BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Royale Boston - ECPv6.15.18//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Royale Boston X-ORIGINAL-URL:https://royaleboston.com X-WR-CALDESC:Events for Royale Boston REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20160313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20161106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20170312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20171105T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20180311T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20181104T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20190310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20191103T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20171128T190000 DTEND;TZID=America/New_York:20171128T190000 DTSTAMP:20260411T132241 CREATED:20170724T161803Z LAST-MODIFIED:20170724T161803Z UID:10002534-1511895600-1511895600@royaleboston.com SUMMARY:Cannibal Corpse DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 7/28 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nCannibal Corpse \n \nWebsite\nFacebook\nTwitter \nTo say “Cannibal Corpse are the biggest death metal band in the world” admittedly\, is a lofty declaration; one made by Metal Hammer UK in an article back in 2009. Since then\, the band has released “Evisceration Plague” and “Torture” – both included future classic Corpse cuts\, reaped praise from press and fans across the globe\, and both accumulated sales on a level rarely seen in death metal. In direct contrast with the “decline” of the music industry\, Cannibal Corpse appears to be growing in popularity. 2006′s “Kill” debuted on the Billboard Top 200 at #170\, followed by “Evisceration Plague” at #66 in 2009\, and #38 in 2012 with “Torture.” Whether or not that trend will continue is impossible to predict\, but George “Corpsegrinder” Fisher (vocals)\, Alex Webster (bass)\, Pat O’Brien (guitar)\, Rob Barrett (guitar)\, and Paul Mazurkiewicz (drums) plan to continue to expose legions of metal fans to their hyper-brutal brand of death metal in 2014 and beyond. The campaign beings in the summer of 2014 as Coldcock Herbal Whiskey Stage headliners on the Rockstar Energy Drink Mayhem Festival\, immediately followed by the release their thirteenth studio album: “A Skeletal Domain.” \nCannibalCorpse-ASkeletalDomainLucky number thirteen? Lucky or not\, it’s a quantity of releases (not even counting VHS/DVD releases and EPs) and a wealth of material beyond which most bands could even imagine. Cannibal Corpse approaches each recording session with a honed and precise vision of a band in their third decade of existence. With this new entry to their extensive catalog\, they have switched gears\, opting to work with producer Mark Lewis at Audio Hammer Studios\, after having tracked their previous three (Kill\, Evisceration Plague\, Torture) with Erik Rutan. Mark Lewis is a name metal fans have surely heard at this point; he has produced recent albums from The Black Dahlia Murder\, DevilDriver\, and many more. Sonically speaking\, the result this time around is a massive\, belligerent\, and deliberate aural attack. \nPreparation for “A Skeletal Domain” did not vary significantly from previous efforts. “At the end of the day\, we’re still making a death metal record\, no matter where it’s being recorded\,” says bassist Alex Webster. Mark Lewis offered a slightly different\, modern recording approach\, but the band stressed that they could not be more pleased with their previous albums with Rutan\, and the door is most definitely open to work with him again in the future. Changing producers is something the band has historically done after every few albums\, if only to not get too comfortable. Cannibal Corpse also tried to step outside of their comfort zone when it came to songwriting and their musical performances. “Consistency is often confused with repetition. We are established with what we do as a band\, and we could relax and not push ourselves\, but we try to push the envelope. That’s what makes this exciting\,” adds Webster. He continues\, “Anyone who really listens to this album with an open mind will hear that it’s not same-old same-old.” Mark Lewis would concur with Webster’s analysis and even goes a step further by claiming that “there are moments on this record that have never happened in musical history.“ \nAlex Webster\, along with O’Brien\, Barrett\, and Mazurkiewicz\, are all accomplished song writers\, that much is no secret. For “A Skeletal Domain\,” each member made a significant contribution to the song writing. O’Brien wrote five tracks\, Webster wrote four\, and Barrett handled two and half (“Asphyxiate to Resuscitate” was co-written with Mazurkiewicz). Alex Webster describes the band’s song writing proficiency as a “football team with a lot of roster depth. Any of us could write an entire album\, but when we’re working together and putting forth our best material\, we get an even better whole record.” That strength is on display in spades\, and led to a particularly impressive performance from O’Brien. Mark Lewis raved about the guitarist’s playing: “I don’t think he’s written crazier music than what’s on this album. He’s never written something like on the solo for “The Murderer’s Pact.” Simply put\, this is legit guitar playing.” Webster reiterated that this is “one of the most important albums for Pat [O’Brien].” His solos draw on his oft-overlooked neo-classical background while remaining dark enough to fit comfortably within the band’s death metal strike zone. In addition to Pat’s contributions\, Paul Mazurkiewicz entered the studio arguably more prepared than ever. Mark Lewis elaborated: “Paul came in so prepared and he hammered the hell out of every song. The drums on this record are not over doctored – the toms aren’t sampled\, Paul just HIT HARD.” In addition to his drum performance\, Mazurkiewicz’s lyrics continued to weave detail-filled tales of death and disgust. The drummer penned half of the album’s lyrics\, with Webster penning four\, and Barrett another two to round out the album. \nThe musical and lyrical team effort here laid the foundation for the vocal performance of iconic front man\, George “Corpsegrinder” Fisher. For “A Skeletal Domain\,” producer Mark Lewis worked to cull the most potent performance from the vocalist as possible. Lewis explains: “The mindset with George was to capture more high screams. We wanted to revisit the “Bloodthirst” days a bit. There’s a violence that lives in his throat that we really wanted to capture.” Evidence of these efforts exists in the violent howls in “Headlong into Carnage\,” the title track\, album opener “High Velocity Impact Splatter\,” and more. Corpsegrinder’s trademark vocals are the final piece of the death metal puzzle that is “A Skeletal Domain.” Cannibal Corpse have proven time and again that they have more fuel in their tank\, more riffs in their minds\, and more ways to describe gore than any single group of human beings could ever have hoped. The thirteenth album will prove to be as important a landmark in their career as just about any other. Cannibal Corpse are consistency defined. \n*** \nPower Trip \n \nWebsite\nFacebook\nTwitter \nPower Trip slay us with the first new single “Firing Squad” from their anxiously awaited sophomore release Nightmare Logic\, which finally sees light February 24 on Southern Lord. “Firing Squad” debuted via NPR who’ve described it as possessing “a certain monolithic quality Lemmy would admire: a massive rawness and a sludgy\, heavy hopelessness that thrashes with punk immediacy and metal intricacy…it’s a track preparing for war.” \nPower Trip are a real band – like no other. Their raw energy\, musical proficiency\, perfect song structure\, rich tones\, fierce riffs\, persecution and collective attitude has seeded them as one of the most prolific underground staples in the U.S. metal\, punk and hardcore scenes. \nPower Trip have relentlessly toured the world for years now with the likes of Anthrax\, Lamb Of God\, Cro-Mags\, Negative Approach\, Turnstile\, Backtrack\, Eyehategod\, Bane\, Off! and having performed with literally countless others\, in addition to pummeling audiences at major festivals all over the US\, EU and beyond. \n*** \nPower Trip \n \nWebsite\nFacebook\nTwitter \nSonoran Depravation by Gatecreeper \nGatecreeper was formed in September of 2013 with members originating from both Tucson and Phoenix\, Arizona. After a debut 4-song EP a series of splits\, the band signed to Relapse Records which resulted in the release of their debut full-length Sonoran Depravation on October 7th 2016. The band has since toured with Nails\, Pallbearer\, Code Orange\, Skeletonwitch and more. Gatecreeper play crusty\, doom-soaked death metal at its most infectious and uncompromising\, with a massive sound that calls to mind the classic Swedish buzz-saw attack of Dismember and Grave mixed with the impeccable groove of Obituary and Bolt Thrower. URL:https://royaleboston.com/event/cannibal-corpse/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/07/cannibal-corpse-admat-2017.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171130T200000 DTEND;TZID=America/New_York:20171130T200000 DTSTAMP:20260411T132241 CREATED:20170925T161718Z LAST-MODIFIED:20170925T161718Z UID:10001847-1512072000-1512072000@royaleboston.com SUMMARY:Country 102.5 presents David Nail DESCRIPTION:Country 102.5 presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 9/29 at 11AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nDavid Nail \n \nWebsite\nFacebook\nTwitter \nDuring the making of his fourth MCA Nashville album\, David Nail underwent a transformation – and so did his music. Fighter is the most vulnerable\, personal record the Missouri native has ever made\, and it signals the beginning of a new phase in his career.” \n“Six months ago\, people would ask me about the record and I would jokingly say ‘It’s my love-making record\,’” Nail explains. “But what it meant to me then and what it means to me now are completely different. … Having been a father for about five months\, it definitely changes the dynamic of things.” \nFollowing the birth of he and wife Catherine’s long-hoped-for children (twins born in December 2015)\, the singer-songwriter found his world turned upside down. The mark he wanted to leave and things he wanted to say had changed\, and despite an early version of Fighter being already finished\, he decided to record four new songs\, completely changing the project’s tone. \nIn short\, Nail decided to get real in a way he never would have allowed himself before. Already known for powerful\, emotionally-charged vocals\, he took the same approach to choosing Fighter’s 11 tracks (seven of which were written or co-written by Nail himself)\, celebrating life’s victories but also exposing the knock-downs he’s endured – and it wasn’t always flattering. \n“[I was] like\, ‘Am I ready to sing this? Am I ready to tell this story?” Nail says. “[But] they come from a genuine place that you can kind of say\, ‘Okay\, I’ve said that. I’m at peace with that.’ I think that’s what this record is.” \nWriting and singing in courageous personal detail\, Nail confronted some of his deepest troubles\, revealing the clarity he’s achieved about his hometown\, the true struggle depression caused in his marriage\, the answered-prayer of his children’s birth and the things he never told his own father. \nMeanwhile\, producer Frank Liddell (who also guided Nail’s first three albums\, I’m About to Come Alive\, The Sound of a Million Dreams and I’m a Fire) made sure Fighter’s musical tone was just as authentic\, backing Nail’s volcanic vocals with a melting pot of Mississippi-delta sounds — a mix of classic-country balladry and sweaty Memphis soul\, with touches of in-the-moment modernity sprinkled throughout. \n“I grew up listening to all this music that my father listened to\,” says Nail. “A lot of it was classic\, huge songs and artists from the ‘60s and ‘70s – and even the ‘80s – so I think there’s always part of me that just falls toward that type of sound\, rather than fighting it and trying to say ‘Whoa! No-no-no\, we need to stay 2016.” \nBig-name collaborations abound\, with Nail inviting Vince Gill\, Brothers Osborne\, Lori McKenna and Logan Brill to help tell his story\, as well as Bear and Bo Rinehart of NEEDTOBREATE. \n“When I’m making a record I selfishly want to push my buttons so I try to approach it as my swan song\, it could be the last piece of music I make. I want to fulfill some life goals in the process and one of my biggest influences in the word is Vince Gill so I’m thankful he said yes” \nBrothers Osborne kick the project off in star-crossed revelry on “Good at Tonight\,” McKenna joins “Home” to quietly uncover Nail’s love/hate relationship with his hometown\, Gill adds stunning harmony vocals to the country-soul “I Won’t Let You Go” – a promise to David’s wife Catherine – and the Rineharts help close the album in tender admiration with “Old Man’s Symphony\,” an overdue thank-you note to Nail’s dad. \nAlong the way\, he toasts to the passion of youth in the upbeat hit “Night’s On Fire\,” pledges romantic relief in the raw Chris Stapleton co-write “Ease Your Pain\,” delivers a desperate double entendre in the indie-rocking “Lie With Me” and crafts a loving\, rock-a-bye origin story for his new family in “Babies” – an instant classic. \nThen there’s the project’s title track\, “Fighter\,” a heartfelt ‘80s-country throwback ripped from Nail’s real life that holds his wife up as an unshakable supporter – even when he was at his worst. \n“’Fighter’ is about as honest as I’ve ever been in a song\,” Nail admits. “I mean\, when you’re quoting your wife saying things that are not pleasant [about you]\, you know it was our story. … But it also\, I think\, tells the story of me.” \nNail and Catherine have had to fight their whole lives\, he explains – for his career\, for their marriage\, to battle back inner demons and to conceive their beautiful kids – but their ultimate success in those battles has led them to a better place. And it also gave the album a mission. \nFighter is more than a bookmark in Nail’s life and career – it’s a period on the final sentence of a difficult chapter. Penned during dark times that have given way to a new sunrise\, these are some of the most meaningful and personal songs he’s ever recorded. And now that they exist for all to hear\, he can finally move on. \n“I feel like I’ve told the main aspects of my career\, and my life\, up to this point\,” he explains. “So I really think whatever we do in the future\, we’ll be able to start just completely fresh. It’ll be a new story\, a new part of my life.” \n-Chris Parton \n*** \nTown Meeting \n \nWebsite\nFacebook\nTwitter \nTown Meeting is a Central Massachusetts-based group featuring original songs and unusual instruments. Their work is eclectic. At one hand\, their power and energy compels a crowd to its dancing feet; on the other\, their lyrical imagery quietly absorbs the audience. \nTown Meeting is composed of “three brothers and two others”. Luke\, Russ and Babe Condon are joined by Dean Adrien and Tim Cackett. They have developed an avid local following\, but have also performed from Maine to Nashville\, and opened for the likes of Willie Nelson\, Sturgill Simpson\, Third Eye Blind and Bob Dylan. \nEldest brother Luke Condon strums a left-handed rhythm guitar with infectious vigor. His lyrics are poetic (“The hour glass is getting bottom heavy\, and I can feel the glass about to break”)\, or whimsical (“I’m in love with Hermione Granger”). His song “Time” combines an intimation of one’s mortality with a raucous rockabilly beat that celebrates life in the face of death – Hamlet goes to a Hoe-down. \nRuss Condon sits astride a cajon\, a Peruvian drum. He coaxes\, with hand slaps\, a spectrum of percussive nuances and volumes. His clear baritone fits seamlessly with Luke’s\, the natural blend and timbre of brothers. A prolific songwriter\, his powerful “You Don’t Hear My Music Any More” is a primal wail of anguish over lost love\, running the gamut of shock\, denial\, rage and finally acceptance. His songs are introspective\, such as “If This Were A Movie”\, with the opening lines\, “If this were a movie\, would we be the stars\, or would we be the people walking our dogs?” \nBrendan (“Babe”) is the youngest Condon brother. A percussionist and vocalist\, Babe adds a howling\, growling harmonica to the mix. His first writing effort is “Phoenix”\, a touching quest of youthful angst\, in search of a safer future\, risen from its past ashes. “California isn’t what I thought it’d be when I put myself inside a plane and left my family. Now I’m hoping I can find relief in Phoenix.” \nLongtime music fans will recognize the name of Dean Adrien\, lead guitarist and tenor for Town Meeting. Co-founder of the 1970s Boston-based group Orphan\, he later combined with Orphan’s Eric Lilljequist as a duet\, and for decades backed Tom Rush on his New England gigs. Dean’s guitar work is melodic and understated\, befitting each song. Note his tasteful licks in “Leave the Light On” and funky picking in “Digging”. \nTim Cackett\, instrumental virtuoso\, plays dazzling electric bass lines. He kills it! Collaborative songwriter. His mandolin work is unique. It tinkles like a piano\, bounces like a plucked violin\, or drives a dancing crowd with a powerful rhythm. He has lately added banjo\, acoustic/electric guitar and upright bass to his repertoire. \nIn 2016\, Town Meeting released its first studio CD\, “If I Die”. They are currently working on a follow up to be recorded this fall for release in 2017. URL:https://royaleboston.com/event/country-102-5-presents-david-nail/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/09/David-Nail-Admat-2017.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171201T220000 DTEND;TZID=America/New_York:20171201T220000 DTSTAMP:20260411T132241 CREATED:20170921T180412Z LAST-MODIFIED:20170921T180412Z UID:10001842-1512165600-1512165600@royaleboston.com SUMMARY:Sofa King Fridays w/ Chuckie DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details. URL:https://royaleboston.com/event/sofa-king-fridays-w-chuckie/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/09/121-Chuckie-.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171202T220000 DTEND;TZID=America/New_York:20171202T220000 DTSTAMP:20260411T132241 CREATED:20171019T180015Z LAST-MODIFIED:20171019T180015Z UID:10002569-1512252000-1512252000@royaleboston.com SUMMARY:COSMIC at Royale Saturdays w/ Brody Jenner DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, sneakers\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details. URL:https://royaleboston.com/event/cosmic-royale-saturdays-w-brody-jenner/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/10/122-Brody-Jenner_WEB.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171206T200000 DTEND;TZID=America/New_York:20171206T200000 DTSTAMP:20260411T132241 CREATED:20170911T174950Z LAST-MODIFIED:20170911T174950Z UID:10002555-1512590400-1512590400@royaleboston.com SUMMARY:[SOLD OUT] Illenium DESCRIPTION:Bowery Boston & NV Concepts presents \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited. \nSOLD OUT! \n*** \n \n*** \nIllenium \n \nWebsite\nFacebook\nTwitter \nThere are melodic bass producers\, and then there is Nick Miller. In the few short years that Denver-based Miller has been producing under the name Illenium\, his prolific outpouring of captivating remixes and haunting originals has garnered him a devoted following and seen him rise quickly in the ranks of the dance music community to become one of its most beloved new stars. Illenium has distinguished himself from the myriad of others through an unrivaled ability to create an immersive emotional experience of highs and lows that pulls on the heart-strings and leaves the listener awestruck\, displaying an adeptness for creating aural arrangements that vary in style\, yet always maintain beauty\, complexity and emotional depth. Illenium’s stunning productions come to life through a live performance that incorporates a keyboard and drum pad framed by cutting-edge lighting and visuals\, creating an immersive experience that has captivated audiences across the country. In early 2016\, Illenium released his debut artist album ‘Ashes\,’ which earned him the No. 1 spot on the iTunes Electronic Album Chart\, as well as a remix of The Chainsmokers’ “Don’t Let Me Down\,” which racked up over 10 million plays in its first month alone. In addition to selling out most of his debut headlining tour\, Illenium has appeared at Lollapalooza\, Mysteryland\, Summer Set Music Festival\, Paradiso\, and more. \n*** \nSaid The Sky \n \nWebsite\nFacebook\nTwitter \nPlaying piano and various instruments since the age of eight\, Colorado native Trevor Christensen is coming forward with a fresh perspective on music. Bringing his melodic background and technical training into his music\, he works to capture everything beautiful in what people know as EDM. His last 3 years have been devoted to his production\, and bring the ideas build up in his head from his entire childhood to life. His music is\, what he hopes it to be\, an experience: A captivating blend of moving bass lines\, and soaring melodies. This is nothing you want to miss. \n*** \n Dabin \n \nWebsite\nFacebook\nTwitter \nDabin is a 22-year old music producer from Toronto\, Ontario. Having spent his teens learning to play the guitar\, piano\, and drums\, Dabin started producing electronic music in 2011. He quickly attracted the attention of Montreal-based Kannibalen Records and released his first tracks on the fledgling independent label in 2012. His music\, ranging from mellow electronica to hard-pounding dubstep & electro\, features lush sonic textures\, rich melodies and intricate instrumental work. His songs have charted regularly on Beatport and Itunes and he’s been featured several times on well-known online music channel UKF\, racking up millions of plays along the way. He performs a unique genre-defying live show in which he incorporates live electronic guitar and synthesizers. URL:https://royaleboston.com/event/illenium/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/09/ILLENIUM-admat-2017v2.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171207T190000 DTEND;TZID=America/New_York:20171207T190000 DTSTAMP:20260411T132241 CREATED:20170320T154540Z LAST-MODIFIED:20170320T154540Z UID:10001769-1512673200-1512673200@royaleboston.com SUMMARY:Mogwai DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.\nTickets on sale Fri. 3/24 at 10AM! \nTickets available at AXS.COM\, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only. \n***\n \n*** \nMogwai \n \n[Website] [Facebook] [Twitter] \nEight studio albums\, a live album and four compilations\, four soundtracks\, a record label\, and a few blown PAs and dislodged pieces of ceiling over uncountable gigs\, not to mention a series of amusing Twitter accounts reviewing hotels and on-tour dinners. Over the 21 years since they formed with rehearsal after rehearsal rattling Stuart Braithwaite’s living room\, Mogwai might have become one of the most important groups of a fragmented but increasingly potent British musical underground\, but they’ve steadfastly refused to sit back and rest on their laurels. \nIndeed\, you might refer to them as the cockroaches of post rock\, for Mogwai have never split up for a while in favour of a lucrative reunion playing classic albums live\, instead continuing to push themselves and their sound. Then again\, as any cursory listen to their 2015 compilation Central Belters will tell you\, is post rock really a generous enough term to describe what Mogwai do? Over 20 years their one constant has been of a mastery of dynamics\, an embracing both of power and minimalism\, and a willingness to experiment with new instrumentations and technology. Within that though\, one of the most recognisable sonic identities in contemporary music unites the songs as disparate of graceful sung moments like Travel Is Dangerous or epic Black Sabbath temper tantrum My Father My King\, the shimmering\, stately atmosphere of I’m Jim Morrison\, I’m Dead or the burbling kosmische electronics that drive Mexican Grand Prix. \nThe Mogwai of 2017 is a very different group to the four kids who\, in February 1996\, released their debut single Tuner/Lower to a musical climate suffering the appalling hangover of late Britpop. Theirs was a sound of happy accident\, Stuart Braithwaite\, Dominic Aitchison\, Martin Bulloch\, John Cummings and later Barry Burns uniting over shared love of skateboarding\, Star Wars\, The Cure\, and American indie rock to somehow end up with music that was\, and remains\, as affecting as it is powerfully loud\, as sensitive as much as it has the propensity to rip your ears off. Since debut album Young Team the group have always kept their eyes on the future\, playing different sets mostly of new material on each night of their never-ending tours. “It’s better to keep doing what you’re doing right now\,” says Braithwaite. “looking at what’s happened with some other bands it’s hard to get people interested in what you’re doing now once you’ve made a big deal about going back to something from ten or 20 years ago.” \nPart of Mogwai’s progressive zeal is in their continuing independence and support for artists around them. In 2005 they opened their own Castle Of Doom studio\, using it to record four albums as well as opening it up to fellow- travellers Errors\, Malcolm Middleton and The Twilight Sad. Their Rock Action label has not only released Mogwai’s own music since that debut single\, but albums from Blanck Mass\, Sacred Paws\, Afrirampo and Remember Remember\, among others. In a commercial climate that hardly favours independent artists operating outside the mainstream\, Mogwai have always led by example\, doing it it themselves\, where they can. “Someone sent us a flyer of a gig we did with Trout at Nice ’n’ Sleazy in 1996\, and I remembered going round the photocopy shops\, making them\,” Stuart Braithwaite has said.“Even though everything’s on a different scale\, you’re still doing the same thing. It’s still letting people know that you’re playing\, and making sure that all the band members remember there’s a gig that day… there’s nothing different about playing to 2000 people as to playing to 50 people. Just you’re a bit higher up. And you get a dressing room! But really\, it’s the same thing.” \nThis singularity of purpose can also be heard in Mogwai’s soundtrack albums. While Braithwaite has said that when the band first started they’d rather jump off a bridge than take on such a difficult task\, their music for football biopic Zidane and French TV series Les Revenants has been among their finest work. The latest and best is Before The Flood. Mogwai collaborated with Trent Reznor\, Atticus Ross and Argentine film composer Gustavo Santaolalla to create the soundtrack to Leonardo DiCaprio’s 2016 documentary on climate change\, directed by Fisher Stevens and co-created by DiCaprio. \nAtomic was Mogwai’s accompaniment to Mark Cousins’ BBC documentary on the horrors of Hiroshima and the Cold War Arms race. As opponents of the presence of the Royal Navy’s Trident deterrent in Scottish waters\, this was a subject close to Mogwai’s hearts\, and the album gives a lie to the view that instrumental music can’t be political. With the tracklisting slightly rejigged\, the Atomic soundtrack was released as a standalone album in April 2016\, reaching number 20 in the UK charts\, their second-highest ever chart placing. \nMogwai toured Atomic alongside the film\, in the US\, Europe and Japan\, including a show in Hiroshima. In between touring the band wrote and recorded their ninth studio album\, due later this year. The as-yet-untitled record sees them reuniting with producer Dave Fridmann for the first time since 2001’s acclaimed Rock Action LP\, and was recorded at Tarbox Road Studios\, Cassadaga\, New York. Mogwai have announced a massive hometown show at the SSE Hydro\, Glasgow on Saturday 16 December 2017\, in support of the forthcoming album. \nA couple of years ago\, Stuart Braithwaite said of the period recording Young Team that “We were very driven\, and it was definitely an exciting time. Everyone was hyped up and focused\, and a little bit unhinged. It was a wild time in the band.” With the tantalising prospect that Mogwai’s ninth studio album will pick up where Atomic left off\, perhaps some things haven’t really changed at all. \n*** \nXander Harris \n \n[Website] [Facebook] \nHarris is an electronic artist providing a balance between tense atmospherics\, disco and psychedelic flair. His exploration of Giallo landed his well-received debut “Urban Gothic” on Fact Magazine’s Best 50 LPs of 2011. The last year has found the native Texan equipped with a diverse catalog that has taken him across the world. URL:https://royaleboston.com/event/mogwai/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/03/mogwai-admat-2017v2-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499958;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499958 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171208T180000 DTEND;TZID=America/New_York:20171208T213000 DTSTAMP:20260411T132241 CREATED:20170731T163952Z LAST-MODIFIED:20170731T163952Z UID:10002539-1512756000-1512768600@royaleboston.com SUMMARY:[CANCELLED] Pinegrove DESCRIPTION:Bowery Boston presents \nPinegrove has cancelled all N. American 2017 tour dates. Refunds available at point of purchase. \n*** URL:https://royaleboston.com/event/pinegrove/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/07/pinegrove-admat-winter-2017.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171208T220000 DTEND;TZID=America/New_York:20171208T220000 DTSTAMP:20260411T132241 CREATED:20170921T180525Z LAST-MODIFIED:20170921T180525Z UID:10001843-1512770400-1512770400@royaleboston.com SUMMARY:Sofa King Fridays w/ Paul Oakenfold DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details. URL:https://royaleboston.com/event/sofa-king-fridays-w-paul-oakenfold-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/09/128-Paul-Oakenfold.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171209T220000 DTEND;TZID=America/New_York:20171209T220000 DTSTAMP:20260411T132241 CREATED:20171128T213139Z LAST-MODIFIED:20171128T213139Z UID:10002577-1512856800-1512856800@royaleboston.com SUMMARY:Cosmic at Royale Saturdays w/ DJ TAO DESCRIPTION:*Niykee Heaton had to cancel due to an illness. All tickets will be honored or refunded at point of purchase.* \n21+ \nVIP Inquiries text or call 617.733.0505 URL:https://royaleboston.com/event/cosmic-royale-saturdays-w-niykee-heaton/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/11/129-DJ-Tao.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171211T200000 DTEND;TZID=America/New_York:20171211T200000 DTSTAMP:20260411T132241 CREATED:20170907T152634Z LAST-MODIFIED:20170907T152634Z UID:10002553-1513022400-1513022400@royaleboston.com SUMMARY:Petit Biscuit DESCRIPTION:Bowery Boston presents \nPetit Biscuit\nw/ Electric Mantis \nDoors: 8:00 pm / Show: 9:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale NOW! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nPetit Biscuit \n \nWebsite\nFacebook\nTwitter \nPetit Biscuit is a 17-year-old electronic music producer from France\, keen to take on the world. After picking up the cello at age 5 and entering French classical music school the Conservatoire soon after\, things heated up when Petit Biscuit got his first PC at 11. Editing and mixing all the sounds of his tracks himself\, he excels in creating unmistakable chopped and twisted vocal leads. His first tracks got him an impressive following on SoundCloud and YouTube early on. Now with the release of his debut EP in May 2016\, the delicate music of the young prodigy has started to spread like wildfire. The song “Sunset Lover\,” heady and recognizable among thousands\, acts as its spearhead. \n*** \nElectric Mantis \n \nWebsite\nFacebook\nTwitter \nAlaskan born 23-year-old born electronic and hip hop composer Electric Mantis broke through with the viral success of his track “Flips and Flops\, Drips and Drops” thanks to Reddit and a plug from Djemba Djemba. Today\, the San Francisco-based artist is taking the next step in his increasingly heat-seeking career with official remixes for Porter Robinson\, Giraffage\, and more. URL:https://royaleboston.com/event/petit-biscuit/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/09/PB_WinterTour_ADMATv2.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171212T190000 DTEND;TZID=America/New_York:20171212T190000 DTSTAMP:20260411T132241 CREATED:20170912T154052Z LAST-MODIFIED:20170912T154052Z UID:10002557-1513105200-1513105200@royaleboston.com SUMMARY:The Dear Hunter DESCRIPTION:Bowery Boston presents \nDoors: 7:00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited.\nTickets on sale Fri. 9/15 at 10AM! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nThe Dear Hunter \n \nWebsite\nFacebook\nTwitter \nIt’s been almost a decade since Casey Crescenzo brought The Dear Hunter — both the band and the character of the same name — to life with his 2006 debut full-length\, Act I: The Lake South\, The River North. Although it was evident from his stint as singer of The Receiving End Of Sirens\, the record revealed Crescenzo’s incredibly inventive and ambitious musical flair\, something which has been evolving ever since. The two albums which followed — 2007’s Act II: The Meaning Of\, And All Things Regarding Ms. Leading and 2009’s Act III: Life And Death — cemented the now 32 year-old as a maverick\, idiosyncratic talent whose music\, while fitting a modern aesthetic\, was also from a bygone era. \nAnachronistic and timeless in equal measure\, the narrative of The Dear Hunter existed in both the past and the present\, its detailed plot standing simultaneously as an age-old and new age fable. As that tale progressed\, so did Crescenzo’s art\, his experimental compositions blurring the line between different genres to create a sound that was — and still is — unique to the band. But then\, halfway through the six envisioned Acts of the Dear Hunter narrative\, Crescenzo’s attentions shifted. Between 2010 and 2011\, the band recorded a series of nine four-track EPs known as The Color Spectrum. Later released as a single volume edition\, each EP was a musical interpretation of a color from the visible spectrum\, showcasing the increasingly far-reaching ambitions for Crescenzo’s musical vision and his inventive interpretation of the world around him. Two years later\, the more mellow and straightforward fifth full-length Migrant showcased a different side to the songwriter’s talents\, and last year he composed and recorded his first symphony Amour & Attrition. With such a storied musical repertoire\, its clear Crescenzo is no ordinary musician. \nNow\, six years and two albums after The Dear Hunter released Act III: Life And Death\, Crescenzo has returned to the narrative of the anti-hero who shares the band’s name\, applying all of the knowledge and experience of the last ten years to this new chapter. Picking up where the story left off — with the eponymous protagonist assuming the identity of his late brother and returning home — Act IV: Rebirth In Reprise is an album that explores the complex notions of who and what we are\, and which attempts to answer its own questions through the wanderings and wonderings of the album’s protagonist. Yet as the plot and the music weave their way through these fifteen songs\, it’s clear that they transcend the boundaries of the Dear Hunter story. This is as much about a return in real life as it is the fictional story. \n“Revisiting something that was six years removed from my life\,” explains Crescenzo\, “and going back to doing these records was actually a suggestion of my manager and friend Mike Marquis. We got talking about the title of the record and it really just made sense\, both within this story — which is about this character returning to a familiar place as a different person — but also in terms of the music\, which was returning to a familiar place as a different person for myself. So it was the perfect middle ground of describing conceptually\, and as far as the plot goes\, a story\, but also a very perfect paralleling between my personal life and the story of the record — that revitalization and rejuvenating that comes from revisiting something with a newfound perspective.” \nThe result is the band’s most orchestral and multi-layered set of songs to date. Both nuanced and euphoric — sometimes at the same time — their very essence breathes life back into a story that has been on pause for over half a decade\, reigniting the lives of the characters with heart and aplomb. That’s something Crescenzo insists could only have happened by taking a break from the world with The Color Spectrum and Migrant. The distance that making those records afforded Crescenzo means that of all the albums The Dear Hunter has made\, Act IV’s soundtrack to its main character’s physical and philosophical journey is also the closest Crescenzo has come to realizing the true musical vision inside his head. \n“I was trying to do it on Act I\, Act II and Act III\,” he says with a slight sigh of fake exasperation\, “but I could never get to the point where I was just in a room with an orchestra playing these parts\, because I didn’t know how to do it. It was this thing that I always wanted to incorporate into what I did before\, I always wanted this and I was always upset that I didn’t get it. This time\, I could apply this knowledge that I actually possess into this music. It was one of the most exciting experiences of my life because the orchestra is such an integral part of that album from start to finish\, as far as weaving in and out of the music and gluing it all together.” \nThat’s certainly an understatement. Aside from a couple of brief pauses\, Act IV is almost one continuous piece of music. Whether it’s the gracefully powerful lilt of “At The End Of The Earth”\, the frantic\, almost King Crimson-esque 9 minute epic surge of “A Night On The Town” or the angular guitars of “King Of Swords (Reversed)” — which Crescenzo says drew inspiration from unlikely sources such as ELO\, Talking Heads and Michael Jackson — it all creates a sense of dramatic momentum to parallel all the physical and metaphysical action that takes place across this record’s ambitious 64 minutes. Initially written and recorded at Crescenzo’s self-built studio in Port Angeles\, Washington (where he now lives) with the rest of the band\, once their parts were done\, Crescenzo then set about finishing the rest of it himself. \n“I tracked most of my guitar and then I finished writing the scores for the orchestra\, so before I even got in to doing vocals\, my girlfriend\, my dog and I drove down to California and tracked the orchestra.” \nPlayed by the community-based Awesöme Orchestra collective at Berkeley’s Fantasy Studios\, it means the album truly is the culmination of everything that preceded it. As such\, even though it’s part of a fictional narrative\, it doubles up as the band’s most autobiographical album to date. That might seem like a paradoxical concept\, but to listen to Crescenzo explain it\, and it makes perfect sense. As Crescenzo points out\, “There were always these big pillars of the story that I wanted to tell as far as broad strokes. It’s always had Point A and Point B on a grand scale\, but I like to grow as a human being\, a songwriter\, a lyricist\, and I didn’t want to bind myself to the outlook and my feelings and my personal headspace at 22\, when I started writing this\, knowing that it would be years and years and years before I’d ever get to the sixth part. I didn’t want to control the creativity of the 32 year-old me at 22. I left a lot of wiggle room so I could pull on the new experiences I’d have as an adult and through the years it would take to finish it. So a lot of the detail is told from the last six years of my life going into Act IV.” \nAs such\, the personal growth that Crescenzo experienced in his own life shaped those moments. For a start\, he wanted the band — completed by Nick Crescenzo (drums\, percussion)\, Robert Parr (guitar\, keyboards)\, Nick Sollecito (bass)\, Maxwell Tousseau (guitar\, keyboards) and Andrew Brown (keyboards) — to have more input into the development of the songs. Secondly\, he found his attitude towards the people who initially inspired the characters had changed over time — and so had the characters as a result. \n“Looking back on the way that it started\,” Crescenzo remembers\, “the story was rooted in such an intensely bitter place I was able to demonize whoever I wanted through the fiction of it. What’s really interesting is that\, just by coincidence\, in this story and in these characters who have been somewhat demonized in my mind relating to real life people\, there are these moments somewhat of redemption for these characters. It was like I knew I wasn’t going to want to make that record until I was in a personal place where I had sort of gotten past the initial bitterness and the grudge I’m incapable of not holding. If I had written it all as younger man\, I think it would have been bitterness from the beginning to the end\, and there would have been no room for my growth or the growth of whatever character I’m putting in there.” \nThere are still two more Acts planned\, as well as a graphic novel in the works\, but for now\, the life of the Dear Hunter — both the character and the band — is fully consumed by this newest part of the story. It’s been a long time in the waiting\, but that’s precisely why the pieces have all fallen so perfectly into place. “Honestly\,” Crescenzo chuckles\, “just the act of making this record after so long\, and making the record I said I was going to make and not damning the younger version of me to having lied\, is very cathartic. And when it was done\, I had no idea what to do with myself. All of a sudden\, I was finished with this thing I didn’t even know if I would get to. I was blindsided by the finality of it.” \nOne listen\, and you probably will be\, too. \n*** \nThe Family Crest \n \nWebsite\nFacebook\nTwitter \n“Everything we’ve done over the past five years has been leading up to this\,” reflects Liam McCormick. “We’ve been working on this project for almost the entire time we’ve been a band.” \nMcCormick\, the frontman and songwriter of The Family Crest\, is referring to the band’s upcoming release\, an EP titled Prelude to War. Remaining tight-lipped about the EPs relationship to a mysterious “broader project” that’s been mentioned of late\, he grins and says\, “Our listeners have been waiting so patiently for new music. Let’s just say that what we’re planning should make up for the wait and keep them satiated for quite a while.” \nThe brainchild of McCormick\, The Family Crest was started as a recording project in 2009 with co-founder John Seeterlin (bass). The pair set out to reinvent how music could be created. “We always liked making music with people — getting a bunch of people together and singing. So we put ads everywhere\,” says McCormick. “We posted on Craigslist and emailed old friends from school.” The outcome was greater than the original duo imagined\, with 80 people credited on the first recording the band produced. From that a band emerged\, at the urging of the guest musicians\, who wanted to hear the songs performed live. “We’ve worked with a lot of conservatory students as well as people who just sing in the shower\,” McCormick adds. “It became a lot about giving these people a chance to express themselves without being locked into a commitment.” \nThe band evolved into a seven-piece core with over 400 “Extended Family” members who have contributed to the music. With the 2014 release of Beneath the Brine\, The Family Crest skyrocketed into mainstream awareness\, with critics at Paste Magazine\, Spin and NPR raving\, “there’s a decent chance you’re about to discover your favorite new band.” For nearly two years\, The Family Crest toured in support of Beneath The Brine\, and seeing their songs featured in campaigns for GoPro\, Carnival Cruises\, Coachella\, and more. \nBeneath the Brine showed that McCormick’s writing for classical instruments had grown. In Prelude to War\, his style and prowess has been even more augmented. Paste Magazine exclaims\, “[Prelude to War] delivers a dose of both the familiar and the experimental: Huge\, rollicking numbers with a few sparse moments of tenderness interspersed throughout. There’s material here that wouldn’t have sounded out of place on Beneath the Brine\, but also several songs that hint at an evolution and embrace of even more seemingly disparate genres. One thing is certain: These guys are just as explosive as ever\, and these songs are going to bring the house down in a live setting.” \nFans of Beneath the Brine’s title track will find drama and dark romanticism in “Sparks” and “Battle Cry\,” and subtle yet powerful musical gestures in “Don’t Wake Me\,” the sole ballad of the EP. Those looking for a lighter\, more pop-infused sound will gravitate toward “Can You Stay” and the undeniably groovy “Mirror Love\,” of which Bob Boilen (NPR’s All Songs Considered) says\, “[Mirror Love] extends into new sonic territory for the group\, capturing the late ’70s sounds of the Bee Gees in both beat and chorus … [a] stunning kaleidoscopic imagery and bold sound.” \n*** \nVAVÁ \n \nWebsite\nFacebook\nTwitter \nLos Angeles\, CA URL:https://royaleboston.com/event/the-dear-hunter-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/09/the-dear-hunter-admat-2017.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171215T220000 DTEND;TZID=America/New_York:20171215T220000 DTSTAMP:20260411T132241 CREATED:20170921T180635Z LAST-MODIFIED:20170921T180635Z UID:10001844-1513375200-1513375200@royaleboston.com SUMMARY:Sofa King Fridays w/ GTA DESCRIPTION:VIP Inquiries please call 617.733.0505 \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details. URL:https://royaleboston.com/event/sofa-king-fridays-w-gta/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/09/1215-GTA-.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171216T180000 DTEND;TZID=America/New_York:20171216T213000 DTSTAMP:20260411T132241 CREATED:20170822T153753Z LAST-MODIFIED:20170822T153753Z UID:10001837-1513447200-1513459800@royaleboston.com SUMMARY:ALONE & TOGETHER ft. Elvis Perkins\, Joe Russo\, Eric D. Johnson (Fruit Bats)\, Sam Cohen and Josh Kaufman DESCRIPTION:Newport Folk® presents \nDoors: 6:00 pm / Show: 7:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. This is a partially seated general admission show. Seating is available on a first-come\, first-served basis. Please note: bags or backpacks larger than a purse are prohibited. \nTickets on sale Fri. 8/25 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \nALONE & TOGETHER \n \n“Alone and Together\,” now in its fourth incarnation\, is a series wherein some of your favorite singer/songwriters/musicians get together and cover one another\, in addition to playing their own songs\, choice covers\, and surprise jams. It’s a freewheeling and frequently magical environment. Featuring: Elvis Perkins\, Sam Cohen\, and Eric D. Johnson (Fruit Bats) – joined by instrumentalists Joe Russo and Josh Kaufman. URL:https://royaleboston.com/event/alone-together-ft-elvis-perkins-joe-russo-eric-d-johnson-fruit-bats-sam-cohen-josh-kaufman/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/08/alone564.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171216T220000 DTEND;TZID=America/New_York:20171216T220000 DTSTAMP:20260411T132241 CREATED:20171128T213533Z LAST-MODIFIED:20171128T213533Z UID:10002578-1513461600-1513461600@royaleboston.com SUMMARY:Cosmic at Royale Saturdays w/ Captn20 DESCRIPTION:21+ \nVIP Inquiries text or call 617.733.0505 URL:https://royaleboston.com/event/cosmic-royale-saturdays-w-captn20/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/11/1216-Captn20.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171219T190000 DTEND;TZID=America/New_York:20171219T190000 DTSTAMP:20260411T132241 CREATED:20171106T205743Z LAST-MODIFIED:20171106T205743Z UID:10001859-1513710000-1513710000@royaleboston.com SUMMARY:Christmas Queens DESCRIPTION:Online sales end at 6pm\, Tickets will be available at the door. \n*General admission gives you access to both floors of the venue. *Early arrival strongly encouraged to guarantee a sweet spot close to the stage (SRO) as well as balcony seats. \nDoors open at 7pm. \nFor Vip Meet & Greet and Stage Front Premium Tickets go to dragathon.com \n*All sales are final. No refunds issued. URL:https://royaleboston.com/event/christmas-queens/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/11/1219-ROYALE_ChristmasQUeensUS.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171222T220000 DTEND;TZID=America/New_York:20171222T220000 DTSTAMP:20260411T132241 CREATED:20170921T180959Z LAST-MODIFIED:20170921T180959Z UID:10001845-1513980000-1513980000@royaleboston.com SUMMARY:Sofa King Fridays Holiday Fundraiser DESCRIPTION:VIP Inquiries please call 617.733.0505 \nBring a wrapped toy for free entry! \nThis event is 21+ \nDress Code: No shorts\, hats\, boots\, athletic wear\, tanks\, flip flops\, or backpacks. Please see FAQ/Policy page for more details. URL:https://royaleboston.com/event/sofa-king-fridays-holiday-fundraiser/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/09/1222-Ugly-Sweater-Party.png GEO:42.3499958;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499958 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171223T220000 DTEND;TZID=America/New_York:20171223T220000 DTSTAMP:20260411T132241 CREATED:20171128T211038Z LAST-MODIFIED:20171128T211038Z UID:10002576-1514066400-1514066400@royaleboston.com SUMMARY:Cosmic Saturdays Naughty Santa Hat Party DESCRIPTION:21+ \nVIP Inquiries text or call 617.733.0505 URL:https://royaleboston.com/event/cosmic-saturdays-naughty-santa-hat-party/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/11/1223-Santa-Hat-Party.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171224T210000 DTEND;TZID=America/New_York:20171224T210000 DTSTAMP:20260411T132241 CREATED:20171219T200530Z LAST-MODIFIED:20171219T200530Z UID:10002586-1514149200-1514149200@royaleboston.com SUMMARY:Matzo Ball 2017 DESCRIPTION:MatzoBall\, the nations #1 holiday party is back and coming to Boston. Nobody can do it bigger or better than Matzoball and this year will prove to be no different. Matzoball sets the stage for the ultimate party experience that you do not want to miss out on!! \nCome see why USA Today dubs it “The Number 1 Holiday Party of the Year”! \nThis event is 21+ URL:https://royaleboston.com/event/matzo-ball-2/ LOCATION:279 Tremont Street\, Boston\, 02116\, United States CATEGORIES:Nightclub,Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/12/1224-Matzoball.jpg GEO:42.3499958;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=279 Tremont Street Boston 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499958 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171229T220000 DTEND;TZID=America/New_York:20171229T220000 DTSTAMP:20260411T132241 CREATED:20171110T190359Z LAST-MODIFIED:20171110T190359Z UID:10002573-1514584800-1514584800@royaleboston.com SUMMARY:Sofa King Fridays w/ Flux Pavilion DESCRIPTION:21+ \nVIP inquiries please call/text 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-flux-pavilion/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/11/1229-Flux-Pavilion.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171230T220000 DTEND;TZID=America/New_York:20171230T220000 DTSTAMP:20260411T132241 CREATED:20171218T211805Z LAST-MODIFIED:20171218T211805Z UID:10002584-1514671200-1514671200@royaleboston.com SUMMARY:Cosmic at Royale Saturdays w/ DJ NRG & Andriano Sousa DESCRIPTION:21+ \nVIP Inquiries call/text 617.733.0505 URL:https://royaleboston.com/event/cosmic-royale-saturdays-w-dj-nrg-andriano-sousa/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/12/1230-Dj-NRG.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20171231T220000 DTEND;TZID=America/New_York:20171231T220000 DTSTAMP:20260411T132241 CREATED:20171110T182817Z LAST-MODIFIED:20171110T182817Z UID:10002572-1514757600-1514757600@royaleboston.com SUMMARY:NYE 2018 Celebration DESCRIPTION:21+ \nVIP inquiries please call or text 617.733.0505 URL:https://royaleboston.com/event/nye-2018-celebration/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub,Special Events ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/11/NYE2018.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180105T220000 DTEND;TZID=America/New_York:20180105T220000 DTSTAMP:20260411T132241 CREATED:20171220T014135Z LAST-MODIFIED:20171220T014135Z UID:10002587-1515189600-1515189600@royaleboston.com SUMMARY:Sofa King Fridays w/ Sir Matty V & Friends DESCRIPTION:21+ \nVIP Inquiries text/call 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-sir-matty-v-friends/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/12/15-Sir-Matty.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180106T220000 DTEND;TZID=America/New_York:20180106T220000 DTSTAMP:20260411T132241 CREATED:20171221T154657Z LAST-MODIFIED:20171221T154657Z UID:10001873-1515276000-1515276000@royaleboston.com SUMMARY:Cosmic Saturdays Roxy Reunion Party DESCRIPTION:DJ Adilson \n21+ \nVIP Inquiries please call/text 617.733.0505 URL:https://royaleboston.com/event/cosmic-saturdays-roxy-reunion-party/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/12/16-Roxy.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180112T180000 DTEND;TZID=America/New_York:20180112T213000 DTSTAMP:20260411T132241 CREATED:20171004T162303Z LAST-MODIFIED:20171004T162303Z UID:10002561-1515780000-1515792600@royaleboston.com SUMMARY:[SOLD OUT] Yacht Rock Revue DESCRIPTION:Bowery Boston presents \nDoors: 6:00 pm / Show: 7:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited. \nSOLD OUT \n*** \nYacht Rock Revue \n \nWebsite\nFacebook\nTwitter \nThe Yacht Rock Revue is the greatest show on Surf and the finest tribute to ’70s light rock to ever perform anywhere. Ever. Their spot-on renditions of Hall & Oates\, Michael McDonald\, Steely Dan\, and the rest of the Time-LifeInfomercial Catalog have enthralled fans across the United States. It goes without saying they have taken their act to the high seas\, performing showcase sets on music cruises with Weezer\, Kid Rock\, Train\, Zac Brown Band\, Sister Hazel\, and fitness guru Jillian Michaels. \nBy blurring the lines between a tribute\, an original act\, and a comedic troupe\, the Yacht Rock Revue has forged a unique niche market and a special bond with their fans. The band attacks each song as if it were their own\, and the energy exchanged between the band and the crowd has more in common with a stadium U2 show than that of a typical bar band.\nThe band has won accolades ranging from “Best Place to Get Drunk With Your Dad” to “Best Overall Music Act in Atlanta” to “Best Place to Start an Extramarital Affair\,” and has been name-dropped by the New York Times\, Pitchfork\, the Guardian UK\,Spin\, TimeOut New York\, Billboard\, MTV.com\, and (probably) your mom at her last cocktail party. \nSpeaking of name-dropping\, members of the band have played on-stage with members of Weezer\, Billy Joel\, Walter Egan\, .38 Special\, John Mayer\, Zac Brown Band\, Little River Band\, Sheryl Crow\, Noel Gallagher\, Starbuck\, Sarah McLachlan\, Don Henley\, Lynyrd Skynyrd\, Neil Finn\, Jellyfish\, Devo\, Nine Inch Nails\, Joan Jett\, Wet Willie\, Bon Jovi\, Skid Row\, and the Saturday Night Live Band. (None of those were a joke.) URL:https://royaleboston.com/event/yacht-rock-revue-2/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/10/DSCF0846-1-1.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180112T220000 DTEND;TZID=America/New_York:20180112T220000 DTSTAMP:20260411T132241 CREATED:20171220T015022Z LAST-MODIFIED:20171220T015022Z UID:10001869-1515794400-1515794400@royaleboston.com SUMMARY:Sofa King Fridays w/ One More Time - Daft Punk Tribute Band DESCRIPTION:21+ \nVIP Inquiries text/call 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-one-time-daft-punk-tribute-band/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/12/Sofa-King-Winter-Lineup-2017-1.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180113T220000 DTEND;TZID=America/New_York:20180113T220000 DTSTAMP:20260411T132241 CREATED:20171228T220048Z LAST-MODIFIED:20171228T220048Z UID:10001877-1515880800-1515880800@royaleboston.com SUMMARY:Cosmic Saturdays w/ DJ Tao & Mikey V DESCRIPTION:21+ URL:https://royaleboston.com/event/cosmic-saturdays-w-dj-tao-mikey-v/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/12/113-Snow-Ball.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180118T220000 DTEND;TZID=America/New_York:20180118T220000 DTSTAMP:20260411T132241 CREATED:20171106T214014Z LAST-MODIFIED:20171106T214014Z UID:10001863-1516312800-1516312800@royaleboston.com SUMMARY:G Jones x EPROM DESCRIPTION:21+ \nVIP text/call 617.733.0505 URL:https://royaleboston.com/event/g-jones-x-eprom/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub,Special Events ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/11/118-G-Jones.jpg GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180119T220000 DTEND;TZID=America/New_York:20180119T220000 DTSTAMP:20260411T132241 CREATED:20171214T192013Z LAST-MODIFIED:20171214T192013Z UID:10002583-1516399200-1516399200@royaleboston.com SUMMARY:Sofa King Fridays w/ Ferry Corsten & Ilan Bluestone DESCRIPTION:21+ \nVIP 617.733.0505 URL:https://royaleboston.com/event/sofa-king-fridays-w-ferry-corsten-ilan-bluestone/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/12/CEA7AE48-E10D-4A3D-931B-642A3EBAC023.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180120T220000 DTEND;TZID=America/New_York:20180120T220000 DTSTAMP:20260411T132241 CREATED:20171221T155225Z LAST-MODIFIED:20171221T155225Z UID:10001874-1516485600-1516485600@royaleboston.com SUMMARY:Cosmic Saturdays Beach Party w/ HYTYD DESCRIPTION:Beach Attire = Free entry! \nSupport by Rambo \n21+ \nVIP: \n617.733.0505 URL:https://royaleboston.com/event/cosmic-saturdays-beach-party-w-hytyd/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Nightclub ATTACH;FMTTYPE=image/png:https://royaleboston.com/wp-content/uploads/2017/12/120-Beach-Party.png GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20180121T190000 DTEND;TZID=America/New_York:20180121T190000 DTSTAMP:20260411T132241 CREATED:20170822T154550Z LAST-MODIFIED:20170822T154550Z UID:10001838-1516561200-1516561200@royaleboston.com SUMMARY:Tennis DESCRIPTION:Bowery Boston presents \nDoors: :00 pm / Show: 8:00 pm \nThis event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian. Please note: bags or backpacks larger than a purse are prohibited. \nTickets on sale Fri. 8/25 at noon! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \n*** \n \n*** \nTennis \n \nWebsite\nFacebook\nTwitter \nTennis continue their extensive North American tour in celebration of their fourth full-length album\, Yours Conditionally. After a cross country tour in the Spring/Summer supporting artists including Spoon\, The Shins and Father John Misty the band is primed to head out on a Fall Headline tour crisscrossing the United States; their largest to date. \nYours Conditionally—out now on Mutually Detrimental via Thirty Tigers and available at all record stores as well as via iTunes and Spotify— continues to receive praise from NPR’s “Weekend Edition\,” Interview Magazine\, W\, New York Magazine and many more. \nThe new record was composed both on land and at sea during a five-month sailing trip through the Sea of Cortez. Upon returning\, Tennis’ husband-and-wife team of Patrick Riley and Alaina Moore self-produced the record in a small cabin in Fraser\, CO. It was mixed by Spoon’s Jim Eno at Public HiFi. \nNow based in Denver\, Moore and Riley began writing music together as a way to document the history of their time living aboard a sailboat. The result was their first release\, Cape Dory. Moore and Riley followed Cape Dory with Young and Old\, which The New Yorker described as “winsome as it is ebullient” and debuted #1 on Billboard’s Heatseeker Chart and #1 on CMJ Top 200\, where it remained for three straight weeks. The album also debuted on Soundscan’s “New Artist Chart” at #1\, remaining there for nine consecutive weeks. Their newest record comes on the heels of the group’s most recent release\, 2014’s Ritual in Repeat\, which received rave reviews from The New York Times\, NPR’s “All Things Considered” and “Fresh Air\,” TIME\, Vogue\, Pitchfork\, The FADER\, Entertainment Weekly and many more. The band has performed on “The Late Show with David Letterman\,” “The Tonight Show with Jay Leno\,” “Conan” and “Last Call with Carson Daly.” \n*** \nOvercoats \nOvercoats\, Hana Elion and JJ Mitchell\, in the studio with photographer Anna Azarov. \nWebsite\nFacebook \nOvercoats is the New York-based female duo of Hana Elion and JJ Mitchell. Their debut album YOUNG captures a sound rich in minimalism and melody: songs of connection and tension\, on the depths of love and challenges of family. \nOvercoats’ music draws strength from vulnerability\, finding light through darkness\, and the catharsis of simple\, honest songwriting. YOUNG is about a transformation: the passage into womanhood\, sung through the shared experience of two best friends. \nOn their first single “Hold Me Close\,” Hana and JJ’s melodies are purity in unison\, providing two distinct but entwined perspectives on the complexity of love. In their words\, “the song is about finding solace in the present when the future and past seem impossible to understand. It’s about loneliness and disillusionment that we can feel in relationships\, and how we must persevere anyway in hopes of finding the beauty in love.” \nElion and Mitchell were drawn to each other when they first met in 2011\, finding connection in their diverse love of music and an immediate closeness that verges on sisterhood. Their meeting was transformative emotionally as well as creatively. Both halves of Overcoats describe the first time hearing each other sing as an epiphany: the harmony of their voices leading to personal\, individual discovery. This bond forms the foundation of Overcoats\, and it fills the ecosystem of YOUNG with its stunning sound and sentiment. \nAlbum opener “Father” unfurls in clouds of three-dimensional sound: a cathedral of echo over waves of delay and the din of incidental noise. There is a rare resonance in Overcoats evident from these opening tones: between their separate (but inseparable) voices\, flawlessly intuitive performance\, and sublime musical production. Their harmonies slide from brassy to silken with elegant ease\, floating over muted rhythms wrapped in lush swells of synthesizers. \nYOUNG was written by Overcoats and co-produced by Nicolas Vernhes (Daughter\, The War On Drugs\, Dirty Projectors\, Cass McCombs) and experimental R&B artist Autre Ne Veut\, with additional production from Myles Avery and mixing by Ben Baptie (Lapsley\, Lianne La Havas\, Lady Gaga\, Mark Ronson). \nTheir palette is stealth and simple electronics\, with traces of folk\, pop\, and bluegrass embedded within. Like a spectrum from Sylvan Esso to Simon & Garfunkel\, Overcoats creates music deeply rooted in emotion\, and guided by the search for its innate expression through voice and electronics. Songs that began as bedroom creations flourished into rich but restrained productions\, with careful craft illuminating the nuance of Overcoats’ unique songwriting. \nOn YOUNG\, Overcoats creates music of mutual empowerment\, at once synthetic and organic\, wistful and uplifting\, triumphant and subdued. \n“The Fog” is a bay of lonesome\, oscillating synth chords: its boundaries defined by the reflection of echoic finger snaps. Elion and Mitchell find clarity through a lovers’ haze\, their stoic verses liberated by resounding chorus: Freedom is when I’m without you / When the fog lifts I’m the only one I see. \n“Leave The Light On” layers looped and transposed vocals over thumping two-step 808 and punctuations of club-ready brass. Showing the true breadth of influence\, songs like “Little Memory” and “Smaller Than My Mother” are laced with gospel and jazz\, strands woven in with Vernhes’ and Autre Ne Veut’s natural touch. \nYOUNG has a clear\, vertical ambience that lets the topical vibration of the music shine through. This is the arrival of a magical collaboration: a rare unification of two hearts under one imagination. Elion and Mitchell are bound by absolute belief in one another\, and the confidence that every creation is compelled by shared purpose. \nLike its arc of transformation\, from “Father” to album closer “Mother\,” Overcoats captures the notion that we are the intersections of our parents’ greatest fantasies and biggest follies. YOUNG is a startlingly wise portrayal of these complexities: of love\, on inspiration\, and the legacy of family. URL:https://royaleboston.com/event/tennis/ LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://royaleboston.com/wp-content/uploads/2017/08/TENNIS-ADMAT-DARK-2017v2.jpg ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com GEO:42.3499959;-71.0656288 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959 END:VEVENT END:VCALENDAR