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DTSTART;TZID=America/New_York:20181006T220000
DTEND;TZID=America/New_York:20181006T220000
DTSTAMP:20260405T053428
CREATED:20180907T020051Z
LAST-MODIFIED:20181006T152957Z
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SUMMARY:Royale Saturdays 'Oktober Festival'
DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/royale-saturdays-oktober-festival/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20181008T200000
DTEND;TZID=America/New_York:20181008T200000
DTSTAMP:20260405T053428
CREATED:20180515T140039Z
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SUMMARY:[SOLD OUT] Liz Phair
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nSOLD OUT! \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nLiz Phair \n \nWebsite\nFacebook\nTwitter \nLiz Phair is a Grammy-nominated singer songwriter whose debut album\, Exile In Guyville\, is considered by music critics to be a landmark of indie rock. She has been a recording artist and touring performer for twenty-five years\, paving the way for countless music artists\, particularly women\, who count her among their major influences.  Her deeply clever and often brutally candid songs have been garnering critical praise since she began her career in the early 1990s in Chicago by self-releasing audio cassettes under the name Girly-Sound.  The intense viral response to these early tracks led to Phair signing with the independent record label Matador Records. \nHer 1993 debut studio album Exile in Guyville was released to international acclaim; it has been ranked by Rolling Stone as one of the 500 Greatest Albums of All Time\, by Pitchfork as one of the 100 Greatest albums of the 90’s and is considered one of the most accomplished debut albums for any artist in any genre to date. She was featured on the cover of Rolling Stone Magazine\, topped SPIN’s 20 Best Albums of the Year\, and reached No.1 on the Village Voice Pazz and Jop Critics Poll. Phair joined Lilith Fair in 1998-9\, performing as a main stage headliner along with top female acts of the day like Sarah McLachlan\, Emmylou Harris\, Sheryl Crow and Missy Elliott. \nIn Spring 2016 Liz toured with The Smashing Pumpkins on their North American “In Plainsong” tour. Liz is currently working on a new record\, and will be touring in June. \n2018 marks the 25th Anniversary of Exile in Guyville. To celebrate\, Matador Records will be re-issuing the record along with a box-set. Phair has sold over five million records worldwide\, with three US gold albums and two Grammy nominations. More than two decades after the release of her debut\, Phair’s influence in contemporary music and particularly over female voices in alternative music can be felt today more than ever. \n*** \nSpeedy Ortiz \n \nWebsite\nFacebook\nTwitter \n“Necessary brattiness” is the motto for Speedy Ortiz’s dauntless new collection of songs\, Twerp Verse. The follow-up to 2015’s Foil Deer\, the band’s latest indie rock missive is prompted by a tidal wave of voices\, no longer silent on the hurt they’ve endured from society’s margins. But like many of these truth-tellers\, songwriter\, guitarist and singer Sadie Dupuis scales the careful line between what she calls being “outrageous and practical” in order to be heard at all. \n“You need to employ a self-preservational sense of humor to speak truth in an increasingly baffling world\,” says Dupuis. “I call it a ‘twerp verse’ when a musician guests on a track and says something totally outlandish – like a Lil Wayne verse – but it becomes the most crucial part. This record is our own twerp verse\, for those instances when you desperately need to stand up and show your teeth.” \nTwerp Verse was tracked in Brooklyn DIY space Silent Barn\, mixed by Omaha legend Mike Mogis (Bright Eyes\, Rilo Kiley) and mastered by Grammy-nominated engineer Emily Lazar (Sia\, Haim\, Beck). The record pulls from the most elastic pop moments in Squeeze’s Argybargy and the seesawing synth-rock of Deerhoof and the Rentals. With Dupuis on guitars\, vocals\, and synths\, supporting guitarist Andy Molholt (of psych pop outfit Laser Background) now joins Speedy veterans Darl Ferm on bass and Mike Falcone on drums – and together they accelerate the band’s idiosyncrasy through the wilderness of Dupuis’ heady reflections on sex\, lies and audiotape. \nDupuis\, who both earned an MFA in poetry and taught at UMass Amherst\, propels the band’s brain-teasing melodies with her serpentine wit. Inspired by the cutting observations of Eve Babitz\, Aline Crumb’s biting memoirs\, and the acute humor of AstroPoet Dorothea Lasky\, Dupuis craftily navigates the danger zone that is building intimacy and political allyship in 2018. Now as public pushback against the old guards reaches a fever pitch – in the White House\, Hollywood and beyond – the band fires shots in disillusioned Gen Y theme “Lucky 88\,” and casts a side-eye towards suitors-turned-monsters in the cold-blooded single “Villain.” Closing track “You Hate The Title” is a slinky traipse through the banality of this current moment in patriarchy – in which survivors are given the mic\, but nitpicked over the timbre of their testimonies. “You hate the title\, but you’re digging the song\,” Dupuis sings wryly\, “You like it in theory\, but it’s rubbing you wrong.” Tuned smartly to the political opacity of the present\, Twerp Verse rings clear as a bell.
URL:https://royaleboston.com/event/liz-phair/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181008T220000
DTEND;TZID=America/New_York:20181008T220000
DTSTAMP:20260405T053428
CREATED:20181002T205123Z
LAST-MODIFIED:20181002T205123Z
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SUMMARY:Chris Harris & Rafael Sanchez Present: Columbus Day Weekend
DESCRIPTION:21+
URL:https://royaleboston.com/event/chris-harris-rafael-sanchez-present-columbus-day-weekend/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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DTSTART;TZID=America/New_York:20181010T190000
DTEND;TZID=America/New_York:20181010T190000
DTSTAMP:20260405T053428
CREATED:20180718T171024Z
LAST-MODIFIED:20180726T183046Z
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SUMMARY:Joyce Manor
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri. 7/20 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is open to ALL AGES.  \nOpening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n***
URL:https://royaleboston.com/event/joyce-manor-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181011T190000
DTEND;TZID=America/New_York:20181011T190000
DTSTAMP:20260405T053428
CREATED:20180710T165136Z
LAST-MODIFIED:20181010T123102Z
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SUMMARY:Spafford
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale now! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nSpafford \n \nWebsite\nFacebook\nTwitter \nWe Jam \n*** \nDewpoint \n \nWebsite\nFacebook \nDewpoint(formerly Treehouse Live) is an eclectic four-piece instrumental jam band from Boston\, Massachusetts. Formed in early 2014 as house party staples in Boston\, they have quickly secured fans and made a name for themselves in the competitive northeast jam band scene. Pulling inspiration from such diverse acts as Phish\, Steely Dan\, Vulfpeck\, Lotus\, and countless others across the musical spectrum\, they have crafted a sound grounded in improvisational experimentation and soaring melodic lead lines. In the past year\, Dewpoint’s danceable combo of genre-bending jams have soared to new heights\, playing shows at the Middle East Downstairs\, Sonia\, and Brighton Music Hall. Guitarist Hamilton Kibbe\, keyboardist Alex Moran\, bassist Dalton Markrush\, & drummer Ryan Slobin have crafted melodic\, high-energy sets and are ready to take on the Northeast this Fall.
URL:https://royaleboston.com/event/spafford/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181012T180000
DTEND;TZID=America/New_York:20181012T213000
DTSTAMP:20260405T053428
CREATED:20180604T153433Z
LAST-MODIFIED:20180904T180448Z
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SUMMARY:[SOLD OUT] Tyler Childers
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nSOLD OUT! \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nTyler Childers \n \nWebsite\nFacebook\nTwitter \nLike many great Southern storytellers\, singer-songwriter Tyler Childers has fallen in love with a place. The people\, landmarks and legendary moments from his childhood home of Lawrence County\, Kentucky\, populate the 10 songs in his formidable debut\, Purgatory\, an album that’s simultaneously modern and as ancient as the Appalachian Mountains in which events unfold. \nThe album\, co-produced by Grammy Award winners Sturgill Simpson and David Ferguson\, is a semiautobiographical sketch of Childers’ growth from wayward youth to happily married man\, told in the tradition of a Southern gothic novel with a classic noir antihero who may just be irredeemable. Purgatory is a chiaroscuro painting with darkness framing light in high relief. There’s catharsis and redemption. Sin and temptation. Murder and deceit. Demons and angels. Moonshine and cocaine. So much moonshine and cocaine. All played out on the large\, colorful canvas of Eastern Kentucky. \nChilders had been searching for a certain sound for his debut album for years as he honed his craft\, and was finding it elusive when his friend\, drummer Miles Miller\, introduced him to Simpson\, the Grammy Award-winning musician and fellow Kentuckian. Childers sent Simpson a group of his songs\, then went to visit him in Nashville. \n“And he said\, ‘There’s this sound. I know what you’re trying to get at\, the mountain sound\,'” Childers recalled. “‘So I asked\, ‘What are you doing?'” \nIntrigued\, Simpson enlisted the aid of Ferguson\, the Grammy Award winning sound engineer. They assembled a band that included multi-instrumentalists Stuart Duncan\, Michael J. Henderson and Russ Pahl\, bassist Michael Bub and Miller on drums\, of course\, and helped Childers make a debut album of consequence that announces an authentic new voice. \n“I was writing an album about being in the mountains\,” Childers said. “I wanted it to have that gritty mountain sound. But at the same time\, I wanted a more modern version of it that a younger generation can listen to — the people I grew up with\, something I’d want to listen to.” \n*** \nOna \n \nWebsite\nTwitter \nOna is an indie-rock band comprised of longtime friends Brad Goodall (keys)\, Bradley Jenkins (vocals/guitar)\, Zach Johnston (bass)\, Max Nolte (drums)\, and Zack Owens (guitar). \nThe band formed in late 2013 and are based in Huntington\, WV. Ona’s debut record ‘American Fiction’ reached critical success appearing on NPR best of lists\, SIRIUS Radio airplay\, and a spot on nationally syndicated radio program Mountain Stage. \nFrom New York City to Birmingham\, AL\, the five piece unit has garnered a faithful fan base on the east coast and Midwest regions. The band recently signed with New Frontier Touring based in Nashville\, TN and plans to expand their time on the road in 2018. \nCurrently the band is working with Athens\, GA-based producer/engineer\, Drew Vandenberg (Of Montreal\, Toro y Moi\, Drive By Truckers) at Chase Park Transduction Studio. Their forthcoming album will be released in 2018\, no official release date yet.
URL:https://royaleboston.com/event/tyler-childers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181012T220000
DTEND;TZID=America/New_York:20181012T220000
DTSTAMP:20260405T053428
CREATED:20180724T161043Z
LAST-MODIFIED:20180724T161043Z
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SUMMARY:Sofa King Fridays Ft. Kungs
DESCRIPTION:21+
URL:https://royaleboston.com/event/sofa-king-fridays-ft-kungs/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20181013T193000
DTEND;TZID=America/New_York:20181013T193000
DTSTAMP:20260405T053428
CREATED:20171005T181508Z
LAST-MODIFIED:20171005T181508Z
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SUMMARY:Suicide Girls: Blackheart Burlesque
DESCRIPTION:SUICIDEGIRLS IS BRINGING THE SEXIEST SHOW ON THE PLANET TO BOSTON! \nSuicideGirls: Blackheart Burlesque is the sexiest\, smartest\, geekiest\, and most fun definitive pop-culture burlesque show! Featuring none other than SuicideGirls themselves\, the show has been performed hundreds of times\, delighted millions of fans in over six countries\, and has been touring since 2003! Don’t miss your chance to see it live during the 2018 US Tour! SuicideGirls has been redefining beauty since 2001 with its network of over 3\,000 SuicideGirls and almost 9 million pinup-style photographs on the premier\, members-only social network SuicideGirls.com. Check out blackheartburlesque.com for more information about the tour and to see where the girls are headed next! \nVIP Doors at 5:00PM / Regular Doors at 6:30PM / Show at 7:30PM \nReserved and General Admission seating is available. VIP tickets include early entry with a chance to meet the performers\, have one item signed\, take a photo with the girls\, and enjoy crowd-free merch shopping. VIP guests receive a VIP laminate lanyard (*VIP doors open at 5:00pm*). \nPlease note that this event is 18 and over ONLY. Any ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event\, and will not be eligible for a refund!
URL:https://royaleboston.com/event/suicide-girls-blackheart-burlesque-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Special Events
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DTSTART;TZID=America/New_York:20181013T220000
DTEND;TZID=America/New_York:20181013T220000
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CREATED:20181002T201208Z
LAST-MODIFIED:20181002T201208Z
UID:10001988-1539468000-1539468000@royaleboston.com
SUMMARY:Royale Saturdays 'Fall Fest'
DESCRIPTION:21+ \nCall 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/royale-saturdays-fall-fest-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20181016T200000
DTEND;TZID=America/New_York:20181016T200000
DTSTAMP:20260405T053428
CREATED:20180625T141903Z
LAST-MODIFIED:20180910T165606Z
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SUMMARY:Masego
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri. 6/29 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nMasego \n \nWebsite\nFacebook\nTwitter \n*** \nVanJess \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/masego/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181018T200000
DTEND;TZID=America/New_York:20181018T200000
DTSTAMP:20260405T053428
CREATED:20180515T160058Z
LAST-MODIFIED:20180515T160058Z
UID:10001923-1539892800-1539892800@royaleboston.com
SUMMARY:Murder By Death
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri 5/18 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nMurder By Death \n \nWebsite\nFacebook\nTwitter \nMurder By Death is a Louisville\, KY quintet with a wry\, ominous name. But behind the geography and moniker is a band of meticulous and literary songwriters matched by a specific brand of brooding\, anthem-riding balladry and orchestral indie rock. \nMurder By Death’s path began in the early 2000s as most Midwestern college-town groups do\, by playing to small crowds at ratty venues and frenzied house parties. While many of their formative-year scene-mates failed to make it much further than campustown’s borders\, Murder By Death translated their anonymous beginnings into a 15+ year career founded on a bedrock of five full-length albums\, tireless D.I.Y. touring and performing ethics\, and\, most importantly\, a dedicated\, cult-like fanbase. \n*** \nWilliam Elliott Whitmore \n \nWebsite\nFacebook \nWilliam Elliott Whitmore is a singer-songwriter/banjoist/guitarist/drum-stompin’ solo act from Lee County\, Iowa. He has released six full-length albums that seamlessly meld country\, blues\, folk\, and punk styles – spanning from 2003’s Hymns for the Hopeless (Southern Records) to 2015’s Radium Death (ANTI-). His songs are haunting\, rustic\, powerful\, and real – byproducts of living his entire life on the family farm\, being involved in the hardcore-punk scene in the local community\, and touring hard across the country. His seventh album Kilonova (2018) is different from everything else in his catalog\, a collection of 10 cover songs from artists who have influenced his 15 plus-year career.\nA man armed only with a banjo and a bass drum can be a formidable force\, especially if his name is William Elliott Whitmore. With his powerful voice and honest approach\, Whitmore comes from the land\, growing up on a family farm in Lee County\, Iowa. Still living on the same farm today\, Whitmore has truly taken the time to discover where his center lies\, and from that he will not be moved. \nWhitmore has consistently carved his own path\, honoring the longstanding tradition of folk music throughout his nearly 20-year career\, while always allowing his blues\, soul\, and punk rock influences to shine through. Getting his first break opening for his friend’s hardcore band with just a banjo in hand\, he would discover bands like The Jesus Lizard\, Bad Brains\, Lungfish\, and Minutemen and soon learn to play his own brand of rural\, roots music with that same DIY ethic. \nWilliam Elliott Whitmore has been back and forth across the United States and to cities around the world. He’s toured with such diverse acts as Frank Turner\, Trampled By Turtles\, Clutch\, and Chris Cornell\, to name a few. He’s appeared on some of the biggest stages around the world including Stagecoach Fest\, Byron Bluesfest (Australia) and End of the Road Fest (UK). His willingness to take his show to any playing field has proved invaluable as he turned strangers to diehards with every performance.
URL:https://royaleboston.com/event/murder-by-death/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181019T173000
DTEND;TZID=America/New_York:20181019T213000
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SUMMARY:Joywave and Sir Sly
DESCRIPTION:Joywave and Sir Sly Present: An Evening With Sir Sly and Joywave \nPresented by Bowery Boston \nDoors: 5:30 pm / Show: 6:00 pm \nTickets on sale now! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJoywave \n \nWebsite\nFacebook\nTwitter \n“Anxiety caused by feeling too content” is just the first aspect of the double-pronged paradoxical rumination that is Content\, the sophomore full-length album by Rochester\,\nNY-based indie quintet\, Joywave\, slated for release July 28 with a tour supporting Young the Giant and  Cold War Kids to follow. The title\, Content\, sees Joywave apply their trademark irreverence and  humor  to two large yet interrelated ideas springing from the dual meaning of the word\, “content”\, and  signaling a move  into a deeply personal terrain for Joywave frontman Daniel Armbruster.\nAbout the duality reflected in the album’s title (CONtent the noun  versus conTENT the adjective)\, Armbruster says:”I loved that the two words  were associated with completely opposite feelings for me  (one pure\, one not)\, and that only a human hearing the two words  in the English language could tell the difference between the ideas represented. To a search engine\, they are identical. How can you explain to Google that one of these things makes you happy  and helps fill the void in your soul\, and the other is just flooding your senses?”\nThree years have  passed since Joywave’s “Tongues”and their collaboration with Big Data on the hit song “Dangerous” first put the band on the map.  Creating their own imprint Cultco Music via Hollywood Records\, the five members of Joywave—Daniel Armbruster (vocals)\, Joseph Morinelli (guitar)\, Sean Donnelly (bass)\, Benjamin Bailey (keyboards)\, and  Paul Brenner (drums)— embarked on an intense tour schedule in support of their debut album\, sharing the stage with Foals\, The Killers\, Brandon Flowers\, Metric\, Silversun Pickups and  Bleachers. They played at Coachella\, Lollapalooza (US & Berlin)\, Reading & Leeds\, Okeechobee\, Osheaga\, Hangout and  Bumbershoot\, with appearances on Jimmy Kimmel and  Seth  Meyers’ shows. Glowing reviews followed in Rolling Stone\, Billboard\, Spin and  Entertainment Weekly.\nThis success enabled Armbruster to seriously adult on a whole new level\, and  this year he finally moved into a place of his own\, a few blocks away from his childhood home. For Armbruster\, who sold stationery and  paper goods at Staples before Joywave took off\, the musical dream born when  he started writing songs aged fifteen was finally coming true. The single “It’s A Trip!” began with two basic ideas in mind: “Haunting” versus “haunted”. “I wanted to make  something undeniably beautiful that would outlast me\,  but at times verged on the absurd  and snapped the listener out of a dreamy haze.  “It’s A Trip!” moves pretty  far in the absurd  direction\, juxtaposing a pretty  friendly arena-sized chorus against versus straight out of a haunted house. The song  is a little disorienting\, much like the past  few years of our lives have been”. The music video for “It’s A Trip!” features the band slowly aging as they ride jet skis in\nMiami and  underscores the sense of endlessly being on tour\, just getting older while the girl on the back  of the jet ski stays the same age.\nTouring—which Armbruster describes as “an episode of Louie where  it’s funny but somewhat soul crushingly sad at the same time”—took its toll on the band both  physically and emotionally but had  an upside.  “Playing our instruments was second nature at that point\,” notes guitarist Joey Morinelli\, that allowed us to focus and  interact with crowds\, and  each other  on stage\, in ways that we never  had  before.“\nPost tour\, Armbruster who had  been dealing with chronic illness was diagnosed with pancreatitis\, and  had  to stop drinking on doctor’s orders. Sobriety “really affected the sound of the record\,” he says. In contrast to Joywave’s playful debut\, the tone  of Content is more confessional\, sometimes combative\, as it questions how connected we really are in this hyper-connected world—which brings us to Content’s second theme\, stemming from the collective angst of a generation whose art (and very lives) are now mere  content for the Internet.  Sonically\, Content is more  cohesive than  Joywave’s LP1\, How Do You Feel Now?  It’s focused and  deliberate\, loud and  cinematic featuring a more  prominent vocal throughout LP2.\n As a clear example of conscious\, positive content; the title track  “Content” is accompanied with a video shot on vintage Super 8 on location at Kodak Tower in Rochester. The building\, once the global epicenter of film photography\, is a monument to the pre-Internet world in the Rochester skyline and  a place that’s close to the hearts of all bandmembers\, as most of their parents worked  there  before Kodak filed for bankruptcy. In addition\, Kodak has afforded the band the opportunity to utilize some of their iconic equipment which inspired Daniel to take  up film photography to help fill the existential void. “Film is slower and more  deliberate\, and that’s calming in a way. It’s not disposable\, it’s not easy\,  which in turn\, forces you to care. I like that.”\nAt the end  of the day music is at the core  of what Joywave is and  drives the creativity in every aspect.  Brenner sums it up\, “We’re always working on new music and  new ways to make  our live performance better and  better. Joywave will not be confined to a certain genre or niche. We do what we want.”\nContent is produced by Joywave’s Daniel Armbruster & Sean Donnelly and mixed by Rich Costey (TV On The Radio\, The Shins\, Interpol) and will be released on Hollywood Records/Cultco Music on 7.28. \n*** \nSir Sly \n \nWebsite\nFacebook\nTwitter \nThe triumphant lead single from Sir Sly’s Don’t You Worry\, Honey\, “High” turned a hotel-room panic attack into a creative breakthrough for the L.A.-based trio. “This album started out as an exploration of fear and anxiety\, over very minimal electronic music\, but ‘High’ really opened up the honesty of the record\,” says lead singer Landon Jacobs\, who co-founded Sir Sly with fellow multi-instrumentalists Hayden Coplen and Jason Suwito. With “High” emerging as “an upbeat anthem about ego death\,” in Jacobs’s words\, the song ultimately formed the heart of Sir Sly’s second full-length: a deliberately hopeful album born from an extraordinarily dark time. \nWritten in the aftermath of Jacobs’s divorce and his mother’s death\, Don’t You Worry\, Honey transforms heavy-heartedness into unlikely joy. The album finds Sir Sly expanding on the moody experimentalism of their 2014 debut You Haunt Me\, channeling a looser energy that closely shapes their more groove-driven sound. Self-produced and recorded in Suwito’s studio\, Don’t You Worry\, Honey also matches their delicately inventive alt-pop with a more granular approach to storytelling. “It was almost like writing a memoir of the past three years of my life\, but focusing on little snapshots rather than telling the complete story\,” Jacobs points out. \nThanks in part to that purposely detailed lyricism\, Don’t You Worry\, Honey hits with an undeniable urgency. “Musically and lyrically\, we wanted this album to be very much in-the-moment and paint a specific picture with each song\, as opposed to just setting a vibe\,” says Coplen. With that clarity of vision in place\, Sir Sly experienced a profound burst of inspiration. “There were all these sounds and textures that I was hearing in my head so strongly\, in a way that hadn’t ever happened before\,” says Coplen. “There was never any effort to try to make things feel fresh or new or surprising — that all just came from following our instincts and enjoying the process of bringing the music to life.” \nThroughout Don’t You Worry\, Honey\, Sir Sly strike a powerful contrast by embracing both the thrill of creation and the wistful undercurrent of each track. With its shivering synth lines and graceful acoustic guitar\, “And Run” reflects on the futility of regret. “That song came from being fascinated by the idea that\, of all the infinite possibilities in the world\, I ended up falling in love and getting married and then getting divorced\, and there’s nothing I could do to change that\,” says Jacobs. On “Astronaut\,” Sir Sly build off a majestic guitar riff supplied by Suwito and deliver an intensely danceable meditation on loneliness. “It’s trying to put a different spin on being alone\, because sometimes being alone can give you this great ability to see the world in a way that’s larger than life\,” Jacobs explains. Inspired by an ill-fated romantic encounter at a festival after-party\, the blissfully frenetic and beat-heavy “Trippin” perfectly captures the rush of instant infatuation. And on “Oh Mama\,” Sir Sly close out Don’t You Worry\, Honey with a hazy and soulful serenade to Jacobs’s mother\, a piano-laced piece that makes quietly heartbreaking use of a sampled voicemail. \nSince forming in 2012\, Sir Sly have forged their singular sound by drawing upon each member’s long-honed musical talents: Jacobs’s introspective yet infinitely searching lyricism\, Suwito’s in-studio ingenuity\, and Coplen’s sophisticated musicianship and sense of songcraft. Orange County natives and friends since high school\, Jacobs and Coplen connected with Suwito through the local music scene. Their early collaborations yielded songs like “Ghost\,” a Neon Gold release that quickly earned buzz online. After making their Cherrytree Records debut with the Gold EP in 2013\, Sir Sly put out You Haunt Me (which reached #14 on Billboard’s Alternative Albums chart) in September of the following year. \nWith Don’t You Worry\, Honey marking a major turning point for Sir Sly\, the band feels a stronger sense of artistic purpose than ever before. “As a person who mainly writes lyrics about himself\, sometimes I get caught up in this fear that it’s wrong or selfish to write so much about my own life\,” says Jacobs. “What snapped me out of that on this album was going back to the catalog of music that helped raise me\, where the songwriters were incredibly honest about their lives in a way that normalized a lot of what I went through growing up. If I can do that for other people\, by telling my story and not trying to sugarcoat it\, then hopefully I’m able to help them feel a little less out of place in the world.” \n*** \nDONNA MISSAL \n \nWebsite\nFacebook\nTwitter \nOn her debut album This Time\, L.A.-based singer/songwriter Donna Missal shows the elegant collision of elements at play in her music: a poet’s command of tone\, a soul singer’s boundless intensity\, a bedroom musician’s willful embracing of intimacy and experimentation. Along with channeling the raw passion she first ignited by playing in rock bands in her homeland of New Jersey\, This Time expands on the melodic ingenuity displayed in recent singles like “Driving” and “Thrills.” Above all the album is a testament to the sheer force of Missal’s voice\, a dynamic but delicate instrument that achieves a beautifully nuanced expression even as she belts her heart out. \nWith its title taken from a track Missal co-wrote with her frequent collaborator Sharon Van Etten\, This Time is an uncompromisingly honest look at living entirely on your own terms. “I’ve spent most of my life being hyper-focused on time\, which I think is something that a lot of women obsess over\,” says Missal. “We’re in such a rush to make things happen\, when really we should take the time to figure out what we actually want out of life. And even though it’s so fucking hard to have that kind of patience\, I think it’s so important to believe in yourself enough to let things develop in a way that feels right to you.” \nProduced by Tim Anderson (Solange\, BANKS\, Halsey)\, This Time matches that defiant spirit with a sound inspired by the rule-bending sensibilities of mixtape culture. Blending elements of soul and hip-hop and rock-and-roll\, Missal shaped This Time’s sonic landscape partly by laying live recordings down on tape\, then sampling those recordings to imbue her songs with a fresh yet timeless energy. Much of that live recording took place at the iconic Different Fur Studios in San Francisco\, with the sessions headed up by Missal and Nate Mercereau (a musician known for his work with Leon Bridges). “I really wanted this album to reference my history of playing in bands\,” Missal points out. “It’s all these very pure\, talented musicians playing together in a room\, but then we took that and sampled it and altered in a way that creates something totally new.” \nThroughout the album\, Missal brings her time-warping but gracefully arranged sound to songs that capture the most specific of emotions. Crafting her lyrics with the kind of idiosyncratic detail that instantly etches each line onto your heart\, Missal explores self-empowerment on tracks like “Transformer”—a fiercely charged anthem about “having the courage to take what you want from life\, without apology.” On “Thrills\,” with its softly swaying groove and dreamy guitar tones\, Missal’s voice soars and shatters as she muses on self-love and sexual confidence. “‘Thrills’ is about owning what makes you real\,” says Missal. “There is a shift happening in our societal standards of beauty and sexuality\, and the more we embrace our flaws the closer we become to effecting real change. I’d love for people to hear the song — and not just women\, but anyone who feels disenfranchised— and remember that being sexy and confident comes from self-acceptance.” \nElsewhere on This Time\, Missal infuses social commentary into songs like “Girl”: a stripped-back yet intricately textured track that unfolds with both gentle playfulness and piercing vulnerability. “I wanted to address this idea that women need to be pinned against each other in order to succeed\, or need to point out the flaws in other women just to feel good about themselves\,” says Missal. “That kind of thinking has been around forever\, and it doesn’t feel like it’s going away—but the more we talk about it\, the better it’s going to get.” And on “Driving\,” Missal delivers one of the album’s most mesmerizing moments\, with her flowing melody\, hypnotic rhythms\, and ethereal vocals merging with a quiet grandeur that’s simultaneously escapist and inspiring. “‘Driving’ is about being on the precipice of taking control over your life—that feeling of seeing something you want in the distance and making the decision to go for it\,” says Missal. “It’s about saying ‘Even if it takes a long time\, or I hit some bumps along the way\, it’s all okay because I’m the one behind the wheel.’” \nFrom song to song on This Time\, Missal shows a natural musicality she credits to her father\, a former session drummer and songwriter who ran his own studio in Manhattan. Born in New York\, Missal moved with her family to New Jersey as a kid\, and grew up playing with the vintage microphones and 16-track tape machine her dad kept in the basement. “Every year he’d have us make Christmas albums for my grandparents\,” recalls Missal\, who’s one of six children. “We’d go out and buy these instrumental CDs of Christmas songs and he’d record us singing over it\, and as we got older we moved onto making our own arrangements and playing the instruments ourselves\,” says Missal. “It was my first experience in singing and I just fell in love with it.” \nWhen Missal was 10\, her parents enrolled her and her siblings in a summer program at a local community theater\, mainly as a way for the home-schooled family to interact with other kids. That program immediately sparked a love of performance in Missal\, and helped her to develop the remarkable vocal range that now gives her music so much vitality. During her high school years she joined a theater program at a vocational school in a nearby town\, but decided against furthering her education at a conservatory. “I was looking at all these schools that cost up to 40 thousand dollars a semester\, and it just didn’t feel right\,” Missal says. “Senior year I told my teacher that I didn’t think that was my path\, so he graduated me four months early\, and then I joined a rock band.”  \nMissal stuck with her band for several years\, first playing basement shows around New Jersey and later booking gigs in Manhattan. As the band’s lyricist\, she discovered a deep love of songwriting\, and dedicated herself to honing her craft. Eventually moving to Brooklyn\, Missal balanced her time between bartending and writing\, and soon came up with “Keep Lying”—a soulful slow-burner showcasing her full-throated vocal delivery. “At the time I was struggling to understand what I wanted to do with my music\,” says Missal. “I didn’t have the confidence yet to stand behind my vision\, so I thought I could get other artists to cut my songs and just thrive that way.” Although she’d initially planned to use “Keep Lying” as part of her effort to score a publishing deal\, Missal ultimately self-released the demo and landed it in the hands of Zane Lowe\, who premiered it on Beats 1 (and\, in turn\, helped push the demo to the top of Spotify’s Viral charts).  \nWhile record companies quickly came calling\, Missal decided to focus on refining her vision\, in part by working with a series of co-writers and producers. After finding a strong creative chemistry with Tim Anderson\, she moved to L.A. and brought This Time to life by way of a deliberately unhurried process. “I allowed myself a lot of time to figure out what I wanted to say and how I wanted to say it\, and because of all that I ended up making a record that really reflects who I am\,” she notes. \nHaving signed her deal with Harvest Records in early 2018\, Missal has also recently appeared as a featured artist on Macklemore’s GEMINI\, written songs for the Netflix original series The Get Down\, and supported K.Flay at a pair of sold-out shows. And with the release of This Time\, one of her greatest hopes is for the album to impart the same sense of self-discovery that informed its creation. “This isn’t a record about love and loss and relationships\,” Missal says. “It’s about taking chances for yourself\, figuring out who you are and really standing behind that. I made a point of putting myself out there as a real person navigating this life at this moment in time\, because I want to do whatever I can as an artist to help people feel more confident in navigating their own lives. I’d love for the listener to receive the message that you can take your time to learn and love yourself. That’s been the most important discovery that I want to share with this album.”
URL:https://royaleboston.com/event/joywave-and-sir-sly/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:Ghastly: The Mystifying Oracle 2018 Tour
DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP Table Reservations
URL:https://royaleboston.com/event/ghastly-the-mystifying-oracle-2018-tour/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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SUMMARY:Royale Saturdays 'COSMIC'
DESCRIPTION:21+
URL:https://royaleboston.com/event/royale-saturdays-cosmic/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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SUMMARY:Cory Henry & The Funk Apostles
DESCRIPTION:Presented by Bowery Bostonand Newport Jazz \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 8/24 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nCory Henry & The Apostles \n \nWebsite\nFacebook\nTwitter \n“The human voice is so powerful\,” says Cory Henry. “When I’m singing\, it’s like this extra way of connecting and communicating with people beyond what I can do just playing the organ. I’m able to convey these messages that are really important and meaningful to me through my words. Being front and center like this every night\, it’s a challenge\, but I’m up for it.” \nOn the debut album with The Funk Apostles\, ‘Art of Love\,’ organ virtuoso Cory Henry demonstrates that’s he more up for the challenge\, moving from sideman to frontman with seemingly effortless grace and cool. Praised by AllMusic as “one of the finest Hammond B-3 organ players of his generation\,” Henry also proves himself to be a remarkable singer and songwriter here\, one of extraordinary depth and vision. He and the band whip up an intoxicating blend of blues\, soul\, R&B\, Afrobeat\, gospel\, and jazz on the record\, blurring genres and upending expectations at every turn. Simultaneously futuristic and retro\, experimental and classic\, it’s the sound of one of modern music’s most inventive minds coming fully into his own as a bandleader and storyteller. \nA Brooklyn native\, Henry may be best known for his role in Snarky Puppy\, the instrumental jazz-pop orchestra hailed by Rolling Stone as “one of the more versatile groups on the planet right now.” He’s won a pair of GRAMMY Awards for his work with the band since 2012\, but Henry’s deft keyboard skills have been blowing minds around the world for more than two decades now. At six\, he made his debut at Harlem’s legendary Apollo Theater\, and at nineteen\, he joined the touring band of jazz icon Kenny Garrett. Since then\, he’s toured or recorded with everyone from Bruce Springsteen and The Roots to P. Diddy and Yolanda Adams in addition to cracking the Top 10 on Billboard’s Jazz charts with a pair of solo albums. NPR called him “a master” and said his “musical charisma is a match for a nearly 400 pound organ\,” while Keyboard Magazine dubbed his playing “soulful\, church-y\, playful\, restrained\, and virtuosic\,” and The Boston Globe raved that “if anyone’s going to preach the gospel of the Hammond organ\, it should be Cory Henry.” \nThe gospel\, in fact\, is where it all began for Henry. He grew up performing and singing in church (a recent documentary titled ‘Gotcha Now’ features incredible footage of him tearing up the organ there at the age of four)\, but he refrained from sharing his voice with the world outside those holy halls for many years. \n“I just didn’t think my voice was good enough\,” he confesses. “I didn’t think anyone else would want to hear it. But now that I’ve overcome my fear of singing\, I’ve gotten comfortable with my voice\, and it’s become just like another instrument for me.” \nHenry’s vocals on the album are smooth and breathy\, with an intimate delivery that’s alternately understated and ecstatic. While his keyboard playing often draws comparisons to Oscar Peterson and Herbie Hancock\, Henry’s singing reveals a whole different side of his musical personality\, one that synthesizes everything from Michael Jackson and Marvin Gaye to Stevie Wonder and Prince. \n“Every influence that I could think of growing up is in this record\,” reflects Henry. “I’m trying to break the barriers. The word funk is in our name\, but I want people to know that this band is bigger musically than any one genre.” \nHenry pieced together The Funk Apostles’ lineup out of players he met on the road over the years\, and each member of the band is an all-star in their own right. Guitarist Adam Agati\, who co-wrote the album’s lyrics with Henry\, has worked with everyone from Booker T. Jones to Ludacris\, while bassist Sharay Reed has performed with Patti LaBelle\, Aretha Franklin\, Chakha Khan\, and more. Henry met drummer TaRon Lockett while he was playing with Snarky Puppy\, but he’s performed with some of the biggest names in R&B including Erykah Badu and Montell Jordan\, and keyboardist Nick Semrad’s credits include Miss Lauryn Hill\, Bilal\, and Gabriel Garzon-Montano. \nRecorded in Williamsburg\, Brooklyn\, ‘Art Of Love’ was tracked live to tape in an effort both to capture the inimitable energy of the band’s live shows and to channel the warm analog vibes of the 1970’s. While Henry may be renowned for his gifts as an improviser\, the album serves as a showcase for his skills as a songwriter and producer\, rich with intricate arrangements and memorable hooks. That’s not to say it’s without spontaneity\, though. The band worked with minimal rehearsal (Henry estimates they’ve had three in the two years since the band started playing together)\, and several tracks are actually first-take recordings. \nThe driving\, funky “In The Water\,” combines a relentlessly pulse-pounding rhythm section groove with swirling synthesizer underneath Henry’s insistent\, charismatic vocals. Like much of the album\, the song is an examination of love: what it means\, what it takes\, what makes it last. On lead single “Trade It All\,” he offers up a vulnerable\, honest account of the sacrifices he’d make for a lover\, while the sensual and smooth “Just A Word” sets a sultry mood for romance\, and the fluid\, elegant “Our Affairs” finds him asking\, “Babe tell me why / You put me through Hell when Heaven’s where true love resides?” \nAs a writer\, Henry is clearly interested in love beyond just the romantic sense of the word\, though\, often zooming out to take a big picture look at a world that seems to be sorely lacking in it. “Find A Way” is an anthem to making life better through compassion and empathy\, frequent show-closer “Give Me A Sign” is a blues and gospel-tinged love letter to music itself\, and the punchy “Takes All Time” is Henry’s true-life account of his journey to manhood\, his “testimony to love and not rushing to find it.” \nThe album ends on a more political note with “Free\,” a gritty tune inspired by current events that features Henry’s most impassioned vocal performance yet as he promises\, “we gonna fight / live or die for our rights / everywhere.” \n“I want to make music that really means something\,” he explains. “I think of the 60’s and 70’s as this golden era of music\, and if you look at some of the top artists then like Curtis Mayfield and Stevie Wonder\, they were singing about what was happening around them in this creative way that made people want to act. They used music as a tool to reach the world and bring about change to help make it a better place. I want to do that\, too.” \nIt’s an ambitious goal\, to be sure\, but if there’s one thing this album proves\, it’s that Cory Henry is up for the challenge.
URL:https://royaleboston.com/event/cory-henry-the-funk-apostles/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/08/Cory-Henry-Photo.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181023T190000
DTEND;TZID=America/New_York:20181023T190000
DTSTAMP:20260405T053428
CREATED:20180807T130052Z
LAST-MODIFIED:20180904T180520Z
UID:10002674-1540321200-1540321200@royaleboston.com
SUMMARY:[SOLD OUT] Tank and The Bangas / Big Freedia
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nSOLD OUT! \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nTank and The Bangas \n \nWebsite\nFacebook\nTwitter \nOriginating in New Orleans\, Tank and The Bangas have all the qualities that relates them\, to the city that birth them but a flair that separates them as well. Their performances range from being “One of the most energetic shows you’ll ever see” to “A gospel tent in Mississippi”. Rummaging through their sound like a thrift store hippie\, you’ll find the Bangas to provoke a musical reference of Rhythmic Soul and Spoken word among other genres such as Rock\, Gospel\, Funk\, and Folk. Combining the various musical techniques among the Bangas\, coupled with the instilling play on lyrics from the lead vocalist; Tank and The Bangas have quilted a unique sound that singles them as one of the most distinctive groups to come out of New Orleans. The group has graced the cover of one of New Orleans most recognized magazines\, “OffBeat” and recently won band of the year at the New Orleans Big Easy Awards. The group has opened for acts such as LiAnne LaHavas\, PJ Morton\, Galactic\, Big Freedia\, The Revivalist\, and The Soul Rebels. Most recently the band was titled as the 2017 NPR Tiny Desk Contest winners.  \n*** \nBig Freedia \n \nWebsite\nFacebook\nTwitter \nThe scope of Big Freedia’s impact is undeniable. Over the past few decades\, the New Orleans native has catapulted herself from local favorite to becoming the anointed Queen of Bounce\, sharing some of her high energy flavor on massive hit tracks like Beyoncé’s Grammy-winning “Formation” and Drake’s “Nice For What” while shaping contemporary culture by bringing twerking\, shaking and wiggling to a national platform. \n“I just want to inspire people to understand that New Orleans culture is very special\, it’s a phenomenal place and that we’re on a rise to bigger and better things and we speak it through our music and everyday living down here\,” says Freedia\, who was born and raised in the city’s 3rd Ward. “The pain and suffering that we go through here in New Orleans\, we take it and we flip it around.” \nIt’s the heartbeat of her Asylum Records debut 3rd Ward Bounce\, a fiver-track EP releasing this June. Aerobic\, ceaseless and a touch more mainstream than prior releases\, the project has all the signifiers of Freedia’s brand of Bounce— throbbing instrumentals\, booming vocals\, frenetic handclaps—with even sharper songwriting that pushes her sound into new territory. Lead single “Rent” is all attitude\, rebuffing the type of people who occupy a space in your mind\, while “Karaoke” featuring Lizzo pounds along with robust horns\, intended to become the freewheeling type of anthem that soundtracks a night out of singing. Elsewhere\, the Goldie-assisted “Play” nods to the “slay” echoed on Freedia’s “Formation” collab with Beyoncé\, and “Bomb” plays like a chest-thump\, a nod to all that Freedia’s accomplished. \nIn fact\, it’s hard not to feel Freedia’s presence in pop culture. In addition to high-level appearances on culturally-defining tracks and a string of her own impacting releases\, Freedia has become one of the strongest voices from the South\, in part thanks to Big Freedia Bounces Back on Fuse TV\, a weekly docu-series that’s been on for six seasons and become the network’s highest rated original series. \nIn addition to living life as a member of the LGBTQ community\, she’s consistently used her music to lift listeners of all gender and sexual identity\, using music as a bridge to unite. “I’m a voice for different communities\,” she says. “Live your life and live the best way you know how. Love whoever you choose to love. Be whoever you want to be\, do whatever you want to do. It’s a much broader mission for me to encourage people all over—not just the LGBTQ community but heterosexuals as well to live out they life loud and proud.” \nA former choirboy\, Freedia cut her teeth on the bounce circuit in New Orleans\, quickly garnering national acclaim and becoming a staple on the touring circuit. In the past\, she’s dazzled crowds at festivals spanning Outside Lands to FYF\, as well as sprinkled her Bounce magic on songs from Diplo\, Spank Rock\, Galactic and Elliphant. She’s shared her life in other facets of media as well\, including the critically-acclaimed memoir Big Freedia: God Save the Queen Diva! on Gallery Books/Simon & Schuster. \nBut at the core\, Bounce music is where Freedia got her start\, and where she continues to touch people most. “When people come to visit New Orleans\, it’s an infectious city: the culture\, the people\, the food\, the whole city\,” she says. “We have so many talented musicians here and people want to taste a little piece of it every time they go somewhere. Bounce is getting ready to keep making a part of history and keep opening doors for the music industry. We are on our rise to people recognizing the music that has been captivating for so long locally here in New Orleans\, and now the world has got a taste. It’s just so infectious\, baby.” \n*** \nNaughty Professor \n \nWebsite\nFacebook\nTwitter \nNaughty Professor is an iconoclastic New Orleans-based jazz-funk sextet whose adventurous recordings and horn-charged\, high-energy live performances have earned them an enthusiastic fan base\, critical acclaim\, and widespread attention from their musical peers. \nTheir diligent roadwork has established Naughty Professor as a beloved live act.  Weaving together complex\, inventive compositions and loose\, organic improvisation\, the band honors their hometown’s jazz\, R&B and brass-band traditions while looking to the future. \nNaughty Professor raises the stakes on its new album Identity (Release date June 23\, 2017).  Where their prior four releases showcased the group’s knack for self-contained instrumental experimentation\, Identity finds the band teaming with a stellar assortment of more than a dozen cutting-edge collaborators\, whose vocal\, instrumental and compositional contributions expand the music into new musical territory. \nIdentity’s prestigious gallery of guests includes Jurassic 5’s Chali 2na\, who’s featured on a pair of tracks\, “Darker Daze” and “Sugar Coat\,” which also features contributions from New Orleans legend Ivan Neville. David Shaw of the Revivalists lends his vocals on “Stray” and singer/guitarist Dexter Gilmore contributes on “I Can’t Sleep At Night.” Additional special collaborators include trumpet player Eric “Benny” Bloom of Lettuce\, percussionist Mike Dillon\, much-lauded jazz vocalist Sasha Masakowski and members of the renowned New Orleans horn outfit Soul Rebels\, who turn up the brass on the album-closer “Funk 4 Lunch.” \n“They’re not just guests\,” explains Naughty Professor drummer Sam Shahin.  “The collaborators on this album were chosen because we respected what they do and felt that they could be a complement to our ensemble.” \n“When these kids first started coming up on the scene\, I could tell right away that there was something very special about their energy and music\,” David Shaw comments on his excitement to collaborate with Naughty Professor.  “I believe that the sky has no limit for these boys.” \n“My first impression of Naughty Professor was one of amazement\,” Chali 2na notes.  “New Orleans is full of musicians that are masters of their craft\, and Naughty P is no exception.  They are also perfectionists and students of the game.  This is immediately apparent once you hear them play. \n“I am loving the resurgence of jazz combined with this youthful mindstate that musicians have today\,” Chali continues\,” and Naughty Professor is pushing that envelope.” \nThe band recorded each track on Identity live in the studio\, heightening the immediacy of the performances and solidifying the band’s connection with the guest collaborators.  The sessions were also documented on video\, with an eye towards releasing a video version of the album. \nA wide range of musical impulses has driven Naughty Professor ever since the band members first convened in 2010\, having met while students at Loyola University’s jazz program.  The musicians’ potent collective chemistry quickly won attention on the New Orleans music scene.  After graduating\, they began touring\, expanding their audience nationwide. \nNaughty Professor’s first three albums—2013’s Until the Next Time\, 2015’s Out On A Limb and 2016’s live In the Flesh—further raised the band’s national profile. Lauded by critics for having a musical “depth and vision far beyond their young years\,” Naughty Professor’s name regularly appears alongside New Orleans’ veteran luminaries. In 2013\, the band was nominated by Gambit’ Weekly’s Big Easy Music Awards for “Best Emerging Artist\,” and for “Best Funk Band” every year since. Naughty Professor was also nominated in 2015\, 2016 and 2017 by Offbeat Magazine’s Best of the Beat Awards for “Best R&B/Funk Artist.” In the magazine’s most recent poll\, bassist Noah Young and Drummer Sam Shahin were named finalists as the “Best at their Instruments\,” furthering the band’s stellar musical reputation. \nIdentity continues Naughty Professor’s unyielding exploration of their home city’s eclectic musical landscape.  “New Orleans is the reason that we were all able to come together\, and it’s the reason we’ve been able to continue making music together\,” says alto and baritone saxophonist Nick Ellman. “We all were drawn to the city\, and we all have a tremendous respect for the history of the music culture in New Orleans. In no way are we a traditional New Orleans band\, and this is not a traditional New Orleans record\, but New Orleans’ musical and cultural traditions have everything to do with how we make music.” \nNew Orleans’ vital spirit is present throughout Identity\, which combines artfully-crafted studio creations with material developed through live performance. “We like being adventurous and cerebral\, but fun is also important\,” Shahin concludes. “We operate with a jazz mentality\, but we like verse/chorus structures.  We definitely embrace the idea that we’re bridging the gap between the more thought-provoking side of jazz and popular mainstream music\, and making the whole thing fun and accessible.” \nThe result is Identity\, Naughty Professor’s most potent and ambitious musical statement to date. It is a record that\, by collecting together diverse and disparate musical voices into a seamless whole\, simultaneously honors the past and pushes into the future. \nNaughty Professor are:\nIan Bowman – tenor saxophone\nJohn Culbreth – trumpet\nBill Daniel – guitar\nNick Ellman – alto and baritone saxophones\nSam Shahin – drums\nNoah Young – bass
URL:https://royaleboston.com/event/tank-and-the-bangas-big-freedia/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181025
DTEND;VALUE=DATE:20181026
DTSTAMP:20260405T053428
CREATED:20181022T140756Z
LAST-MODIFIED:20181023T202524Z
UID:10002697-1540425600-1540511999@royaleboston.com
SUMMARY:World Series Concert: Featuring GALANTIS
DESCRIPTION:Major League Baseball and Royale Entertainment Complex are teaming up to bring you the Official World Series Concert Event with superstars Galantis!! \nOh and did we mention it’s going to be free?!?! \nGet ready Boston!\nThis Thursday we are going to show the world how we show our support for our beloved Boston Red Sox! \n\nTICKETS ON SALE NOW\nThis event will sell out and will be the hottest ticket in town! \nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/world-series-concert-featuring-galantis/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181026T180000
DTEND;TZID=America/New_York:20181026T213000
DTSTAMP:20260405T053428
CREATED:20180529T160057Z
LAST-MODIFIED:20180820T170324Z
UID:10002639-1540576800-1540589400@royaleboston.com
SUMMARY:[SOLD OUT] Yacht Rock Revue - Night 1 of 2
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nSOLD OUT \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nYacht Rock Revue \n \nWebsite\nFacebook\nTwitter \nThe Yacht Rock Revue is the greatest show on Surf and the finest tribute to ’70s light rock to ever perform anywhere. Ever. Their spot-on renditions of Hall & Oates\, Michael McDonald\, Steely Dan\, and the rest of the Time-LifeInfomercial Catalog have enthralled fans across the United States. It goes without saying they have taken their act to the high seas\, performing showcase sets on music cruises with Weezer\, Kid Rock\, Train\, Zac Brown Band\, Sister Hazel\, and fitness guru Jillian Michaels. \nBy blurring the lines between a tribute\, an original act\, and a comedic troupe\, the Yacht Rock Revue has forged a unique niche market and a special bond with their fans. The band attacks each song as if it were their own\, and the energy exchanged between the band and the crowd has more in common with a stadium U2 show than that of a typical bar band.\nThe band has won accolades ranging from “Best Place to Get Drunk With Your Dad” to “Best Overall Music Act in Atlanta” to “Best Place to Start an Extramarital Affair\,” and has been name-dropped by the New York Times\, Pitchfork\, the Guardian UK\,Spin\, TimeOut New York\, Billboard\, MTV.com\, and (probably) your mom at her last cocktail party. \nSpeaking of name-dropping\, members of the band have played on-stage with members of Weezer\, Billy Joel\, Walter Egan\, .38 Special\, John Mayer\, Zac Brown Band\, Little River Band\, Sheryl Crow\, Noel Gallagher\, Starbuck\, Sarah McLachlan\, Don Henley\, Lynyrd Skynyrd\, Neil Finn\, Jellyfish\, Devo\, Nine Inch Nails\, Joan Jett\, Wet Willie\, Bon Jovi\, Skid Row\, and the Saturday Night Live Band. (None of those were a joke.)
URL:https://royaleboston.com/event/yacht-rock-revue-night-1-of-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181026T220000
DTEND;TZID=America/New_York:20181026T220000
DTSTAMP:20260405T053428
CREATED:20180724T161326Z
LAST-MODIFIED:20180724T161326Z
UID:10001949-1540591200-1540591200@royaleboston.com
SUMMARY:Sofa King Fridays Ft. Rusko
DESCRIPTION:21+
URL:https://royaleboston.com/event/sofa-king-fridays-ft-rusko/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181027T180000
DTEND;TZID=America/New_York:20181027T213000
DTSTAMP:20260405T053428
CREATED:20180529T160015Z
LAST-MODIFIED:20180820T170205Z
UID:10002641-1540663200-1540675800@royaleboston.com
SUMMARY:[SOLD OUT] Yacht Rock Revue - Night 2 of 2
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! Tickets for the Fri. 10/26 show still available HERE. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nYacht Rock Revue \n \nWebsite\nFacebook\nTwitter \nThe Yacht Rock Revue is the greatest show on Surf and the finest tribute to ’70s light rock to ever perform anywhere. Ever. Their spot-on renditions of Hall & Oates\, Michael McDonald\, Steely Dan\, and the rest of the Time-LifeInfomercial Catalog have enthralled fans across the United States. It goes without saying they have taken their act to the high seas\, performing showcase sets on music cruises with Weezer\, Kid Rock\, Train\, Zac Brown Band\, Sister Hazel\, and fitness guru Jillian Michaels. \nBy blurring the lines between a tribute\, an original act\, and a comedic troupe\, the Yacht Rock Revue has forged a unique niche market and a special bond with their fans. The band attacks each song as if it were their own\, and the energy exchanged between the band and the crowd has more in common with a stadium U2 show than that of a typical bar band.\nThe band has won accolades ranging from “Best Place to Get Drunk With Your Dad” to “Best Overall Music Act in Atlanta” to “Best Place to Start an Extramarital Affair\,” and has been name-dropped by the New York Times\, Pitchfork\, the Guardian UK\,Spin\, TimeOut New York\, Billboard\, MTV.com\, and (probably) your mom at her last cocktail party. \nSpeaking of name-dropping\, members of the band have played on-stage with members of Weezer\, Billy Joel\, Walter Egan\, .38 Special\, John Mayer\, Zac Brown Band\, Little River Band\, Sheryl Crow\, Noel Gallagher\, Starbuck\, Sarah McLachlan\, Don Henley\, Lynyrd Skynyrd\, Neil Finn\, Jellyfish\, Devo\, Nine Inch Nails\, Joan Jett\, Wet Willie\, Bon Jovi\, Skid Row\, and the Saturday Night Live Band. (None of those were a joke.)
URL:https://royaleboston.com/event/yacht-rock-revue-night-2-of-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181027T220000
DTEND;TZID=America/New_York:20181027T220000
DTSTAMP:20260405T053428
CREATED:20180929T150044Z
LAST-MODIFIED:20180929T140002Z
UID:10001980-1540677600-1540677600@royaleboston.com
SUMMARY:Royale Halloween: Night Of The Dancing Dead
DESCRIPTION:21+
URL:https://royaleboston.com/event/royale-halloween-night-of-the-dancing-dead/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181028T190000
DTEND;TZID=America/New_York:20181028T190000
DTSTAMP:20260405T053428
CREATED:20180507T140045Z
LAST-MODIFIED:20181001T145058Z
UID:10001919-1540753200-1540753200@royaleboston.com
SUMMARY:[CANCELLED] Gallant
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been cancelled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is open to ALL AGES. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nGallant \n \nWebsite\nFacebook\nTwitter \n*** \nJamila Woods \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/gallant/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2018/05/Gallant-admat-2018-854x1200.jpg
ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181029T190000
DTEND;TZID=America/New_York:20181029T190000
DTSTAMP:20260405T053428
CREATED:20180604T160002Z
LAST-MODIFIED:20181026T200637Z
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SUMMARY:[SOLD OUT] Dermot Kennedy
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nDermot Kennedy \n \nWebsite\nFacebook\nTwitter \nThere’s a sign on the house Dermot Kennedy has called home for 25 years. “Cois Coille\,” it reads: Irish for “beside the forest\,” a nod to the vast mountains and huge sprawl of trees not far from his front door. “Whenever I’ve been away\, eventually I need to come back and reset\,” admits the fast-rising star\, who grew up here in Rathcoole\, a village nestled between the wilderness of County Kildare and the frantic bustle of Dublin. It’s a contrast that also exists at the heart of his music: rustic\, tender singer-songwriter laments full of scenic beauty\, set to urban\, electronic beats. “I really like that clash\,” he explains of his acclaimed mix of intimate\, guitar-led storytelling and hip-hop-inspired production. “Making those two worlds collide is really exciting to me.”  \nHe’s not the only one who’s excited. Since the release of his stunning April 2017 EP\, Doves and Ravens\, and follow-up single ‘Moments Passed’\, Kennedy has shot to over 80m plays on streaming platforms\, been hailed as a “big\, beautiful and bold” new voice by Beats 1’s Zane Lowe\, won praise from everyone from TIME Magazine to Wonderland. He’s also supported Lana Del Rey and worked his way on the radar of rap super producer Mike Dean\, best known for his work with Kanye West and Travis Scott\, with whom he’s currently cooking up a mixtape.  \nRegularly compared to Bon Iver – whose For Emma Forever Ago album was a turning point in Kennedy’s musical adolescence (“he just blew my mind”) – the 25-year-old describes his songs as struggles between two extremes: light and dark\, love and loss\, life and death\, happiness and sorrow. “All my tracks sort of toggle between two themes\, even within the same song: it can go back and forth from line to line\,” he says. The deeply personal ‘Moments Passed’\, for example\, was dragged from the rubble of a time of simultaneous pain and blossoming romance for the young Irishman\, who was both mourning the death of a friend and falling in love when he wrote it. “Sometimes it’s hard to pin a song down. More often it’s a battle between two opposites like that.” \nKennedy got his first guitar aged 11\, and “got serious” aged six years later\, before a chance encounter with another of his musical heroes gave him his first big break. Beloved Irish songwriter Glen Hansard had been walking through Dublin when Kennedy spotted him one day in the street\, around the time of his first recordings. “I invited him to the studio\,” Kennedy recalls. “He couldn’t make it\, but he called back and offered me ten minutes onstage at his sold-out Christmas show.” The youngster performed his 2016 single ‘After Rain’ and the response was immediate: the track went on to rack up a staggering 33m million streams on Spotify. ‘Moments Passed’ – now with a spectacular video directed by Frank Ocean and Kendrick Lamar collaborator Nabil – won’t be far behind. \nWith new music set for release in early 2018 and bigger\, better live shows around the corner\, momentum is building quickly behind Kennedy. Not that he’s really noticed: the 25-year-old is too focused on pushing his artistic boundaries on his upcoming debut album to pay attention to any hype. “Having spent a lot of time in the acoustic world\, it felt really good to do something new and push myself out of my comfort zone on these recent tracks\,” he says of his increasing electronic experimentation. “I’d be letting myself down if I didn’t chase that\, if I just did what came easy to me.”  \nJust don’t expect him to abandon his roots entirely. “I don’t want to go too far. The trick is to be able to strip a song of all its production and for it to still tell a good story that makes you feel something. Certain things run through all sorts of music that appeal to me\, whether that’s a hip-hop artist or a singer-songwriter: honesty and a good story.” Dermot Kennedy’s story\, you get the feeling\, is just beginning.  \n*** \nThe Oh’My’s \n \nWebsite\nFacebook\nTwitter \nFormed by Maceo Haymes and Nick Hennessy\, Chicago soul band The O’My’s have etched out an important place in the city’s music scene. From collaborations with Chance The Rapper and BJ The Chicago Kid to TDE’s Ab-Soul\, The O’My’s bring a traditionally vintage sound to a new era of music in seamless fashion. With a new project slated for 2018\, The O’My’s are ready to capture the hearts of music fans\, both old and young.
URL:https://royaleboston.com/event/dermot-kennedy/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181030T190000
DTEND;TZID=America/New_York:20181030T190000
DTSTAMP:20260405T053428
CREATED:20180717T163933Z
LAST-MODIFIED:20180907T211307Z
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SUMMARY:Violent Femmes
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri. 7/20 at 1PM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nViolent Femmes \n \nWebsite\nFacebook\nTwitter \nViolent Femmes formed in 1981 as an acoustic punk band playing on the streets of Milwaukee. Their main influences at that time were Gene Vincent and the Blue Caps\, and The Velvet Underground. Their goal was to rock harder than any other acoustic act on the planet. \nThey were rejected for an audition by a local nightclub and set up outside a Pretenders gig. Chrissie Hynde asked them to open that night’s show. This gave the early Femmes a publicity boost which led to them being invited to play in NYC supporting Richard Hell. A rave review in the New York Times led eventually to a record deal\, which in turn spawned worldwide touring. \nTheir eponymous first album became the first and only album in Billboard history to enter the charts as a platinum album\, eight years after its release. The Femmes became a mainstay of festivals\, clubs and theatres in over 30 countries worldwide in the ensuing three decades. \nMTV’s “Unplugged” show was inspired by the Femmes\, although they never actually appeared on it. Their raw sound and honest lyrical perspective has been cited as an influence by artists as diverse as Pink\, Keith Urban\, The Smiths\, Nirvana\, Lou Reed\, John Cusack\, Mark Morris\, and Wim Wenders. \nViolent Femmes are currently touring in commemoration of the thirtieth anniversary of the release of their first album.  \n*** \nYour Smith \n \nWebsite\nFacebook\nTwitter \nMinneapolis native Your Smith (aka Caroline Smith)\, relocated to Los Angeles after signing to Pulse Recording (DRAM\, Miike Snow\, Gallant\, et. al). Inspired by the history of Laurel Canyon and moving through a city that’s been immortalized in music throughout the ages\, Smith concocted her own sound\, bringing together the funk / R&B “Minneapolis Sound” of her roots and the classic songwriting of the LA folk heroes. Your Smith is currently wrapping up her debut EP\, produced by Tommy English (BØRNS)\, Stint (Gallant\, Aluna George\, NAO)\, and Nicky Davey (Internet\, Syd The Kid)\, arriving on Neon Gold Records (HAIM\, Christine & The Queens\, et. al) this spring. She also recently appeared as a featured artist on alt rapper Rejjie Snow’s debut.
URL:https://royaleboston.com/event/violent-femmes/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181031T200000
DTEND;TZID=America/New_York:20181031T200000
DTSTAMP:20260405T053428
CREATED:20180828T201503Z
LAST-MODIFIED:20180828T201503Z
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SUMMARY:Dragathon: The Boulet Brothers Halloween Night Spooktacular
DESCRIPTION:All Ages \nDoors: 7pm / Show: 8pm
URL:https://royaleboston.com/event/dragathon-the-boulet-brothers-halloween-night-spooktacular/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Special Events
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DTSTART;TZID=America/New_York:20181101T210000
DTEND;TZID=America/New_York:20181102T020000
DTSTAMP:20260405T053428
CREATED:20180724T160051Z
LAST-MODIFIED:20181003T181841Z
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SUMMARY:Fleetmac Wood Presents Rhiannon's Revenge - A Halloween Disco
DESCRIPTION:Presented by Bowery Boston \nDoors: 9:00 pm / Show: 9:00 pm \nTickets on sale NOW! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 21+ with valid ID..  \nOpening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nFleetmac Wood \n \nFacebook\nTwitter \nWith exclusive remixes and edits crafted for the dance floor\, this DJ set and AV show is not a tribute act\, but a rave that re-frames the music of Fleetwood Mac. Twirling through disco\, techno and house\, DJs Roxanne Roll and Smooth Sailing have taken this dance party from Berlin to Burning Man and shared their passion with like-minded hedonists around the world.
URL:https://royaleboston.com/event/fleetmac-wood/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181102T180000
DTEND;TZID=America/New_York:20181102T213000
DTSTAMP:20260405T053428
CREATED:20180723T160006Z
LAST-MODIFIED:20181004T161719Z
UID:10002660-1541181600-1541194200@royaleboston.com
SUMMARY:Pond
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri. 7/27 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nPond \n \nWebsite\nFacebook\nTwitter \nWhat do you call a group of psychedelic songsters all grown up? A group who were often considered the younger sibling\, who have come into their own? Artists who just released their best piece of work yet\, and musicians who unleashed one of the rowdiest and strongest live touring sets 2014 witnessed? You call them POND. \n2014 unveiled the full-formed POND and the Northern Hemisphere barely survived. POND supported the Arctic Monkeys throughout Australia and then jumped on the next plane to Europe. There\, POND stunned audiences at Primavera Spain + Portugal\, UK festival Field Day\, and brought the house down\, every night\, across their UK/EU headlining tour. Touring with Nick Allbrook (Vocals / Guitar / Astronaut)\, Jay Watson (Drums / Vocals / Dad Jokes)\, Joseph Ryan (Guitar / Bass / Vocals / Actual spaceman)\, Jamie Terry (Keys / Good vibes) and with barely a breather between\, POND tore through North America\, with sell-out shows ranging from one coast to the next\, bouncing between countries like a pogo-stick. Pond’s 6th album “Man\, It Feels Like Space Again” hit the shelves January 23 (AUS) / January 26 (UK/EU) / January 27 (US) 2015\, with more festivals and headline tours booked around the globe to showcase the new tunes and support this stellar album release. \n“Man It Feels Like Space Again” was recorded in Melbourne Australia and once again mixed by buddy Kevin Parker. The band showcased “MIFLSA” songs throughout their first headline tour of the US in October. Starting at a festival in Mexico\, heading to New England\, traipsing through Canada\, and back down the west coast\, POND pondered\, why stop there? After their sold-out Los Angeles Halloween show\, POND ventured south to play music festivals in South America\, where audiences exploded upon hearing “MIFLSA”‘s hits and partied-hard with the melodious entertainers. \nHailing from Perth\, Australia’s POND formed in 2008 after good friends Joseph Ryan (Mink Mussel Creek)\, Nick Allbrook (Mink Mussel Creek\, Allbrook/Avery\, Tame Impala\, Peter Bibby & His Bottles of Confidence)\, and Jay Watson (Tame Impala) hit upon the idea of an all inclusive\, ego-free collaborative\, so the boys immediately recorded their debut album “Psychedelic Mango” with a little help from good friend Kevin Parker (Tame Impala). \nSince the beginning\, POND wrote music and produced records faster than a label could release them. POND followed up “Psychedelic Mango” within months\, releasing “Corridors of Blissterday\,” a frenzied effort recorded live with an eight-piece band in 2009. A year later\, their third album “Frond\,” a kaleidoscopic classic\, dripping with funk and falsetto\, loosely inspired by a diet consisting only of Prince and Fleetwood Mac\, delighted audiences Australia-wide. “Frond”‘s release finally realised industry attention and praise\, solidifying the band and their music in its own right. “Beard\, Wives and Denim\,” their 4th album\, was recorded on a farm a few hours South-West of Perth. “Beard\, Wives\, Denim” is a triumph of the eclecticism and good humor that drives POND. \nUpon “Beard\, Wives\, Denim” release in March 2012\, global attention shined its light upon the Perth gang. A North American tour ensued\, smashing through 31 shows — including 8 at South by South West — where they were one of the most talked about bands of the festival. From there\, they returned home to Australia and sold out a national tour before storming UK and Europe\, causing NME to tout them as the “hottest band in the world right now” as well as proclaiming “Beard\, Wives\, Denim” as “quite possibly the best album released so far this year.” \nIn August 2013\, POND gifted to the world their 5th LP in as many years\, “Hobo Rocket.” “Hobo Rocket” is 40 minutes of perfectly imperfect emotion\, challenging veteran listeners and music reviewers with an evolved and vigorous sound. Singer Nick Allbrook describes the release as the “…kind of mindset of finding our own little place in music\, and being more of a functioning band\, which is what makes it noisier and denser. This one we went as brutally hard as we would at a show. We wanted the songs to sound loose and live.” \nEnthusiasts and music aficionados world-wide agree MIFLSA is POND’s most focused composition to date. This mirrors their touring efforts\, dynamic and enthralling live show\, media buzz and essentially\, the maturation of a musical career a long time in the making. Maybe it’s not such a bad thing growing up\, especially when it’s this much fun! \n*** \nJuan Wauters \n \nWebsite\nFacebook \nJuan Wauters was born in Montevideo\, Uruguay and has been living in Jackson Heights since 2002. For five years he performed with\n“The Beets” and released three albums.  During this time he was influenced by of a large New York City music community.  After the group dissolved\, Juan struck out on his own\, releasing his first solo album (N.A.P.) in 2014.  The following year he released his second album\, “Who Me?”\, forging his own creative identity. After promoting these albums\, Juan questioned how he could make a living through his music and still have a rewarding life.  It was a time to rethink and evaluate his art and career. \nSince 2016 Juan has covered a lot of ground both physically and artistically.  He performed in his homeland for the first time\, directed the movie “Romane” in southwest France and traveled extensively in Latin America.  In June 2017\, he went to Mexico City to write music.  Up to this point\, most of Juan’s recording had been in English but that all changed when he revisited his Latin roots.  He always wanted to write an album while traveling as both time and place have a unique influence on music.  While in Mexico he was offered a role in a movie in Argentina so he packed his hundred pound studio in two suitcases and went. After filming the movie\, he recorded songs in Argentina\, Uruguay\, Chile\, Peru\, Mexico and Puerto Rico. At every stop Juan sought out artistic collaboration – especially with musicians who had different traditions and energies specific to region.  \nThough recorded entirely in Spanish\, Juan’s music still retains a New York style.  The first of a trilogy\, this special album “La Onda de Juan Pablo”\, reflects the best of all cultures and influences.
URL:https://royaleboston.com/event/pond/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20181102T220000
DTEND;TZID=America/New_York:20181102T220000
DTSTAMP:20260405T053428
CREATED:20180906T201108Z
LAST-MODIFIED:20180906T201702Z
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SUMMARY:KSHMR: The Giant Tour North America 2018
DESCRIPTION:21+ \nTickets on sale Friday\, September 6th at 10am.
URL:https://royaleboston.com/event/kshmr-the-giant-tour-north-america-2018/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20181103T220000
DTEND;TZID=America/New_York:20181103T220000
DTSTAMP:20260405T053428
CREATED:20181030T020557Z
LAST-MODIFIED:20181030T181436Z
UID:10002702-1541282400-1541282400@royaleboston.com
SUMMARY:Art Deko ft. Dirty Dek
DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/art-deko-ft-dj-tao/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181104T203000
DTEND;TZID=America/New_York:20181104T203000
DTSTAMP:20260405T053428
CREATED:20180807T132153Z
LAST-MODIFIED:20180807T132246Z
UID:10002675-1541363400-1541363400@royaleboston.com
SUMMARY:Peggy Zina: North American Tour
DESCRIPTION:Doors @ 7:30pm \n———————— \n21+ \nValid US Government ID or international passport required for entry.
URL:https://royaleboston.com/event/peggy-zina-north-american-tour/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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