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SUMMARY:Lucy Dacus
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 9/13 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nLucy Dacus \n \nWebsite\nFacebook\nTwitter \nYou said\, “Don’t go changing. \nI’ll rearrange to let you in \nand I’ll be your historian \nand you’ll be mine. \nAnd I’ll fill pages of scribbled ink\, \nhoping the words carry meaning.” \nThen one day\, the motorcade\, \ncovered in flower wreaths\, \nfirst in a big parade\, \nwill come to take one of us away \nleaving the other with plenty to read. \nLucy Dacus is done thinking small. Two years after her 2016 debut\, No Burden\, won her unanimous acclaim as one of rock’s most promising new voices\, Dacus returns on March 2 with Historian\, a remarkably assured 10-track statement of intent. It finds her unafraid to take on the big questions — the life-or-death reckonings\, and the ones that just feel that way. It’s a record full of bracing realizations\, tearful declarations and moments of hard-won peace\, expressed in lyrics that feel destined for countless yearbook quotes and first tattoos.  \n“This is the album I needed to make\,” says Dacus\, who views Historian as her definitive statement as a songwriter and musician. “Everything after this is a bonus.” \nShe emphasizes that she does not take her newfound platform as a touring musician for granted.  “I have this job where I get to talk to people I don’t know every night\,” she remembers thinking on the long van rides across America to support No Burden. Realizing that she would have a dramatically expanded audience for her second album\, she felt an urgent call to make something worthwhile: “The next record should be the thing that’s most important to say.” \nThe past year\, with its electoral disasters and other assorted heartbreaks\, has been a rough one for many of us\, Dacus included. She found solace in crafting a thoughtful narrative arc for Historian\, writing a concept album about cautious optimism in the face of adversity\, with thematic links between songs that reveal themselves on repeat listens. “It starts out dark and ends hopeful\, but it gets darker in between; it goes to the deepest\, darkest\, place and then breaks\,” she explains. “What I’m trying to say throughout the album is that hope survives\, even in the face of the worst stuff.” \nDacus and her band recorded the album in Nashville last March\, re-teaming with No Burden producer Collin Pastore\, and mixed it a few months later with A-list studio wizard John Congleton. The sound they created\, with substantial input from multi-instrumentalist and live guitarist Jacob Blizard\, is far richer and fuller than the debut — an outward flowering of dynamic\, living\, breathing rock and roll. Dacus’ remarkable sense of melody and composition are the driving force throughout\, giving Historian the immersive feel of an album made by an artist in full command of her powers. \nThe album opens with a striking three-track run. First comes “Night Shift\,” the only breakup song Dacus has ever written: “In five years I hope the songs feel like covers\, dedicated to new lovers\,” she memorably declares. Next is the catchy\, upbeat first single “Addictions\,” inspired in part by the dislocated feeling of life on the road and the lure of familiarity (“I’m just calling cause I’m used to it/And you’ll pick up cause you’re not a quitter…”)\, followed by “The Shell\,” a reflection on (and embrace of) creative burnout. There’s nothing tentative about this opening sequence. Right away\, it’s clear that Dacus is on a new level of truth-telling and melodic grace. \nAnother key highlight is track five\, “Yours & Mine” — “the centerpiece where the whole album hinges in on itself\,” Dacus says. Using a call-and-response format\, she wrestles with the question of how best to participate in a community broken by injustice and fear while staying true to what one believes is right. “It’s about realizing your power as a person\, and deciding to do the less safe but ultimately more powerful move\, which is to move physically forward — show up and march — and move forward politically\,” says Dacus\, who began writing the song during the 2015 Baltimore Uprising against systemic racism.  \nHistorian closes with two stunning songs: “Pillar of Truth\,” a heartfelt tribute to Dacus’ late grandmother\, and “Historians\,” which sums up the album’s complex lessons about loss. “From the first song to ‘Pillar of Truth\,’ the message is: You can’t avoid these things\, so accept them. There’s ways to go about it with grace and gratefulness\,” she says. “Then ‘Historians’ says that even if you can say that\, there’s still fear\, and loss is terrifying. You still love things\, so it’s going to hurt. But dark isn’t bad. It’s good to know that.” \n*** \nHaley Heynderickx (solo) \n \nWebsite\nFacebook\nTwitter \nIt takes a mix of skill and luck to tend a garden well\, but it’s impossible without a certain amount of amount of kindness tended. While the cyclical nature of gardening seems inherent\, in some ways\, Heynderickx is just beginning. Her debut album\, named I Need to Start a Garden out of a search for calm through these waves of uncertainty and upheaval\, is due out March 2nd via Mama Bird Recording Co.\nFor the empathetic singer/songwriter\, the reasons for seeking such acceptance and understanding stem from a life of paradoxes. Heynderickx grew up in a religious household in Oregon\, closely identifying with her Filipino roots\, but also straddling multiple cultural identities. Now residing in Portland\, her faith is not overt\, but her introspection and continued struggle for self­actualization are easily accessible and relatable.\nLikewise\, the tracks on I Need to Start a Garden reflect these seemingly disparate elements. Through soft acoustic guitar picking and deftly accented trombone sighs\, Heynderickx’s music immediately recalls folk music of the ’60s and ’70s mixed with a love of jazz radio. But Heynderickx’s singing—her vocals that range from sultry to operatic—belie a tenacity in her soul.\nIt’s a balance\, then\, between exposing and protecting herself on I Need to Start a Garden. Heynderickx vacillates between between powerlessness (opener “No Face”) and empowerment (lead single “Oom Sha La La”). But her generosity of spirit remains the constant throughout the whole album.\nYou can hear that exceptional care in “Jo”\, as she whispers\, “You tended your garden like heaven and hell / and you built the birds houses to see if it helped at all.” Aware of the birds\, the garden\, and anyone listening acutely\, Heynderickx’s music serves as an invitation for all to join her. Because the beauty of a garden is that while it’s often started for deeply personal reasons\, its bounty is best consumed and shared with others.
URL:https://royaleboston.com/event/lucy-dacus/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:CAAMP
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nSecond show added due to overwhelming demand! Tickets on sale NOW! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nCAAMP \n \nWebsite\nFacebook\nTwitter \n*** \nSavannah Conley \n \nWebsite\nFacebook\nTwitter \nEmerging singer/songwriter Savannah Conley was born and raised just outside Nashville. Influenced by musical parents – her father was a guitarist and her mother a background singer – she has been performing since the age of seven. Now 21\, Conley recently released her EP Twenty-Twenty\, featuring stand out track “All I Wanted.” Twenty-Twenty was produced by Grammy Award-winning producer Dave Cobb (Chris Stapleton\, Sturgill Simpson\, Anderson East) and is Conley’s first release in partnership with Cobb’s Low Country Sound imprint at Elektra Records. Twenty-Twenty received critical acclaim from the likes of Rolling Stone who referred to the release as an “emotionally rich collection of tracks full of moody instrumentation and whip-smart lines.” Rolling Stone also named Conley one of their “Artists You Need To Know” in March of this year.
URL:https://royaleboston.com/event/caamp-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20191206T220000
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SUMMARY:Eptic
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/eptic/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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SUMMARY:CAAMP
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 5/17 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nCAAMP \n \nWebsite\nFacebook\nTwitter \n*** \nSavannah Conley \n \nWebsite\nFacebook\nTwitter \nEmerging singer/songwriter Savannah Conley was born and raised just outside Nashville. Influenced by musical parents – her father was a guitarist and her mother a background singer – she has been performing since the age of seven. Now 21\, Conley recently released her EP Twenty-Twenty\, featuring stand out track “All I Wanted.” Twenty-Twenty was produced by Grammy Award-winning producer Dave Cobb (Chris Stapleton\, Sturgill Simpson\, Anderson East) and is Conley’s first release in partnership with Cobb’s Low Country Sound imprint at Elektra Records. Twenty-Twenty received critical acclaim from the likes of Rolling Stone who referred to the release as an “emotionally rich collection of tracks full of moody instrumentation and whip-smart lines.” Rolling Stone also named Conley one of their “Artists You Need To Know” in March of this year.
URL:https://royaleboston.com/event/caamp/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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SUMMARY:Royale Saturdays: Tis The Season
DESCRIPTION:617.733.0505 for VIP table reservations.\nFree Entry with the donation of an unwrapped toy\, or RSVP for Free Before 11PM.\n21+
URL:https://royaleboston.com/event/royale-saturdays-tis-the-season/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20191210T190000
DTEND;TZID=America/New_York:20191210T190000
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SUMMARY:TURNOVER & Men I Trust
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 8/23 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nTURNOVER \n \nWebsite\nFacebook\nTwitter \n*** \nMen I Trust \nWebsite\nFacebook\nTwitter \nA Brief Introduction to Men I Trust \nDreampop is leading us into the next century. It is one of the more progressive and ever-evolving sub-genres of the past decade. A relatively new genre that combines the ethereal and harmonic vocals from Shoegaze as well as the catchy and jangly melodies from pop. While the genre isn’t exactly narrowly defined this is one of more the common definitions I see across the music community. It is one of my favorite genres at the moment and the one I look out for the most when I’m exploring new music. The genre is ever-expanding and is one of the main sub-genre that is leading us into the new decade. I wanted to take this opportunity to talk about one of my favorite bands of this decade and their evolution to where they are now. \nThe story of Men I Trust’s rise to indie fame is a bit more abnormal than most. The group initially started without their lead singer. In 2014 producer Dragos Chiriac and bassist Jessy Caron\, both Quebec music graduates and high school friends reunited after college and came together to form a duo named Men I Trust. Their music was heavily inspired by the electronic movement of the 2000s. If you take for example a song from their self titled 2014 debut like Endless Strive and compare it to their most recent output you immediately hear the difference in their approach to production. The programmed robotic electronic drums alongside these boisterous synthesizers give you a closer look into how the duo looked at song creation. The basics where all there\, the dance-inducing\, funkiness and soothe demeanor coupled with great vocal performances by frequent guest collaborators offered a range of different song types. At that was really missing would soon be discovered. \nIn 2015 as they were working on their next project they came across a video on Facebook of their future lead singer Emmanuelle Proulx. They were so impressed by her voice they invited her on to their 2015 album Headroom. On the track Out In Myself\, we get a very subdued and reverb packed poetic performance from Emma with some lyrics I still can’t even understand myself. What the hell is a “dread cabalist night”? I’m not too sure but it slaps regardless. The other track she lends her voice to Curious Fish is a little dancier and energetic with these stabbing and interjecting strings that pop in from time to time. And the tale of a lone fish being attracted to love and pulled it by its shiny exterior. The album itself is fantastic\, with the first half being very feature heavy with every singer lending the best version of themselves and the bottom half taking bits and pieces from house music and 80’s style synthesizers reminiscent of the fairly new at the time Random Access Memories by French house duo Daft Punk. While I am a big fan of this record the band would later go on to say in many interviews that the sound of the album was almost too clear and pristine that it essentially dehumanized many of the aspects of the project and that they were naturally moving towards a more organic sound. Which would ring especially true as the marathon of singles began. \nSo what happened next? They haven’t been very clear in their interviews but one can only assume that sometime in between June of that year and March of the next Emma was asked to join the band as their official and full-time singer. In early March of 2016\, they released their first single as a full 3-piece band Humming Man. The song is magical\, beginning with a very simple loop and drum kick while Emma speaks in the perspective of an anxious and paranoid old man who has disconnected himself from the outside world. “Amid the gate\, he stares at my door. How long did I see him stay?” is one of the many lines that puts you in that old man’s shoes all while you bob your head alongside that groovy bass line. The vocals are brimming with reverb and tons of effects that give this song an out of body experience. \nThe next single is a complete shift from their first song. Lauren is much more reliant on acoustic instrumentation and less vocal effects. While there is still a ever-present omniscient synth accompanying the track the absolutely killer bass playing is what carries this song. By elevating the bass and making it essentially the glue that sticks this song together you get a sound that isn’t all that common in the Dreampop or IndiePop genre. It’s so infectious it makes you want to get up and dance at any chance you get. The panning harmony is something you can’t help to sing along to every time. The song was originally what really put them on to more people as the song was spread all across popular sites like Bandcamp and the IndieHeads subreddit. The beginning of the rush of popularity for the band. \nLet’s fast forward a bit shall we? The year is now 2017 and after a few more singles we see the release of Tailwhip\, a song that would eventually surpass the popularity of Lauren and become the bands most well-known song. The song is chock-full of energy and while you think you’d eventually get real annoyed of the constant beeping synthesizer during the hook of this song I actually grew to love it\, it’s just one of the many examples of these tiny little additions that add to character to Men I Trust songs. The little piano breakdown before the hook is like a mini-countdown to get you pumped as fuck for the hook which is so catchy and so easy to sing along too you can’t help but do it. This is a perfect example of the band being able to combine their roots in electronic music with more organic instrumentation to perfectly compliment Emma’s voice\, a trend that would follow in their next singles. \nI Hope To Be Around is a more standard dream pop song with a very basic drum pattern and jangly guitar instrumentation\, but the real charm is in Emma’s lyrics. Everyone dreams of their future and finally hitting this state of self-realization\, finally realizing who you are what your purpose is. Truth is a topic that is ever-present in many of Men I Trust songs\, hell it’s even in their name. But being at peace with yourself and being able\, to be honest with yourself. Another reason why this song is so great is that it gave us this incredibly heartwarming viral video of a crowd singing along to the song and driving Emma to tears. it’s one of the pivotal moments for the band coming from Montreal all the way to New York and having people dedicated enough to know every single word to your song. I just needed to include this clip because it almost makes me cry every time I watch it. \nLet’s inch just a little closer to the present. While I’d love to touch on every song I want to speak a little more on another important moment in this run of amazing singles. Seven was released in late 2018 and was unlike anything I had heard at the time. You can\, of course\, hear the patented jangly dream-pop guitar providing assistance to the groovy and heavy bassline throughout the song what really pops in this song is once again the songwriting by Emma. The song is about a private moment that happened to the band at a party and their experience with someone who was always a little too curious and took things a little too far. While they won’t exactly name names in order to keep the event itself private safe to say there was definitely some sort of sexy undertones being presented in the song itself. And I would never live it down if I didn’t talk about that incredibly sensual guitar solo near the end of the track. A great ending to a fantastic track. \nAnd finally\, we get to the present day. Norton Commander is the newest of the singles and is one of my personal favorites. There is something about that guitar during the chorus that just blows my eardrums away. It’s so soft and smooth that is completely and totally compliments Emma’s silky comforting singing style. And just like in the music video\, It’s a perfect song to throw on with the top down cruising through the late-night streets of any metropolitan area\, just enjoying life like it was meant to be enjoyed. \nSo whats next? The band originally had an album due out in February of this year but has since been in a constant state of delay after delay. As Emma said in a podcast interview with Culture Creature\, touring can be a very stressful environment and it can be very difficult to create art when your headspace is full of other priorities. They initially announced that once touring had stopped they would work to put the finishing touches on the record and give it to the fans. Thankfully on the 24th of July\, they announced that their long-awaited 3rd album and debut with Emma as the lead Oncle Jazz would release in mid-September with a whopping 24 tracks many of which we have to yet to have heard. What I’m personally hoping for are songs just like the singles\, diverse yet poignant and connected. They all have a certain quality that in this genre is only being achieved by this band right now. It’s hard to explain but going through this bands singles will give you an idea for what I’m talking about. Men I Trust is leading the dream pop revolution and while I haven’t heard the album yet I’m sure if it’s anywhere near as good as their singles we are gearing up for one of the best projects of the year. \n*** \nRenata Zeiguer \nWebsite\nFacebook\nTwitter \nRenata Zeiguer is a Brooklyn-based multi-instrumentalist singer-songwriter\, the daughter of Argentinean and Philippine immigrants. An NYC native\, she grew up playing classical and jazz music\, beginning on the violin and the piano at age 6\, and listening to her grandmother play ragtime and tango music obsessively on a baby grand during family visits in Buenos Aires. \nShe began writing music as a kid\, with mostly instrumental compositions that evolved from hourslong improvisations while seated at the keys after school. Initially drawn to composers like Prokofiev and Debussy\, she grew to like songs that could be sung\, falling in love with the great early 20th century American jazz standards\, Brazilian tropicália\, and the Beatles. She eventually expanded her compositions into lyrical song writing while studying at NYU\, where she met long-time collaborator and producer of her upcoming debut\, Adam Schatz. Since joining New York’s independent rock scene as an original member of Schatz’s band\, Landlady\, Renata has sung and played violin and keys on many projects including Ava Luna\, Twin Sister\, Leapling\, Cassandra Jenkins\, The Relatives (Ian McLellan Davis)\, Christopher Burke (Beach Fossils)\, Quilt\, Skaters and Ex-Reyes.
URL:https://royaleboston.com/event/turnover-men-i-trust/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20191212T180000
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UID:10002017-1576173600-1576173600@royaleboston.com
SUMMARY:The Bouncing Souls
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 1/25 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nThe Bouncing Souls \n \nWebsite\nFacebook\nTwitter \nThe Bouncing Souls are something of a punk rock institution. The band have been consistently churning out their beloved brand of anthemic punk since 1989\, and have earned an intensely loyal fanbase with tireless touring and an unrelenting love of making music. As the band approached the creation of their tenth full length\, they sought to make a record that captured the spirit of their earlier work\, while incorporating who they are today. That record is Simplicity and its 13 tracks of undeniably infectious punk rock prove that The Bouncing Souls have a lot more to say. \nIn making Simplicity\, The Bouncing Souls set out to write songs that\, first and foremost\, would translate into the live environment. With over 20 years worth of anthems under their collective belt\, it’s a challenge to write a setlist that incorporates newer material\, but Simplicity’s many standouts are more than up to the task. Next\, the band enlisted the help of producer John Seymour\, who manned the mixing boards for their fan favorite LPs How ISpent My Summer Vacation and Anchors Aweigh\, to record the album with all of the raw energy of the live performance. The production of Simplicity perfectly embodies the band’s bite and power\, the driving guitars\, prominent bass\, rock-solid drums\, and soaring vocals all cutting through with no unneeded studio shine. From speedy hardcore-influenced ragers\, to comparatively tender punk ballads\, Simplicity’s dynamics show every side of The Bouncing Souls. \nOn Simplicity\, The Bouncing Souls do what so few long-running bands are able to accomplish: they utilize all of the skills and lessons that come from over 20 years of making music\, while still capturing the reckless spontaneity of their past work. That delicate balance can only be found if there’s a sincerity in the songs that comes from genuine love of playing music together\, and The Bouncing Souls have that in spades. \n*** \nThe Bronx \n \nWebsite\nFacebook\nTwitter \n*** \nStrike Anywhere \nWebsite\nFacebook\nTwitter \n*** \nThe Bar Stool Preachers \n \nWebsite\nFacebook
URL:https://royaleboston.com/event/the-bouncing-souls/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191213T220000
DTEND;TZID=America/New_York:20191213T220000
DTSTAMP:20260404T161339
CREATED:20190806T165646Z
LAST-MODIFIED:20190806T165646Z
UID:10002802-1576274400-1576274400@royaleboston.com
SUMMARY:TroyBoi
DESCRIPTION:** On Sale Friday 8/9 @ 10AM est **\nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/troyboi-2/
LOCATION:MA
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191214T220000
DTEND;TZID=America/New_York:20191214T220000
DTSTAMP:20260404T161339
CREATED:20191127T190840Z
LAST-MODIFIED:20191214T225524Z
UID:10002849-1576360800-1576360800@royaleboston.com
SUMMARY:Royale Saturdays: Ugly Sweater Party
DESCRIPTION:617.733.0505 for VIP table reservations.\nWear an ugly sweater for Free Entry\, or RSVP for Free Before 11PM.\n21+
URL:https://royaleboston.com/event/royale-saturdays-ugly-sweater-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191219T200000
DTEND;TZID=America/New_York:20191219T200000
DTSTAMP:20260404T161339
CREATED:20190927T165109Z
LAST-MODIFIED:20190927T181525Z
UID:10002823-1576785600-1576785600@royaleboston.com
SUMMARY:Basta
DESCRIPTION:21+
URL:https://royaleboston.com/event/basta/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191220T220000
DTEND;TZID=America/New_York:20191220T220000
DTSTAMP:20260404T161339
CREATED:20191009T194209Z
LAST-MODIFIED:20191220T194939Z
UID:10002109-1576879200-1576879200@royaleboston.com
SUMMARY:Bingo Players
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/bingo-players-3/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191221T220000
DTEND;TZID=America/New_York:20191221T220000
DTSTAMP:20260404T161339
CREATED:20191127T193603Z
LAST-MODIFIED:20191220T194835Z
UID:10002850-1576965600-1576965600@royaleboston.com
SUMMARY:Royale Saturdays: How Fraioli Stole Christmas
DESCRIPTION:617.733.0505 for VIP table reservations.\nFree Entry with the donation of an unwrapped toy\, or RSVP for Free Before 11PM.\n21+
URL:https://royaleboston.com/event/royale-saturdays-how-fraioli-stole-christmas/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191224T210000
DTEND;TZID=America/New_York:20191224T210000
DTSTAMP:20260404T161339
CREATED:20191211T185001Z
LAST-MODIFIED:20191211T185001Z
UID:10002143-1577221200-1577221200@royaleboston.com
SUMMARY:Matzoball 2019
DESCRIPTION:MatzoBall\, the nations #1 holiday party is back and coming to Boston. Nobody can do it bigger or better than Matzoball and this year will prove to be no different. Matzoball sets the stage for the ultimate party experience that you do not want to miss out on!! \nCome see why USA Today dubs it “The Number 1 Holiday Party of the Year”! \nEvent Powered by JSwipe \n21+
URL:https://royaleboston.com/event/matzoball-2019/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub,Special Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191227T220000
DTEND;TZID=America/New_York:20191227T220000
DTSTAMP:20260404T161339
CREATED:20191009T194456Z
LAST-MODIFIED:20191223T171929Z
UID:10002110-1577484000-1577484000@royaleboston.com
SUMMARY:Bear Grillz
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/bear-grillz-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191228T220000
DTEND;TZID=America/New_York:20191228T220000
DTSTAMP:20260404T161339
CREATED:20191202T180850Z
LAST-MODIFIED:20191202T180922Z
UID:10002851-1577570400-1577570400@royaleboston.com
SUMMARY:Royale Saturdays: Anti-NYE Party
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-anti-nye-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191229T190000
DTEND;TZID=America/New_York:20191229T190000
DTSTAMP:20260404T161339
CREATED:20190904T170003Z
LAST-MODIFIED:20191216T231113Z
UID:10002095-1577646000-1577646000@royaleboston.com
SUMMARY:Lotus
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 9/6 at 1pm! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nLotus \n \nWebsite\nFacebook\nTwitter \nLotus has always been difficult to define musically; an instrumental jamband that has favored groove-based improvisation instead of gaudy solos and noodling. Influences of classic electronic dance music\, funk\, post-rock and dance-rock have all made their way into the Lotus sound. Over the years\, their unique musical blend of electronica with jam music has helped forge a new path in the jamband landscape\, influencing many younger bands in the scene. Their latest studio effort\, Frames Per Second (December 2018)\, aims to showcase Lotus in a pure\, raw form performing live in the studio. Tracked live at Rittenhouse Soundworks in Philadelphia with cameras rolling\, the all-instrumental result is both an audio and video project. Instrumental jazz-funk\, Norwegian space-disco and other sounds make their way into the expansive 19-song album and documentary. For Frames Per Second\, Lotus aimed to incorporate pyschedelia into the album’s sound by combining hypnotic beats with unexpected harmonic or timbral turns. Approaching two decades together\, Lotus has toured actively throughout the US working their way up from dingy basement clubs to world-class venues such as Red Rocks. They’ve become festival favorites\, playing everything from Bonnaroo\, Camp Bisco and Outside Lands to Ultra Music Festival and Electric Forest\, building a hyper-loyal following along the way. A Lotus live show is an experience\, a uniquely crafted and improvised set taking everyone\, the crowd and band\, on a journey. \n*** \nLespecial \n \nWebsite\nFacebook\nTwitter \nlespecial carve their own sonic path in modern music\, creating their signature blend of “heavy future groove”. The power trio’s fresh synthesis of varied and divergent influences doesn’t underestimate the listener\, reflecting a post-modern cultural climate in which fans have space on their aural palette for J Dilla\, Radiohead\, King Crimson and Fela Kuti. Veering from hip-hop to metal\, prog to house\, pensive indie-rock to apocalyptic dub\, leaving room for head banging and hip swaying alike\, while still presenting a unified sound and vision. \n“That lespecial shit is crazy.” — Akil the MC (Jurassic 5)\n“Trap-metal.” — Nikki Glaspie (Beyonce / Nth Power)\n“One of the best bands I’ve ever seen live.” — Ott\n“My favorite band.” — Space Jesus \nThese three childhood friends from Connecticut play off of a lifetime of shared experience in their writing and performance. In a power trio\, it’s essential that each of the players can utterly captivate you at any given time. Each individual has a lot of weight to carry and is only as strong as the weakest link. In the studio\, as on stage\, it seems at first blush that Jon Grusauskas—delivering lyrics that call for your attention and seamlessly moving from guitar to keys to samples—is handling the entire upper end of the spectrum… until you consider how broad the melodic embrace of rhythmatist Rory Dolan and low end wizard Luke Bemand: injecting splashes of color and wicked chops into their heavy groove foundations or driving assaults\, this dynamic battery simultaneously eases and propels lespecial through fractious changes of mood and tempo. Additionally\, whether at the forefront or scattered throughout the mix\, all of them use live looping or triggered samples that contribute to a sound that is far greater than that generally created by three people as they seek to tap into a primitive past\, distorted through the lens of contemporary technology. \nThe band’s fearless pursuit of a synthesis of the musical idioms that inspire them has\, thus far\, culminated with the release of their second album\, cheen\, on October 31\, 2017. Pole vaulting over traditional genres\, cheen is a snapshot of a band flexing their remarkable creative muscles. In a traditional sense\, cheen is a risky album: it asks the listener to suspend a categorical approach and dig into their own eclectic unconsciousness\, to adapt a phrase\, and appreciate the flow of the record from start to finish\, as it moves guided by an unseen plan. If there is an underlying thematic structure\, it is one that is anchored—musically and lyrically—by horror flicks\, 1980s video games and lespecial’s indictment of the current cultural state of affairs. Not overtly political\, angry or morose\, cheen seems to observe the zeitgeist and respond to it. lespecial’s willingness to take this risk of presenting an album full of flavors and feels is a reflection of the respect they have for their fans\, present and future: they simply don’t underestimate the listener\, and that itself is refreshing.\nNever willing to sit back and settle into a groove\, lespecial pivoted quickly from touring in support of the release of cheen into a whole new format: collaborating with and supporting the iconic Bay Area hip-hop emcee and producer\, Zion I\, on tour dates and a forthcoming album. There are also plans to release remixes of cheen tracks from some of their producer friends who hold lespecial in the highest esteem.
URL:https://royaleboston.com/event/lotus/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191231T210000
DTEND;TZID=America/New_York:20191231T210000
DTSTAMP:20260404T161339
CREATED:20191115T212604Z
LAST-MODIFIED:20191115T212930Z
UID:10002841-1577826000-1577826000@royaleboston.com
SUMMARY:Royale NYE 2020
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-nye-2020/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
END:VCALENDAR