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DTSTART;TZID=America/New_York:20190524T220000
DTEND;TZID=America/New_York:20190524T220000
DTSTAMP:20260404T132847
CREATED:20190129T220156Z
LAST-MODIFIED:20190129T220156Z
UID:10002732-1558735200-1558735200@royaleboston.com
SUMMARY:Nora En Pure
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/nora-en-pure/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190525T220000
DTEND;TZID=America/New_York:20190525T220000
DTSTAMP:20260404T132847
CREATED:20190506T164646Z
LAST-MODIFIED:20190506T164646Z
UID:10002766-1558821600-1558821600@royaleboston.com
SUMMARY:Royale Saturdays: Memorial Day Weekend WHITE PARTY ft. Richard Fraioli
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-memorial-day-weekend-white-party-ft-richard-fraioli/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190526T220000
DTEND;TZID=America/New_York:20190527T020000
DTSTAMP:20260404T132847
CREATED:20190504T232630Z
LAST-MODIFIED:20190504T232830Z
UID:10002053-1558908000-1558922400@royaleboston.com
SUMMARY:2019 Military Ball with DJ Paulo presented by Gay Mafia
DESCRIPTION:https://www.ticketweb.com/event/military-ball-2019-with-dj-royale-boston-tickets/9427915?pl=chp
URL:https://royaleboston.com/event/2019-military-ball-with-dj-paulo-presented-by-gay-mafia/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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ORGANIZER;CN="Gay Mafia Boston":MAILTO:rafael@gaymafiaboston.com
GEO:42.3499959;-71.0656288
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190528T190000
DTEND;TZID=America/New_York:20190528T190000
DTSTAMP:20260404T132847
CREATED:20190211T170047Z
LAST-MODIFIED:20190211T154949Z
UID:10002742-1559070000-1559070000@royaleboston.com
SUMMARY:The Distillers
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Thu. 2/14 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Distillers \nFacebook \n*** \nStarcrawler \n \nWebsite\nFacebook\nTwitter \nStarcrawler are a Los Angeles rock & roll band formed one year ago when Arrow de Wilde first met Henri Cash on the high school yard in Echo Park. The rhythm section of Austin Smith and Tim Franco came soon after\, found on the streets of Hollywood. They play rock & roll music heavy and loud and their incendiary performances resemble the children of the Cramps\, the Yeah Yeahs Yeahs\, and Alice Cooper. \n“Ants\,” a song they recorded days after first playing together\, was quickly discovered by London DJ Matt Wilkinson and debuted on Apple Beats One radio just as the band were playing their first few shows. The DJ loved it so much\, he played it twice in a row. Soon after\, it found its way to Sir Elton John\, who spun it on his “Rocket Hour” radio program\, as well as to Zane Lowe\, who played it to further accolades. Much media interest both from the music and fashion worlds has quickly followed. “Ants” & the forthcoming “Used to Know” are from an early session recorded by Steven McDonald (Red Kross) and document the unhinged beginnings of the group taking their first steps into the public eye. They have only now found the time to take a breath and are recording their more fully realized debut LP at Pax Am studios in Hollywood with Ryan Adams producing\, due out later this year. \nAs a group\, Starcrawler embodies that strange archetypal mojo that one finds in certain gangs of young rockers\, only once or twice a generation; all the while still kicking and screaming as they sprint toward finding something new and entirely of their own. The band consists of Arrow de Wilde on lead vocals\, Henri Cash on guitar\, Austin Smith on drums\, and Tim Franco on bass.
URL:https://royaleboston.com/event/the-distillers/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190530T190000
DTEND;TZID=America/New_York:20190530T190000
DTSTAMP:20260404T132847
CREATED:20190103T141741Z
LAST-MODIFIED:20190321T151923Z
UID:10002723-1559242800-1559242800@royaleboston.com
SUMMARY:6th Annual Battle of the Biotech Bands
DESCRIPTION:21+
URL:https://royaleboston.com/event/6th-annual-battle-of-the-biotech-bands/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Special Events
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DTSTART;TZID=America/New_York:20190531T180000
DTEND;TZID=America/New_York:20190531T180000
DTSTAMP:20260404T132847
CREATED:20181113T150023Z
LAST-MODIFIED:20190426T172447Z
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SUMMARY:Lady Lamb
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 6:30 pm \nTickets on sale Fri 11/16 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nLady Lamb \n \nWebsite\nFacebook\nTwitter \n*** \nKatie Von Schleicher \n \nWebsite\nFacebook\nTwitter \nKatie Von Schleicher rose from intern to artist on Brooklyn label Ba Da Bing with Bleaksploitation\, a self-recorded 2015 mini album of irreverent\, fuzz-laden tunes. On her debut full-length\, Von Schleicher strikes again on the magic that comes from her warped and uncompromising sound. Shitty Hits channels the bright\, sunny radio burners of the 1970’s\, songs you drive to\, carefree\, and songs you can cry to\, which The Guardian describe as “Portishead meets the Beatles\,” and NPR’s Bob Boilen calls “one of those constant repeat records for me.” \nConjuring the home recorded sound of Paul McCartney’s McCartney or Jeff Buckley’s Sketches For My Sweetheart The Drunk\, Shitty Hits was created on a tape machine at Von Schleicher’s childhood home in Maryland. Where Bleaksploitation courted a kind of sonic nihilism\, Shitty Hits shows confidence\, growth and unflinching self-realization. Inhabiting the roles of producer and engineer\, Von Schleicher cements her voice as one to be reckoned with\, parsed and pored over\, on an album that is “never less than beguiling” (Pitchfork). \n*** \nAlex Schaaf \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/lady-lamb/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190531T220000
DTEND;TZID=America/New_York:20190531T220000
DTSTAMP:20260404T132847
CREATED:20190514T155051Z
LAST-MODIFIED:20190514T155051Z
UID:10002058-1559340000-1559340000@royaleboston.com
SUMMARY:Carnage
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/carnage-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190601T190000
DTEND;TZID=America/New_York:20190601T220000
DTSTAMP:20260404T132847
CREATED:20190222T175827Z
LAST-MODIFIED:20190222T175938Z
UID:10002034-1559415600-1559426400@royaleboston.com
SUMMARY:Zveri Live at Royale
DESCRIPTION:ZVERI The Best!\nOne of the biggest Russian Rock Bands is coming back to Boston.\nDoors 7pm/Show 8pm\n\nAdvance:\nGA 75\nVIP 105\n\nDay of:\nGA 85\nVIP 115
URL:https://royaleboston.com/event/zveri-live-at-royale/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190601T220000
DTEND;TZID=America/New_York:20190601T220000
DTSTAMP:20260404T132847
CREATED:20190521T154703Z
LAST-MODIFIED:20190521T155050Z
UID:10002060-1559426400-1559426400@royaleboston.com
SUMMARY:Royale Saturdays: Cosmic ft. DJ Tao\, DiMare
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\nFREE BEFORE 11PM with RSVP.\n21+ \nHold on…we’re blasting off into another galaxy at the biggest Saturday night party in Boston! Explosive beats provided by Boston’s very own DJ Tao & DiMare! Don’t forget to download your FREE eTICKET for complimentary entry to Royale before 11.
URL:https://royaleboston.com/event/royale-saturdays-cosmic-ft-dj-tao-dimare/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190603T190000
DTEND;TZID=America/New_York:20190603T190000
DTSTAMP:20260404T132847
CREATED:20190219T150010Z
LAST-MODIFIED:20190225T003820Z
UID:10002028-1559588400-1559588400@royaleboston.com
SUMMARY:[SOLD OUT] Empire of the Sun
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show is now SOLD OUT. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nEmpire of the Sun \n \nWebsite\nFacebook\nTwitter \nAlt/Electronic pioneer Empire of The Sun has been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade. Across multiple countries\, touching more than 100 cities in recent years\, Empire of The Sun’s dynamic performances are like nothing else on earth. \nEmpire of The Sun has amassed more than 1.75 billion total streams and has reached multi-platinum status with global singles “Alive”\, “We Are The People”\, “Walking On A Dream” and “High & Low”. In celebration of Walking On A Dream’s tenth anniversary\, Empire Of The Sun re-released their album on a limited-edition vinyl\, which included a free download of newly released track “Chrysalis”. The third album\, Two Vines debuted at #1 on the US Dance/Electronic Albums Chart and #8 on the US Alternative Albums Chart. The single\, “Walking on A Dream\,” has more than 210 million Spotify streams and 87 million YouTube plays. Empire of The Sun has more than 650 million streams on Spotify and more than 300 million YouTube views.  \nThe last few years have been huge for the band with standout performances at the likes of Coachella\, for their third time\, Ultra Music Festival\, Outside Lands and Governors Ball. The 2015 US West Coast tour culminated in a spectacular sold-out headline performance at the legendary Hollywood Bowl venue in front of more than 17\,000 fans.
URL:https://royaleboston.com/event/empire-of-the-sun/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190604T190000
DTEND;TZID=America/New_York:20190604T190000
DTSTAMP:20260404T132847
CREATED:20190225T165724Z
LAST-MODIFIED:20190225T165724Z
UID:10002747-1559674800-1559674800@royaleboston.com
SUMMARY:Empire Of The Sun
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nSecond show added due to overwhelming demand! Tickets are on sale Fri. 3/1 at 10am!  \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n\n*** \nEmpire of the Sun \n \nWebsite\nFacebook\nTwitter \nAlt/Electronic pioneer Empire of The Sun has been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade. Across multiple countries\, touching more than 100 cities in recent years\, Empire of The Sun’s dynamic performances are like nothing else on earth. \nEmpire of The Sun has amassed more than 1.75 billion total streams and has reached multi-platinum status with global singles “Alive”\, “We Are The People”\, “Walking On A Dream” and “High & Low”. In celebration of Walking On A Dream’s tenth anniversary\, Empire Of The Sun re-released their album on a limited-edition vinyl\, which included a free download of newly released track “Chrysalis”. The third album\, Two Vines debuted at #1 on the US Dance/Electronic Albums Chart and #8 on the US Alternative Albums Chart. The single\, “Walking on A Dream\,” has more than 210 million Spotify streams and 87 million YouTube plays. Empire of The Sun has more than 650 million streams on Spotify and more than 300 million YouTube views.  \nThe last few years have been huge for the band with standout performances at the likes of Coachella\, for their third time\, Ultra Music Festival\, Outside Lands and Governors Ball. The 2015 US West Coast tour culminated in a spectacular sold-out headline performance at the legendary Hollywood Bowl venue in front of more than 17\,000 fans.
URL:https://royaleboston.com/event/empire-of-the-sun-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190607T180000
DTEND;TZID=America/New_York:20190607T180000
DTSTAMP:20260404T132847
CREATED:20190219T150015Z
LAST-MODIFIED:20190405T171304Z
UID:10002027-1559930400-1559930400@royaleboston.com
SUMMARY:Ibeyi
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 2/22 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nIbeyi \n \nWebsite\nFacebook\nTwitter \nAshes typically have a funereal connotation\, and suggest a sense of crumbling. And it’s true that the two sisters of the electronic-soul duo Ibeyi\, Lisa-Kaindé and Naomi Díaz\, wrote the first song on their album Ash\, also entitled “Ash\,” during the American elections. Despite the heaviness in the air\, Ibeyi sought to write a song that plucked positivity from the very place where all hope seemed to be lost\, which\, in turn\, became an underlying theme for the album as a whole. “We can do positive things with ashes\,” Naomi says. “Ashes can fertilize\,” Lisa-Kaindé adds. “There’s still hope.” \nOn September 29th\, Ibeyi will release Ash via XL Recordings. Their first album\, the eponymous Ibeyi\, grappled with the past—the sister’s relationship\, origins\, loss\, and roots. It earned them fans and collaborators in some of the most iconic and crucial artists of today\, Beyoncé and Alvin Ailey included. By contrast\, Ash is a more visceral and potent political statement\, and while firmly rooted in Afro-Cuban culture and history\, finds itself entirely concerned with Ibeyi’s present: Who Lisa-Kaindé and Naomi are\, what’s important to them\, and how they live today\, especially given that the spheres\, both personally and politically\, are entirely different from when Ibeyi was recorded. It’s also a testament to their cathartic live performances\, where they’re able to transmute a vast array of emotions—sorrow\, anger\, sensuality\, happiness—to and through their fans. \nAsh is also a study in deft electronic production. The album’s rapturous opener “I Carried This For Years\,” awash with Lisa-Kaindé and Naomi’s voices interlacing with each other and a sampling of the “Dragan I Slavei” by the Bulgarian choir Le Mystere Des Voix Bulgares\, evokes the sense of both a mantra and a rallying cry. “This album was born because of feelings we had in our bellies\, whether it’s energy that wants to get out\, fear\, love\, anger\, joy and hope\,” Lisa-Kaindé says. “All the songs and the subjects that we’re talking about on this album\, we’ve actually been carrying them for years.” The meditative quality of single-line repetition also grounds mighty tunes like “No Man Is Big Enough For My Arms\,” which features samples of a speech given by former First Lady Michelle Obama and is drawn from a phrase in Jennifer Clément’s Widow Basquiat\, which Lisa-Kaindé was reading during one of the recording sessions. \nIbeyi worked once again alongside XL head Richard Russell\, a confidante and friend\, to produce Ash at his studio. “We absolutely wanted\, 100%\, to work with him again: It was not even a question\,” Lisa-Kaindé says. “Richard is an amazing producer…wherever you want to go\, he will guide you there. But it feels like you’re playing with him. You’re sharing ideas together and he has an amazing ear. It’s like a flow\, it’s really easy.” To that effect\, Naomi adds: “It’s like we produced the album too\, actually\, and it’s a good feeling.” Along with Russell’s stylized production sensibilities\, Ibeyi drew from a host of influences ranging from Kendrick Lamar\, Jay Electronica\, Meshell Ndegeocello\, Erykah Badu and Nina Simone and beyond\, to craft the wide-ranging musical landscape of Ash. Yet visual art also played a pivotal role here\, with the sisters particularly drawing inspiration from video artist Chris Cunningham for the striking “Numb.” \nThe sisters have never shied away from writing lyrics that reflect the depth of their shared history\, and include songs written in English\, French and Yoruban. Yet Ash also brings with it the first song the two have written that includes Spanish lyrics\, “Me Voy.” It’s not a coincidence that Lisa-Kaindé wrote the song when she was leaving Cuba\, a place where Ibeyi holds strong roots. The moving “Me Voy\,” which also features the vocal styling’s of the Spanish hip-hop artist Mala Rodríguez\, is also firmly intended to be a sensual song. “I feel when women talk about sensuality and it’s felt\, not only is it sexy but really powerful\,” Lisa-Kaindé says. “And also\, it’s really complicated: Sensuality is not being sexy.” \nInstrumentally\, Ash finds Naomi refining her skills at the cajón and the batá\, and Lisa on the piano\, and expands the use of electronics\, as well. It’s the idea of transmission\, though\, that lies at Ash’s core. “I think it’s one of the most important words that I know!” Lisa-Kaindé explains. “I wanted to be a music teacher when I was younger. So transmission has always been important for me. I feel like I was also raised by strong\, independent women and I think they transmitted that to me. I think that also artists saved my life through their art; that they transmitted to me. I feel like the most important thing you can do is transmit to people your truth and your energy and what you feel and how you feel when you’re a musician.” \nThis symbiotic exchange is writ large on Ash\, especially on the seven-minute-long epic and album centerpiece “Transmission/Michaelion.” It’s a song that Ibeyi wrote with their fans in mind\, and envision singing the song’s vivid chorus—“we sing and our tears dry / facing a clear sky”—at their cathartic live shows in a beautiful\, intense and symbiotic moment. The venerable Meshell Ndegeocello lends her talents on the bass for the song\, and it also features an excerpt from The Diary of Frida Kahlo\, as read by Maya Dagnino\, Lisa-Kaindé and Naomi’s mother (who also co-wrote many of the lyrical parts of Ash). “Richard has a seventh sense of knowing when a song needs a sample\,” Lisa-Kaindé explains. “And he said\, ‘It would be awesome to have a sample of a strong woman you admire\,’ and we said ‘Frida Kahlo!’” the two exclaim together. The two then asked Dagnino to choose a passage she felt connected with\, which resulted in the powerful Spanish mid-section of “Transmission/Michaelion.” Pies para qué los quiero / Si tengo alas pa’volar\,” she reads (“Feet\, what do I need them for / If I have wings to fly?”). \n“Transmission/Michaelion” also delves into a sample of the poet Claudia Rankine’s audiobook Citizen: An American Lyric\, in which she proclaims: “I don’t know what the water wanted.” This idea especially has resonance for Lisa-Kaindé\, who is the daughter of the Yoruban sea goddess Yemaya. “So she’s obsessed with water\,” Naomi says. “I love water. But my god\, I’m the thunder.” Naomi’s seismic presence has always been integral to the Ibeyi DNA\, especially where the duo’s production is concerned. But she has a more vocal presence on Ash; she shares lead vocal parts with her sister\, and on the likes of the lapping “Waves\,” which features just a synth and her raw vocals\, she steps completely into the spotlight. “I said to Lisa\, ‘I want to be more present\,” Naomi says. “I think when you see us\, we’re both doing the project. But for the first album\, you maybe thought Lisa was more in the front and I wanted to sing more on this one.” \nThe potency of Lisa-Kaindé and Naomi’s vocal interplay is especially evident on the barreling grooves of “Away\, Away\,” which Ibeyi released as Ash’s first single. It’s a song that demands to be listened to at top volume\, windows down\, as the two sing the tale of a girl who looks out the window\, sees the world falling down around her\, and doesn’t do anything about it. Until she begins to sing\, that is. “It’s the start of this fire that she feels in her belly and this energy that is going to make her do something\,” Lisa-Kaindé says of the girl in the song. It’s reflective of how a call to arms is a central theme on Ash. For instance “When Will I Learn\,” which features Chilly Gonzales on the piano\, deals with the idea of reversing past mistakes\, particularly concerning making others happy at the expense of your own-well-being. \nWhile Ash is an imprint of the sisters’ lives at this particular moment\, it’s also reflective of a lifetime of reckoning\, particularly with injustices not limited to the systematic oppression of police violence and racism. “Deathless\,” which features the incomparable Kamasi Washington on saxophone\, was written in the wake of an experience that Lisa-Kaindé had when she was sixteen that involved her being wrongly arrested by French police. “They were talking three centimeters away from my head saying\, ‘Are you fucking kidding me?’ and being really loud…he assumed I was obviously a drug addict or a dealer\,” she remembers. So he was really mean and rough\, and then he took my bag.” \nLisa-Kaindé mentioned the story to Russell\, who asked if she wanted to write a song about it. So she went home and wrote the emotive\, “Deathless\,” which describes her experience in unsparing detail\, and extends a hand towards anyone who has ever been made to feel inferior through an anthemic chorus. “I was writing ‘Deathless’ as an anthem for everybody!” Lisa-Kaindé says. “For every minority. For everybody that feels that they are nothing\, they are small\, who cares. And I want them to listen to that song and for three minutes feel large\, powerful\, deathless. I do have a huge amount of respect for people who fought for what I think are my rights today. And I think the fact that I’m saying ‘we are deathless’ is saying that they are living through me and trying to be in a better world.” \n*** \nSudan Archives \n \nWebsite\nFacebook\nTwitter \nSink\, the anticipated follow up to Sudan Archives’ self-titled debut\, continues to define the experimental R&B artist as a singular new voice. Her unique blend of ethereal R&B vocals\, violin figures and hip-hop beats has already won over the likes of Pitchfork\, the New York Times\, The Guardian\, NPR Music\, and more. “‘Sink’ describes the way I want my music to make you feel\,” she says\, “It’s inspired by my love of fluidity\, movement of jellyfish and water.” \nSudan Archives (Sudan for short) taught herself to play the violin in elementary school\, mostly by ear. After discovering the violin playing style of both Northeast and West African fiddlers and musicians like Asim Gorashi\, Ali Farka Touré and Juldeh Camarah\, her eyes opened to new ways of incorporating this instrument into her sound. “The way they played the violin was different from classical music. I resonated with their style\, and I was like\, maybe I can blend it with electronic music.” \nFusing folk music and electronic production was the turning point for Sudan. “I started mixing my violin into beats\,” she says\, “I’d just sing straight into the iPad.” She’s refined her early DIY style to a setup that centres on a midi violin\, and creates most of her songs\, synths and bass lines from the violin synthesizer. She moved to Los Angeles to study music technology at age 19\, and signed with Stones Throw in 2017. \nNow 24 and just beginning her career\, Sudan Archives is already winning fans around the world. After releasing her debut EP\, she toured the US (both solo and with Tune-Yards) and Europe. Her recent performances at SXSW were described by NPR Music\, Pitchfork\, the Chicago Tribune and more as highlights of the week. \nSudan Archives will make her Coachella debut this April before bringing her electrifying live show to Japan. This summer she’ll also return to Europe to perform at Field Day\, Best Kept Secret\, RUSH Festival\, and more.
URL:https://royaleboston.com/event/ibeyi-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190607T220000
DTEND;TZID=America/New_York:20190607T220000
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LAST-MODIFIED:20190312T152130Z
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SUMMARY:Boombox Cartel
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/boombox-cartel/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190608T220000
DTEND;TZID=America/New_York:20190608T220000
DTSTAMP:20260404T132847
CREATED:20190521T155449Z
LAST-MODIFIED:20190521T155534Z
UID:10002061-1560031200-1560031200@royaleboston.com
SUMMARY:Royale Saturdays: Beach Vibes ft. JGOOD\, Abby Duren
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\nFREE BEFORE 11PM with RSVP.\n21+ \nWe’re turning Royale into a tropical paradise on Saturday\, June 8! Music by JGOOD and the stunning Abby Duren will have you feeling summertime fine – don’t forget to download your FREE eTICKET for complimentary entry before 11.
URL:https://royaleboston.com/event/royale-saturdays-beach-vibes-ft-jgood-abby-duren/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190609T180000
DTEND;TZID=America/New_York:20190609T220000
DTSTAMP:20260404T132847
CREATED:20190314T165101Z
LAST-MODIFIED:20190314T165101Z
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SUMMARY:Pabllo Vittar - Live in Concert!
DESCRIPTION:Doors at 6pm \nShow at 8pm \nOver at 10pm
URL:https://royaleboston.com/event/pabllo-vittar-live-in-concert/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190612T200000
DTEND;TZID=America/New_York:20190612T200000
DTSTAMP:20260404T132847
CREATED:20190301T170046Z
LAST-MODIFIED:20190401T193937Z
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SUMMARY:Feed Me
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri 3/1 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nFeed Me \n \nWebsite\nFacebook\nTwitter \nFitting in within the current world of electronic music might be something most producers have usually figured out after a decade plus on the scene\, but for British born DJ/ producer Jon Gooch\, fitting in has never been much of a priority. Moving through genres as Feed Me\, Spor and Seventh Stitch\, Jon has given himself the freedom to become whatever he wants to be\, and create as he sees fit.   \n“I have no idea how I fit into electronic music as a scene\, but I hope I can keep it that way.” he says\, “Shifting identities has let me pursue all these avenues\, create new places to exist. From the day I joined the internet I was an alias in some form or other\, and each time you can start again.” \nJon’s path into production was largely self-taught\, playing with software in a spare room of his family home\, whilst working as an online graphic designer (his passion for art is still present across his various projects\, designing artwork and Feed Me’s infamous green monster).  \nAn early fascination of sounds and influences from his parents collection of records (Tubular Bells\, Yes\, Pink Floyd) into Placebo\, Radiohead and Squarepusher\, resonated with him and piqued his interest around the way these sounds were created.  “I started hearing more and more music that made me wonder how the sounds were made. It’s that fascination – is it organic or synthetic? When sounds sit in that space I become really interested”.  \nTransforming between the electro/ house sounds of Feed Me\, the dark drum and bass of Spor and the more creative leftfield output of Seventh Stitch\, Jon has released multiple projects across labels such as Lifted Music\, his own imprint Sotto Voce and most notably deadmau5’s label mau5trap that launched his exponential rise as Feed Me.  \nLeaving behind university when music started to take off\, Jon got a few shows under his belt before pursuing it as a full time career\, “I quit in my fourth year and lied to my family that I was still going.” He admitted\, “It gave me about a year to make something of myself before they noticed!” \nBecoming the first outside act to sign with deadmau5’s label in 2010\, he released ‘Feed Me’s Big Adventure’\, ‘To The Stars’ and ‘Feed Me’s Escape from Electric Mountain’ as part of the mau5trap family. Followed by his debut album ‘Calamari Tuesday’ in 2012\, the project saw Jon’s profile (along with his little green monster) dramatically rise\, with the creation of the Teeth live show launching a sold out 20 date tour of the US.  \nA few releases followed on Jon’s Sotto Voce imprint\, 2014’s ‘Feed Me’s Psychedelic Journey’\, ‘A Giant Warrior Descends on Tokyo’\, and ‘Feed Me’s Family Reunion’\, before returning to mau5trap for ‘Existential Crisis’ along with another 30 date live bus tour across the US and festival appearances at Fuji Rocks Japan\, Creamfields\, EDC\, Reading & Leeds and Exit Festival. \nAfter a run of Feed Me releases\, in 2015 Jon returned to producing music as Spor. His 2015 album ‘Caligo’ became the focal point for the year\, giving Feed Me and the Teeth show a break.  Pushing the boundaries of a conventional album campaign\, the project was released via Sotto Voce/ Bit Torrent in a never been done before\, pay what you want scheme\, along with various bundles of artwork and extras.  \nIf Feed Me’s initial explosion in popularity had been brilliantly unexpected\, the next stage for Jon is set to be a completely new chapter. He explains\, “My life rearranged itself so drastically when I started touring Feed Me\, the first album was a product of pure momentum in the breaths between. With the second album it was written all across the world\, across a big expanse of time. Finishing it has felt like a catalyst for a lot of positive brain function”. With a new outlook and a more in control approach to the creation of his music\, Jon’s path into the creation of ‘High Street Creeps’ has been a lot more structured. \nNamed after an infamous Hertfordshire pheasant poaching gang of the 1980s\, ‘High Street Creeps’  features 10 tracks which span a variety of styles\, a lot of which differ from what he’s created in the past. Handpicking key vocalists for songs such as Rosie Doonan on ‘Feel Love’ as well tracks like ‘Sleepless’\, which was almost entirely produced from a Eurorack Modulator\, the album has been a long time in the making. He said\, “I’d amassed a lot of material since my last album\, but it took a long time for me to feel like it was the right time to do another.” \nA redesign of the Teeth stage and a host of upcoming shows planned for 2019 as well\, means that eager fans will get to see the producer doing what he does best\, “Building the ‘Teeth’ show is probably my proudest achievement\,” Jon explains. “It was the ultimate way to present what I do and a creative dream\, to combine a big array of memories and chaos into something fully structured. It represents me getting my lifestyle under control and I feel like I can move forward with more speed now\, it’s a total release.” \nNever shy of testing his creative limits\, Jon and his many aliases continues to grow and evolve\, “otherwise why the fuck am I here” he puts so succinctly. With the new album and shows marking a clear\, mature musical evolution for the producer\, Jon can continue to look forward to the future\, as can his fans. \n*** \nBlack Gummy \n \nWebsite\nFacebook\nTwitter \nBlackGummy began as the brainchild of Los Angeles-based electronic music producer Iman Marouf who discovered the entity called “BlackGummy” in 2013 during a trip to the Middle East and Asia\, and instantly formed a unique and inseparable bond with the alien-like idol. Since their first meeting\, the producer and the entity have virtually conjoined into an indivisible whole\, never leaving one another’s side. BlackGummy has an obsessive fascination for sound design and music production. He views his productions as checkpoints in a tireless quest to improve his mastery of this skill\, routinely spending 15 hours a day honing his craft. In 2015\, mau5trap discovered BlackGummy\, and immediately recognized his unique prowess for production and sound design. Later that year\, the label released BlackGummy’s first original — “Lullaby” — on mau5trap’s We Are Friends Vol. 4 compilation\, which Earmilk called a “can’t miss.”\nIn February 2016\, mau5trap released BlackGummy’s debut EP titled Singularity\, inspired by the concept of “technological singularity” – the idea that artificial intelligence will one day surpass human intelligence. Dancing Astronaut praised as the EP as “an intriguing artistic vision\,” which “moves uninhibited from dark industrial to uplifting progressive\, challenging the notion that producing one style necessitates ignoring the other.” Aside from the philosophical influence that was the basis for the EP’s title\, BlackGummy counts deadmau5\, Eric Prydz\, Feed Me\, Gesaffelstein\, Brodinski\, Knife Party\, and System of the Down among his chief musical influences.\nFollowing up with the unsettlingly cinematic “NeverDeader” on mau5trap’s We Are Friends Vol. 5 compilation\, BlackGummy dropped the 2nd EP of his mau5trap trilogy\, Impactor\, which\, “takes on the KT Extinction. You remember it as the asteroid that killed the dinosaurs and ultimately three-quarters of the Earth’s living beings. The asteroid caused a lot of death and destruction\, but it also lead to evolution by the species that managed to survive\,” he says. “It wasn’t just the asteroid that killed them\, but also the effect the impact had on the Earths’ atmosphere\, creating a condition in which only specific species could survive.”-Billboard\nIn January of 2017\, he released “Superhuman”\, his long-awaited collaboration with Colleen D’Agostino\, best known for her performance on deadmau5’s platinum record\, “Seeya”. They combined forces with an intense instrumental paired with an uplifting narrative inspired by experiences of the challenges that several of their close friends had to face. July of that year saw the release of Monolith\, the final EP in the mau5trap trilogy which was hailed as a “spiritually nuanced\, deeply perplexing\, challenging and entrancing project\,” and culminated in the Monolith Tour\, which featured US Festival stops at Electric Daisy Carnival Las Vegas\, Middlelands\, Electric Forrest\, Electric Zoo\, Escape Psycho Circus and more. His debut headline Mesophase Tour\, began in February 2018 supported by mau5trap artists ATTLAS\, Electrocado\, Monstergetdown\, Notaker and Rinzen\, and made 20 stops before ending in April including EDC Mexico and BUKU Music and Arts Festival. Following up on the Mesophase Tour\, BlackGummy’s 2018 summer saw performances at Lollapalooza\, Shambhala Music Festival\, Global Dance Festival\, Euphoria Festival\, as well as repeat performances at EDC Las Vegas and Electric Forrest.  \nSince the implicit convergence of the producer’s and idol’s identities into one amalgam\, BlackGummy spends almost all of his time off-the-road locked away with the idol in his in-home studio\, crafting new productions that attempt to lend a voice to the silent idol. He only withdraws from his studio in rare instances: first\, to perform alongside the idol in nightclubs and music venues\, and second\, to search the four-corners of the Earth for more clues as to the idol’s origins. His fascination with the latter arose from a Latin inscription that lay emblazoned beside the idol when he first discovered it.\nThe quote read\, “In perpetuum\, salutem in omnibus locis; In omni loco\, in omni tempore.”
URL:https://royaleboston.com/event/feed-me/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190614T220000
DTEND;TZID=America/New_York:20190614T220000
DTSTAMP:20260404T132847
CREATED:20190225T155533Z
LAST-MODIFIED:20190225T155533Z
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SUMMARY:EDX
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/edx-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190615T220000
DTEND;TZID=America/New_York:20190615T220000
DTSTAMP:20260404T132847
CREATED:20190521T160142Z
LAST-MODIFIED:20190521T160142Z
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SUMMARY:Royale Saturdays: Summer Fling ft. DJ RM\, Chris C
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\nFREE BEFORE 11PM with RSVP.\n21+ \nOn Saturday\, June 15\, we’re celebrating the start of the best season there is at Royale Boston! Music by crowd pleasers DJ RM & Chris C will have you feeling like summer is in full effect – don’t forget to download your FREE eTICKET for complimentary entry before 11.
URL:https://royaleboston.com/event/royale-saturdays-summer-fling-ft-dj-rm-chris-c/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190618T190000
DTEND;TZID=America/New_York:20190618T190000
DTSTAMP:20260404T132847
CREATED:20190419T140040Z
LAST-MODIFIED:20190418T195050Z
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SUMMARY:X Ambassadors
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 4/26 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nX Ambassadors \n \nWebsite\nFacebook\nTwitter \nKIDinaKORNER/Interscope band X Ambassadors’ debut album\, “VHS\,” reflected on the events that shaped the lives of lead vocalist and lyricist Sam Harris and his older brother\, keyboardist Casey Harris\, growing up in Ithaca\, New York. The gold-certified album\, which Rolling Stone called “bombastic rock that’s as stomping as it is diaristic\, leavened by big-tent pop hooks and a hint of hip-hop swagger\,” debuted at No. 7 on Billboard’s Top 200 chart and spawned the platinum-selling “Renegades\,” which spent 12 consecutive weeks at No. 1 on the Alternative chart\, and the double-platinum “Unsteady.” The success of “VHS” sent X Ambassadors on a nearly two-year touring odyssey that found them winning over fans around the world and performing at the Lollapalooza\, Bonnaroo\, Life Is Beautiful and Shaky Knees festivals\, among others\, and establishing themselves as a world-class rock band. X Ambassadors released the impassioned “Ahead of Myself” last fall followed by “Joyful” and “Don’t Stay” in early 2018 before embarking on their JOYFUL headline tour.  The band returned to Ithaca for the second annual Cayuga Sound Festival this past September. X Ambassadors is currently working on their sophomore album. For more information visit www.xambassadors.com   \n*** \nYour Smith \n \nWebsite\nFacebook\nTwitter \nMinneapolis native Your Smith (aka Caroline Smith)\, relocated to Los Angeles after signing to Pulse Recording (DRAM\, Miike Snow\, Gallant\, et. al). Inspired by the history of Laurel Canyon and moving through a city that’s been immortalized in music throughout the ages\, Smith concocted her own sound\, bringing together the funk / R&B “Minneapolis Sound” of her roots and the classic songwriting of the LA folk heroes.  \nYour Smith is currently wrapping up her debut EP\, produced by Tommy English (BØRNS)\, Stint (Gallant\, Aluna George\, NAO)\, and Nicky Davey (Internet\, Syd The Kid)\, arriving on Neon Gold Records (HAIM\, Christine & The Queens\, et. al) this fall and will commence a full US headline tour in September.
URL:https://royaleboston.com/event/x-ambassadors-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190621T220000
DTEND;TZID=America/New_York:20190621T220000
DTSTAMP:20260404T132847
CREATED:20190514T154033Z
LAST-MODIFIED:20190514T211858Z
UID:10002057-1561154400-1561154400@royaleboston.com
SUMMARY:Klingande
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/klingande/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190622T180000
DTEND;TZID=America/New_York:20190622T180000
DTSTAMP:20260404T132847
CREATED:20190408T160023Z
LAST-MODIFIED:20190408T151846Z
UID:10002761-1561226400-1561226400@royaleboston.com
SUMMARY:CHON
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 4/12 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \n \n*** \nCHON \n \nWebsite\nFacebook\nTwitter \nOn their self-titled third album\, CHON find themselves at the confluence of a great push and pull. \nSince forming in 2008 in San Diego\, the trio — guitarists Mario Camarena and\nErick Hansel and drummer Nathan Camarena — have become one of the most buzzed-about acts in the new era of progressive rock\, on the back of more than 40 million Spotify streams and tours with the likes of Coheed and Cambria\, Animals As Leaders and Circa Survive. \nTheir debut full-length\, 2015’s Grow\, established their mathy\, forward-thinking take on the genre\, while 2017’s Homey furthered that sound while incorporating brand-new influences like effect-pedal-heavy elements of electronic music and trip-hop and debuted at No. 66 on the Billboard 200. Now\, with CHON\, set for release on June XX through Sumerian Records\, the trio once again have kicked down their musical guardrails — but in a way that balances their more eccentric impulses with a steadying dose of clarity and restraint. \n“We really wanted to make songs with more simplistic structures\, but also the craziest parts we’ve ever had musically\,” Mario Camarena explains. “I think our music is already so weird that when the structure is also crazy\, it can be hard to follow. I really wanted this album to appeal to people who maybe don’t listen to this style of music.” \nIt’s true that CHON streamlines some of the band’s grandiose\, free-flowing musicality in favor of more traditional sonic structures. But\, most importantly\, simplifying their sound doesn’t mean resorting to being boring. If anything\, CHON is brimming with some of the most forward-thinking\, intricate musings the band have ever attempted\, from the deep progressive propulsion of first single “Peace” to “Spike\,” which spins the band’s youthful tech and metal influences together into a flashy riff-athon. \nAll at once\, CHON respects the trio’s current listeners while inviting a broader swath of new ones in — the rare progressive rock album adroit enough to straddle that line. For the band\, it will be especially rewarding to bring this new musical mindset to crowds at festivals like Coachella\, Shaky Knees and Electric Forest. There will be\, of course\, CHON diehards in the audience\, but large-scale settings like these offer the band the opportunity to cultivate an even wider fanbase around their captivating sound.  \nOf course\, they’re coming prepared: While writing and recording the self-produced album in San Diego\, the band put a lot of thought into calibrating their new music to fit the expansive crowds they knew they’d soon be playing in front of. The result is a collection of songs that plays just as well to the front row as the very last. \n“We knew we were going to play these songs at big festivals\, and it was in the back of our minds\,” Mario says\, pointing to the tribal-inspired rhythms on “Gift.” “We were just thinking of Electric Forest when we wrote that song: It’s kind of psychedelic and hippy. It’s going to be really fun to see how big crowds react to these songs.” XX \n*** \nDOMi & JD Beck \nWebsite
URL:https://royaleboston.com/event/chon-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190622T220000
DTEND;TZID=America/New_York:20190622T220000
DTSTAMP:20260404T132847
CREATED:20190521T160646Z
LAST-MODIFIED:20190521T160646Z
UID:10002063-1561240800-1561240800@royaleboston.com
SUMMARY:Royale Saturdays: DJ Enfreno
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\nFREE ENTRY BEFORE 11PM with RSVP.\n21+ \nA rare breed who can turn a typical DJ set into a full blown musical performance\, multi-faceted talent DJ Enferno brings the heat to Royale on Saturday\, June 22!
URL:https://royaleboston.com/event/royale-saturdays-dj-enfreno/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190625T193000
DTEND;TZID=America/New_York:20190625T193000
DTSTAMP:20260404T132847
CREATED:20190507T160054Z
LAST-MODIFIED:20190507T144734Z
UID:10002770-1561491000-1561491000@royaleboston.com
SUMMARY:Bad Books
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:30 pm / Show: 8:30 pm \nThis show has been upgraded from The Sinclair! All tickets for The Sinclair show will be honored at Royale\, and more tickets are available. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nBad Books \n \nWebsite\nFacebook\nTwitter \nWhen Bad Books — Andy Hull and Robert McDowell of Manchester Orchestra\, and indie rock spark plug Kevin Devine — made a surprise appearance at this year’s SXSW armed with an entire album’s worth of new songs called III\, the music world took notice. Those who were there bore witness to what Hull calls their new “Simon & Garfunkel in space” style—sparse structures\, simple harmonies\, and gorgeous sonic embellishments. But considering both their inter-personal dynamics and joyful congregation\, perhaps it would be more accurate to refer to the 2019 version of Bad Books as “Simon & Garfunkel as true friends.” Led by Devine’s song “I Love You\, I’m Sorry\, Please Help Me\, Thank You”—a profound meditation on maintaining a sense of self in the heady context of societal challenges like being a parent\, implementing thoughtfulness\, and navigating through excessive cerebral processing—III doesn’t exactly pick up where their previous work left off\, but rather takes a new approach to redefine Bad Books and to re-tally the sum of their parts.\n
\n“Bad Books was always peripheral in our minds because we really like doing it\,” Devine says. “We were waiting for the right time to circle back. It was never completely out of our sight lines\, but more often than not schedules and life would intervene.” When Bad Books originally formed in 2010\, little did anyone figure that in just a couple years any noise from the band would become as special as an eclipse. After releasing two proper Bad Books albums by 2012 and embarking on multiple tours\, following the band’s 2013 performance at Riot Fest in Chicago the signal turned to static\, leaving fans wondering if the band would ever return. Since then\, the three members have stayed incredibly busy focusing on their families and bands: Manchester Orchestra has released two studio albums — most recently 2017’s acclaimed A Black Mile To The Surface — and Hull and McDowell have scored several visual projects including the 2016 feature film Swiss Army Man; Devine has released four solo albums\, a live record\, and a dozen of his “Devinyl” split series releases with songwriters like Craig Finn and David Bazan.\n
\nIn April of 2017\, the stars finally aligned in their schedules and Devine found himself in Atlanta to write with Hull and McDowell for four days. Having made two catchy\, upbeat Bad Books records\, the trio felt the urge to try a new approach. The original plan for the trip was for each singer to write one song\, but once they were both in the same room Hull raised the stakes\, challenging Devine to trade songs one-for-one with him to create a 10-song\, Basement Tapes style record. Over the course of the long weekend they had fleshed out the bones of an album\, with just guitars\, vocals\, and sparse harmonizing. Embracing the freedom of the process in every capacity—from lyrics to attitude and scope—the band felt inspired and recognized that the only way to maintain that sensibility all the way through would be to simply take their time. And so\, they agreed to step away from the songs until they could reconvene in person again somewhere down the line.\n
\n“A cool thing about Bad Books is not overthinking it and doing what instinctually makes sense\,” Hull says. “Manchester is the opposite\, it’s all overthinking all the time. Songwriting is always about evolution and how you can do things differently\, and it was exciting to try to push ourselves and to embrace this space.” \n“It gave us a chance to stretch out and breathe\, and not fixate or obsess on them\,” Devine says. “No one was working in isolation; no one’s hand got too heavy. It felt like 10 individual sticks we tried to wrap up into a bundle and make them feel like they talk to each other.”\n
\nHaving kept their planned distance from the sketches\, they gathered again in February of 2018 to open the sonic time capsule and reexamine their work. At that point the singers began harmonizing on the tracks\, a moment they recognize as important. “When the harmonies start to happen on a Bad Books record\, that’s what locks it in\,” Hull says. “You start to feel the magic and see what else you need to complete the songs’ identities.” Having put on a second layer of paint in the winter\, they got together again in the fall\, pushing the material even further. 
 \nMcDowell\, who was present at each session\, led the charge of injecting the songs with texture and atmosphere. The decision to throw out a traditional rhythm section in favor of an organ and foot pedals as the low-end presented a new set of challenges\, but McDowell saw it as opportunity rather than restriction. “Robert’s a genius and I don’t say that lightly\,” Hull says. “Sonically\, he just has an ability to get the thing that is in your head to come out of the speakers. He’s the glue and always has been.” The stripped-back nature of the work also provided an opportunity to build subtle production onto the songs’ foundations; adding piano\, string arrangements\, and even fuzzed-out electric guitar\, the trio filled the spaces without overpowering any of the songwriting. After a fourth session where McDowell\, Devine\, and Hull maneuvered the tracking into near-completion\, they handed the reins to producer Ethan Gruska (Phoebe Bridgers\, The Belle Brigade) and mixer Catherine Marks for final “magic sprinkling.” The result is a complete cinematic landscape on par with the peaks of Manchester Orchestra’s past work\, but with the sly subtlety of Devine’s output—This is ground control to Majors Paul and Art.\n

\nDevine’s bundle is as inward-looking\, literate\, and acerbic as ever\, with his forthright honesty rubbing up against disbelief\, while Hull’s songs are filled with his trademark\, tragi-comic character-study examinations of the human condition. While Devine tends to be intricate with his song’s structures\, Hull admits his own can be more economical; the opposite can be true for their lyrical delivery. And while Devine’s Northern\, agnostic background lends to secular explorations\, Hull’s Southern\, Christian upbringing tends to create more spiritual material. The intrigue for the writers comes from the collision of the disparate threads\, and the opportunity to employ a trusted ear as a mirror. And while each half of these ten songs was written on a separate island by a separate brain\, it’s clear that Hull and Devine are songwriters who think in the same key\, and draw shared\, big-picture lessons from their distinctive lives to mine a fertile\, universal territory.\n
\n“If someone demanded to know what I write about\, I’d say\, ‘Not understanding myself and so by extension what it means to be a person but trying every day\,’” Devine says. “There’s a lot of that on this record—negotiations with the self\, the interconnectedness of everybody\, and trying to figure out your place and how that shifts.”\n
\n“My songs tend to always reflect on the same things—life\, love\, losing love\, god\, death\,” Hull says. “The last line of ‘Army\,’ ‘There’s nothing wrong with being alive\,’ is for me the overarching theme of this album. It’s all about trying to be better. Hopefully this can be therapeutic for people because ultimately that’s the point in it all\, to help people and bring joy.”\n
\nIf the lesson of III is in that optimistic approach\, the way it came to be clearly echoes such sentiments. Devine\, Hull\, and McDowell have succeeded by implementing a unique set of circumstances\, all with a sense of hope and a trust in the process. And by inserting so much space\, they have grown even closer—as artists\, as bandmates\, and as friends.\n
\n“Kevin and I come from such different places and approaches but we’re so similar in other ways\, and when I hear our records it sounds like us talking\,” Hull says. “Our conversations have always gone to that cosmic level—theology and theory—and it’s cool to hear it come out lyrically\, almost unintentionally. It’s what happens when our brains are on\, together.”\n
\n“The coolest thing about the Bad Books records is that they don’t feel like solo albums and there are discernible personalities\,” Devine says. “The band really is a triangle and every part of the base is strong. It’s better than the sum of its parts.”\n
\nThe stars have finally aligned and the triple-tailed comet has reappeared. Keep your ears to the skies for another momentous encounter with Bad Books III. \n*** \nBrother Bird \nWebsite\nTwitter
URL:https://royaleboston.com/event/bad-books/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190628T220000
DTEND;TZID=America/New_York:20190628T220000
DTSTAMP:20260404T132848
CREATED:20190607T144129Z
LAST-MODIFIED:20190607T144338Z
UID:10002781-1561759200-1561759200@royaleboston.com
SUMMARY:Drezo
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/drezo/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190629T180000
DTEND;TZID=America/New_York:20190629T180000
DTSTAMP:20260404T132848
CREATED:20190430T050047Z
LAST-MODIFIED:20190610T174717Z
UID:10002049-1561831200-1561831200@royaleboston.com
SUMMARY:The Starting Line
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 5/3 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Starting Line \n \nWebsite\nFacebook\nTwitter \n*** \nThe Hotelier \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/the-starting-line/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190629T220000
DTEND;TZID=America/New_York:20190629T220000
DTSTAMP:20260404T132848
CREATED:20190521T161007Z
LAST-MODIFIED:20190521T161007Z
UID:10002064-1561845600-1561845600@royaleboston.com
SUMMARY:Royale Saturdays: Richard Fraioli's House Party
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\nFREE ENTRY BEFORE 11PM with RSVP.\n21+ \nBoston! Come tear up the dance floor as Richard Fraioli spins your favorite top 40\, house\, hip-hop\, electro\, throwback tracks & more. Don’t forget to download your FREE eTICKET for complimentary entry before 11.
URL:https://royaleboston.com/event/royale-saturdays-richard-fraiolis-house-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190705T220000
DTEND;TZID=America/New_York:20190705T220000
DTSTAMP:20260404T132848
CREATED:20190628T162350Z
LAST-MODIFIED:20190628T162438Z
UID:10002790-1562364000-1562364000@royaleboston.com
SUMMARY:#Amurica
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations\n21+
URL:https://royaleboston.com/event/amurica/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/06/royale_AMURICA2_WEB-1.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190706T220000
DTEND;TZID=America/New_York:20190706T220000
DTSTAMP:20260404T132848
CREATED:20190621T150550Z
LAST-MODIFIED:20190622T184640Z
UID:10002071-1562450400-1562450400@royaleboston.com
SUMMARY:Royale Saturdays: Fourth of July Weekend
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-fourth-of-july-weekend/
LOCATION:MA
CATEGORIES:Nightclub
ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2019/06/image3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190712T220000
DTEND;TZID=America/New_York:20190712T220000
DTSTAMP:20260404T132848
CREATED:20190416T145945Z
LAST-MODIFIED:20190708T182952Z
UID:10002764-1562968800-1562968800@royaleboston.com
SUMMARY:Will Clarke
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/will-clarke/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190713T220000
DTEND;TZID=America/New_York:20190713T220000
DTSTAMP:20260404T132848
CREATED:20190625T174129Z
LAST-MODIFIED:20190625T174129Z
UID:10002076-1563055200-1563055200@royaleboston.com
SUMMARY:Royale Saturdays: The Blackout Party
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+ \nOn Saturday\, July 13\, take a journey to the dark side and join us for a BLACKOUT at Royale! Wear ALL BLACK to get in for free all night – or download your free before 11 eticket below!
URL:https://royaleboston.com/event/royale-saturdays-the-blackout-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
END:VCALENDAR