; gnarled dark rock shores upon uplifting\, and optimistic anthems. Taking cues from all points of the band’s many years on the road\, this record is the band’s most well-realized album to date. “We thought about making it a double album\,” Been says of the many songs that were written for the record. \nTo write the album\, the Los Angeles band traveled north to the sleepy Northern California town of Santa Cruz\, where they holed up in an old Post Office-turned-recording studio. It was here\, just a few blocks from where Been grew up\, that they began to write. \n“Peter would spend all day and night in that studio\,” Been recalls\, “[Drummer] Leah [Shapiro] and I would go and check on him every few days\, and he’d show us these incredible textures and guitar lines that he built.” \n“I’ve never seen the sunrise so many times\,” Hayes laughs\, “I’d work all night on these songs\, trying to get them right.” \nPrior to heading north to Santa Cruz\, Dave Grohl invited them to his Studio 606\, home to the storied Neve 8028 console soundboard from the legendary Sound City — the subject of his recent documentary — and on which Nirvana created “Nevermind” and BMRC recorded their debut album in 2001. “It was a nice sense return\,” Been says\, “to come back to the place where it all began for us.” \nFor two years\, the band worked on creating the album\, a process that they all agree\, was one of the most difficult of their career. Like the Macbeth quote that became the album’s title\, there was a painful shadow that had been cast upon the band. \nDuring the band’s 2010 tour\, Robert’s father Michael Been — known for fronting 1980’s alt-rock group\, The Call — died while backstage. He was BRMC’s sound engineer\, and as Hayes says\, “he was like another member of the band.” They finished the tour but afterward\, the trauma began to set in. \n“Music began as the best way to escape what was out there\, all the shit in the world that feels false\, everything you want to say against it\,” Been says\, “but when a loss like this is so close to music\, it turns everything upside down. Music becomes the one place where you can’t escape. It’s like waking up in a completely different world. How do I get my bearings in this world?” \nSlowly\, the band began to rebuild. They fought grief and the pain of Michael’s death by confronting it directly\, with no fear. \n“The only thing that felt good was just getting together\, plugging in\, and turning up loud as shit\,” Been says. “It was kind of this therapeutic process\, playing really loud\, and just feeling this energy; letting that be a release. It really helped us pull out of that darkest place that we were in.” \nAs their momentum regained\, their synergy reconnected them to one another. Then one session began the process that unlocked their creative energy again. “I began playing this drumbeat that I had been working on\,” Shapiro says\, “the guys started playing\, and suddenly we realized that we were playing the Call’s ‘Let the Day Begin.'” \nThe unintentional homage to The Call turned into their own high-powered take on the song they performed with Michael around the world. The energy was explosive and real; it became the first song they recorded at Grohl’s studio\, as a tribute to Michael’s place in the band. For Robert\, of course\, the meaning transcended music. “This song was one of my earliest memories of my father’s music\,” he says. \nGrief transformed to joy. On this album\, where they dug deeper than ever before\, mining these difficult emotional landscapes\, the result is intense\, but rapturous. From personal and intimate hymns like the “Sometimes the Light” to the buzz-saw guitars of “Teenage Disease\,” Been says “it was these two extremes that we were drifting back and forth between\, you feel both when you are going through what we went trough.” \nAbove all\, “Specter at the Feast” is honest; it tells the story of a journey to Hell and back\, revealing that in darkness\, there can be light. Wounds will eventually heal\, and maybe\, music can save your life. As they sing on ‘Returning\,’ “I will follow you till we all return\, till we know our souls’ survived.” \n*** \nNight Beats \n \nWebsite\nFacebook\nTwitter \nDanny Lee Blackwell – guitar / vocals\nJakob Bowden — bass\nJames Traeger — drums\nNight Beats play pure psychedelic R&B music that spikes the punch and drowns your third eye in sonic waves of colour. Theirs is a bastard blues\, contorted and distorted into new shapes for 21st century wastoids — once tasted never forgotten. This is music to melt your sorry little minds.\nMake no mistake: their new album Who Sold My Generation sounds like it has been created against a backdrop of burning Stars and Stripes flags and with the whiff of napalm hanging in the air — an alternative universe where ‘Helter Skelter’ is the national anthem and Charlie Manson is still on the loose. Acid-test heaviness is Night Beats’ currency\, but this is no out-right nostalgia trip either. Instead of Nixon and Vietnam\, Night Beats have their own epoch of God and guns and bombs and drones to rail against…or flee from. Besides\, bad vibrations\, blues jams and id-shattering explorations are timeless pursuits – why shouldn’t today’s young generation be allowed to take a ride down the slippery spiral that sits within the centre of each of us?\nOn their third album – and first for Heavenly Recordings — Night Beats perhaps most recall their Texan forefathers and psyche-rock originators 13th Floor Elevators at their ‘69 peak\, just before The Man busted young Roky Erickson and dragged him to the psyche ward for barbaric doses of shock treatment. These boys represent the best of the Lone Star State’s flipside – that vast dusty hinterland of the soul where it’s easy to drift off the map and reinvent yourself as part of the long lineage of creative cowboys who prefer psychotropics to rodeo riding\, guitars rather than firearms.\n“Old cowboy culture is alive and well in Texas\,” says frontman Danny Lee Blackwell. “I grew up with Texan mythology all around us\, so as a band its instilled in our blood. My Dad didn’t wrangle steers but he did pick cotton when he was young. But then cities like Austin and Dallas\, where we spent most of our time growing up\, have a real sense of musical history that runs deep\, so we feed off legacy that too.”\nFrom the Elevators and The Red Krayola on to pre-ZZ Top band The Moving Sidewalks\, Butthole Surfers and The Black Angels – whose record label Reverb Appreciation Society have released Night Beats — and a clutch of other early cult bands besides (Bubble Puppy\, Shiva’s Headband and the Golden Dawn\, anyone?)\, Texas has always been a prime breeding ground for such outlaw music. “The Elevators were one of the reasons I decided to become a singer and form the group\,” says Blackwell. “I loved their attempt to play R ‘n’ B music\, but from a distinctly Texan approach. I’d say they have profoundly influenced the group\, but it’s now our job to take it to another level in a new age.”\nIt took a cross-country relocation to instigate their formation. Night Beats were born when frontman Danny Lee Blackwell upped stick from Dallas to Seattle\, Washington and was soon joined by childhood friend James Traeger. “James got me a copy of Ginsberg’s Howl when I was around 15 and it changed everything\,” remembers Blackwell of his old friend. “We grew up together and once he moved up to Seattle we did everything together there too. I wanted to try out a different place\, a new city\, where no one knew my music and there wasn’t anything remotely similar going on. Coming from Dallas\, Austin seemed like the obvious choice but I needed something more. Seattle was at one time the home to people we love like Ray Charles\, Jimi Hendrix and Quincy Jones so I didn’t feel too disconnected.”\nThe two existed initially as a guitar and drums duo\, named in honour of Sam Cooke’s 1963 album Night Beat\, before fellow Jakob Bowden Dallas resident joined on bass after a stint in Austin. Filtering a collective love of pioneering artists as disparate as Buddy Holly\, Fela Kuti\, Etta James\, James Brown and Leonard Cohen\, Night Beats dropped a clutch of singles\, split-singles\, cassette release and two albums – their self-titled debut in 2011 followed by Sonic Bloom in 2013 – as well as featuring on all manner of compilation albums that document the cutting edge of the head-bending\, modern counter-cultural US underground.\nNight Beats hit the road too\, touring extensively with Roky Erickson\, The Zombies\, The Jesus and Mary Chain\, The Strange Boys\, Black Lips\, The Growlers and The Black Angels in North America\, Europe\, Israel\, South Africa and Australia.\nRecorded on old two-inch tape in Echo Park\, Los Angeles at the home of producer Nic Jodoin and featuring co-production and guess bass playing from Robert Levon Been of Black Rebel Motorcycle Club\, new album Who Sold My Generation goes beyond merely being a retreading of well-worn garage / R&B path. Instead it offers a contemporary take on the psychedelic experience\, a heady set of hoodoo voodoo songs. Mordant and corrosive opener ‘Celebration #1’ sets the tone with its wailing guitar jams and Messiah-like monologue\, while ‘No Cops’ makes like the imaginary soundtrack to an orgiastic party somewhere in the LA hills as the summer of love gave way to an era of greed and paranoia. ‘Sunday Mourning’ is the sound of blood dripping on the twitching remains of a generation’s super ego and with a rockabilly strut\, ‘Egypt Berry’ chases the White Rabbit down into a cosmic underworld while shaking its burning tail feathers\nWith new Who Sold My Generation\, Night Beats have not only painted it black\, they’ve torched the fucker and driven it off the cliff\, crashing and burning into the arid canyon below.\nIn its afterglow only the lone howl of a solitary coyote remains.\nBen Myers. October 2015.
URL:https://royaleboston.com/event/black-rebel-motorcycle-club/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180202T220000
DTEND;TZID=America/New_York:20180202T220000
DTSTAMP:20260408T102317
CREATED:20171220T015243Z
LAST-MODIFIED:20171220T015243Z
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SUMMARY:Sofa King Fridays w/ Arty
DESCRIPTION:21+ \nVIP Inquiries text/call 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-arty-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180203T220000
DTEND;TZID=America/New_York:20180203T220000
DTSTAMP:20260408T102317
CREATED:20180124T032813Z
LAST-MODIFIED:20180124T032813Z
UID:10001887-1517695200-1517695200@royaleboston.com
SUMMARY:Cosmic Saturdays w/ DJ Tao
DESCRIPTION:Wear your favorite team gear for free entry before 11:30pm! \n21+ \n  \nVIP: 617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-w-dj-tao/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180204T210000
DTEND;TZID=America/New_York:20180204T210000
DTSTAMP:20260408T102317
CREATED:20171201T180125Z
LAST-MODIFIED:20171201T180125Z
UID:10002579-1517778000-1517778000@royaleboston.com
SUMMARY:Fernando & Sorocaba USA Tour 2018
DESCRIPTION:21+
URL:https://royaleboston.com/event/fernando-sorocaba-usa-tour-2018/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Concerts,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180206T190000
DTEND;TZID=America/New_York:20180206T190000
DTSTAMP:20260408T102317
CREATED:20170922T172038Z
LAST-MODIFIED:20170922T172038Z
UID:10001846-1517943600-1517943600@royaleboston.com
SUMMARY:Yung Lean & Sad Boys
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 9/29 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nYung Lean & Sad Boys \n \nWebsite\nFacebook\nTwitter \n*** \nThaiboy Digital \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/yung-lean-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180209T220000
DTEND;TZID=America/New_York:20180209T220000
DTSTAMP:20260408T102317
CREATED:20171220T015415Z
LAST-MODIFIED:20171220T015415Z
UID:10001871-1518213600-1518213600@royaleboston.com
SUMMARY:Sofa King Fridays w/ Goldfish
DESCRIPTION:21+ \nVIP Inquiries call 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-goldfish/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180210T220000
DTEND;TZID=America/New_York:20180210T220000
DTSTAMP:20260408T102317
CREATED:20180125T190308Z
LAST-MODIFIED:20180125T190308Z
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SUMMARY:STOP\, GO OR SLOW Party w/ DUDEnGUY
DESCRIPTION:Wear the color that represents your relationship status & we’ll see you on the dance floor! \nVIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, sneakers\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/stop-go-slow-party-w-dudenguy/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180216T220000
DTEND;TZID=America/New_York:20180216T220000
DTSTAMP:20260408T102317
CREATED:20180119T170025Z
LAST-MODIFIED:20180119T170025Z
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SUMMARY:Sofa King Fridays w/ Robin Schulz
DESCRIPTION:21+ \nVIP 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-robin-schulz-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180217T170000
DTEND;TZID=America/New_York:20180217T213000
DTSTAMP:20260408T102317
CREATED:20171024T161739Z
LAST-MODIFIED:20171024T161739Z
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SUMMARY:The Decibel Magazine Tour 2018
DESCRIPTION:Bowery Boston presents \nDoors: 5:00 pm / Show: 5:15 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 10/27 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \nSince its launch in 2012\, the annual Decibel Magazine Tour’s ambitious curation has unified artists from around the extreme universe who would otherwise never have the opportunity to tour North America together. The lineup for the 2018 Decibel Magazine Tour continues that proud tradition\, as Norwegian progressive metal legends Enslaved join forces with Pacific Northwest black metal heroes Wolves in the Throne Room\, Danish post-black siren Myrkur and doomed rock ‘n’ crushers Khemmis (with regional openers in select markets to be announced next year). \n“I have always wanted Enslaved to be part of the Decibel Tour concept\,” says Enslaved guitarist and co-founder Ivar Bjørnson. “Not only is Decibel an institution\, and defender of the last line of resistance for the printed metal mag in North America (for a band started in 1991\, printed magazines are no small matter)\, but the Decibel Tour has also become an institution and an icon for metal that we admire here on the other side of the pond. So\, to be asked to headline\, and to perform with these other very fine artists\, is a great honor and a great pleasure. Be there or be trapezoid!” \nOf 2018’s four featured acts\, three have released new LPs in late 2017 to coincide with the Decibel Tour: Enslaved\, with their fourteenth full-length album\, E; Wolves in the Throne Room\, with sixth record Thrice Woven; and Myrkur\, with sophomore release Mareridt. The former have already been honored with a pair of authoritative Hall of Fame features (on 1994’s landmark Frost and 2003 groundbreaker Below the Lights). Wolves in the Throne and Myrkur each graced Decibel’s cover in 2017\, while in 2016\, Khemmis took home Decibel’s Album of the Year honor for their Hunted release. Additionally\, Enslaved\, Myrkur and Khemmis have each recorded and released exclusive tracks via the Decibel Flexi Series\, and the 2018 headliners will return with their second flexi contribution\, which will appear in the annual Decibel Tour issue of the magazine that hits stands February 2018. \n*** \nEnslaved \n \nWebsite\nFacebook\nTwitter \n*** \nWolves In The Throne Room \n \nWebsite\nFacebook\nTwitter \n*** \n Myrkur  \n \nWebsite\nFacebook \n*** \n Khemmis  \n \nWebsite\nFacebook
URL:https://royaleboston.com/event/decibel-magazine-tour-2018/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180217T220000
DTEND;TZID=America/New_York:20180217T220000
DTSTAMP:20260408T102317
CREATED:20180130T181545Z
LAST-MODIFIED:20180130T181545Z
UID:10002604-1518904800-1518904800@royaleboston.com
SUMMARY:Mardi Gras Party w/ Richard Fraioli
DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, sneakers\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/mardi-gras-party-w-richard-fraioli/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180218T220000
DTEND;TZID=America/New_York:20180218T220000
DTSTAMP:20260408T102317
CREATED:20180119T182128Z
LAST-MODIFIED:20180119T182128Z
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SUMMARY:Muscle Queen with MILK & Alex Acosta
DESCRIPTION:Chris Harris & Rafael Sanchez Presents… \nSpecial Guests MILK & Alex Acosta \n  \n21+ \n  \n 
URL:https://royaleboston.com/event/chris-harris-rafael-sanchez-presents-muscle-queen/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180222T210000
DTEND;TZID=America/New_York:20180222T210000
DTSTAMP:20260408T102317
CREATED:20180111T172022Z
LAST-MODIFIED:20180111T172022Z
UID:10002595-1519333200-1519333200@royaleboston.com
SUMMARY:IPANEMA & BUDA PRODUCTIONS PRESENT ALOK
DESCRIPTION:21+ \nDoors 9pm\nShow time 11pm \nMore info:\nINF.: (508)250-1193 – (617)583-3641\nwww.ipanemaproductionsusa.com
URL:https://royaleboston.com/event/ipanema-buda-productions-present-alok/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Nightclub,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180223T220000
DTEND;TZID=America/New_York:20180223T220000
DTSTAMP:20260408T102317
CREATED:20171220T015537Z
LAST-MODIFIED:20171220T015537Z
UID:10001872-1519423200-1519423200@royaleboston.com
SUMMARY:Sofa King Fridays w/ Baauer
DESCRIPTION:21+ \nVIP Inquiries 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-baauer/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180224T220000
DTEND;TZID=America/New_York:20180224T220000
DTSTAMP:20260408T102317
CREATED:20180209T205748Z
LAST-MODIFIED:20180209T205748Z
UID:10001891-1519509600-1519509600@royaleboston.com
SUMMARY:Cosmic Saturdays w/ Lost Frequencies
DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/cosmic-saturdays-w-lost-frequencies/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180225T190000
DTEND;TZID=America/New_York:20180225T190000
DTSTAMP:20260408T102317
CREATED:20171106T163437Z
LAST-MODIFIED:20171106T163437Z
UID:10001855-1519585200-1519585200@royaleboston.com
SUMMARY:SOLD OUT - dvsn
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nNote: Ticket price includes $4/ticket album bundle. \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 11/10 at 10AM! \nThis show is SOLD OUT. \n*** \n \n*** \ndvsn \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/dvsn/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180226T190000
DTEND;TZID=America/New_York:20180226T190000
DTSTAMP:20260408T102317
CREATED:20180108T191301Z
LAST-MODIFIED:20180108T191301Z
UID:10002589-1519671600-1519671600@royaleboston.com
SUMMARY:Kelela
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 1/12 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \nKelela \n \nFacebook\nTwitter \nKelela’s debut\, Take Me Apart\, spans the past and future of R&B while registering as an instant classic. With critical praise from The New York Times\, Pitchfork (Best New Music)\, and a cover story for The FADER\, it’s clear that Kelela is taking over. Having already performed at The Hollywood Bowl with Solange\, at massive festivals with the Gorillaz and gone around the world with The xx\, Kelela is now selling out her own headline tour.
URL:https://royaleboston.com/event/kelela/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180302T180000
DTEND;TZID=America/New_York:20180302T213000
DTSTAMP:20260408T102317
CREATED:20171112T150045Z
LAST-MODIFIED:20171112T150045Z
UID:10001865-1520013600-1520026200@royaleboston.com
SUMMARY:LP
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 6:15 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited. \n*** \n \n*** \nLP \n \nWebsite\nFacebook\nTwitter \nMusic doesn’t have to be complicated.\nAt the end of the day\, it’s all about being honest\, taking no B.S.\, and getting right back up after every fall. New York-born singer\, songwriter\, and all-around rock rebel LP puts it even more succinctly\, “I go Johnny Cash on that shit and just get through it.”\nLike the Man in Black\, she pens and performs timeless tunes with attitude—albeit minus the country twang and cowboy hats. Ukulele in hand\, voice booming with soul and spirit\, and pulling no punches\, LP’s palatability belies an underground unrestraint sharpened by several years in the industry. By 2014\, she had not only written hits for Rihanna\, Cher\, Backstreet Boys\, Cher Lloyd\, and more\, but also released her major label debut\, Forever For Now. The latter’s “Into The Wild” fueled a Citibank ad campaign as everyone from The Wall Street Journal\, CNN\, and USA Today to Vogue and BuzzFeed extolled the artist. She performed on Jimmy Kimmel LIVE! and ignited audiences at Austin City Limits\, Bonnaroo\, Lollapalooza\, and more. However\, as her six-year romantic relationship failed and she split from her label\, LP put her head down and wrote what would become 2016’s Death Valley EP [Vagrant Records].\n“My goal was just to create my best music\,” she says. “I stopped overthinking things. I didn’t know how it was going to come out or if anyone would ever hear it\, but I just wanted to write. No one told me what to do. I wasn’t trying to fit into some fucking label’s ideal of who I should be. I had complete artistic freedom.”\nDeath Valley became a watershed moment for the songstress and modern rock at large. Driven by her signature ukulele\, raspy acoustic guitars\, and the unshakable refrain\, “Baby is that lost on you?\,” its lead single “Lost On You” amassed over 91 million YouTube views as well as 44 million Spotify streams and went triple-platinum in Italy\, platinum in France\, Poland\, and Germany\, and gold in Switzerland. Meanwhile\, the title track\, “Muddy Waters\,” soundtracked the Season 4 climax of NETFLIX’s Orange Is The New Black.\n“I love a record that has an eclectic bunch of songs\,” she goes on. “I want it to be an interesting landscape\, and I like to use my voice in different ways. That was my goal with Death Valley.”\nIt also extends to her 2017 full-length album. Once again\, LP re-unites with the team behind Death Valley—producer POWERS’ Mike Del Rio [Christina Aguilera\, X Ambassadors] and writer Nate Campany [Tove Lo\, Carly Rae Jepsen\, Martin Garrix].\n“It’s a weird thing\,” she says. “I feel more confident than ever before. I don’t have to police myself anymore. For this record\, I decided to unapologetically tress on\, keep going\, and run with my emotion.”\nUltimately\, as LP writes more\, she continues to connect with audiences everywhere. “There’s a survivor mentality that comes through naturally\,” she leaves off. “That strikes a chord. I want to show people it’s possible to do whatever they want on their own terms.” \n*** \nNoah Kahan \n \nWebsite\nFacebook\nTwitter \nFrom the rural solitude of the quiet town of Strafford\, VT (Population: 1000)\, Noah Kahan discovered his penchant for songwriting early on. Long\, cold winters in the Vermont backcountry were spent honing his craft in the rolling hills of his family’s 133-acre tree farm. This serene location provided the backdrop for countless adventures that ranged from typical boyhood antics to the more rebellious teenage exploration. The older that Noah got\, the more he began to feel the pull of adulthood clash with the familiarity of his adolescence. Drawing heavily from these experiences\, Noah’s songs are laced with a youthful wisdom; nostalgia and whimsy taking a back seat to honesty and wit. He meets this conflict head on by acknowledging the loneliness of this new phase of his life coupled with his desire to stay true to himself. Noah’s writing reflects the all too universal feeling of being lost in one’s own backyard and foreshadows the excitement that comes with a leap into the unknown. \nNow 20 years old\, Noah once again finds himself deviating from the norm. As he follows a dream as old as he can remember\, his childhood friends are choosing majors and preparing for more conventional careers. No stranger to feeling lost or isolated\, he now chooses to embrace the uncertainty as fuel. The lyrics to his debut single “Young Blood” read as a letter of encouragement and advice to himself as he embarks on this new adventure. He reminds himself to “be surprised\, keep hungry.” Throughout unexpected challenges and new revelations\, Noah is staying true to his nature; questioning everything and enjoying the ride. \n*** \nKat Cunning \n \nWebsite\nFacebook\nTwitter \nKat Cunningham is a singer-songwriter and actress who frequents Sleep No More as the Master of Ceremonies and is currently performing in Refinery 29’s SOLD OUT “29 Rooms.” Her single\, “BABY” is out now on SPOTIFY. \nThe SUNY Purchase Dance Conservatory Graduate got her start in Baroque-Burlesque Operas with Company XIV. She recently made her dramatic debut playing Emilie in Les Liaison Dangereuses with Janet Mcteer and Liev Schreiber. and her Broadway Debut in 2016 playing Lila in Cirque Du Soleil’s\, PARAMOUR\, for which she co-wrote Lila’s score to suit her singular voice. \nThe New York Times has described that the “standout spots belong to the sultry-voiced Katrina Cunningham who brings an exquisite indie-siren quality…” \nAwards: Best Actor for Nothing Serious\, 2016 Traildance Film Festival \nBest Supporting Actor Pepper and the Salt Sea\, 2016 Damn! Series
URL:https://royaleboston.com/event/lp/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180302T220000
DTEND;TZID=America/New_York:20180302T220000
DTSTAMP:20260408T102317
CREATED:20180215T000115Z
LAST-MODIFIED:20180215T000115Z
UID:10001896-1520028000-1520028000@royaleboston.com
SUMMARY:Sofa King Fridays w/ Bijou
DESCRIPTION:Support by DUDEnGUY \n  \nVIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details.
URL:https://royaleboston.com/event/sofa-king-friday-w-cazzette/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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GEO:42.349951;-71.0656551
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180303T220000
DTEND;TZID=America/New_York:20180303T220000
DTSTAMP:20260408T102317
CREATED:20180221T054707Z
LAST-MODIFIED:20180221T054707Z
UID:10001898-1520114400-1520114400@royaleboston.com
SUMMARY:Cosmic Saturdays Dr. Seuss Day w/ Breeazy
DESCRIPTION:21+ \n  \nVIP text or call 617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-dr-seuss-day-w-breeazy/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180304T193000
DTEND;TZID=America/New_York:20180304T193000
DTSTAMP:20260408T102317
CREATED:20180122T200935Z
LAST-MODIFIED:20180122T200935Z
UID:10001886-1520191800-1520191800@royaleboston.com
SUMMARY:Natasa Theodoridou
DESCRIPTION:21+ \n  \nDoors at 7:30pm \nShow begins at 8:45pm
URL:https://royaleboston.com/event/natasa-theodoridou/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Concerts,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180308T200000
DTEND;TZID=America/New_York:20180308T200000
DTSTAMP:20260408T102317
CREATED:20171024T154437Z
LAST-MODIFIED:20171024T154437Z
UID:10002570-1520539200-1520539200@royaleboston.com
SUMMARY:Tune-Yards
DESCRIPTION:Bowery Boston presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 10/27 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nNote: Ticket price includes $1/ticket for charity. \n*** \n \n*** \ntUnE-yArDs \n \nWebsite\nFacebook\nTwitter \nTune-Yards was formed by Merrill Garbus in 2006\, and that band name has ever since been synonymous with forward movement—whether because of the group’s explosive performance style\, the always-surprising way in which their songs unfold\, or the lines Merrill draws between music and social activism. First gaining notice with the debut BiRd-BrAiNs\, which The New York Times called “a confident do-it-yourselfer’s opening salvo: a staticky\, low-fi\, abrasive attention-getter\,” Garbus forged a reputation as a formidable live presence through relentless touring. \nGarbus became a producer in her own right working with bassist Nate Brenner and engineer Eli Crews on 2011’s w h o k i l l\, a startling and sonically adventurous statement that led to a whirlwind period where the band accrued accolades from critics (including the #1 spot on the Village Voice’s 2011 Pazz and Jop poll.) In 2014\, Tune-Yards released Nikki Nack\, and through touring and licensing music from that album\, they raised money to begin The Water Fountain\, a fund for water-related causes which has donated over $75\,000 to various nonprofits since its inception. \nTune-Yards has collaborated with Yoko Ono\, Laurie Anderson\, David Byrne\, Mavis Staples\, and others. They are currently working on their fourth album\, for release in 2018. \n*** \nXenia Rubinos \n \nWebsite\nFacebook\nTwitter \nVocalist and composer Xenia Rubinos crafts movingly powerful songs dipping in and out of genre and structure to create a sound that is fearlessly her own. Xenia’s powerhouse vocals are at the center of her music which grows from a wide range of influences from R&B to Hip-Hop to Caribbean rhythms and jazz all delivered with a soulful punk aura. Her debut album ‘Magic Trix’ was released in 2013 by Ba Da Bing! Records to wide critical acclaim. Pitchfork lauded the radiant singer as “a unique new pop personality” while a profile in The New Yorker described her work as “rhythmically fierce\, vocally generous music that slips through the net of any known genre.” Xenia’s energetic live show and presence echoes some of the larger than life iconic singers she admired as a child including Judy Garland\, Nina Simone and La Lupe while her powerhouse vocals recall the pop sensibility of Mariah Carey and soulfulness of Erykah Badu. Touring the US and Europe extensively\, she has played more than 150 shows both as a headliner and supporting act for such diverse bands as Man Man\, Battles\, Coco Rosie\, and Deerhoof. Xenia has been hard at work on her follow-up full-length LP\, due out Spring 2016.
URL:https://royaleboston.com/event/tune-yards/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180309T220000
DTEND;TZID=America/New_York:20180309T220000
DTSTAMP:20260408T102317
CREATED:20180110T143607Z
LAST-MODIFIED:20180110T143607Z
UID:10002591-1520632800-1520632800@royaleboston.com
SUMMARY:Sofa King Fridays w/ Dash Berlin
DESCRIPTION:21+ \nVIP Inquiries 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-dash-berlin-2/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180310T220000
DTEND;TZID=America/New_York:20180310T220000
DTSTAMP:20260408T102317
CREATED:20180223T154810Z
LAST-MODIFIED:20180223T154810Z
UID:10002610-1520719200-1520719200@royaleboston.com
SUMMARY:Cosmic Saturdays w/ Richard Fraioli
DESCRIPTION:Going away party for Richard Fraioli \n  \n21+ \n  \nvip 617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-w-richard-fraioli/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180311T150000
DTEND;TZID=America/New_York:20180311T150000
DTSTAMP:20260408T102317
CREATED:20180124T214017Z
LAST-MODIFIED:20180124T214017Z
UID:10002598-1520780400-1520780400@royaleboston.com
SUMMARY:Speed Rack Season 7 New England
DESCRIPTION:Serious stirring and shaking is about to happen\, thanks to the return of Speed Rack\, the all-female speed-bartending competition that raises money to fight breast cancer. \nThe epic battle for the title of Miss Speed Rack Southeast will take place in New Orleans on Sunday\, March 11th\, 2018 as these tough babes duke it. \nEntry allows sampling our generous sponsors’ punches and tasty food from great local eateries. \nPlatinum Sponsors\nAltos Tequila\, Bacardi Fords Gin\, Four Roses Bourbon\, Jameson Irish Whiskey \nGold Sponsors\nAnchor Distilling Company: Luxardo\,  HINE Cognac\, Auchentoshan Single Malt Whisky\, Campari America:  Grand Marnier Campari\, Aperol Spritz; Fratelli Branca: Fernet Branca\, Carpano Antica\, Ketel One\, Knob CreekRye\, St-Germain \, Torres 10 \nSilver Sponsors\nCointreau\, Del Maguey\, Single Village Mezcal\, Lustau\, The Perfect Puree of Napa Valley Pig’s Nose Whisky\, Rutte Distillery:Heering (Peter F Heering)\, Singani 63 \nLocal Sponsors\nChartreuse East Imperial\, Haus Alpenz\, \nWater Sponsor\nPerrierer \nBitters Sponsor\nHella Cocktail Co. \nJuice Sponsor\nIndustry Juice \nGlassware\nOneida Limited \nAll proceeds from ticket sales will go to breast cancer research\, education and prevention. Tickets will be available at the door for $30. \nYou must be 21+ to attend. Please drink responsibly \n 
URL:https://royaleboston.com/event/speed-rack-season-7-new-england/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180312T180000
DTEND;TZID=America/New_York:20180312T180000
DTSTAMP:20260408T102317
CREATED:20180207T170211Z
LAST-MODIFIED:20180207T170211Z
UID:10001889-1520877600-1520877600@royaleboston.com
SUMMARY:Budweiser Presents USA vs IRELAND BOXING
DESCRIPTION:The three-city 2018 USA vs. Ireland Northeast Boxing Tour kicks-off Monday\, March 12\, at Royale in Boston’s famed theater district.  The dual\, starting at 7 p.m. ET\,  will showcase up to 12 bouts\, featuring many of the best amateur boxers in the United States and Ireland.  Rosters for both teams will soon be announced\, including 2020 Olympic hopefuls and international competitors.  Go to (www.usaboxing.org) for additional information. \n  \nTickets on sale Monday 2/13 12pm
URL:https://royaleboston.com/event/usa-vs-ireland-boxing/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180314T190000
DTEND;TZID=America/New_York:20180314T190000
DTSTAMP:20260408T102317
CREATED:20171203T170015Z
LAST-MODIFIED:20171203T170015Z
UID:10002581-1521054000-1521054000@royaleboston.com
SUMMARY:[CANCELED] Moose Blood
DESCRIPTION:Due to heavy snowfall in Boston on Tuesday & Wednesday\, we are forced to cancel our Boston show & instore at Newbury Comics. Refunds available at points of purchase. The NYC show on March 15th will be going ahead as planned. Sorry for any inconvenience but travel safety comes first. \n*** \n \n*** \nMoose Blood \n \nWebsite\nFacebook\nTwitter \n*** \nLydia \n \nWebsite\nFacebook\nTwitter \nLeighton Antelman\nMatt Keller\nJustin Camacho\nShawn Strader \n*** \nMcCafferty \n \nWebsite\nFacebook\nTwitter \nNick Hartkop\nWes Easterly\nChris Joecken\nEvan Graham
URL:https://royaleboston.com/event/moose-blood/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180316T220000
DTEND;TZID=America/New_York:20180316T220000
DTSTAMP:20260408T102317
CREATED:20180222T173159Z
LAST-MODIFIED:20180222T173159Z
UID:10001902-1521237600-1521237600@royaleboston.com
SUMMARY:Sofa King Fridays w/ Cosmic Gate
DESCRIPTION:21 + \n  \nVIP Inquiries please call/text 617.733.0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-cosmic-gate/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20180317T190000
DTEND;TZID=America/New_York:20180317T213000
DTSTAMP:20260408T102317
CREATED:20171031T155853Z
LAST-MODIFIED:20171031T155853Z
UID:10001854-1521313200-1521322200@royaleboston.com
SUMMARY:[SOLD OUT] Bianca Del Rio
DESCRIPTION:This show is SOLD OUT! \nDoors: 7:00 pm / Show: 8:00 pm \nPlease note: this show is 18+ with valid ID.  Patrons under 18 admitted if accompanied by a parent.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \nVIP PACKAGE CLASSIFICATIONS\, DESCRIPTIONS & DISCLAIMERS \n\nTHE GUILTY VIP PACKAGE ($199)\nOne ULTRA-Premium Ticket in Bianca’s “Guilty” Section *\n• Includes a Ticket in the First Row \nExclusive VIP Gift Item Created Especially For Guilty Package Purchasers\nSigning-Off – Each Guilty Guest Will Receive an Autographed\, Limited Edition “Blame It On Bianca” Tour Poster\nOne Exclusive Invite to the Preshow VIP Meet & Greet with Bianca Del Rio!\n• Individual Photo Opportunity with Bianca Del Rio\n• Forget the Lines! Access to the Merchandise Booth for All Your Bianca Del Rio Shopping Needs Before General Public\nEssential Bianca Del Rio VIP Merchandise\n• One Commemorative Bianca Del Rio VIP Laminate & Matching Lanyard\n* Venue seating configurations can vary market-by-market \nTHE INNOCENT VIP PACKAGE ($119)\nOne Premium Ticket in Bianca’s “Innocent” Section (Priority entry / entry prior to GA Ticketholders)\nOne Exclusive Invite to the Preshow VIP Meet & Greet with Bianca Del Rio!\n• Individual Photo Opportunity with Bianca Del Rio\n• Forget the Lines! Access to the Merchandise Booth for All Your Bianca Del Rio Shopping Needs Before General Public\nEssential Bianca Del Rio VIP Merchandise\n• One Commemorative Bianca Del Rio VIP Laminate & Matching Lanyard\n* Venue seating configurations can vary market-by-market \nVIP PACKAGE DISCLAIMER INFORMATION \nAll package purchasers will be contacted via e-mail a few days prior to the event date. Information will sent to the e-mail address provided at the time of purchase. If you do not receive an e-mail a few days prior to the event please contact BiancaDelRioVIP@aegpresents.com. \nAll sales are final. There are no refunds or exchanges under any circumstances. All packages and package contents are non-transferable. VIP merchandise will be distributed at the show\, some exceptions may apply. Package purchases are restricted to U.S. & Canadian addresses only. All preshow VIP programs and times may vary market-by-market and are subject to modification at any time for any reason. Information provided at the time of purchase (name\, address\, e-mail\, etc.) is the same information that will be utilized for individual contact requirements as applicable. The artist\, tour\, promoter\, ticketing company\, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. Commemorative VIP laminates are for commemorative purposes only. The VIP laminate does not gain or authorize access into the venue\, VIP or any backstage areas. \n*** \n \n  \nWebsite\nFacebook\nTwitter \nBIANCA DEL RIO\, the alter ego of seasoned comic Roy Haylock and season 6 winner of RuPaul’s Drag Race\, is a self-professed “clown in a gown.” This hilariously hateful comic is known for her foul mouth and unapologetic humor\, but her victims hardly have time to feel the sting before she zips on to the next topic. Besides\, Bianca is quick to point out that she’s the biggest joke of all. The NY Times calls her “The Joan Rivers of the Drag World\,” and Joan Rivers herself called Bianca’s humor “So funny! So sharp!” \nBianca’s first stand-up special\, “Rolodex of Hate”\, is available on Vimeo OnDemand\, and her first feature film\, “Hurricane Bianca”\, is available on Netflix. \nHer second stand-up special\, “Not Today Satan”\, will be available on Vimeo OnDemand December 2017. “Hurricane Bianca 2: From Russia with Hate” will be released in 2018.\nBianca is currently touring with her new stand-up comedy show “Blame It On Bianca Del Rio” to sold out audiences all over the world.
URL:https://royaleboston.com/event/bianca-del-rio-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20180317T220000
DTEND;TZID=America/New_York:20180317T220000
DTSTAMP:20260408T102317
CREATED:20180227T170435Z
LAST-MODIFIED:20180227T170435Z
UID:10002615-1521324000-1521324000@royaleboston.com
SUMMARY:Royale Saturdays St Patrick’s Celebration w/ DJ Tao
DESCRIPTION:21+ \n  \nVIP 617.733.0505
URL:https://royaleboston.com/event/cosmic-saturdays-st-patricks-celebration-w-dj-tao/
LOCATION:279 Tremont Street\, Boston\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20180321T200000
DTEND;TZID=America/New_York:20180321T200000
DTSTAMP:20260408T102317
CREATED:20171112T150044Z
LAST-MODIFIED:20171112T150044Z
UID:10002571-1521662400-1521662400@royaleboston.com
SUMMARY:K.Flay
DESCRIPTION:ALT 92.9 presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale NOW \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nK.Flay \n \nWebsite\nFacebook\nTwitter \nSince making her debut in 2010\, K.Flay has spun fearlessly detailed lyrics that show the bright and dark of the world in her head. For her second full-length Every Where Is Some Where\, the L.A.-based alt-pop/hip-hop artist pushed deeper into introspection while adding an element of political commentary. The result is her most deliberate and dynamic work yet\, a thrillingly vital album that channels the frenzy and anxieties of today’s world. \nThe follow-up to her 2016 EP Crush Me—whose lead single “Blood in the Cut” hit the top 5 on Alternative radio—Every Where Is Some Where amps up its defiant spirit with a densely textured yet gritty sound. “After Life as a Dog I was listening to so much late-’90s/early-’00s rock\,” says K.Flay\, aka Kristine Flaherty\, referring to her 2014 full-length debut. “I was absorbing the energy of people like Karen O\, Shirley Manson\, and Emily Haines and feeling totally inspired by it\, so there’s lots more live guitar\, bass\, and drums on this record.” Working with producers like Mike Elizondo (Twenty One Pilots\, Fiona Apple\, Regina Spektor\, Skylar Grey) and Tommy English (BØRNS\, Andrew McMahon in the Wilderness\, Ladyhawke)\, K.Flay deftly infused the album with the same raw intensity she’s revealed in touring with such artists as Passion Pit\, Icona Pop\, Awolnation\, and Theophilus London.\n \nAn inimitable lyricist who names novelist Marilynne Robinson among her inspirations\, K.Flay also brought a literary sensibility to the making of Every Where Is Some Where. The album’s title\, for instance\, aims to “capture the flexibility of meaning\, the way we fashion our own narratives\,” according to Flaherty. “As a songwriter\, that’s my main enterprise—looking at the events in my life and engaging in a constant framing and reframing of those events\,” she says. “Experience is subjective. We get to decide what’s devastating\, what’s beautiful\, and what we do next. In the books of our lives\, we are both protagonist and narrator. And narrators have incredible power.”\n \nOn the lead single from Every Where Is Some Where\, K.Flay explores the power of lucid self-acceptance and delivers one of the album’s most blatantly upbeat tracks. Matching her seamless flow with sing-song melody\, “High Enough” fuses breezy rhythm and gritty guitar lines into a hopeful meditation on keeping clear-headed. “There are so many songs out there about getting fucked up\,” says Flaherty of the song’s inspiration. “I think a part of me was asking the question: ‘What if I’m already high enough? What if I don’t need anything but what I’ve got?’ There are many moments in my life—whether it’s because of a person or a place—that I don’t want to feel altered or high or buzzed. I just want to feel exactly what I’m feeling.”\n \nKaleidoscopic in mood\, Every Where Is Some Where also offers somber moments like “Mean It”—a stunningly vulnerable track built around K.Flay’s outpourings on love and family and lineage. Laced with subtle wisdom (“Remember what you love/So that when the world gets painful/You become your own god”)\, the starkly arranged song emerged from an especially cathartic writing session for Flaherty. “I wrote ‘Mean It’ in my bedroom in L.A.\, pretty late at night…the song just came pouring out\,” she recalls. “I remember I was crying while I wrote it\, which is pretty unusual for me.” “It’s Just a Lot\,” meanwhile\, came to life while Flaherty was “thinking about the world and how it’s so big and beautiful and sad\,” giving way to a blissfully uptempo but sweetly melancholic pop gem.\n \nOn “The President Has a Sex Tape\,” K.Flay’s measured vocal delivery and throbbing bassline brilliantly clash with her barbed lyrics about the state of the world. “Nothing feels sacred anymore—our highest elected official is a reality television star who is incompetent and openly hateful\,” says Flaherty. “The song started out as a lament\, but turned into a rallying cry as we finished it. I hope it can be a weird little anthem for people feeling disillusioned or alienated.” That anthemic quality intensifies on “Black Wave\,” a powerfully frantic track born from the post-election feeling that “we were all on a beach\, looking out at this terrible black wave in the distance\, knowing it was going to swallow us whole\,” as Flaherty explains. Driven by furious rhythms and urgent vocal work\, the song ends up offering a message of resistance and speaks to “facing something immense and menacing and choosing not to cower\, but to rise up.”\n \nIn a certain way\, defiance is at the root of K.Flay’s evolution as a musician. Originally from Illinois\, she “fell into music very haphazardly” at age 19—a decade after her dad taught her to play guitar. “I was in an argument with someone and was challenged to make a song\, which was my entry point to music\,” says Flaherty\, who studied at Stanford University. “From there I started producing and playing house parties on campus\, kind of as a release from the academic life. I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.”\n \nUpon graduating\, Flaherty moved to San Francisco and kept up with music\, making her breakthrough with the 2011 mixtape I Stopped Caring in ’96 and landing a deal with a major label. Not long after putting out her 2013 EP What If It Is (featuring a collaboration with Danny Brown)\, K.Flay launched her own label for the release of Life As a Dog. Then in 2016\, she became the first artist signed to Night Street/Interscope Records (an imprint helmed by Imagine Dragons frontman Dan Reynolds)\, releasing Crush Me that August. “I feel like I’ve somersaulted into everything that’s happened since I first started making music\,” says Flaherty. “It’s like I kept slowly turning to the right and ended up doing this for a living\, which is pretty amazing to me.”\n \nIn creating Every Where Is Some Where\, K.Flay hit a new level of complexity and candor in her lyrics\, as encapsulated in the stream-of-consciousness storytelling of tracks like “Champagne.” “Details are everything to me\,” says Flaherty of that gorgeously unhinged song’s lyrical intricacy. “There are only so many ways that humans feel—but infinite ways to describe and embody those feelings.” And in immersing herself in the process of crafting such lyrics\, Flaherty eventually arrived at the realization that “you can understand the fact of your own smallness in this world while still celebrating the very particular singularity of who you are and where you happen to stand.” That moment of truth proved to be an album-defining revelation\, and instilled Every Where Is Some Where with an unlikely sense of hope. “Each song on the record is about creating a different kind of meaning out of a different kind of something\,” Flaherty says. “Even the dark places are places. You’re still somewhere.” \n*** \nEd Balloon \n \nFacebook \nNO SMOKING by ED BALLOON
URL:https://royaleboston.com/event/k-flay/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
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