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SUMMARY:Sofa King Friday w/ Cash Cash
DESCRIPTION:21+ \nVIP: 617-733-0505
URL:https://royaleboston.com/event/sofa-king-friday-w-cash-cash/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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LAST-MODIFIED:20170201T212527Z
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SUMMARY:Royale Saturday's w/ Marshemello
DESCRIPTION:21+ \nVIP: 617-733-0505
URL:https://royaleboston.com/event/royale-saturdays-w-marshemello/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20170210T220000
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CREATED:20161129T192921Z
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SUMMARY:Sofa King Friday's w/ DVBBS
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URL:https://royaleboston.com/event/sofa-king-fridays-w-dvbbs/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
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DTSTART;TZID=America/New_York:20170211T190000
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CREATED:20161216T001732Z
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SUMMARY:[SOLD OUT] William Singe & Alex Aiono
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 6:45 pm \nThis event is All Ages. \nTHIS SHOW IS SOLD OUT. \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nWilliam Singe \n \n[Website] [Facebook] [Twitter] \nSydney\, Australia based singer\, songwriter and producer. \n*** \nAlex Aiono \n \n[Website] [Facebook] [Twitter] \nI’m obsessed with all kinds of music\, daring adventures\, and my iPhone:) I love being on stage\, making videos on the Internet\, and geeking out in the studio. I’m into Bruno Mars\, Kanye\, Jon Bellion\, David Guetta\, Vampire Weekend\, John Legend\, underground mixtapes and even some of the songs my mom plays in the car (cool mom alert!). \nI don’t just stick to singing—I play guitar\, piano\, drums\, bass\, ukulele\, and anything else that I can get my hands on for five minutes! Gotta keep things interesting\, right? I am in every part of my music: the lyrics\, the tracks\, the arrangements and melodies. I’ve also had some awesome moments writing songs with Grammy writers/producers like John Legend\, Billy Mann and Babyface\, among others! (Slightly nerve-racking…um…yeah.) \nI write words that are mine: my story\, quirky\, and straightforward\, NEVER someone else’s script. I want to write and sing about my life now. I’m blessed with a supportive family (have THREE awesome sisters!)\, and while we’ve had some not-so-fun times\, we always stick together. Through it all\, I get to be here with you! \nI’ve been on the road with some amazingly talented artists including R5\, Bridgit Mendler\, Austin Mahone\, and The Wanted. I’ve also had a great time expanding my musical skills to acting. You can watch me on Awesomeness TV’s “Royal Crush” web-series! \nSo tell me about yourselves! It doesn’t just need to be that life is perfect\, but it just has to be real so I can learn from you guys and we can do this together! So important for me that we keep a convo going\, so hit me up on Twitter\, Facebook\, or my site! \nI wouldn’t be anywhere with my music without fans like you. You guys mean the world to me. Thanks for your love and inspiration. \nAlways\,\nAlex
URL:https://royaleboston.com/event/william-singe/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:Royale Saturday w/ Chachi
DESCRIPTION:21+ \nVIP 617-733-0505
URL:https://royaleboston.com/event/royale-saturday-w-chachi/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20170212T200000
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SUMMARY:Drive-By Truckers
DESCRIPTION:Bowery Boston presents \nRESCHEDULED FROM THU. FEBRUARY 9TH. ALL PREVIOUSLY PURCHASED TICKETS HONORED.  \nPlease note: Kyle Craft will no longer be on this show. \nDoors: 8:00 pm / Drive-By Truckers: 9:00 pm\nSet times subject to change. \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nDrive-By Truckers \n \n[Website] [Facebook] [Twitter] \nDrive-By Truckers have always been outspoken\, telling a distinctly American story via craft\, character\, and concept\, all backed by sonic ambition and social conscience. Founded in 1996 by singer/songwriter/guitarists Mike Cooley and Patterson Hood\, the band have long held a progressive fire in their belly but with AMERICAN BAND\, they have made the most explicitly political album in their extraordinary canon. A powerful and legitimately provocative work\, hard edged and finely honed\, the album is the sound of a truly American Band – a Southern American band – speaking on matters that matter. DBT made the choice to direct the Way We Live Now head on\, employing realism rather than subtext or symbolism to purge its makers’ own anger\, discontent\, and frustration with societal disintegration and the urban/rural divide that has partitioned the country for close to a half-century. Master songwriters both\, Hood and Cooley wisely avoid overt polemics to explore such pressing issues as race\, income inequality\, the NRA\, deregulation\, police brutality\, Islamophobia\, and the plague of suicides and opioid abuse. As a result\, songs like “What It Means” and the tub-thumping “Kinky Hypocrites” are intensely human music from a rock ‘n’ roll band yearning for community and collective action. Fueled by a just spirit of moral indignation and righteous rage\, AMERICAN BAND is protest music fit for the stadiums\, designed to raise issues and ire as the nation careens towards its most momentous election in a generation. \n“I don’t want there to be any doubt as to which side of this discussion we fall on\,” Hood says. “I don’t want there to be any misunderstanding of where we stand. If you don’t like it\, you can leave. It’s okay. We’re not trying to be everybody’s favorite band\, we’re going to be who we are and do what we do and anyone who’s with us\, we’d love to have them join in.” \nMike Cooley is somewhat more direct. “I wanted this to be a no bones about it\, in your face political album\,” he says. “I wanted to piss off the assholes.” \nAMERICAN BAND’s considerable force can in part be credited to the sheer musical strength of the current Drive-By Truckers line-up\, with Hood and Cooley joined by bassist Matt Patton\, keyboardist/multi-instrumentalist Jay Gonzalez\, and drummer Brad Morgan – together\, the longest-lasting iteration in the band’s two-decade history. AMERICAN BAND follows ENGLISH OCEANS and 2015’s IT’S GREAT TO BE ALIVE!\, marking the first time DBT have made three consecutive LPs with the same hard-traveling crew. \n“This is the longest period of stability in our band’s history\,” says Hood. “I think we finally hit the magic formula. It’s made everything more fun than it’s ever been\, making records and playing shows.” \nDrive-By Truckers might have maintained constancy but Hood embraced change by moving his family to Portland\, OR in July 2015\, a physical shift which he says “opened the floodgates” to a batch of deeply felt\, strikingly emotional new songs. Having recorded the bulk of their canon in Athens\, GA\, the band was also eager to reinvent their own surroundings. Memphis was considered but when DBT’s November 2015 tour wrapped in Nashville\, the band decided to spend a few days at the legendary Sound Emporium getting a head start on the new record. \nNever ones to screw around in the studio\, DBT cranked out nine new songs in just three 14-hour shifts\, as ever with producer/engineer David Barbe at the helm. Coming in directly from the road put a head of steam behind the band\, allowing them to lay it all out live on the floor\, tracking songs like “Once They Banned Imagine” in little more than a single take. \n“We realized we had most of the record\,” Hood says\, “so we went back after the holidays for four more days\, but ended up finishing it in three. We tend to usually take about two weeks to make a record so this was really quick.” \n“That was a lot of fun\,” the Alabama-based Cooley says\, “and a shorter drive for me.” \nSpeed was of the essence\, as DBT was determined to get their record out at the height of the 2016 election season. By their very nature\, Drive-By Truckers has always been an inherently political act\, “but this is the first time it’s been out there on the surface\,” Cooley says\, “No bones about it.” \n“I’ve always considered our band to be political\,” Hood says. “I’ve studied and followed politics since I was a small kid. I got in trouble in third grade for a paper I wrote about Watergate – the teacher sent a note home to my parents saying I was voicing opinions about our president that she didn’t appreciate. That’s the one time I got in trouble at school where my parents sided with me.” \n“SOUTHERN ROCK OPERA was a pretty political record\,” Cooley says. “But we hadn’t had our first black president yet. We hadn’t sat in the bleachers and watched the backlash\, which\, as acquainted as we are with racism\, went beyond what anyone imagined it would be.” \nPolitical matters reared their head on 2014’s ENGLISH OCEANS\, most explicitly on Cooley’s “Made Up English Oceans\,” detailing the life and crimes of late Republican black ops master Lee Atwater. Hood further sharpened his own skills by penning an op-ed for the New York Times condemning the Confederate Flag and its vile role in Southern culture. \n“That was a major learning experience\,” he says. “Working with an editor\, how to streamline what I’m trying to say\, how to find the most powerful part and get rid of some of the excess. It was really grueling but I was eager to take it on and learn as much as I could from it.” \nHood delivered a finished draft to the Old Gray Lady and within moments\, wrote the ferocious “Darkened Flags On The Cusp Of Dawn” on a borrowed guitar – his own gear in a moving van on its way to his family’s new home in Portland. The song\, like so much of the album\, is a direct response to 2014’s police shootings of unarmed African-Americans\, a moment both Hood and Cooley see as the catalyst for their blunt new approach. Long haunted by the police shooting of a mentally ill neighbor in his former hometown of Athens\, GA\, Hood wrote “What It Means” in the heat of Ferguson\, Staten Island\, and the subsequent emergence of the Black Lives Matter movement. \n“It was all in my head and just kind of bubbling at the surface\,” Hood says. “I think we knew early on that was the direction this record was going to go in.” \nHood’s friend and collaborator for more than half their lives\, Cooley was a on similar trip\, reading\, writing\, and pondering the very same issues that rend the country in two. \n“We have conversations about all this stuff\,” he says\, “but not necessarily in terms of planning an album or anything. Then we go home\, he writes a song\, I write a song\, and they’re both basically about the same thing.” \n“We tend to come to the same conclusions separately but together\,” Hood says. “We don’t really discuss it until we have a bunch of songs. We’ve always been astounded at how much common ground our songs have\, record after record. SOUTHERN ROCK OPERA is the only time we discussed a game plan for what we were going to write\, the only time. It’s kind of uncanny. Truly a beautiful thing.” \nFurther creative inspiration came from a pair of American milestone pieces of art\, Ta-Nehisi Coates’ National Book Award-winning Between The World and Me and Kendrick Lamar’s TO PIMP A BUTTERFLY\, “in my opinion\, the greatest musical work of our current time\,” says Hood. \n“It’s an inspiring album and one that made me question myself\,” he says. “I’m a white guy from the South\, do I have the right to be singing about this stuff? What can I do? The only conclusion I could come up with was maybe white guys\, with Southern accents\, who look like rednecks\, need to say Black Lives Matter too. It’s a start\, a tiny start\, but a step in the right direction is better than no step at all.” \n“I couldn’t not do it\,” says Cooley. “I’ve got to speak about this stuff\, somehow or another. And I’m going to speak about it from a middle aged Southern white working class evangelical background male point of view.” \nMuch like Lamar’s GRAMMY® Award-winning song cycle\, AMERICAN BAND serves as a stark\, tightly focused snapshot of today’s America\, an exemplary illustration of rock ‘n’ roll as a vehicle for social commentary and clear-eyed reportage. “Guns of Umpqua” captures Hood’s reaction to the 2015 shooting at Roseburg\, OR’s Umpqua Community College while Cooley’s breakneck “Ramon Casiano” is a topical folk rocker telling the little known tale of former National Rife Association leader Harlon Carter and the murder of 15-year-old Ramon Casiano. Known as “Mr. NRA\,” Carter transformed the organization from its original role as a sportsmen and conservationist group into what Cooley correctly declares “a right wing\, white supremacist gun cult.” A Southern-rooted band opening their album with such a song makes for a singularly powerful statement\, the NRA’s monolithic control of the debate demanding opposing artists to be as overt and vocal on the issue as possible. \n“The NRA needs to be turned into a political turd in a swimming pool\,” Cooley says\, “so all these fuckers will start paddling away. \n“What I’m trying to do is point straight to the white supremacist core of gun culture\,” Cooley concludes. “That’s what it is and that’s where its roots are. When gun culture thinks about all the threats they need to be armed against\, what color are they?” \nOf course the personal can also be politic\, represented here by Hood’s deeply felt “Baggage.” Penned the night of Robin Williams’ death\, the song sees Hood examining his own demons and long bout with depression\, “the worst I’ve had as an older adult\,” he says. “I was kind of blindsided by it. There had always been a tangible thing that I could point to as to what was wrong\, but this time I was grasping for something and not quite finding it.” \nAMERICAN BAND is surprisingly optimistic thanks to Hood’s “absolutely” improved mental health as well as Drive-By Truckers’ passion for the issues behind the material. The band intend to hit the road harder than ever in support of AMERICAN BAND\, bringing their songs to the people as they have always done\, only this time with the country’s very future at stake. Fortunately for America\, Drive-By Truckers are\, as a Great Man once said\, fired up\, ready to go. \n“I feel like Cooley and I both nailed what were going for on every song on this record\,” Hood says. “I don’t think there’s a wasted line or word on this record. There’s nothing I would change\, that’s for sure. I think we got this one right.” \n“I’m sure there will be people saying ‘I wish they’d keep the politics out of it\,’” Cooley says\, “but one of the characteristics among the people and institutions we are taking to task in these songs is their self-appointed status as the exclusive authority on what American is. What is American enough and who the real Americans are. Putting AMERICAN BAND right out front is our way of reclaiming the right to define our American identity on our own terms\, and show that it’s out of love of country that we draw our inspiration.
URL:https://royaleboston.com/event/drive-by-truckers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170216T200000
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SUMMARY:Lee Fields & The Expressions
DESCRIPTION:Bowery Boston presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 11/18 at 10AM! \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \nLee Fields & The Expressions \n \n[Website] [Facebook] [Twitter] \n“I feel that every human being’s purpose is to do what their inner voice says to do\,” says Lee Fields. “And my inner voice\, my driving force\, wants me to put out music and keeping making better records.” \nApologies to the late\, great James Brown\, but you’d be hard pressed to find another singer who’s ever worked as hard as Fields\, a man who’s been making soul and funk anthems since 1969. \nSince that time\, Fields has toured the world with musical legends like Kool and the Gang\, Sammy Gordon and the Hip-Huggers\, O.V Wright\, Darrell Banks\, and Little Royal. Recorded with French house DJ/producer Martin Solveig. And somehow found a newer\, younger audience and become more prolific as the years transpire. \n“In a curious case of musical evolution\, the older Fields becomes\, the closer he gets to perfecting the sound of soul that he grew up with as a young man\,” noted NPR music writer Oliver Wang (and that was back in 2009).. Now Fields returns with his most triumphant and honest record yet\, Special Night\, recorded with The Expressions and released on Brooklyn’s Big Crown Records. \nSpecial Night follows the the critical success of his Truth & Soul recordings My World\, Faithful Man and 2014’s Emma Jean — the last one American Songwriter hailing as “more than just a stroll down memory lane … it’s the sound of a man who understands his musical strengths and plays to them with class\, authority and soul searching intensity.” \nYou’ll hear Fields flexing those strengths on Special Night. There’s some JB-style funk on there. And hints of Stax\, Chess\, Fame and Motown. \nBut this is not a throwback. Possessing a voice that’s equally raucous and tender\, Fields crafts a truly honest\, soulful work. “This is a record about what people do in real life\,” says the singer. For one example\, he cites the yearning “Work to Do\,” which entails a “a guy going to counseling\, drinking too much\, apologizing to the old lady and trying to keep family together\, doing the manly thing.” \nAdds Fields: “When I record\, I make every song like I actually mean it. I mean every word I say. On Special Night I’m talking to my lady — literally\, expressing the way I feel. You can tell if a song is real or not. And every moment I’m recording\, those moments are real.” \nMeanwhile\, album standout “Make This World” works both as militaristic funk and a cautionary tale about the health of the planet. “The world was designed to last indefinitely\,” says Fields. \n“And we’re the only living species on Earth who can alter that process. I’m hoping that song has a chain reaction\, helps somebody put into action whatever contribution they can to change what the world is going through.” \nFields and his six-piece band will tour in the fall\, where he notes the audiences seem tgrowing and changing. “I’m seeing a younger crowd\,” he notes. “And that’s a blessing.” \nAs for his late success? Fields regrets nothing. “I was already talking to myself in the beginning of my career about the end of my career\,” he says. “I was a little naive\, so I told myself\, ‘Think about the future in every song you make. Make things you can live with. Everything you do has consequences.’ And today\, I live like I’ve always lived.” \nA credo that continues with Special Night. “All the songs on that record have special meaning\,” he says. “I hope people take a good listen to it and find the magic.” \n*** \nThe Shacks \n \n[Website] [Facebook] \nThe Shacks — equal parts Max Shrager and Shannon Wise singing in her soft whispered voice — sound like they’re playing alone with nobody watching. This dreamy\, voyeuristic sound was born in a Queens\, NY studio in 2014. And while they describe themselves as a rock band\, don’t expect the conventional kind. \nThe story goes that Max brought Shannon to the studio. Max was playing guitar on a track produced by Leon Michels — the producer and co-founder of Big Crown Records — and Michels needed a vocalist. They put Shannon in the booth to try it out. It was her first time ever recording. Then\, in one take\, the song “Strange Boy” had a singer who completed the vibe. The Shacks were born. \nThere are elements of doo-wop and early\, pre-Elvis rock in their musicianship. Combine that with a deeply personal songwriting approach and it’s a familiar-yet-fresh sound. Like The Five Keys met Neil Young and cut a record with Brigitte Bardot — but in English. \nHere’s the thing: Max and Shannon are barely in their twenties. Most of their musical influences are from before they were born. It’s contradictions like this that signify something intriguing is happening with The Shacks. \nMax and Shannon met while going to the same NYC high school. By that time\, Max was already a musical wunderkind. \nRaised in Princeton\, NJ\, at fourteen Max emailed Gabe Roth of Daptone Records with a rough\, home-recorded demo. By seventeen\, he had penned the lead single\, “Sinner\,” on Naomi Shelton and the Gospel Queens’ 2014 Cold World LP. \nShannon comes from a strong musical pedigree. Her father\, a producer\, ran a Manhattan recording studio\, and her mother is a singer-songwriter. Artists and bands of all stripes passed through her life growing up. While her history isn’t yet as extensive as Max’s\, she’s writing it right now. Her infectious\, eclectic voice and songwriting skills are testaments to her remarkable natural talent. \nTheir first record together\, entitled Haze and forthcoming on Big Crown Records\, is jointly produced by Shrager and Michels. Each song sounds both like an exploration and reflection of the relationship between Shannon and Max. You can hear a kind of invigorating creativity between them — songs written for and about each other\, trying to express the inexpressible aspects of youth and love. \n“We just want people to get excited about real music again\,” says Max. “When we record we try to capture what’s happening — in our lives\, things between us\, something in the studio that day\, just something honest. Not something pieced together and hyperreal.” \nIn a modern culture where most music is manufactured and artificial\, Max Shrager and Shannon Wise want to introduce their generation to a more honest kind of music. A kind that’s written from life and made with integrity and value. And all this before either of them can rent a car.
URL:https://royaleboston.com/event/lee-fields-the-expressions/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170217T220000
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SUMMARY:Sofa King Friday's w/ Tchami
DESCRIPTION:21+ \nVIP: 617-733-0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-tchami/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20170218T173000
DTEND;TZID=America/New_York:20170218T173000
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CREATED:20161024T143714Z
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SUMMARY:MAYHEM performing De Mysteriis Dom Sathanas in its entirety
DESCRIPTION:Bowery Boston & Grayskull Booking present\nMAYHEM performing De Mysteriis Dom Sathanas in its entirety \nDoors: 5:30 pm / Show: 6:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 10/28 at 10AM! \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nMayhem \n \n[Website] [Facebook] [Twitter] \nMayhem are a Norwegian black metal band formed in 1984 in Oslo long regarded as one of the pioneers of the Norwegian black metal scene. Mayhem’s career has been highly controversial\, primarily due to their violent stage performances\, the 1991 suicide of vocalist Per Yngve Ohlin (“Dead”) and 1993 murder of guitarist Øystein Aarseth (“Euronymous”) by former member Varg Vikernes (“Count Grishnackh”)\, also of Burzum.\nThe group released a demo and an EP that were highly influential\, and amassed a loyal following through sporadic and notorious live performances\, attracting further attention through their ties to the string of Norwegian church burnings and the prominent incidents of violence surrounding them. They disbanded after Aarseth’s murder\, shortly before the release of their debut album\, De Mysteriis Dom Sathanas\, regarded as a classic of the black metal genre. Surviving former members Jan Axel Blomberg (“Hellhammer”)\, Jørn Stubberud (“Necrobutcher”) and Sven Erik Kristiansen (“Maniac”) reformed two years later with Rune Eriksen (“Blasphemer”) replacing Aarseth. Attila Csihar since replaced Kristiansen.\nThe band’s music strongly influenced the black metal genre and was instrumental in moving the wider metal scene away from the prevailing trend for speed metal. Their post-Aarseth material is characterised by increased experimentation. Mayhem’s most recent album\, Ordo Ad Chao\, received the Spellemannprisen award for Best Metal Album in 2007. \n*** \nInquisition \n \n[Website] [Facebook] \nThe band Inquisition was formed in 1988 in Cali\, Colombia by Dagon. The band started as a thrash metal act\, and in 1994 evolved into raw black metal. \nIn 1996\, Dagon left Colombia and moved back to the United States to continue Inquisition and search for a new drummer. That same year Dagon met Incubus\, who joined the band on drums and the creation of their debut full length album began. This line-up has remained stable for more than fifteen years and is now seen as the classic Inquisition line-up. \nINQUISITION style of black metal involves slow\, deep and dark riffing combined with sudden tempo changes to faster sections based around blast beats and high-speed riffing; at times adding melodic solos. The classic Inquisition sound incorporates a combination of early era thrash metal-influenced riffing with darker and more chaotic black metal\, primarily involving fast\, tremolo picked minor-key guitar riffs\, thus creating the trademark “Inquisition sound”. \n*** \nBlack Anvil \n \n[Website] [Facebook] \nThe New York Black Metal act have been blowing minds and eardrums since forming in 2007\, but Black Anvil’s third full-length\, aptly titled Hail Death is their most epic and fully realized album to date. It’s one of those rare releases that not only stays true to the band’s roots but manages to transcend them in a way that works all of their seemingly disparate influences into an amalgam of heavy music that’s as original as it is earth-shaking. \n“When we started this band seven years ago we didn’t have any guidelines but we knew it had to be something different\,” explains bassist/vocalist Paul Delaney who—alongside drummer Raeph\, guitarists Gary Bennett and\, recent addition Sos—are Black Anvil. Details about the band’s early days aren’t easy to find but that’s sort of the point. “We’re from New York and that speaks for itself\,” Delaney explains\, adding that he started singing out of necessity\, a process that required years of effort. “This band is 100% about the music and that’s what we want to focus on and it took a lot of work to get to this point.” \nWhat is known is that the band released their debut Time Insults The Mind in 2008 and followed that up with Triumvirate in 2010 and although they weren’t planning on being a touring act\, they literally couldn’t refuse when black metal legends such as Marduk and Watain all offered to take the act out on tour. That said\, Black Anvil have always forged their own path by chopping down the metaphorical trees with their mighty riffs. “Were not influenced by other bands\,” Delaney explains\, “the only thing I’m influenced by is the fact that I want to be different from them.” It’s true\, although the album contains many of the genres stylistic hallmarks\, Hail Death truly defies categorization. \nIn order to capture the fury this time around the band recorded with J. Robbins of Jawbox\, who although best known for recording punk and post-hardcore acts\, perfectly understood Black Anvil’s creative vision. “He’s got a really good style of making records and I knew he would understand that we wanted to make this sound live and organic as opposed to tight and compressed\,” Delaney explains\, citing Kiss’ Destroyer and Metallica’s Master Of Puppets as inspiration. “I wanted it to be a little more rock n’ roll sounding because I felt the songs were a little bigger and structured\,” he elaborates. “It tells a story from beginning to end and the recording reflects that.” \nThat said Hail Death wasn’t an easy album to make and the band members’ personal turmoil is reflected in every frenzied moment of the album. “I went through a lot of stuff over the past year and it caused me to move and spend a year of my life in solitude\,” Delaney says\, explaining that for twelve months he would just sit in his room and pour all of his energy and inner turmoil into these songs. “This is our journey\,” Delaney explains. “I can honestly say that this is probably the most important thing I’ve ever done in my life\, even if it never sees the light of day for some reason I’m insanely proud of it.” \nThat sort of introspective energy is present all over Hail Death from the epic nine-minute long opener “Still Reborn” to the palm-muted perfection of “Next Level Black.” “Any band should be proudest of their latest album and I think we made a huge jump forward with this one because we had more time and didn’t feel rushed or limited in any way\,” says Delaney. A perfect example of this is the song “My Hate Is Pure” which starts with a gently picked intro before it explodes into double-bass driven ecstasy followed by a tempo-shifting climax that listeners won’t expect. This dichotomy between brutality and melodicism lies at the core of Black Anvil’s sound and is what’s helped them develop such a rabid following worldwide. \nAs anyone who has seen Black Anvil live already knows\, the band’s live shows are a full-on barrage of the senses and Hail Death also captures that kinetic energy. “We really wanted to capture our live sound on this record which is one of the reasons we went with J. Robbins\,” Raeph explains. “We didn’t want it to sound perfect\, we wanted it to sound like us.” Delaney concurs adding\, “We bring it live and I feel confident saying that.” From the guitar tones to the visuals to the band members’ stage presence\, Black Anvil don’t mess around when it comes to what happens onstage. \n“We are black metal but we also aren’t interested in doing what hundreds of bands have done before. We’re interested in doing our own thing and this album is the most self-realized expression of that to date\,” Delaney summarizes. Ultimately Hail Death is an album that speaks for itself in the sense that it’s both a mission statement and a battle cry. If the Four Horsemen of the Apocalypse ever descend on the planet\, this is the perfect soundtrack to the bloody aftermath.
URL:https://royaleboston.com/event/mayhem-performing-de-mysteriis-dom-sathanas-in-its-entirety/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170218T220000
DTEND;TZID=America/New_York:20170218T220000
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CREATED:20170207T175734Z
LAST-MODIFIED:20170207T175734Z
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SUMMARY:Royale Saturday w/ Dude N Guy
DESCRIPTION:21+ \nVIP 617-733-0505
URL:https://royaleboston.com/event/royale-saturday-w-dude-n-guy-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20170219T180000
DTEND;TZID=America/New_York:20170219T220000
DTSTAMP:20260407T192758
CREATED:20170111T194720Z
LAST-MODIFIED:20170111T194720Z
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SUMMARY:Michalis Hatzigiannis w/ Vicky Karatzoglou
DESCRIPTION:18+ \nGreek Music Live Presents… \nVIP: 617-733-0505
URL:https://royaleboston.com/event/michalis-hatzigiannis-w-vicky-karatzoglou/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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DTSTART;TZID=America/New_York:20170219T220000
DTEND;TZID=America/New_York:20170219T220000
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CREATED:20170118T185323Z
LAST-MODIFIED:20170118T185323Z
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SUMMARY:President's Day Weekend w/ Dani Toro
DESCRIPTION:21+ \nVIP: 617-733-0505
URL:https://royaleboston.com/event/presidents-day-weekend-ascension-pre-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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DTSTART;TZID=America/New_York:20170220T190000
DTEND;TZID=America/New_York:20170220T190000
DTSTAMP:20260407T192758
CREATED:20161107T190742Z
LAST-MODIFIED:20161107T190742Z
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SUMMARY:SOLD OUT - Japandroids
DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nSOLD OUT \n*** \nJapandroids \n \n[Website] [Facebook] [Twitter] \nAfter playing the last of their 200 shows in more than 40 countries in support of their critically acclaimed 2012 album Celebration Rock\, Japandroids took a much needed break to rest and recover after their last show in November of 2013. The band would not play again for three years. This month\, they made their triumphant return to the stage\, playing intimate shows in Vancouver\, LA\, Toronto\, London and NYC\, in which they treated fans to their favorites from Celebration Rock and Post-Nothing\, and previewed a handful of new\, unreleased songs. And today\, the band has announced their much anticipated third album\, Near To The Wild Heart Of Life\, out worldwide on Anti- this January 27\, 2017.\nNear To The Wild Heart Of Life\, was written clandestinely throughout 2014 and 2015 in Vancouver\, Toronto\, New Orleans\, and Mexico City. It was (mostly) recorded by Jesse Gander (who had previously recorded both Post-Nothing and Celebration Rock) at Rain City Recorders in Vancouver\, BC (September-November\, 2015). One song\, True Love And A Free Life Of Free Will\, was recorded by Damian Taylor during an exploratory recording session at Golden Ratio in Montreal\, QC (February\, 2015). The album was mixed by Peter Katis at Tarquin Studios in Bridgeport\, CT (May\, 2016) and mastered by Greg Calbi at Sterling Sound in New York\, NY (July\, 2016). \nLike Post-Nothing and Celebration Rock\, the album is 8 songs. This is because 8 songs is the standard template for a great rock n roll album: Raw Power by The Stooges\, Born To Run by Bruce Springsteen\, Marquee Moon by Television\, IV by Led Zeppelin\, Horses by Patti Smith\, Paranoid by Black Sabbath\, Remain In Light by Talking Heads\, Master Of Puppets by Metallica\, etc. \nLike Post-Nothing and Celebration Rock\, the album was sequenced specifically for the LP. On Near To The Wild Heart Of Life\, side A (songs 1-4) and side B (songs 5-7) each follow their own loose narrative. Taken together as one\, they form an even looser narrative\, with the final song on side B (song 8) acting as an epilogue. \n*** \nCraig Finn & the Uptown Controllers \n \n[Website] [Facebook] [Twitter] \nPerhaps best known as the singer of the Hold Steady\, Craig Finn is a Minnesota-bred singer\, songwriter\, and guitarist based out of New York City. Combining literary influences like Jack Kerouac and John Berryman with the musical influences of Bruce Springsteen and fellow Minnesotan Paul Westerberg\, Finn’s highly descriptive lyrical style has a focus on narrative\, crafting whole worlds for the people in his songs to exist within. In 1994\, the singer put this style to work with the indie rock band Lifter Puller\, refining his craft over the course of their three albums before the band called it quits in 2000. After the band dissolved\, Finn relocated from the Twin Cities to New York\, where he would collaborate with producer Mr. Projectile on the short-lived project the Brokerdealer in 2001 before eventually reuniting with Lifter Puller bassist Tad Kubler to form the Hold Steady in 2004. While the band’s whiskey-fueled bar rock sound was a departure from the angular\, synth-filled sounds of Lifter Puller\, Finn’s lyrically dense storytelling style remained intact\, making the Hold Steady the thinking man’s bar band. After five albums with the band\, the singer and songwriter tried his hand at a solo album during some downtime from his main project\, and in 2012 released Clear Heart Full Eyes through Vagrant Records. In 2015\, Finn dropped his second solo album; Faith in the Future\, released by Partisan Records\, was drawn from a set of songs inspired by themes of loss and survival that Finn wrote in the wake of his mother’s death. ~ Gregory Heaney\, Rovi
URL:https://royaleboston.com/event/japandroids/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170224T180000
DTEND;TZID=America/New_York:20170224T180000
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CREATED:20161207T150000Z
LAST-MODIFIED:20161207T150000Z
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SUMMARY:SOLD OUT - JAM’N 94.5 presents Kehlani
DESCRIPTION:JAM’N 94.5 presents \nDoors: 6:00 pm / Show: 6:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nTHIS SHOW IS SOLD OUT! \nA second show has been added on 2/25 due to overwhelming demand! Tickets for the 2/25 show available HERE. \n*** \n \n*** \nKehlani \n \n[Website] [Facebook] [Twitter] \nKehlani tells it like it is. Whether in conversation or on stage\, the Oakland-born R&B singer and songwriter gives the straight truth about her life\, pain\, passion\, love\, triumph\, and everything in between with collected calm and confidence. It’s that type of honesty that makes her music resonate with the depth of classic Motown and a vividly confessional lyricism reminiscent of Neo Soul. At the same time\, her 2015 mixtape\, You Should Be Here\, tells a story that distinctly belongs to her. \nIt all starts on the East Bay… \nBorn a unique blend of ethnicities including African American\, Caucasian\, Native American\, Spanish\, and Filipino Native American Kehlani will casually tell you “You’re lucky if you make it out of Oakland.” However\, in her case\, talent usurped luck. Months after her birth\, Kehlani lost her father\, never properly meeting him. Mired in drug addiction\, her mom shuffled her to an aunt. She initially found solace in dance—ballet in particular—but a knee injury sidelined her what might’ve been a budding career as ballerina. \n“That’s when I started singing\,” she recalls. “When I was living with my aunt\, she played me all of these powerful women and love songs. It was that Neo Soul-R&B\, and I couldn’t get enough of it. It felt right to sing from the moment I began.” \nIn eighth grade\, she became a member of the group Poplyfe produced by D’wayne Wiggins of Tony! Toni! Toné! fame. With Kehlani front and center\, Poplyfe ended up becoming a finalist on America’s Got Talent—even performing with her idol Stevie Wonder during the final round. They didn’t win the competition\, but she made an invaluable ally in Nick Cannon. A few industry pitfalls and detours derailed her musical momentum for six months until she decided to pick up the mic again. Without a home\, she moved from couch to couch until Cannon got back in touch wanting to help however he could. Kehlani wanted one thing: studio time. \nKehlani’s 2014 mixtape\, Cloud 19\, introduced her to the world. Immediately\, tastemakers and audiences alike wholeheartedly embraced her. Complex showcased the songstress in a piece entitled “How R&B Saved 2014\,” Pitchfork dubbed the mixtape one of the “Overlooked mixtapes of 2014\,” Vice proclaimed her an “R&B Artist on the Verge of Blowing Up\,” BuzzFeed pegged her at #4 on their “41 SXSW 2015 Artists You Need In Your Life\,” and she ended up being one of SXSW’s “Top 5 Most Tweeted Artists.” \nIn late April she shared You Should Be Here with the world\, which earned Kehlani her very first GRAMMY nomination at the 58th GRAMMY Awards for “Best Urban Contemporary Album.” Upon its release Billboard immediately called this project “The year’s first great R&B album”. Amongst their great review\, You Should Be Here has seen quite a bit of success on the charts. Aside from being the top R&B debut of the week\, it also came in at #1 on the iTunes R&B/Soul chart and #2 on both the Overall R&B Albums and Current R&B Albums chart. \nSigning to Atlantic Records in early 2015 and releasing You Should Be Here\, Kehlani possesses the power to make an impact because she’s so unwaveringly honest.\n“I am one-hundred percent music\,” she’ll assure.\nThat’s because it’s the truth. \n*** \nElla Mai \n \n[Website] [Facebook] [Twitter] \nLondon\, United Kingdom \n*** \nJahkoy \n \n[Website] [Facebook] [Twitter] \nLike all the most exciting new talents\, 21-year-old Toronto-born JAHKOY seemed to appear from nowhere. Shared speculatively on his Soundcloud last June\, the shimmering funk of debut single Still In Love – the first song he recorded after he moved to LA alone aged 20 – now sits at over one million plays on all platforms. Same with the skipping electro-throb of follow-up Hold Your Hand\, the string of those songs presenting a new artist in absolute control of his craft while already looking to manipulate it into new and exciting shapes. Both songs have received plays and shout outs on Beats 1\, most notably from Zane Lowe\, Drake and JAHKOY’s childhood hero\, Pharrell. In fact\, it’s telling that from a young age JAHKOY was drawn to a constant shape-shifter and experimentalist like Pharrell. “I loved the fact he was in his own lane\,” he explains. “There was stuff that was going on but he was creating new stuff. He didn’t fit in and he stepped over the boundaries of music and made what he has today.” A brief pause. “It’s something I want to do with my music.” \nBefore he could pinpoint his own musical inspirations\, there was a childhood household bustling with early influences\, mainly covering 90s R&B and hip-hop. “A lot of New Edition\, Total\, Notorious BIG\, Lil Kim\,” he says with a smile. While school didn’t offer him a musical education as such\, there were mandatory violin lessons to train his ear. “Because it’s the only instrument I know how to play I feel like it’s pretty easy\,” he shrugs. By the age of 11 music had started to go from something he listened to to something he created\, and buoyed by the expanding Toronto music scene he started (secretly) writing early lyrics in the form of poetry. Steadily these turned into raps\, which in turn became his debut releases under the name Raheem. “At the time I was doing music everyone was rapping\,” he says. “It started becoming more of a common thing and then it was too common. I put out three projects before changing my name.” While proud of the critically acclaimed mix-tapes\, he’s also aware that they were a stepping stone: “That was more my learning process to get to where I am now.” \nJAHKOY\, the artist\, was inspired by a perfect storm of circumstances\, mainly built around UK dance duo Disclosure and\, well\, good old-fashioned love. “Disclosure came to Toronto in 2014 and I had just dropped a project as Raheem that same day\,” he explains. “I went to the Disclosure show\, but I was going to see Vic Mensa\, who opened for them. So he killed it and then the headliners came on and they completely ripped it. I had no idea what kind of music they made or anything but their name. I was blown away by it. More because it was instrumental so I figured it would be dope if somebody sang or rapped over those kind of beats. So I started doing just that and then it turned into singing.” His passion for singing was also bolstered by falling in love\, the title of his forthcoming debut album\, Temptations\, inspired by his first date. \nIn amongst the musical re-awakenings and the young love\, JAHKOY also knew he needed to leave Canada to make his dreams a reality. “I left Toronto for Atlanta\,” he says. “I just needed to get out of Canada. So I spent some time there\, but eventually felt like there wasn’t what I needed in Atlanta. I needed to explore what was out there and so I went to LA and I grinded it out.” In fact\, he didn’t tell anyone he was going to LA\, just packed up his stuff and left.. While a move to LA sounds glitzy on paper\, in reality it was a leap into the unknown. “When I got to LA there was just one person I knew. I’d met him online. He was actually a fan of my early music\, so I knew he was really down to support the movement\,” he explains. “So I was staying on his couch for a while and getting a chance to meet people. The internet is a big world and there were some people who I knew were in LA that I hadn’t met before\, but I was willing to because I was there. So I linked up with a few people and I worked in a few studios and it went from there.” It was during those early sessions that he created Still In Love\, a song that re-shaped his journey.Steadily his name started to reach other producers\, most notably the likes of No ID\, Pop & Oak\, James Fauntleroy and DJ Dahi\, with a deal eventually signed with Def Jam. \nOften the inspirations behind JAHKOY’s songs are used purely as the foundation to careen off into glorious new areas. So Hold Your Hand was inspired by The Beatles’ I Want To Hold Your Hand\, this sense of carefree early love morphing into a day-glow mix of filtered guitars\, shuffling beats and JAHKOY’s airy delivery. \nAsked where he’d like to be in five years’ time\, JAHKOY says it’s something he’s been thinking about a lot recently. Rather than emulate a specific career\, he’s focused on making his music meaningful to as many people as possible. Once again\, there’s this sense of following your own path and doing what you need to do in the best way you can\, regardless of what else is happening around you. “I want to be influential to the music world\,” he states\, and you believe him. “That’s really it. I want to be able to bring that light to music. \n*** \nNoodles \n \n[Website] [Facebook] [Twitter] \nA name to know and an artist to watch in Electronic music\, Noodles continues to shine as a rising star in the DJ/Producer ranks and has taken his fans on quite a wild and exciting ride this past year. Noodles is well known as the go-to remixer for some of the biggest names in music and 2015 allowed him to further expand his library of collaborations while working on official projects for artists spanning the gamete of the industry\, from David Guetta to Pitbull. His work was also featured in the widely successful 2015 blockbuster motion picture “Furious 7” and can also be found on the official movie soundtrack. \nAside from working on his original releases as well as remixing for the biggest acts in music\, Noodles has continued to grow his radio audience reach to impressive lengths. He can be heard by over 2.5 million listeners per week through his massive radio network which includes mixes every weekend on Miami’s #1 station HITS 97.3\, his internationally syndicated show “The Radio Remix”\, his signature “Noodle’s Nation” show on DASH radio\, as well as weekly appearances on SiriusXM. Turn on a radio just about anywhere and you are sure to hear a mix or remix that Noodles is responsible for. \nNoodles brings the show during his high energy live performances! His sound can be described as a genre mashing experience rooted in big room electronic music with hip-hop\, trap and reggae influences\, which is the perfect combination to get any crowd moving. \nRemix King\, Super Producer\, and Radio Ruler- Noodles is a name to know and a star to watch in 2016.
URL:https://royaleboston.com/event/kehlani/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170224T220000
DTEND;TZID=America/New_York:20170224T220000
DTSTAMP:20260407T192758
CREATED:20161202T181443Z
LAST-MODIFIED:20161202T181443Z
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SUMMARY:Sofa King Friday W&W
DESCRIPTION:21+ \nVIP: 617-733-0505
URL:https://royaleboston.com/event/sofa-king-friday-ww/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20170225T180000
DTEND;TZID=America/New_York:20170225T213000
DTSTAMP:20260407T192758
CREATED:20170126T000603Z
LAST-MODIFIED:20170126T000603Z
UID:10001746-1488045600-1488058200@royaleboston.com
SUMMARY:SOLD OUT - Kehlani
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 6:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. \nSOLD OUT \n*** \n \n*** \nKehlani \n \n[Website] [Facebook] [Twitter] \nKehlani tells it like it is. Whether in conversation or on stage\, the Oakland-born R&B singer and songwriter gives the straight truth about her life\, pain\, passion\, love\, triumph\, and everything in between with collected calm and confidence. It’s that type of honesty that makes her music resonate with the depth of classic Motown and a vividly confessional lyricism reminiscent of Neo Soul. At the same time\, her 2015 mixtape\, You Should Be Here\, tells a story that distinctly belongs to her. \nIt all starts on the East Bay… \nBorn a unique blend of ethnicities including African American\, Caucasian\, Native American\, Spanish\, and Filipino Native American Kehlani will casually tell you “You’re lucky if you make it out of Oakland.” However\, in her case\, talent usurped luck. Months after her birth\, Kehlani lost her father\, never properly meeting him. Mired in drug addiction\, her mom shuffled her to an aunt. She initially found solace in dance—ballet in particular—but a knee injury sidelined her what might’ve been a budding career as ballerina. \n“That’s when I started singing\,” she recalls. “When I was living with my aunt\, she played me all of these powerful women and love songs. It was that Neo Soul-R&B\, and I couldn’t get enough of it. It felt right to sing from the moment I began.” \nIn eighth grade\, she became a member of the group Poplyfe produced by D’wayne Wiggins of Tony! Toni! Toné! fame. With Kehlani front and center\, Poplyfe ended up becoming a finalist on America’s Got Talent—even performing with her idol Stevie Wonder during the final round. They didn’t win the competition\, but she made an invaluable ally in Nick Cannon. A few industry pitfalls and detours derailed her musical momentum for six months until she decided to pick up the mic again. Without a home\, she moved from couch to couch until Cannon got back in touch wanting to help however he could. Kehlani wanted one thing: studio time. \nKehlani’s 2014 mixtape\, Cloud 19\, introduced her to the world. Immediately\, tastemakers and audiences alike wholeheartedly embraced her. Complex showcased the songstress in a piece entitled “How R&B Saved 2014\,” Pitchfork dubbed the mixtape one of the “Overlooked mixtapes of 2014\,” Vice proclaimed her an “R&B Artist on the Verge of Blowing Up\,” BuzzFeed pegged her at #4 on their “41 SXSW 2015 Artists You Need In Your Life\,” and she ended up being one of SXSW’s “Top 5 Most Tweeted Artists.” \nIn late April she shared You Should Be Here with the world\, which earned Kehlani her very first GRAMMY nomination at the 58th GRAMMY Awards for “Best Urban Contemporary Album.” Upon its release Billboard immediately called this project “The year’s first great R&B album”. Amongst their great review\, You Should Be Here has seen quite a bit of success on the charts. Aside from being the top R&B debut of the week\, it also came in at #1 on the iTunes R&B/Soul chart and #2 on both the Overall R&B Albums and Current R&B Albums chart. \nSigning to Atlantic Records in early 2015 and releasing You Should Be Here\, Kehlani possesses the power to make an impact because she’s so unwaveringly honest.\n“I am one-hundred percent music\,” she’ll assure.\nThat’s because it’s the truth. \n*** \nElla Mai \n \n[Website] [Facebook] [Twitter] \nLondon\, United Kingdom \n*** \nJahkoy \n \n[Website] [Facebook] [Twitter] \nLike all the most exciting new talents\, 21-year-old Toronto-born JAHKOY seemed to appear from nowhere. Shared speculatively on his Soundcloud last June\, the shimmering funk of debut single Still In Love – the first song he recorded after he moved to LA alone aged 20 – now sits at over one million plays on all platforms. Same with the skipping electro-throb of follow-up Hold Your Hand\, the string of those songs presenting a new artist in absolute control of his craft while already looking to manipulate it into new and exciting shapes. Both songs have received plays and shout outs on Beats 1\, most notably from Zane Lowe\, Drake and JAHKOY’s childhood hero\, Pharrell. In fact\, it’s telling that from a young age JAHKOY was drawn to a constant shape-shifter and experimentalist like Pharrell. “I loved the fact he was in his own lane\,” he explains. “There was stuff that was going on but he was creating new stuff. He didn’t fit in and he stepped over the boundaries of music and made what he has today.” A brief pause. “It’s something I want to do with my music.” \nBefore he could pinpoint his own musical inspirations\, there was a childhood household bustling with early influences\, mainly covering 90s R&B and hip-hop. “A lot of New Edition\, Total\, Notorious BIG\, Lil Kim\,” he says with a smile. While school didn’t offer him a musical education as such\, there were mandatory violin lessons to train his ear. “Because it’s the only instrument I know how to play I feel like it’s pretty easy\,” he shrugs. By the age of 11 music had started to go from something he listened to to something he created\, and buoyed by the expanding Toronto music scene he started (secretly) writing early lyrics in the form of poetry. Steadily these turned into raps\, which in turn became his debut releases under the name Raheem. “At the time I was doing music everyone was rapping\,” he says. “It started becoming more of a common thing and then it was too common. I put out three projects before changing my name.” While proud of the critically acclaimed mix-tapes\, he’s also aware that they were a stepping stone: “That was more my learning process to get to where I am now.” \nJAHKOY\, the artist\, was inspired by a perfect storm of circumstances\, mainly built around UK dance duo Disclosure and\, well\, good old-fashioned love. “Disclosure came to Toronto in 2014 and I had just dropped a project as Raheem that same day\,” he explains. “I went to the Disclosure show\, but I was going to see Vic Mensa\, who opened for them. So he killed it and then the headliners came on and they completely ripped it. I had no idea what kind of music they made or anything but their name. I was blown away by it. More because it was instrumental so I figured it would be dope if somebody sang or rapped over those kind of beats. So I started doing just that and then it turned into singing.” His passion for singing was also bolstered by falling in love\, the title of his forthcoming debut album\, Temptations\, inspired by his first date. \nIn amongst the musical re-awakenings and the young love\, JAHKOY also knew he needed to leave Canada to make his dreams a reality. “I left Toronto for Atlanta\,” he says. “I just needed to get out of Canada. So I spent some time there\, but eventually felt like there wasn’t what I needed in Atlanta. I needed to explore what was out there and so I went to LA and I grinded it out.” In fact\, he didn’t tell anyone he was going to LA\, just packed up his stuff and left.. While a move to LA sounds glitzy on paper\, in reality it was a leap into the unknown. “When I got to LA there was just one person I knew. I’d met him online. He was actually a fan of my early music\, so I knew he was really down to support the movement\,” he explains. “So I was staying on his couch for a while and getting a chance to meet people. The internet is a big world and there were some people who I knew were in LA that I hadn’t met before\, but I was willing to because I was there. So I linked up with a few people and I worked in a few studios and it went from there.” It was during those early sessions that he created Still In Love\, a song that re-shaped his journey.Steadily his name started to reach other producers\, most notably the likes of No ID\, Pop & Oak\, James Fauntleroy and DJ Dahi\, with a deal eventually signed with Def Jam. \nOften the inspirations behind JAHKOY’s songs are used purely as the foundation to careen off into glorious new areas. So Hold Your Hand was inspired by The Beatles’ I Want To Hold Your Hand\, this sense of carefree early love morphing into a day-glow mix of filtered guitars\, shuffling beats and JAHKOY’s airy delivery. \nAsked where he’d like to be in five years’ time\, JAHKOY says it’s something he’s been thinking about a lot recently. Rather than emulate a specific career\, he’s focused on making his music meaningful to as many people as possible. Once again\, there’s this sense of following your own path and doing what you need to do in the best way you can\, regardless of what else is happening around you. “I want to be influential to the music world\,” he states\, and you believe him. “That’s really it. I want to be able to bring that light to music. \n*** \nNoodles \n \n[Website] [Facebook] [Twitter] \nA name to know and an artist to watch in Electronic music\, Noodles continues to shine as a rising star in the DJ/Producer ranks and has taken his fans on quite a wild and exciting ride this past year. Noodles is well known as the go-to remixer for some of the biggest names in music and 2015 allowed him to further expand his library of collaborations while working on official projects for artists spanning the gamete of the industry\, from David Guetta to Pitbull. His work was also featured in the widely successful 2015 blockbuster motion picture “Furious 7” and can also be found on the official movie soundtrack. \nAside from working on his original releases as well as remixing for the biggest acts in music\, Noodles has continued to grow his radio audience reach to impressive lengths. He can be heard by over 2.5 million listeners per week through his massive radio network which includes mixes every weekend on Miami’s #1 station HITS 97.3\, his internationally syndicated show “The Radio Remix”\, his signature “Noodle’s Nation” show on DASH radio\, as well as weekly appearances on SiriusXM. Turn on a radio just about anywhere and you are sure to hear a mix or remix that Noodles is responsible for. \nNoodles brings the show during his high energy live performances! His sound can be described as a genre mashing experience rooted in big room electronic music with hip-hop\, trap and reggae influences\, which is the perfect combination to get any crowd moving. \nRemix King\, Super Producer\, and Radio Ruler- Noodles is a name to know and a star to watch in 2016.
URL:https://royaleboston.com/event/kehlani-second-show-added/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
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DTSTART;TZID=America/New_York:20170225T220000
DTEND;TZID=America/New_York:20170225T220000
DTSTAMP:20260407T192758
CREATED:20170207T180158Z
LAST-MODIFIED:20170207T180158Z
UID:10001759-1488060000-1488060000@royaleboston.com
SUMMARY:Royale Saturday w/ Liz Ladoux & Kelly Ross
DESCRIPTION:21+ \nVIP: 617-733-0505
URL:https://royaleboston.com/event/royale-saturday-w-liz-ladoux-kelly-ross/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170303T220000
DTEND;TZID=America/New_York:20170303T220000
DTSTAMP:20260407T192758
CREATED:20170208T170730Z
LAST-MODIFIED:20170208T170730Z
UID:10002465-1488578400-1488578400@royaleboston.com
SUMMARY:Sofa King Friday w/ Borgeous
DESCRIPTION:21+ \n617-733-0505
URL:https://royaleboston.com/event/sofa-king-friday-w-borgeous/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170304T220000
DTEND;TZID=America/New_York:20170304T220000
DTSTAMP:20260407T192758
CREATED:20170224T165618Z
LAST-MODIFIED:20170224T165618Z
UID:10002474-1488664800-1488664800@royaleboston.com
SUMMARY:Royale Saturday's w/ Buck Rogers
DESCRIPTION:21+ \nVIP 617-733-0505
URL:https://royaleboston.com/event/royale-saturdays-w-buck-rogers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170305T150000
DTEND;TZID=America/New_York:20170305T190000
DTSTAMP:20260407T192758
CREATED:20161228T164104Z
LAST-MODIFIED:20161228T164104Z
UID:10001741-1488726000-1488740400@royaleboston.com
SUMMARY:Speed Rack Challenge - Season 5
DESCRIPTION:Serious stirring and shaking is about to happen\, thanks to the return of Speed Rack\, the all-female speed-bartending competition that raises money for breast cancer. Come celebrate the ladies of New England in the epic battle for the title of Miss Speed Rack New England on Sunday\, March 5th as these tough bartenders competing in this roller derby of cocktail competitions. 100% Proceeds go to Breast Cancer Research and Education.
URL:https://royaleboston.com/event/speed-rack-challenge-season-5/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Special Events
GEO:42.3499959;-71.0656288
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170309T210000
DTEND;TZID=America/New_York:20170309T210000
DTSTAMP:20260407T192758
CREATED:20170301T163125Z
LAST-MODIFIED:20170301T163125Z
UID:10002478-1489093200-1489093200@royaleboston.com
SUMMARY:Monstercat AFK PAX East Pre-party presented by MCProHosting
DESCRIPTION:Monstercat is coming to Boston during the highly anticipated PAX East Convention with a MASSIVE Pre-Party on Thursday\, March 9th at Royale presented by our friends MCProHosting! \nAs a part of Monstercat’s AFK (Away From Keyboard) event series\, internationally touring artists Drezo\, Unlike Pluto\, Robotaki as well as a very special guest are coming to throw down a high octane show giving fans a chance to get their adrenaline pumping along side some of electronic music’s most sought after names! \n? Monstercat AFK is ready to take PAX East by storm\, so unplug with Monstercat and turn up! #AreYouAFK\n? 15% off General Admission tickets for PAX East Badge holders* with discount code AreYouAFK15 \n? ? MONSTERCAT ARTISTS ? ?\nFor any electronic music fan\, it’s no secret just how jampacked this lineup is. With Robotaki fresh off a North American tour with Madeon & Porter Robinson; Unlike Pluto heralded by critics like Billboard and Dancing Astronaut as a breakout artist to watch for 2017; and Drezo being one of the most recognized and respected names in bass music – this party is top-tier hype from beginning to end. And the big names don’t stop there – a secret guest announcement is coming soon! ? \n—– \n? March 9th 2017\n⏰ 9pm-2am\n? Location: Royale Boston\n? 21+ Event\n? Complimentary Coat Check\n? Limited edition T-shirts for the first 100 Guests\n? Giveaways\n? No Badge required for ticket purchase\n❗️Dress Code: Open\, no weapons (real or fake) \nEarly Bird Tickets: $20\nGeneral Admission: $25
URL:https://royaleboston.com/event/monstercat-afk-pax-east-pre-party-presented-mcprohosting/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170310T210000
DTEND;TZID=America/New_York:20170310T210000
DTSTAMP:20260407T192758
CREATED:20170306T194438Z
LAST-MODIFIED:20170306T194438Z
UID:10001763-1489179600-1489179600@royaleboston.com
SUMMARY:Acer Predator Gaming Lounge @ PAX East
DESCRIPTION:21+ \nVIP 617-733-0505
URL:https://royaleboston.com/event/acer-predator-gaming-lounge-pax-east/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170311T180000
DTEND;TZID=America/New_York:20170311T213000
DTSTAMP:20260407T192758
CREATED:20170109T100029Z
LAST-MODIFIED:20170109T100029Z
UID:10001744-1489255200-1489267800@royaleboston.com
SUMMARY:Haywyre & The Opiuo Band
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 6:30 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 1/13 at 10AM! \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nHaywyre \n \n[Website] [Facebook] [Twitter] \nHaywyre consists of Martin Vogt\, who has been studying piano since the age of six. His interest in the production of various genres of electronic music and piano instrumentals began growing when he lived in Austria; there\, he was exposed to jazz and hip-hop for the first time. Shortly after moving back to the U.S. in 2008\, Haywyre was created. Now\, his mission can be defined by providing his listeners with music that presents variety\, originality\, and ideas stemming from his jazz and classical knowledge base. The most general description to Martin’s sound can be described as memorable melodies and (jazz / classically influenced) chord progressions in the context of progressive electronic music. Synthetic and organic elements combine in works inspired by artists such as Noisia\, Flying Lotus\, KOAN Sound\, Hans Zimmer\, Clint Mansell\, Austin Peralta\, and Abdullah Ibrahim. His main compositional tool is the piano; countless nights are spent drafting harmonic and melodic outlines by improvising. For live performances\, Haywyre also includes his akai mpk 88 to perform the melodies while triggering the stems to the rest of the pieces. His guitar work can also be heard in many tracks (and sometimes other instruments\, such as the Duduk\, as well). So far\, he has mastered every release himself (except the Draw The Line EP). \n*** \nThe Opiuo Band \n \n[Website] [Facebook] [Twitter] \nFor New Zealand native Opiuo\, making music has been an undeniable passion that encapsulates his every moment. His incredibly original\, against the grain style is often referred to simply as “funkadelic bass music”\, a term he supports wholeheartedly. The producer who now calls Australia home first gained international recognition in 2010 with his single “Robo Booty” from his debut album “Slurp and Giggle”\, which was a finalist for Best Dance/Electro Release at the Australian Independent Music Awards that year. His music has since reached the #1 position on the iTunes\, Hype Machine\, Beatport & Addictech charts. Racking up 5 million plays on his Soundcloud page\, Opiuo swept the 2013 UK Glitch-Hop Awards with 5 wins. His latest full-length album “Meraki” was a finalist for the Best Electronica Album at the New Zealand Music Awards 2014. \nOpiuo’s unique take on electronic music has captured the attention of music lovers around the entire globe\, with sets at Coachella (USA)\, Glastonbury (UK)\, Shambhala (Canada)\, Lightning In A Bottle (USA)\, Boomtown Fair (UK) as well as headlining tours across Australia\, New Zealand\, N. America\, Europe\, Asia\, Israel and India. He’s shared the stage with some of music’s elite including Bassnectar\, Moby\, Pete Tong\, Bonobo\, & The Glitch Mob to name a few. Whether he’s equipped with his solo setup of various drum machines and synths\, or performing 100% live as The Opiuo Band\, his explosive live shows never disappoint. \nAs a remixer Opiuo’s credits span far & wide\, from Gwen Stefani to Kimbra\, Pretty Lights to Infected Mushroom\, KOAN Sound to Shapeshifter and many more. With such a grand scope its no wonder Opiuo’s musical meanderings are heard the world over. \n*** \nFreddy Todd \n \n[Website] [Facebook] [Twitter] \nWords will inevitably fail to properly describe Freddy Todd. Genre-busting could be an understatement. You can’t pin him down with lexicon like lazer-bass and glitch-funk; these phrases fall way short of capturing the expressiveness\, fearlessness\, and space-traveling qualities of his music. Hearing his music is akin to being abducted by an extra-terrestrial cruise liner where everyone is tripping on space acid. And if you are lucky enough to witness him produce\, you’ll see that he fittingly looks just like the captain of said space cruiser\, both hands intently gripping his electronics like the instrument panel on the flight deck. \nLet’s bring this back to earth real quick. His motown\, soul\, blues\, jazz\, funk\, hiphop (and techno for that matter) roots are a given\, being born just outside of Detroit in Southfield\, MI in 1990. Freddy moved out of his parents house immediately upon turning 18 lusting for the world and the creative juices it has to offer\, living briefly in Ferndale\, MI at first\, then to the outskirts of a rougher part of the city of Detroit near 7 mile and Lahser for two years to live with his then-band “Tone Poets”\, producing for Scrummage hip-hop queen “Breezee One”\, and wrapping up his second full length studio LP on Simplify Recordings\, followed by a year in Chicago. After living in the midwest until the age of 22\, his sights were set on the golden west. Moving cross-country and living two years in the Bay Area\, living in both the hood of West Oakland followed by the Oakland Hills while writing and releasing the “Golden Tremendous” album and starting his next EP. After soaking up the Cali vibes\, he returned across country for some more wholesome less-congested living in the blue ridge smokey mountains of Asheville\, NC to be closer to family\, where he currently resides. \nFreddy Todd is truly a master of his craft not only in the studio but on stages across the globe. Without any pre-recorded sets\, Freddy has the skills and the audacity to perform on the fly mixes of 100% original material tailored to his specific audience\, mood\, and venue each night\, be it a theater in northern California\, a club in the back alleys of Detroit\, or an outdoor festival in the bush off the eastern coast of Australia (occasionally on special nights with his live drummer forming the FT Live Band/Duo). His earth shattering\, meticulously programmed beats & rhythms\, his lazer crunk\, funky psychedelic bass & sound design\, and his brain tingling\, intelligently soul-soaked synths\, melodies\, & field-recorded samples are sure to shake your consciousness as they blast through airwaves out of top notch sound systems across the universe while Freddy serenades you with 100% live & improvised get-your-booty-on-the-floor analog Moog synthesizers & keytar\, loop triggering\, and occasional drums & percussive elements. Be careful where you don’t look.
URL:https://royaleboston.com/event/haywyre-the-opiuo-band/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170311T220000
DTEND;TZID=America/New_York:20170311T220000
DTSTAMP:20260407T192758
CREATED:20170306T152333Z
LAST-MODIFIED:20170306T152333Z
UID:10001760-1489269600-1489269600@royaleboston.com
SUMMARY:Royale Saturday's w/ Breeazy
DESCRIPTION:21+ \nVIP 617-733-0505
URL:https://royaleboston.com/event/royale-saturdays-w-breeazy/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170312T190000
DTEND;TZID=America/New_York:20170312T190000
DTSTAMP:20260407T192758
CREATED:20170119T190636Z
LAST-MODIFIED:20170119T190636Z
UID:10002461-1489345200-1489345200@royaleboston.com
SUMMARY:Devendra Banhart
DESCRIPTION:Show moved from The Sinclair to Royale due to overwhelming demand! \nBowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale now! \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n*** \n \n*** \nDevendra Banhart \n \n[Website] [Facebook] [Twitter] \nDevendra Obi Banhart (born May 30\, 1981) is a Venezuelan American singer-songwriter and visual artist. Banhart was born in Houston\, Texas and was raised by his mother in Venezuela\, until he moved to California as a teenager. He began to study at the San Francisco Art Institute in 1998\, but dropped out to perform music in Europe\, San Francisco and Los Angeles. Banhart released his debut album in 2002\, continuing to record his material on the Young God and XL labels\, as well as other work on compilations and collaborations.
URL:https://royaleboston.com/event/devendra-banhart/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170313T190000
DTEND;TZID=America/New_York:20170313T190000
DTSTAMP:20260407T192758
CREATED:20170124T160927Z
LAST-MODIFIED:20170124T160927Z
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SUMMARY:The Protomen\, MC Frontalot & Bit Brigade
DESCRIPTION:18+ \nLeague Podcast & Rock On! Concerts Presents….
URL:https://royaleboston.com/event/the-protomen-mc-frontalot-bit-brigade/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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DTSTART;TZID=America/New_York:20170317T180000
DTEND;TZID=America/New_York:20170317T180000
DTSTAMP:20260407T192758
CREATED:20170116T195250Z
LAST-MODIFIED:20170116T195250Z
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SUMMARY:House of Pain
DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 7:00 pm \nThis event is 21 and over. \nTickets on sale Fri. 1/20 at noon! \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n***\nSt. Patrick’s Day 2017\nHouse of Pain \n \n[Facebook] [Twitter] \nOn the heels of their widely heralded reunion show at KROQ’s ‘Epicenter 2010’\, EVERLAST and DANNY BOY have decided to get the band back together in celebration of their 20th anniversary. That’s right\, HOUSE OF PAIN is back\, more focused than ever and extremely excited to kick-off a worldwide reunion tour in 2011. \nIt’s hard to believe that the rowdy Irish Americans got started way back in 1991\, but for the past 20 years the group has maintained a high profile – topping the Billboard charts as a group and with solo efforts. It was a turn of a new decade when HOUSE OF PAIN changed the face of hip-hop with their self-titled debut album\, going multi-platinum and launching one of the most memorable songs in hip-hop history with “Jump Around”. Now it’s the start of another new decade and HOUSE OF PAIN is ready to do it all over again; the group aims to bring their fiery live show to fans all over the world\, reclaim the throne as hip-hop’s best and celebrate what has allowed their successes over the past 20 years – the fans. \n“It’s been 20 years and we are very excited to go out there and do this again\,” comments Everlast. “The catalyst was definitely the KROQ Epicenter show this past summer. We had already been working together on the La Coka Nostra record and did an event with [UFC President] Dana White but it really came down to seeing the crazy response from the crowd in LA when we went into ‘Jump Around’. After that\, we went home thinking about it and now is the time to act on it. Every show is going to be like an anniversary party. It’s going to be crazy.” \nSince HOUSE OF PAIN disbanded back in 1996\, the members have kept their star power and went on to huge successes. EVERLAST has maintained an incredibly successful solo career that includes a triple platinum album\, multiple Top 10 hits (including the #1 smash hit “What It’s Like”) and a Grammy for the song “Put Your Lights On” which was recorded with Carlos Santana. Danny Boy changed focus from music to art and launched an extremely successful art company\, multiple clothing lines and ultimately brought the reunion about by forming the group LA COKA NOSTRA that featured the original lineup from HOUSE OF PAIN alongside rappers Slaine and Ill Bill. \nAfter experiencing all of the solo success\, it becomes obvious that HOUSE OF PAIN isn’t a group reforming to cash in on current musical trends. HOUSE OF PAIN is reforming because of the passion that they have for their music. They are back to celebrate with their fans across the 20 years that have spawned tremendous success and undying anthems of rebellious teenagers everywhere. They are back to show young fans everywhere just how raucous and dirty hip-hop can be – to prove that it doesn’t matter your age\, race\, religion or whether you’re into hip-hop\, rock or metal. HOUSE OF PAIN has crafted a 20-year legacy that speaks to fans from all walks of life. \nSo get out of your seat and “Jump Around.” \n*** \nSlaine \n \n[Website]\n[Facebook] [Twitter] \nIf you believe Life is hard yet one of the best gifts anyone can be granted\, you’ll understand the journey of Slaine. The hard knocks and struggle of this Boston native may sound like good tidbits for a novel\, television or mini-series. Hailing from the Dorchester area with deep connections in South Boston\, Slaine’s life was patterned somewhat of a gypsy moving around often. Despite not having a normal home foundation\, Slaine aspired like other starry eyed kids to become a force in the entertainment industry. Mapping out his plan to obtain his goals\, Slaine packed his bags and moved to New York City and enrolled in the School of Visual Arts. After only seven months\, an unfortunate altercation between Slaine and a school employee resulted in his expulsion at the school. \nThe incident was a major setback for Slaine that suspended his dream of becoming a filmmaker. Although dismayed and discouraged\, Slaine prevailed over his setback and proceeded towards his pursuit into the entertainment industry via another way…music. His love for hip-hop was discovered at the early age of nine. “I started writing rhymes when I was nine years old\, I use to record on my boom box with a pair of headphones plugged into the microphone jack. I felt they were just words on a page because I didn’t have an outlet to perform them.” Determined and focused\, Slaine spent his nights as a club promoter to survive in the hard lonely streets of New York City. At the same time\, he began recording and being managed by hip-hop legend MC Shan. While recording a demo in a studio operated by the Lordz of Brooklyn\, SLAINE was introduced to Danny Boy O’Connor of House of Pain. \nThe introduction lead into him being signed to a production deal with DJ Lethal of House of Pain which led to the mix tape release ‘The White Man is the Devil: Volume 1’ and the formation of Special Teamz with Boston rap legends Edo G and Jaysaun. Special Teamz dropped a self-titled street CD after that\, which garnered critical acclaim and allowed the group to tour in Europe. In a very short time\, SLAINE had gone from living in poverty with a drug habit to traveling the world and working with hip-hop icons such as DJ Premier\, Ill Bill\, House of Pain\, Cypress Hill\, The Alchemist\, and a host of other talented artists. He also became part of the collective LA COKA NOSTRA\, alongside Ill Bill and all three members of House of Pain – Everlast\, DJ Lethal\, and Danny Boy. La Coka Nostra’s debut album\, “A Brand You Can Trust” debuted at #84 on the Billboard Top 200 and #6 on the Rap charts\, sending a message to the masses that the group’s brand of gritty hip-hop was exactly what fans of the genre had been waiting for. \nSlaine’s name continued to grow far past his hometown of Boston due to the exposure he has received in publications such as The Source\, XXL\, The New York Times\, The Boston Herald\, and has performed sold out shows across the globe. SLAINE has been nominated for a Boston Music Award and received 4 trophies at The Mass Industry Committee’s hip-hop awards including one for Best Lyricist. \nAs his music career expanded\, a personal battle with drugs became a focal point that reared its ugly head. After overdoses\, hospital visits and a whirlwind of drugs and violence\, SLAINE finally checked into rehab. Instantly\, he found himself with homeless drug addicts and realized he was no different than any of them. “Everybody had a story to tell. That was where the idea and the hunger for “The White Man is the Devil” was born. “The White Man” is a cocaine reference\, not a declaration of self hate.” \nSince conquering his addiction\, Slaine’s was presented with new and exciting possibilities…Acting. A chance of a lifetime presented itself through an unexpected ally\, hometown hero and Academy Award winner Ben Affleck. SLAINE made his acting debut with his portrayal of Bubba Rogowski in Affleck’s return to screenwriting and directorial debut “Gone Baby Gone”. The film was critically acclaimed and led to Slaine being offered a larger role as a bank robber in the blockbuster “The Town” featuring Ben Affleck\, Jeremy Renner (The Hurt Locker)\, and Jon Hamm (Mad Men). He is also been in films\, “The Crack Down” and “Bad Blood” and in the upcoming movie “Cogan’s Trade” with Brad Pitt\, Ray Liotta and James Gandolfini. \nWhile Slaine’s acting career has allowed him to blaze new paths\, his venomous lyrical attack burns hotter than ever on his debut solo album\, “A World With No Skies 2.0”\, which drops on August 16th \, 2011 through Suburban Noize Records. With hard hitting lyrical content\, and vicious delivery\, “A World with No Skies 2.0” instantly takes hip-hop back to its grimy roots on the streets. To execute his dark musical vision\, Slaine enlisted the help of his La Coka Nostra brothers Everlast and ILL BILL\, as well as Cypress Hill’s B-Real and Vinnie Paz of Jedi Mind Tricks to create a dark hip-hop album that hits squarely in the jaw. “Even though I started my career as a solo artist by hustling my ‘The White Man is the Devil’ mixtapes\, I think people are more familiar with me from Special Teamz and La Coka Nostra\,” commented Slaine. “With this album I set out to create a soundscape that brings you into my world as an individual which is a bad place to be. It is hard\, dark and aggressive from the beats to the lyrics\, and a deeply personal trip through my life and the things that made me who I am today. A ‘World with No Skies’ is a look into my psyche and a vision of my dreams\, nightmares\, and realities.” \nDespite his ups and downs throughout his career\, Slaine’s living his life to the fullest. “I love making music that means something to me\, I am grateful for all the experiences that I have had—good and bad. I am lucky to be alive\, but my past also made me who I am today.”
URL:https://royaleboston.com/event/house-of-pain-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20170317T220000
DTEND;TZID=America/New_York:20170317T220000
DTSTAMP:20260407T192758
CREATED:20170222T221849Z
LAST-MODIFIED:20170222T221849Z
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SUMMARY:Sofa King Friday's w/ Steve Aoki
DESCRIPTION:21+ \nVip: 617-733-0505
URL:https://royaleboston.com/event/sofa-king-fridays-w-jonny-dougs-dude-n-guy-jakkd/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20170318T220000
DTEND;TZID=America/New_York:20170318T220000
DTSTAMP:20260407T192758
CREATED:20170306T193649Z
LAST-MODIFIED:20170306T193649Z
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SUMMARY:WCKD Saturday Royale's 7 Year Anniversary w/ Lil Jon
DESCRIPTION:21 + \nTickets Only. \nVIP: 617-733-0505
URL:https://royaleboston.com/event/wckd-saturday-royales-7-year-anniversary-w-lil-jon/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20170322T124658
DTEND;TZID=America/New_York:20170322T124658
DTSTAMP:20260407T192758
CREATED:20170104T215216Z
LAST-MODIFIED:20170104T215216Z
UID:10001743-1490186818-1490186818@royaleboston.com
SUMMARY:Royale Saturday w/ Liz Ladoux
DESCRIPTION:21+ \n617-733-0505
URL:https://royaleboston.com/event/royale-saturday-w-liz-ladoux-3/
LOCATION:MA
CATEGORIES:Nightclub
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