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SUMMARY:Royale Saturdays: Little Black Dress Party
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations. \n21+
URL:https://royaleboston.com/event/royale-saturdays-little-black-dress-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20191103T190000
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SUMMARY:Kishi Bashi
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 6/14 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nKishi Bashi \n \nWebsite\nFacebook\nTwitter \nImagine being forced from your home. Imagine being sent to a prison camp with no trial\, and no promise of release. Imagine all this happened simply because of the language you speak\, the shade of your skin\, or the roots of your family tree. For over 120\,000 Japanese-Americans this was a reality during World War II. It’s a reality that Kishi Bashi seeks to reckon with on his latest release Omoiyari. \nOmoiyari is Kishi Bashi’s fourth album — following the acclaimed 151a (2012)\, Lighght (2014)\, and Sonderlust (2016)\, which have garnered serious acclaim from outlets including NPR Music\, The Wall Street Journal\, and The Guardian — and his most important yet. Many of the songs were initially inspired by history and oppression\, and he deftly weaves tales of love\, loss\, and wanting to connect listeners to the past. Channeling the hard-learned lessons of history\,  Omoiyari is an uncompromising musical statement on the turbulent sociopolitical atmosphere of present-day America.  \n“I was shocked when I saw white supremacy really starting to show its teeth again in America\,“ Kishi Bashi says. “My parents are immigrants\, they came to the United States from Japan post–World War II. As a minority I felt very insecure for the first time in my adult life in this country. I think that was the real trigger for this project.” \nKishi Bashi recognized parallels between the current U.S. administration’s constant talk of walls and bans\, and the xenophobic anxieties that led to the forced internment of Japanese-Americans in the months following the attack on Pearl Harbor. So he immersed himself in that period\, visiting former prison sites and listening to the stories of survivors\, while developing musical concepts along the way. The unique creative process behind Omoiyari will be documented in a film scheduled for release in early 2020. \n“I didn’t want this project to be about history\, but rather the importance of history\, and the lessons we can learn\,” Kishi Bashi reflects. “I gravitated toward themes of empathy\, compassion\, and understanding as a way to overcome fear and intolerance. But I had trouble finding an English title for the piece. Omoiyari is a Japanese word. It doesn’t necessarily translate as empathy\, but it refers to the idea of creating compassion towards other people by thinking about them. I think the idea of omoiyari is the single biggest thing that can help us overcome aggression and conflict.” \nThe strong conceptual elements of Omoiyari are driven by Kishi Bashi’s captivating musical score. Stepping away from his past loop-based production model\, he embraced a more collaborative approach when recording\, and for the first time included contributions from other musicians\, such as Mike Savino (aka Tall Tall Trees) on banjo and bass\, and Nick Ogawa (aka Takenobu) on cello. Kishi Bashi’s spectacular trademark violin soundscapes are still an essential component of his sound\, but the focus of Omoiyari is centered squarely on its songs. The result is his most potent and poignant collection of music to date. \nOn “Marigolds\,” Kishi Bashi contemplates the “differences between generations that are difficult to comprehend sometimes.” “I wish that I had met you when your heart was safe to hold\,” he sings over a bed of shimmering violins\, conveying a sense of deep melancholy over a soaring melodic line. \n“Summer of ’42” weaves a breathtaking orchestral score over a tale of love and loss in a Japanese incarceration camp. “While times were humiliating and difficult in these camps\, they would make time to find love and happiness amongst the adversity\,” Kishi Bashi observes. \n“Violin Tsunami” builds a single violin line into a cinematic wall of sound. “A Brazilian Japanese friend of mine is a violin maker\, and he presented me with a wonderful violin to play. He had named it Tsunami\, and had worked on it while the Fukushima Nuclear disaster was unfolding\,” Kishi Bashi explains. “This song is about the chaos that nature can create\, and also about the healing and rebuilding that the human spirit is capable of.” \nThe songs on Omoiyari overflow with rich sounds and complex emotions\, and challenge listeners to confront a difficult chapter in America’s past while acknowledging the injustices of the present. But there’s a yearning for better days threaded through several songs\, a perspective that mirrors Kishi Bashi’s own hopes for a better future. “Part of the project is saying that if you’re a minority there’s potentially still a lot to look forward to in this country. I believe there’s a paradigm shift coming\, especially for minorities and those who have felt oppression. America is changing.” \nBut a better future is not guaranteed\, and Kishi Bashi wants listeners who hold some economic or social privilege to be aware of their own role in creating change. “If you’re privileged you need to understand that this country is for everybody\, and we have to make that space for all people.”  \n“Sometimes when we look at history\, it feels far away and removed. But there are fundamental lessons of love\, compassion and fear that we can learn from the internment and apply to issues today concerning refugees\, immigration\, and minorities\,” he says. “There are so many tragedies and atrocities that have happened around the world at different times in history\, and I think it’s really important to have the compassion to understand the suffering that people endured before you\, to not repeat the past\, and to really be grateful for the life you have.” \nWhile the theme of Omoiyari is rooted in 1940s America\, the album’s message is timeless. In exploring the emotional lives of the innocent Japanese-Americans who were unjustly incarcerated\, Kishi Bashi hopes to nurture a sense of empathy\, or omoiyari\, in all who hear the album.
URL:https://royaleboston.com/event/kishi-bashi-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:The New Pornographers
DESCRIPTION:Presented by WERS \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 6/28 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nThe New Pornographers \n \nWebsite\nFacebook\nTwitter \nFor the last two decades\, The New Pornographers have been delivering infectious hooks\, sweet harmonies\, and a pile of power-pop riffs every time they take the stage. The critically acclaimed supergroup — A.C. Newman\, Neko Case\, Kathryn Calder\, Todd Fancey\, Blaine Thurier\, John Collins\, Joe Seiders and Simi Stone — embarks on a new tour in support of their brand new record In The Morse Code Of Brake Lights. The album is more of what The New Pornographers do best: “pure\, blissfully irresistible power-pop” (NPR Music).   \n*** \nLady Lamb \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/the-new-pornographers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20191105T183000
DTEND;TZID=America/New_York:20191105T183000
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SUMMARY:The Maine
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:00 pm \nTickets on sale Fri 8/9 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Maine \n \nWebsite\nFacebook\nTwitter \nSeven albums in\, and The Maine’s new release You Are Ok is arguably the band’s most considerable sonic leap in their twelve-year career. What makes The Maine\, The Maine is their ability and inspiration to take risks\, all while staying tuned in and consistently exceeding the expectations of their fans. 2019 is shaping up to be another milestone year for these desert dwellers\, which kicked off with their second ever headlining music festival in their hometown. You Are Ok marks The Maine’s first top 10 album in its premiere on the charts (peaking at #8)\, and also came in at #1 independent record\, #2 rock album\, #2 vinyl album\, and #3 alternative album. Known for their live show\, The Maine is taking You Are Ok around the globe this year including stops on their home continent\, across South America\, Europe\, and more. The band will spend their summer on the Sad Summer Festival\, co-headlining the inaugural year of a touring music festival in the US. \nThe Maine is John O’Callaghan\, Pat Kirch\, Jared Monaco\, Garrett Nickelsen\, and Kennedy Brock. \n*** \nTwin XL \n \nFacebook\nTwitter \nLos Angeles trio Twin XL is the creative brainchild of songwriters and producers\, Cameron Walker-Wright (vocals) and brothers Stephen Gomez (bass) and John Gomez (guitar). Walker-Wright is part of the synth-pop band Nekokat and the Gomez brothers rose to international fame in The Summer Set. Collectively\, the three have written and produced for artists such as All Time Low\, Lindsey Stirling and Life of Dillon\, as well as having their music featured in commercials and trailers such as Disney’s “Christopher Robin” and ABC’s “Lucifer.” \nThough Walker-Wright and the Gomez brothers have been working as full-time writer/producers\, a part of similar social circles and often ran into each other at random gigs across the country for years\, it wasn’t until early 2017 after another serendipitous meeting at a LA house party\, that they decided to try a day in the studio together. \nThe synergy between the three was clear and Twin XL was born — a perfect storm of the glistening retro synths\, catchy bass-lines\, memorable melodies and Walker’s smooth vocal. The EP\, entirely written and produced by the band\, is a balanced dichotomy of bright and summery and dark and mysterious\, fusing together an infectious anti-pop sound. \nFrom top-class performing musicians each in their own right\, writers\, producers\, friends\, and now band mates\, TwinXL are paving their way to the top turning a night out at a party into a nostalgic and distinctive musical sequel full of indelible anti-pop glory. \n*** \nNick Santino \nWebsite
URL:https://royaleboston.com/event/the-maine-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20191106T183000
DTEND;TZID=America/New_York:20191106T183000
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SUMMARY:Cavetown
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:30 pm \nSecond show added due to overwhelming demand! Tickets on sale Mon. 7/22 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nCavetown \n \nWebsite\nFacebook\nTwitter \nRobin Skinner makes music by himself\, in his bedroom\, but his songs belong to the world.\nThe son of a professional flautist and Cambridge University’s director of music\, the 20-year-old UK singer/songwriter—who’s performed under the name  CAVETOWN  since 2013—has musical talent literally embedded in his DNA. But that underlying musical theory is nothing without the emotional underpinnings that take a song from technically proficient to transformatively powerful. \nMarrying the two is what makes Cavetown so captivating and resonant with fans. They see themselves in Skinner’s music: tales of love and loss\, of yearning to make sense of life and all the feelings that go along with it. For three minutes at a time\, listeners feel less alone inside his songs\, finding comfort in times of chaos and confusion.\n“I speak about very genuine things and very personal things that I find hard to say\,” Skinner explains. “That’s why I write a song about it. I think people relate to that: Sometimes they can’t put things into words\, but when they hear a song about it\, they can point to that.” \nThe direct through-line to fans’ emotions is the result of the barrier-free relationship Skinner has created with his audience. Outside of his deeply personal music\, Cavetown’s YouTube channel is full of day-in-the-life\, behind-the-scenes vignettes – along with covers of his favorite songs and other musical treats – that allow fans to get to know Skinner as more than just a voice filling their earbuds. \nAnd ultimately\, their appreciation for this beautifully symbiotic relationship is reflected back in their devotion\, as fans around the world have built and nurtured their own underground\, grassroots community centered around Cavetown. They line up for hours ahead of Cavetown shows\, coordinate homemade art projects\, and bring the own kazoos to play along with him. It’s an unbreakable\, authentic bond made all the more moving by how organically it’s developed over the years\, the result of the Skinner’s tireless and whole-hearted optimism taking roots amongst his listeners. \nWith a magnetic personality and such universally relatable songs\, Skinner is well on his way to expanding that musical family. Cavetown’s most recent full-length album\,  LEMON BOY \, has won over listeners far and wide with effortless\, bright melodies and economic songwriting on full display. From the looping folk-pop title track (with an inventive music video that’s racked up more than 7 million YouTube views) to the uke-meets-electronica “Fool” and jazzy “888\,” it’s an intimate\, calming collection that displays a songwriting craft far beyond his years. \nFollowing the breakthrough success of the  Lemon Boy  and worldwide tours – including multiple-night residencies in London\, Los Angeles\, and New York City – Skinner is venturing deep into the  ANIMAL KINGDOM \, a digital mixtape series that features new songs\, covers and re-imaginings of catalog material each month along with a song from a friend or peer that he’s had a hand in creating. \n“I love making music with friends\,” he says. “I love making music  period . I’m a very in-the-now kind of person and excited about every opportunity I have to create and write songs. I just go with the flow and see where it takes me. I want to make music forever”  XX \n*** \nField Medic \n \nWebsite\nFacebook\nTwitter \n“Any song that’s true is a good song in my mind\,” says Kevin Patrick\, the lo-fi bedroom folk artist better known as Field Medic. “That’s why I never find it necessary to add too much stuff to my recordings. I’m just into songs themselves.” \nThat principle is the guiding light behind Field Medic’s hypnotically beautiful and fearlessly honest new record\, ‘fade into the dawn.’ Patrick’s first proper full-length release for Run For Cover and his first since making the leap to full-time musician\, the collection features ten sparse\, acoustic tracks that reckon with our perceptions of success and self as they face down the inevitable complications that arise from realizing any hard-won dream. Patrick has always written candidly about doubt and darkness and anxiety\, but he digs deeper than ever before here\, blending black humor and bold introspection as he weighs fantasy against reality and searches for meaning in the mundane. “I used to be a romantic / Now I’m a dude in a laminate\,” he sings of life on perpetual tour\, encapsulating at once both the tantalizing allure and endless tedium of the road. \n“You always expect that in having some portion of your dreams fulfilled\, your life will get better on a day to day basis\,” reflects Patrick. “But I discovered that in the process of getting here\, my desire to drink ramped up and my own internal self was actually a lot darker than I thought. That felt like something I wanted to work on.” \nAt the time\, Patrick found himself going through a number of tumultuous changes: he relocated to Los Angeles from San Francisco\, where he’d lived and recorded on and off for several years; he left the world of day jobs behind in order to tour year-round; and he decided to quit drinking\, only to return to it halfway through a particularly grueling run of shows. It was the sort of emotional rollercoaster that he would normally work through in song\, but even the simple act of writing seemed profoundly more complicated than ever before.  \n“I struggled after I got signed because every time I started writing something\, I’d get nervous about whether it was good enough\, and that went against my entire initial philosophy\, which was to record and release absolutely everything\,” says Patrick. “I had to learn to let go again\, because the best songs are the ones that happen inexplicably\, that feel like they come out of me almost against my will.” \nWhile Patrick decided to record this album digitally for the first time (his self-released 2015 debut\, ‘light is gone\,’ and the 2017 Run For Cover-issued collection ‘Songs from the Sunroom’ were both recorded straight to a four-track)\, he managed to faithfully preserve his DIY ethos\, recording each song in a maximum of three live takes. The result is a collection that feels higher definition and more ambitious than ever before (live drums and lead guitar appear on this record for the first time)\, but still maintains the raw\, spontaneous character that’s defined Field Medic from the start. \n“Back in the beginning\, I’d record a song a few times\, walk away\, and then just choose a take and be done with it\,” says Patrick. “I tried to take that same approach this time around even though I was recording digitally and didn’t have the same restrictions as I did with the four-track. I just find that if I dwell too much on any recording\, it loses the feeling. You have to accept it for what it is in that moment.”  \nPatrick’s ability to capture specific moments in all their messy\, complicated ambiguity is a large part of what’s earned him both his devoted cult following and his widespread critical acclaim. Philadelphia NPR station WXPN hailed Field Medic as a “West Coast freak-folk poet who will capture your heart\,” while the San Francisco Chronicle praised his “intensely emotional” voice as a “melodic quiet storm\,” and the Chicago Reader swooned for his “charming\, unvarnished acoustic bedroom songs.” Patrick’s tracks racked up well over a million collective streams on Spotify\, and his captivating live performances (in which he’s accompanied by nothing more than his guitar and an old school boombox) landed him dates with everyone from The Neighbourhood and Wallows to HEALTH and Girlpool. \n“With the boombox\, I have a few different cassettes with beats for songs on them to back me up live\,” he explains. “I played in a band for a long time\, but I was always more into lyrics than anything else\, so when I started Field Medic\, I wanted to find a way to give my songs some rhythm without taking any focus off the words. Now when I’m out on the road\, the boombox is my bandmate.” \nThe road is precisely where “fade into the dawn” picks up\, with Patrick recounting a particularly brutal night on tour in the infectious album opener “clam chatter in the heart of brooklyn.” “I swore that I’d quit / But I need a drink tonight\,” he sings\, setting up the album’s central struggle between restraint and release\, moderation and obsession\, sobriety and surrender. The woozy “hello moon” calls to mind Jose Gonzalez as Patrick meditates on the nightly loss of control he felt when using alcohol to temper his anxiety\, while the waltzing\, Neil Young-esque “the bottle’s my lover\, she’s just my friend” confronts the ways in which escape can seem helpful even when it’s destructive\, and the tender “it helps me forget…” (recorded in a single take into an iPhone’s voice memo app) searches for relief from the pressures we impose upon and the walls we build around ourselves.  \n“It seemed like alcohol was popping up in every aspect of my life\,” says Patrick\, “whether it be during my career\, which is touring\, or during my love life\, when I felt like I’d rather be drinking than chilling with a girlfriend\, or just in the day-to-day\, when I was trying to forget all these things I felt anxious about.” \nRather than succumb to the siren song of oblivion\, though\, Patrick finds resolve and redemption in human connection. The banjo-driven “tournament horseshoe” draws strength from devotion to a lover\, while the charming “henna tattoo” (recorded once again on the trusty four-track and backed by a simple drum machine) throws worry to the wind for a chance at real love\, and the dreamy “songs r worthless now” spins a romantic fantasy about baring your soul at the end of the world.  \n“I had this thought recently that in my songs\, I feel like I’m this super version of myself\,” Patrick reflects. “In my day to day life I’m reserved and quiet and do my own thing\, but in my songs\, I can share how I really feel and say all the things that I’ve always wanted to say.” \nIn that sense\, Field Medic isn’t just a stage name for Patrick\, it’s a permission slip\, an invitation to shed his self-consciousness and become his truest self. And truth is what it’s all about\, after all. It’s where love and satisfaction and all the best songs come from. ‘fade into the dawn’ is proof positive of that. \n*** \nSpookyghostboy \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/cavetown-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20191107T183000
DTEND;TZID=America/New_York:20191107T183000
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CREATED:20190603T160011Z
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SUMMARY:[SOLD OUT] Cavetown
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:30 pm \nThis show is sold out! A second show on 11/6 has been added due to overwhelming demand! Tickets for 11/6 are on salt Mon. 7/22 at noon here. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nCavetown \n \nWebsite\nFacebook\nTwitter \nRobin Skinner makes music by himself\, in his bedroom\, but his songs belong to the world.\nThe son of a professional flautist and Cambridge University’s director of music\, the 20-year-old UK singer/songwriter—who’s performed under the name CAVETOWN since 2013—has musical talent literally embedded in his DNA. But that underlying musical theory is nothing without the emotional underpinnings that take a song from technically proficient to transformatively powerful. \nMarrying the two is what makes Cavetown so captivating and resonant with fans. They see themselves in Skinner’s music: tales of love and loss\, of yearning to make sense of life and all the feelings that go along with it. For three minutes at a time\, listeners feel less alone inside his songs\, finding comfort in times of chaos and confusion.\n“I speak about very genuine things and very personal things that I find hard to say\,” Skinner explains. “That’s why I write a song about it. I think people relate to that: Sometimes they can’t put things into words\, but when they hear a song about it\, they can point to that.” \nThe direct through-line to fans’ emotions is the result of the barrier-free relationship Skinner has created with his audience. Outside of his deeply personal music\, Cavetown’s YouTube channel is full of day-in-the-life\, behind-the-scenes vignettes – along with covers of his favorite songs and other musical treats – that allow fans to get to know Skinner as more than just a voice filling their earbuds. \nAnd ultimately\, their appreciation for this beautifully symbiotic relationship is reflected back in their devotion\, as fans around the world have built and nurtured their own underground\, grassroots community centered around Cavetown. They line up for hours ahead of Cavetown shows\, coordinate homemade art projects\, and bring the own kazoos to play along with him. It’s an unbreakable\, authentic bond made all the more moving by how organically it’s developed over the years\, the result of the Skinner’s tireless and whole-hearted optimism taking roots amongst his listeners. \nWith a magnetic personality and such universally relatable songs\, Skinner is well on his way to expanding that musical family. Cavetown’s most recent full-length album\, LEMON BOY \, has won over listeners far and wide with effortless\, bright melodies and economic songwriting on full display. From the looping folk-pop title track (with an inventive music video that’s racked up more than 7 million YouTube views) to the uke-meets-electronica “Fool” and jazzy “888\,” it’s an intimate\, calming collection that displays a songwriting craft far beyond his years. \nFollowing the breakthrough success of the Lemon Boy and worldwide tours – including multiple-night residencies in London\, Los Angeles\, and New York City – Skinner is venturing deep into the ANIMAL KINGDOM \, a digital mixtape series that features new songs\, covers and re-imaginings of catalog material each month along with a song from a friend or peer that he’s had a hand in creating. \n“I love making music with friends\,” he says. “I love making music period . I’m a very in-the-now kind of person and excited about every opportunity I have to create and write songs. I just go with the flow and see where it takes me. I want to make music forever” XX \n*** \nField Medic \n \nWebsite\nFacebook\nTwitter \n“Any song that’s true is a good song in my mind\,” says Kevin Patrick\, the lo-fi bedroom folk artist better known as Field Medic. “That’s why I never find it necessary to add too much stuff to my recordings. I’m just into songs themselves.” \nThat principle is the guiding light behind Field Medic’s hypnotically beautiful and fearlessly honest new record\, ‘fade into the dawn.’ Patrick’s first proper full-length release for Run For Cover and his first since making the leap to full-time musician\, the collection features ten sparse\, acoustic tracks that reckon with our perceptions of success and self as they face down the inevitable complications that arise from realizing any hard-won dream. Patrick has always written candidly about doubt and darkness and anxiety\, but he digs deeper than ever before here\, blending black humor and bold introspection as he weighs fantasy against reality and searches for meaning in the mundane. “I used to be a romantic / Now I’m a dude in a laminate\,” he sings of life on perpetual tour\, encapsulating at once both the tantalizing allure and endless tedium of the road. \n“You always expect that in having some portion of your dreams fulfilled\, your life will get better on a day to day basis\,” reflects Patrick. “But I discovered that in the process of getting here\, my desire to drink ramped up and my own internal self was actually a lot darker than I thought. That felt like something I wanted to work on.” \nAt the time\, Patrick found himself going through a number of tumultuous changes: he relocated to Los Angeles from San Francisco\, where he’d lived and recorded on and off for several years; he left the world of day jobs behind in order to tour year-round; and he decided to quit drinking\, only to return to it halfway through a particularly grueling run of shows. It was the sort of emotional rollercoaster that he would normally work through in song\, but even the simple act of writing seemed profoundly more complicated than ever before.  \n“I struggled after I got signed because every time I started writing something\, I’d get nervous about whether it was good enough\, and that went against my entire initial philosophy\, which was to record and release absolutely everything\,” says Patrick. “I had to learn to let go again\, because the best songs are the ones that happen inexplicably\, that feel like they come out of me almost against my will.” \nWhile Patrick decided to record this album digitally for the first time (his self-released 2015 debut\, ‘light is gone\,’ and the 2017 Run For Cover-issued collection ‘Songs from the Sunroom’ were both recorded straight to a four-track)\, he managed to faithfully preserve his DIY ethos\, recording each song in a maximum of three live takes. The result is a collection that feels higher definition and more ambitious than ever before (live drums and lead guitar appear on this record for the first time)\, but still maintains the raw\, spontaneous character that’s defined Field Medic from the start. \n“Back in the beginning\, I’d record a song a few times\, walk away\, and then just choose a take and be done with it\,” says Patrick. “I tried to take that same approach this time around even though I was recording digitally and didn’t have the same restrictions as I did with the four-track. I just find that if I dwell too much on any recording\, it loses the feeling. You have to accept it for what it is in that moment.”  \nPatrick’s ability to capture specific moments in all their messy\, complicated ambiguity is a large part of what’s earned him both his devoted cult following and his widespread critical acclaim. Philadelphia NPR station WXPN hailed Field Medic as a “West Coast freak-folk poet who will capture your heart\,” while the San Francisco Chronicle praised his “intensely emotional” voice as a “melodic quiet storm\,” and the Chicago Reader swooned for his “charming\, unvarnished acoustic bedroom songs.” Patrick’s tracks racked up well over a million collective streams on Spotify\, and his captivating live performances (in which he’s accompanied by nothing more than his guitar and an old school boombox) landed him dates with everyone from The Neighbourhood and Wallows to HEALTH and Girlpool. \n“With the boombox\, I have a few different cassettes with beats for songs on them to back me up live\,” he explains. “I played in a band for a long time\, but I was always more into lyrics than anything else\, so when I started Field Medic\, I wanted to find a way to give my songs some rhythm without taking any focus off the words. Now when I’m out on the road\, the boombox is my bandmate.” \nThe road is precisely where “fade into the dawn” picks up\, with Patrick recounting a particularly brutal night on tour in the infectious album opener “clam chatter in the heart of brooklyn.” “I swore that I’d quit / But I need a drink tonight\,” he sings\, setting up the album’s central struggle between restraint and release\, moderation and obsession\, sobriety and surrender. The woozy “hello moon” calls to mind Jose Gonzalez as Patrick meditates on the nightly loss of control he felt when using alcohol to temper his anxiety\, while the waltzing\, Neil Young-esque “the bottle’s my lover\, she’s just my friend” confronts the ways in which escape can seem helpful even when it’s destructive\, and the tender “it helps me forget…” (recorded in a single take into an iPhone’s voice memo app) searches for relief from the pressures we impose upon and the walls we build around ourselves.  \n“It seemed like alcohol was popping up in every aspect of my life\,” says Patrick\, “whether it be during my career\, which is touring\, or during my love life\, when I felt like I’d rather be drinking than chilling with a girlfriend\, or just in the day-to-day\, when I was trying to forget all these things I felt anxious about.” \nRather than succumb to the siren song of oblivion\, though\, Patrick finds resolve and redemption in human connection. The banjo-driven “tournament horseshoe” draws strength from devotion to a lover\, while the charming “henna tattoo” (recorded once again on the trusty four-track and backed by a simple drum machine) throws worry to the wind for a chance at real love\, and the dreamy “songs r worthless now” spins a romantic fantasy about baring your soul at the end of the world.  \n“I had this thought recently that in my songs\, I feel like I’m this super version of myself\,” Patrick reflects. “In my day to day life I’m reserved and quiet and do my own thing\, but in my songs\, I can share how I really feel and say all the things that I’ve always wanted to say.” \nIn that sense\, Field Medic isn’t just a stage name for Patrick\, it’s a permission slip\, an invitation to shed his self-consciousness and become his truest self. And truth is what it’s all about\, after all. It’s where love and satisfaction and all the best songs come from. ‘fade into the dawn’ is proof positive of that. \n*** \nMICHELLE \n \nFacebook
URL:https://royaleboston.com/event/cavetown/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20191108T180000
DTEND;TZID=America/New_York:20191108T180000
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LAST-MODIFIED:20190226T184639Z
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SUMMARY:[SOLD OUT] The Bruisers
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 6:30 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Bruisers \n \nFacebook \nThe Bruisers were pioneers of the American street punk movement. Formed in Portsmouth\, NH in 1988 the current lineup includes original singer Al Barr and original guitarist Jeff Morris along with longtime drummer Dan Connors\, bassist Keith Richards\, and guitarist Scotty Vieira. \nThey are credited by fans and critics as one of the most influential and important American street rock bands\, and continue to play sold out reunion shows. \n*** \nThe Take \nWebsite\nFacebook \n*** \nThe Hellbound Hitmen \nWebsite\nFacebook
URL:https://royaleboston.com/event/the-bruisers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191108T220000
DTEND;TZID=America/New_York:20191108T220000
DTSTAMP:20260407T224405
CREATED:20190812T190221Z
LAST-MODIFIED:20190812T190221Z
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SUMMARY:Sonny Fodera x Dom Dolla
DESCRIPTION:** On Sale Friday 8.16 @ 10am EST **\nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/sonny-fodera-x-dom-dolla/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191109T220000
DTEND;TZID=America/New_York:20191109T220000
DTSTAMP:20260407T224405
CREATED:20191028T152429Z
LAST-MODIFIED:20191028T152429Z
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SUMMARY:Royale Saturdays: Movember
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations. \n21+
URL:https://royaleboston.com/event/royale-saturdays-movember/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191110T190000
DTEND;TZID=America/New_York:20191110T190000
DTSTAMP:20260407T224405
CREATED:20190912T161234Z
LAST-MODIFIED:20191108T172845Z
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SUMMARY:[SOLD OUT] Lil Tecca
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:30 pm \nDue to overwhelming demand\, this show has been moved from The Sinclair to Royale. All previously purchased tickets will be honored at the new venue. This show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nLil Tecca \n \nWebsite\nInstagram\nTwitter \nPerforming a distinct melodic trap style but hailing from New York\, recording artist Lil Tecca is breaking through in 2019 releasing hit after hit and creating a genre of his own.\nRaised by Jamaican parents in Queens and recently Long Island\, you can hear the dancehall influence sprinkled in many of his songs. He first started rapping in his early teens when he got tired of roasting his friend while playing Xbox\, and wanted to diss him on a song instead. After making a couple of those diss tracks he had a passion for making songs and knew he was made for it. Inspired by Speaker Knockerz\, Chief Keef\, and a couple of others\, he has only been taking music seriously and releasing it for a year now.\nPrior to debuting on the Hot 100 chart with “Ransom\,” the 16-year-old rapper gained a following with buzzing hits like “Love Me\,” “Did It Again\,” and “Molly Girl.” “Did it Again” charted at #4 New & Hot Worldwide on SoundCloud and has over 14 million plays at #16 in the Top 50 Worldwide.\n“Ransom” has taken the world by storm and really showcases his catchy melodies\, effortless flows\, and unique voice. The song currently sits at #51 on the Billboard Hot 100 and #1 in the world on SoundCloud. The hype around Lil Tecca continues to grow with each new release\, and although it’s been a year since he’s been making music he shows no sign of slowing down any time soon. \n*** \nPi’erre Bourne \n \nWebsite\nTwitter \nPi’erre Bourne is an American record producer\, rapper\, songwriter\, and audio engineer. He is known for producing the singles “Magnolia” by Playboi Carti\, and “Gummo” by 6ix9ine\, which peaked at number 12 on the US Billboard Hot 100. His producer tag\, “Yo Pierre\, you wanna come out here?” which is a line sampled from an episode of The Jamie Foxx Show\, which after the release of American rapper Playboi Carti’s breakout track “Magnolia” from his eponymous debut commercial mixtape Playboi Carti (2017) became a viral phenomenon and an internet meme leading the tag to become widely known and Bourne to break out as a producer. He is signed to Interscope Records via his own imprint SossHouse Records and recently dropped his major label debut The Life of Pierre 4.
URL:https://royaleboston.com/event/moved-from-the-sinclair-lil-tecca/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T200000
DTEND;TZID=America/New_York:20191114T200000
DTSTAMP:20260407T224405
CREATED:20190722T170032Z
LAST-MODIFIED:20191114T151104Z
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SUMMARY:Skizzy Mars
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 8:30 pm \nTickets on sale Fri 7/26 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nSkizzy Mars \n \nWebsite\nFacebook\nTwitter \nFreedom catalyzes creativity. When unshackled from addictions\, expectations\, and fears\, art flourishes\, potential actualizes\, and energy awakens. Skizzy Mars undergoes such an awakening on his 2019 full-length debut\, Free Skizzy Mars. By way of verbal dexterity\, catchy confessions\, and upbeat cinematic presentation\, the New York-born rapper\, songwriter\, and artist documents a remarkable trip to the brink and back. The wisdom accrued\, perspective gained\, and experience earned enrich his vulnerable\, vivid\, and vital take on hip-hop. \n“I learned I’m honestly capable of anything I put my mind to\,” he exclaims. “I’m free from caring about what everybody thinks of me all the time. I’ve detached myself from results and focused on the process. I just want to deliver the best music possible. It’s a spiritual awakening. I’m at a different level of peace.” \nThis peace resulted from a seven-year grind. As the story goes\, Skizzy went from cooking up blog-approved songs in his bedroom to selling out shows coast-to-coast and clocking 300 million-plus total streams as of 2019. Early mixtapes — Phases [2013] and Pace [2014] — fueled excitement. 2015’s The Red Balloon Project EP bowed in the Top 5 of the Billboard Top Rap Albums Chart and yielded “Time” [feat. G-Eazy & Olivver the Kid]\, which put up numbers to the tune of 34 million Spotify streams. In addition to rocking stages alongside Logic\, G-Eazy\, Lupe Fiasco\, and Ty Dolla $ign\, he packed houses as a headliner\, selling out dates on a regular basis. Not to mention\, he attracted the praise of The Fader\, NYLON\, Complex\, i-D\, Pigeons & Planes\, and HypeBeast\, to name a few. \nIn 2018\, he maintained a prolific pace\, teaming up with Prelow for the collaborative project I Can’t Take Me Anymore and dropping the cathartic Are You Ok? EP between another successful headline run. At the time\, he also made a series of significant life changes. \nIn the process\, his motivation recharged. \nHe admits\, “I also lost the hunger. I became complacent. The album started with me getting sober. I have a gratitude just to be able to create and do what I love for a living. It set the tone for how I approached everything. Free Skizzy Mars references this idea. I don’t think about creativity the same way. I was petrified I wouldn’t be able to make music anymore when I stopped doing drugs. I didn’t know why people would listen to — because I thought that’s what made me dope. It took me a while. I overcame fear and tapped into a different level.” \nIn order to do so\, he rewired the whole process. Instead of recording in New York\, he holed up on the West Coast in Los Angeles. He invited a bevy of new collaborators into the fold\, including Robbie Soukisyan\, Imad Royal\, Casio\, Ye Ali\, and more. For the first time\, he opened himself up to co-writing\, encouraging “a new attention to detail.” Rather than one-take songs\, he took his time and perfected each moment. Channeling uplifting vibes and choosing upbeat production\, he embraced a longstanding passion for the storytelling of hip-hop in terms of scope and cohesion. \n“I took chances\, and the sound evolved\,” he continues. “I dispelled all of these preconceived notions I had. Working with other people made me tap into things I didn’t know I was capable of. I was super productive and focused being in L.A. It was a change of pace. It slowed things down. It was an escape. I was out of my comfort zone. I regained my focus and motivation.” \nRenewed focus powers the first single “No Advice.” His airy delivery echoes off orchestral strings and a skittering beat before culminating on a chantable chorus\, “I don’t take advice.” \n“On the record\, I started freestyling melodies and putting words to them\,” he says. “I’ve never really done that. Once again\, it represents me experimenting and exploring hip-hop more. Lyrically\, it’s a representation of how I live my life. I’m pretty hardheaded. It’s a flex song to be honest with yourself. I talk my shit and get lyrical\, but I’m also having fun.” \nMeanwhile\, the sunny “Calabasas” bottles up a Southern California vibe between nimble rhymes and a hummable hook. He fittingly dubs it as “a feel-good track about girls I’m meeting who live in L.A.” \n“Demons” hinges on a masterful melody\, while the closer “Afraid” rattles off personal phobias over delicate clean guitar. In many ways\, “Skizz Again” encapsulates the entirety of the vision. Over a grainy buzz\, he reclaims his spark\, spirit\, and soul in a candid conversation with God that begins\, “Hey God\, what’s poppin’? It’s Skizz again. You kept me alive through the wildest shit — the girls and the drugs\, the low confidence\, so I got no choice to represent?” \n“I redefined what I think I’m capable of\,” he goes on. “I’m speaking to God directly. It’s a direct letter sharing my story from the last couple of years.” \nIn the end\, Skizzy remains free\, and he drops his defining statement to date. \n“I’d like for people to listen to Free Skizzy Mars for a long time\,” he leaves off. “I want them to get a better sense of who I am as a person and what I’ve been up to. It’s been a long time since I dropped a whole project — almost three years. I’m gracious my fans stuck with me. I hope they love it.” \n*** \nYoshi Flower \nWebsite\nFacebook\nTwitter \n*** \nZaia \nTwitter
URL:https://royaleboston.com/event/skizzy-mars/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T183000
DTEND;TZID=America/New_York:20191115T183000
DTSTAMP:20260407T224405
CREATED:20190528T160025Z
LAST-MODIFIED:20191112T192449Z
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SUMMARY:Gus Dapperton
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 6:45 pm \nTickets on sale Fri 5/31 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nGus Dapperton \n \nWebsite\nFacebook\nTwitter \n*** \nSpencer. \n \nFacebook\nTwitter \nUsing his birth name\, Spencer. is the solo-project of Rochester-born teenager Spencer Allen. The self-taught singer\, songwriter\, and classically trained multi-instrumentalist first shared an instrumental STARCASTER EP on Soundcloud in 2016. His vocal debut VISCERAL LOVE followed in August 2017 with the breakout single ​”Open Wide​.” Curators such as Pigeons & Planes\, Evergreen\, and Lyrical Lemonade caught onto his follow up single “To Be You” and Spencer’s rise began. \nHe was picked out by Smokin Grooves Festival and played alongside Thundercat\, The Roots\, Erykah Badu\, and many of his idols on his first trip to California. By July he connected with Omar Apollo and supported the north east leg of his “W.A.N.T.E.D.” tour\, notably playing to an oversold Baby’s All Right crowd in Brooklyn\, NY. \nReleased on September 28th\, Spencer’s Want U Back EP earned 1\,000\,000 streams in just 3 weeks. It was picked up by FADER\, PAPER Mag\, Beats 1 (Matt Wilkinson)\, BBC Radio 1Xtra (Jamz Supernova)\, and playlisted across Spotify and Apple Music’s largest playlists such as POLLEN\, Ultimate Indie\, Alt R&B\, and The Plug. \nNow living in Brooklyn at 20 years old\, his sound fuses jazz freedom and R&B rhythm while pulling between indie\, hip-hop\, and lo-fi music\, creating something all his own. \n“One of the most promising young talents”​ – Lyrical Lemonade\n“Unafraid to wear his heart on his sleeve in front of the world”​ – PAPER Mag\n“A prodigious talent straight out of Rochester\, New York\, Spencer has glided into the spotlight with his debut release” ​- The Line of Best Fit \n*** \nYendawg
URL:https://royaleboston.com/event/gus-dapperton/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T220000
DTEND;TZID=America/New_York:20191115T220000
DTSTAMP:20260407T224405
CREATED:20190708T184020Z
LAST-MODIFIED:20190708T184020Z
UID:10002791-1573855200-1573855200@royaleboston.com
SUMMARY:Morgan Page
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/morgan-page-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191116T180000
DTEND;TZID=America/New_York:20191116T180000
DTSTAMP:20260407T224405
CREATED:20190722T170008Z
LAST-MODIFIED:20190822T182915Z
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SUMMARY:Sasha Sloan
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 7/26 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nSasha Sloan \n \nWebsite\nFacebook\nTwitter \nCall her your new best friend…\nSasha Sloan is that girl you can chat about “deep cuts” with in a diner until four AM between cigarettes and coffee.\nSasha Sloan is a normal\, yet “completely complicated human.” Sasha Sloan is totally sad\, but exuberantly funny. Sasha Sloan is from South Boston\, but lives in Los Angeles. Sasha Sloan melted a Hershey bar on her laptop\, was too lazy to get a new one\, and writes all of her lyrics on a refurbished iPhone 5. Sasha Sloan describes her style as “Target chic.” Sasha Sloan is trying to speak to “the quiet girls at the party who struggle with what they look like.” Sasha Sloan writes songs you “can listen to late at night when you’re all fucked up and alone—and maybe feel better.”\nA self-proclaimed “low key masochist” who “isn’t happy all the time\,” Sasha Sloan is real.\n“I would say I’m just someone you can chill with and talk to\,” she affirms. “I’m someone who doesn’t have their shit together\, but is trying. I don’t know…you could also just say\, ‘I’m a loser’\,” she laughs.\nSelf-deprecation aside\, this kind of honesty quietly cemented her as an unassuming phenom. As the story goes\, a viral photo ironically kicked off her career after she started writing songs at just ten-years-old. At 18\, her parents decided to paint the house. They took the opportunity to write “dork” under her window with an arrow\, which was “super embarrassing.” Still\, she posted the pic on reddit\, and it exploded.\nSo\, she added her Soundcloud link to the post and landed a publishing deal with as a result. Dropping out of Berklee College of Music\, she moved to L.A. at 19-years-old. A whirlwind followed. As she primarily penned her own music\, she also wrote “Never Be The Same” and “OMG” for Camila Cabello and featured on Kygo’s “This Town” and “Falls” for ODESZA. In 2017\, she released the songs off her first EP sad girl independently prior to being signed. Within a year\, “Runaway\,” “Normal\,” and “Ready Yet” each surpassed 19 million Spotify streams\, while averaging over 4 million monthly listeners on the platform. Along the way\, she signed to RCA Records and assembled her 2018 EP loser alongside “Ready Yet” collaborator and producer King Henry.\n “It captures my life from nineteen until twenty-three\,” she goes on. “It’s more multi-faceted than sad girl was\, because I got more time to sit down and ask myself\, ‘What do I want to say and how do I want to say it?’ Some of it is loneliness. Some of it is about my parents. Some of it is about falling in love with a new person and being vulnerable to them. It deals with not feeling good enough as a songwriter. I’m always asking everyone around me\, ‘Does this sound like basic white girl pop?’ That’s my biggest fear. There’s a focus on lyrics and real instruments\, which I really love. It just covers every insecurity I’ve ever had.”\nIn doing so\, it might dispel some of those insecurities. Right out of the gate\, loser garnered acclaim from Billboard\, Flaunt\, and more. The opener “The Only” pairs her delicate delivery with sparse acoustic guitar as the lyrics detail\, “being lonely and not knowing what to do when I moved to L.A.” Meanwhile\, airy guitar and minimal production underscore the sweet “Chasing Parties” where she admits\, “My boyfriend and I found out we were so happy to just stay at home with each other instead of going out.”\n“Older” hinges on a heartbreakingly confessional\, yet catchy chorus\, “The older I get\, the more that I see\, my parents aren’t heroes\, they’re just like me…Lovin’ is hard\, it don’t always work\, just try your best not to get hurt…I used to be mad\, but now I know\, sometimes it’s better to let someone go. It just hadn’t hit me yet\, the older I get.”\n“It just means my parents aren’t perfect\, and my dad and I have a really strange relationship\,” she admits. “My mom and my dad married\, divorced\, and remarried—like a bunch of times. I never really understood why everything was always so off and fucked up. My dad was 24 when I was born. We have the same birthday. I’m turning 24 next year. I thought about how I could never take care of a child at 24. After my first big breakup\, I saw how hard relationships could be. I understood and sympathized with my parents more than ever. It hit me all at once and came out.”\nIn the end\, you’ll feel right at home hanging out with Sasha Sloan.\n“If one person out there is like\, ‘Oh shit\, I’ve felt like that\,’ that would be dope\,” she leaves off. “My favorite music makes me feel things and think about my own life. I hope you walk away feeling like you know me. That answer made no sense. I’m such a loser\, dude\,” she smiles. \n*** \nWinnetka Bowling League \nFacebook\nTwitter
URL:https://royaleboston.com/event/sasha-sloan/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191116T220000
DTEND;TZID=America/New_York:20191116T220000
DTSTAMP:20260407T224405
CREATED:20191028T173337Z
LAST-MODIFIED:20191028T173337Z
UID:10002831-1573941600-1573941600@royaleboston.com
SUMMARY:Royale Saturdays: Cosmic
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations. \n21+
URL:https://royaleboston.com/event/royale-saturdays-cosmic-3/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191117T190000
DTEND;TZID=America/New_York:20191117T190000
DTSTAMP:20260407T224405
CREATED:20190715T140000Z
LAST-MODIFIED:20191115T161137Z
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SUMMARY:(Sandy) Alex G
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:45 pm \nTickets on sale Fri 7/19 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \n(Sandy) Alex G \n \nWebsite\nFacebook\nTwitter \nThere’s hardly a second when Alex Giannascoli’s voice can’t be heard in “Walk Away\,” the opener of his latest album\, House of Sugar. The distended\, pitched-up wail that introduces the track gives way to cascading layers of his more familiar intonations. “Someday I’m gonna walk away from you\,” he sings; “not today.” These are the song’s only words\, repeated again and again for more than four minutes. In the repetition\, emphasis shifts from “someday” to “not today” and back\, leaving the listener in a space of uncertainty. It’s in this space that Giannascoli—the 26-year-old artist better known as (Sandy) Alex G—lingers throughout the album’s thirteen songs: between backwards and forwards\, past and future\, one voice and another. On House of Sugar\, his third full-length for Domino and ninth overall\, Alex inhabits a diverse range of musical and emotional points-of-view (often simultaneously)\, in turn illuminating the tension that hides in the shadow of desire. \nGiannascoli began writing these songs in the fall of 2017\, having just finished a tour for House of Sugar’s acclaimed predecessor\, Rocket\, and moved into a new apartment in Philadelphia. Whereas with earlier efforts\, such as 2011’s self-released Winner or the landmark 2014 release DSU\, he’d write numerous songs fairly quickly\, with House of Sugar Giannascoli worked at a steadier pace\, concentrating on fewer songs and laboring over each one more than before. \nAfter building the tracks at home\, recording most of the guitars\, keyboards\, and vocals himself\, Giannascoli enlisted some recurring bandmates and collaborators to help realize further aspects of the album: Samuel Acchione’s wailing electric guitar on “Walk Away\,” John Heywood’s bass underneath “Taking\,” Tom Kelly’s drums giving “Hope” its bounce\, Molly Germer underscoring “Southern Sky” on violin. Throughout the process Giannascoli worked closely with Jacob Portrait\, who mixed both Rocket and its predecessor\, 2015’s Beach Music\, and here helped to balance each of House of Sugar’s dense\, multi-faceted tracks. As the product of extended focus and planning\, House of Sugar emerges as Giannascoli’s most meticulous\, cohesive album yet: a statement of artistic purpose\, showing off his ear for both persistent earworms and shifting textures. \nWhich is to say\, “cohesive” doesn’t imply that House of Sugar dispenses with the out-there sonic adventurism that’s made previous (Sandy) Alex G records so singular. Giannascoli recorded with a clone of the Neumann U87 microphone\, built by Tom Kelly—the first time he’d ever used a microphone other than the Samson Q1U USB mic that he got as a teenager. The new mic\, coupled with an updated version of Garageband that came with a replacement laptop\, provided Giannascoli a new toolkit for home-recording\, prompting him to analyze the types of sounds he’d been making and that he wanted to make. In addition to bolstering the rich\, polished mix of its rock-oriented songs\, the new equipment allowed for a broad range of unique technical experiments that provide each track emotional and tonal complexity. This includes not only the otherworldly vocals that haunt songs such as “Walk Away\,” “Taking\,” and “Bad Man\,” but also the more subtle hums and echoes that texture “Hope” and “Gretel\,” and the distorted soundscapes into which listeners of “Sugar” and “Near” are immersed. \nThroughout\, the multiplicity of Giannascoli’s voice evokes the hybrid existence of a science-fiction creature\, at once human and something else. Indeed\, in many ways\, hybridity defines House of Sugar. The lines between characters and narrators are perpetually blurry\, allowing room for artist and listener alike to move through the songs\, to access their shifting headspaces. On  “Southern Sky”\, we hear a voice other than Giannascoli’s own: frequent collaborator Emily Yacina\, who sang on Rocket’s “Bobby\,” among other (Sandy) Alex G songs. The pair’s voices intertwine as they follow the track’s meandering pathway. Its steady country-rock bounce belies the extent to which “Southern Sky” changes as it flows along—how it starts with a discordant piano run and ends with the lilting strum of a single acoustic guitar\, a disturbed (and unintentional) echo of Neil Young’s “Harvest Moon.” The distinction between beginning and end\, at first concealed by a tight composition\, is emblematic of the way House of Sugar works as a whole: throughout the album Giannascoli makes you think that something is one way before revealing\, often almost imperceptibly—maybe not until it’s too late—that it’s probably another.  \nThe stakes are often high in this regard. The dramatic action pose depicted on the album’s cover (as always\, painted by Giannascoli’s sister\, Rachel) points to the feelings of precarity evoked within. Just as the figure skater looks poised to either succeed or fall\, House of Sugar’s characters are constantly teetering on the edge of extremes\, approaching either bliss or violence—unless it’s both at the same time. They’re manipulated (“Gretel”) and manipulative (“Crime”); up in the sky (“Sugar”) and buried in the dirt (“Bad Man”). Caught in the ambiguous spaces of the songs\, House of Sugar’s characters are disposed toward the bad—“Music makes me wanna do bad things\,” sings Giannascoli on “In My Arms”—but seemingly reaching for the good. Or\, are they? Could bad be good\, sweet be sour? While each track hints at concrete situations derived from either Giannascoli’s life or a covert array of literary and filmic sources\, none excludes a host of oppositional possibilities that listeners can generate and regenerate themselves. \nThe album’s final track\, “SugarHouse\,” opens with applause: it was recorded at a 2018 concert in St. Louis\, with a saxophone overdubbed later\, the first time Giannascoli has implemented a live recording on a studio album. (In 2018\, though\, he released a Live at Third Man Records LP.) A brooding\, flowing anthem\, “SugarHouse” shares its name with a casino not far from Giannascoli’s home in Philadelphia; as the song unfolds\, the casino emerges as a suggestive site for the album as a whole. Its first verse echoes the various moments when a House of Sugar protagonist realizes that highs are always temporary\, that what seems sweet often isn’t. “SugarHouse is calling my bluff\,” Giannascoli sings. But\, in the second verse\, his character—unknown and broken—nevertheless professes faith in where he is and who he’s with. Nothing is definitive\, but after thirteen songs of being split apart and spread around\, through these relationships\, in the House of Sugar\, he might finally be “put together again.” \n*** \nTomberlin \n \nWebsite\nFacebook\nTwitter \n*** \nIndigo De Souza \n \nWebsite\nFacebook\nTwitter \nA cozy\, yet brutally honest safe haven\, laced in gut-wrenching heartbreak and the very best of love.
URL:https://royaleboston.com/event/sandy-alex-g/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191118T183000
DTEND;TZID=America/New_York:20191118T183000
DTSTAMP:20260407T224405
CREATED:20190805T140952Z
LAST-MODIFIED:20191114T200700Z
UID:10002800-1574101800-1574101800@royaleboston.com
SUMMARY:[Moved to The Sinclair] Cannibal Corpse
DESCRIPTION:Presented by Bowery Boston &  Grayskull Booking \nDoors: 6:30 pm / Show: 7:30 pm \nThis show has been moved to The Sinclair! All tickets for the Royale show will be honored at The Sinclair \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nCannibal Corpse \n \nWebsite\nFacebook\nTwitter \n*** \nThy Art is Murder \nWebsite\nFacebook\nTwitter \n*** \nPerdition Temple \nWebsite\nFacebook
URL:https://royaleboston.com/event/cannibal-corpse-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191119T190000
DTEND;TZID=America/New_York:20191119T190000
DTSTAMP:20260407T224405
CREATED:20190514T140001Z
LAST-MODIFIED:20190524T140140Z
UID:10002056-1574190000-1574190000@royaleboston.com
SUMMARY:Angel Olsen
DESCRIPTION:Presented by Bowery Boston and WERS  \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 5/17 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nAngel Olsen \n \nWebsite\nFacebook\nTwitter \n*** \nVagabon \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/angel-olsen/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T180000
DTEND;TZID=America/New_York:20191122T180000
DTSTAMP:20260407T224405
CREATED:20190904T140014Z
LAST-MODIFIED:20191024T145945Z
UID:10002093-1574445600-1574445600@royaleboston.com
SUMMARY:[SOLD OUT] Kim Petras
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! Due to overwhelming demand\, a second show has been added for Sat. 11/23! Tickets are available for that show here. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nKim Petras \n \nWebsite\nFacebook\nTwitter \nKim Petras’ undeniable voice and imaginative artistry have skyrocketed her to international recognition as one of music’s most promising talents. Her 12-track project Clarity introduced a more personal\, grounded sound and kicked off with “Broken\,” which catapulted into the Top 10 of the iTunes Pop Chart and started Kim’s hot-streak of dominating the Spotify’s “New Music Friday” and Apple Music’s “Best of The Week” playlists for nine consecutive weeks. Traveling the world on her first-ever\, sold-out headline tour and garnering over 150 million streams with hits such as “I Don’t Want It At All” and “Heart To Break\,” Kim has earned major media praise as a one to watch and has collaborated with Charli XCX\, Cheat Codes\, SOPHIE\, Lil Aaron\, and more. \n*** \nAlex Chapman
URL:https://royaleboston.com/event/kim-petras/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2019/09/ico-0n.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T220000
DTEND;TZID=America/New_York:20191122T220000
DTSTAMP:20260407T224405
CREATED:20190925T183921Z
LAST-MODIFIED:20190925T184518Z
UID:10002819-1574460000-1574460000@royaleboston.com
SUMMARY:ATB
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/atb/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191123T180000
DTEND;TZID=America/New_York:20191123T180000
DTSTAMP:20260407T224405
CREATED:20190905T210033Z
LAST-MODIFIED:20191024T145927Z
UID:10002097-1574532000-1574532000@royaleboston.com
SUMMARY:Kim Petras
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nSecond show added due to overwhelming demand! Tickets on sale Fri 9/6 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nKim Petras \n \nWebsite\nFacebook\nTwitter \nKim Petras’ undeniable voice and imaginative artistry have skyrocketed her to international recognition as one of music’s most promising talents. Her 12-track project Clarity introduced a more personal\, grounded sound and kicked off with “Broken\,” which catapulted into the Top 10 of the iTunes Pop Chart and started Kim’s hot-streak of dominating the Spotify’s “New Music Friday” and Apple Music’s “Best of The Week” playlists for nine consecutive weeks. Traveling the world on her first-ever\, sold-out headline tour and garnering over 150 million streams with hits such as “I Don’t Want It At All” and “Heart To Break\,” Kim has earned major media praise as a one to watch and has collaborated with Charli XCX\, Cheat Codes\, SOPHIE\, Lil Aaron\, and more. \n*** \nAlex Chapman
URL:https://royaleboston.com/event/kim-petras-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191123T220000
DTEND;TZID=America/New_York:20191123T220000
DTSTAMP:20260407T224405
CREATED:20191111T201011Z
LAST-MODIFIED:20191111T201011Z
UID:10002131-1574546400-1574546400@royaleboston.com
SUMMARY:Royale Saturdays: First Frost
DESCRIPTION:RSVP for Free Before 11PM\nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-first-frost/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191127T210000
DTEND;TZID=America/New_York:20191127T210000
DTSTAMP:20260407T224405
CREATED:20191125T212513Z
LAST-MODIFIED:20191125T212513Z
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SUMMARY:Brahma Folia ft. DJ Marlboro
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/brahma-folia-ft-dj-marlboro/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191128T200000
DTEND;TZID=America/New_York:20191128T200000
DTSTAMP:20260407T224405
CREATED:20191022T154355Z
LAST-MODIFIED:20191128T185321Z
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SUMMARY:CANCELLED - Trifonas Samaras & Sasa Basta
DESCRIPTION:*** THIS EVENT HAS BEEN CANCELLED. PLEASE CONTACT THE TICKETING AGENT FOR REFUNDS. *** \n21+\nValid US Government Issued ID or International Passport required for entry. No exceptions.
URL:https://royaleboston.com/event/trifonas-samaras-sasa-basta/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191129T220000
DTEND;TZID=America/New_York:20191129T220000
DTSTAMP:20260407T224405
CREATED:20190925T190904Z
LAST-MODIFIED:20190925T190904Z
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SUMMARY:Infected Mushroom
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/infected-mushroom/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191130T190000
DTEND;TZID=America/New_York:20191130T213000
DTSTAMP:20260407T224405
CREATED:20191101T193218Z
LAST-MODIFIED:20191125T152442Z
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SUMMARY:The Collective Movie Premier
DESCRIPTION:Doors at 7pm \nShow starts at 8:00pm \nEnds at 9:30pm
URL:https://royaleboston.com/event/the-collective-movie-premier/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191130T220000
DTEND;TZID=America/New_York:20191130T220000
DTSTAMP:20260407T224405
CREATED:20191111T201346Z
LAST-MODIFIED:20191112T011649Z
UID:10002836-1575151200-1575151200@royaleboston.com
SUMMARY:Royale Saturdays: Boston's Official Thanksgiving Weekend Homecoming
DESCRIPTION:**Featuring a guest performance by Just Juice**\nRSVP for Free Before 11PM\nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-bostons-official-thanksgiving-weekend-homecoming/
LOCATION:MA
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191204T190000
DTEND;TZID=America/New_York:20191204T190000
DTSTAMP:20260407T224405
CREATED:20190910T160009Z
LAST-MODIFIED:20190910T155152Z
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SUMMARY:Lucy Dacus
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 9/13 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nLucy Dacus \n \nWebsite\nFacebook\nTwitter \nYou said\, “Don’t go changing. \nI’ll rearrange to let you in \nand I’ll be your historian \nand you’ll be mine. \nAnd I’ll fill pages of scribbled ink\, \nhoping the words carry meaning.” \nThen one day\, the motorcade\, \ncovered in flower wreaths\, \nfirst in a big parade\, \nwill come to take one of us away \nleaving the other with plenty to read. \nLucy Dacus is done thinking small. Two years after her 2016 debut\, No Burden\, won her unanimous acclaim as one of rock’s most promising new voices\, Dacus returns on March 2 with Historian\, a remarkably assured 10-track statement of intent. It finds her unafraid to take on the big questions — the life-or-death reckonings\, and the ones that just feel that way. It’s a record full of bracing realizations\, tearful declarations and moments of hard-won peace\, expressed in lyrics that feel destined for countless yearbook quotes and first tattoos.  \n“This is the album I needed to make\,” says Dacus\, who views Historian as her definitive statement as a songwriter and musician. “Everything after this is a bonus.” \nShe emphasizes that she does not take her newfound platform as a touring musician for granted.  “I have this job where I get to talk to people I don’t know every night\,” she remembers thinking on the long van rides across America to support No Burden. Realizing that she would have a dramatically expanded audience for her second album\, she felt an urgent call to make something worthwhile: “The next record should be the thing that’s most important to say.” \nThe past year\, with its electoral disasters and other assorted heartbreaks\, has been a rough one for many of us\, Dacus included. She found solace in crafting a thoughtful narrative arc for Historian\, writing a concept album about cautious optimism in the face of adversity\, with thematic links between songs that reveal themselves on repeat listens. “It starts out dark and ends hopeful\, but it gets darker in between; it goes to the deepest\, darkest\, place and then breaks\,” she explains. “What I’m trying to say throughout the album is that hope survives\, even in the face of the worst stuff.” \nDacus and her band recorded the album in Nashville last March\, re-teaming with No Burden producer Collin Pastore\, and mixed it a few months later with A-list studio wizard John Congleton. The sound they created\, with substantial input from multi-instrumentalist and live guitarist Jacob Blizard\, is far richer and fuller than the debut — an outward flowering of dynamic\, living\, breathing rock and roll. Dacus’ remarkable sense of melody and composition are the driving force throughout\, giving Historian the immersive feel of an album made by an artist in full command of her powers. \nThe album opens with a striking three-track run. First comes “Night Shift\,” the only breakup song Dacus has ever written: “In five years I hope the songs feel like covers\, dedicated to new lovers\,” she memorably declares. Next is the catchy\, upbeat first single “Addictions\,” inspired in part by the dislocated feeling of life on the road and the lure of familiarity (“I’m just calling cause I’m used to it/And you’ll pick up cause you’re not a quitter…”)\, followed by “The Shell\,” a reflection on (and embrace of) creative burnout. There’s nothing tentative about this opening sequence. Right away\, it’s clear that Dacus is on a new level of truth-telling and melodic grace. \nAnother key highlight is track five\, “Yours & Mine” — “the centerpiece where the whole album hinges in on itself\,” Dacus says. Using a call-and-response format\, she wrestles with the question of how best to participate in a community broken by injustice and fear while staying true to what one believes is right. “It’s about realizing your power as a person\, and deciding to do the less safe but ultimately more powerful move\, which is to move physically forward — show up and march — and move forward politically\,” says Dacus\, who began writing the song during the 2015 Baltimore Uprising against systemic racism.  \nHistorian closes with two stunning songs: “Pillar of Truth\,” a heartfelt tribute to Dacus’ late grandmother\, and “Historians\,” which sums up the album’s complex lessons about loss. “From the first song to ‘Pillar of Truth\,’ the message is: You can’t avoid these things\, so accept them. There’s ways to go about it with grace and gratefulness\,” she says. “Then ‘Historians’ says that even if you can say that\, there’s still fear\, and loss is terrifying. You still love things\, so it’s going to hurt. But dark isn’t bad. It’s good to know that.” \n*** \nHaley Heynderickx (solo) \n \nWebsite\nFacebook\nTwitter \nIt takes a mix of skill and luck to tend a garden well\, but it’s impossible without a certain amount of amount of kindness tended. While the cyclical nature of gardening seems inherent\, in some ways\, Heynderickx is just beginning. Her debut album\, named I Need to Start a Garden out of a search for calm through these waves of uncertainty and upheaval\, is due out March 2nd via Mama Bird Recording Co.\nFor the empathetic singer/songwriter\, the reasons for seeking such acceptance and understanding stem from a life of paradoxes. Heynderickx grew up in a religious household in Oregon\, closely identifying with her Filipino roots\, but also straddling multiple cultural identities. Now residing in Portland\, her faith is not overt\, but her introspection and continued struggle for self­actualization are easily accessible and relatable.\nLikewise\, the tracks on I Need to Start a Garden reflect these seemingly disparate elements. Through soft acoustic guitar picking and deftly accented trombone sighs\, Heynderickx’s music immediately recalls folk music of the ’60s and ’70s mixed with a love of jazz radio. But Heynderickx’s singing—her vocals that range from sultry to operatic—belie a tenacity in her soul.\nIt’s a balance\, then\, between exposing and protecting herself on I Need to Start a Garden. Heynderickx vacillates between between powerlessness (opener “No Face”) and empowerment (lead single “Oom Sha La La”). But her generosity of spirit remains the constant throughout the whole album.\nYou can hear that exceptional care in “Jo”\, as she whispers\, “You tended your garden like heaven and hell / and you built the birds houses to see if it helped at all.” Aware of the birds\, the garden\, and anyone listening acutely\, Heynderickx’s music serves as an invitation for all to join her. Because the beauty of a garden is that while it’s often started for deeply personal reasons\, its bounty is best consumed and shared with others.
URL:https://royaleboston.com/event/lucy-dacus/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191206T180000
DTEND;TZID=America/New_York:20191206T180000
DTSTAMP:20260407T224405
CREATED:20190520T050050Z
LAST-MODIFIED:20190729T162411Z
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SUMMARY:CAAMP
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nSecond show added due to overwhelming demand! Tickets on sale NOW! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nCAAMP \n \nWebsite\nFacebook\nTwitter \n*** \nSavannah Conley \n \nWebsite\nFacebook\nTwitter \nEmerging singer/songwriter Savannah Conley was born and raised just outside Nashville. Influenced by musical parents – her father was a guitarist and her mother a background singer – she has been performing since the age of seven. Now 21\, Conley recently released her EP Twenty-Twenty\, featuring stand out track “All I Wanted.” Twenty-Twenty was produced by Grammy Award-winning producer Dave Cobb (Chris Stapleton\, Sturgill Simpson\, Anderson East) and is Conley’s first release in partnership with Cobb’s Low Country Sound imprint at Elektra Records. Twenty-Twenty received critical acclaim from the likes of Rolling Stone who referred to the release as an “emotionally rich collection of tracks full of moody instrumentation and whip-smart lines.” Rolling Stone also named Conley one of their “Artists You Need To Know” in March of this year.
URL:https://royaleboston.com/event/caamp-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191206T220000
DTEND;TZID=America/New_York:20191206T220000
DTSTAMP:20260407T224405
CREATED:20190925T185029Z
LAST-MODIFIED:20190925T185334Z
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SUMMARY:Eptic
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/eptic/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VCALENDAR