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DTSTART;TZID=America/New_York:20200221T220000
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DTSTAMP:20260405T085332
CREATED:20191202T184505Z
LAST-MODIFIED:20191202T184505Z
UID:10002135-1582322400-1582322400@royaleboston.com
SUMMARY:Wax Motif
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/wax-motif-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20200222T180000
DTEND;TZID=America/New_York:20200222T180000
DTSTAMP:20260405T085332
CREATED:20190930T160018Z
LAST-MODIFIED:20200206T191306Z
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SUMMARY:[SOLD OUT] Theo Katzman
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nTheo Katzman \n \nWebsite\nFacebook\nTwitter \n“Modern Johnny is a feeling\,” says acclaimed singer-songwriter/multi-instrumentalist Theo Katzman in regards to his forthcoming self-release Modern Johnny Sings: Songs in the Age of Vibe\, due out in early 2020. “It’s closer to Vonnegut’s Kilgore Trout than Bowie’s Ziggy Stardust—Modern Johnny represents the journey\, the quest\, the plight of the singer-songwriter trying to make it in today’s music world.” Known for his rock-and-roll inspired solo albums\, as well as his contributions to internet funk sensation Vulfpeck\, Katzman has had this feeling bubbling in the recesses of his mind for some time now\, weaving its way through his songwriting process and onto his recordings. The feeling itself is multi-dimensional: it’s a subtle sarcasm\, but not at the expense of sincerity; criticism\, but not at the expense of joy; character\, but not at the expense of vulnerability. Modern Johnny is not an alter-ego per se\, but he and Katzman do have some striking similarities. Both were born in the mid-‘80s\, forming their musical identities from the rubble of ‘90s rock radio\, the remains of their parents’ record collections\, a handful of ‘Greatest Hits’ compilations on Compact Disc\, and several hard drives’ worth of miscredited MP3s from Napster. Both arrived in Los Angeles in the mid 2010’s with a “songs-can-change-the-world” attitude\, fully expecting to join the Eagles. Both find themselves stumbling through the free market in the age of social\, the age of streaming…the Age of Vibe. The year is 2020. Billy Joel hasn’t released an album in over two and a half decades\, Stevie Wonder is ranked 230th on Spotify\, and Paul McCartney’s most popular song is “FourFiveSeconds.” It’s hard to know what to make of all of this… and Modern Johnny isn’t necessarily what the kids are asking for. He’s too heart to be hip\, too hip to be pop\, too pop to be rock\, and too rock to be art. \nTOUGH SITCH.\nBut no matter the zeitgeist\, both Theo Katzman and Modern Johnny forge ahead the only way they know how: in pursuit of messy\, honest\, exuberant human emotion through popular song. \n*** \nRett Madison \nFacebook\nTwitter
URL:https://royaleboston.com/event/theo-katzman/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200222T220000
DTEND;TZID=America/New_York:20200222T220000
DTSTAMP:20260405T085332
CREATED:20200103T162058Z
LAST-MODIFIED:20200130T215716Z
UID:10002146-1582408800-1582408800@royaleboston.com
SUMMARY:Royale Saturdays: Mardi Gras
DESCRIPTION:Click ‘Buy Tickets’ for FREE BEFORE 11PM RSVP.\n617.733.0505 for VIP table reservations. \nBoston’s favorite dance party – featuring the area’s top resident DJs spinning Top-40 mashups and dance hits.\n21+
URL:https://royaleboston.com/event/royale-saturdays-bostons-1-dance-party-6/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200226T190000
DTEND;TZID=America/New_York:20200226T190000
DTSTAMP:20260405T085332
CREATED:20191022T160020Z
LAST-MODIFIED:20191216T235908Z
UID:10002115-1582743600-1582743600@royaleboston.com
SUMMARY:Trixie Mattel
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 10/25 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nTrixie Mattel \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/trixie-mattel/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200227T200000
DTEND;TZID=America/New_York:20200227T200000
DTSTAMP:20260405T085332
CREATED:20191209T170940Z
LAST-MODIFIED:20200224T181123Z
UID:10002142-1582833600-1582833600@royaleboston.com
SUMMARY:[CANCELED] SOULWAX
DESCRIPTION:The Soulwax show scheduled to take place at Royale on Thursday\, February 27th has been canceled and refunds are being issued at the point of purchase. A new Boston show date with Soulwax will be announced very soon – please keep an eye out from messaging from the artist for more info.
URL:https://royaleboston.com/event/soulwax/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;VALUE=DATE:20200228
DTEND;VALUE=DATE:20200229
DTSTAMP:20260405T085332
CREATED:20200225T193514Z
LAST-MODIFIED:20200225T193938Z
UID:10002881-1582848000-1582934399@royaleboston.com
SUMMARY:Predator / Acer PAX East Afterparty
DESCRIPTION:Friday February 28th 2020 \n9pm to 1:30am \nFree admission \nArrive early – first come first served \nEntry is not guaranteed \n21+ \nNo Backpacks allowed \nAnyone visibly intoxicated or under the influence will not be permitted into the venue. \n 
URL:https://royaleboston.com/event/predator-acer-pax-east-afterparty/
LOCATION:MA
CATEGORIES:Special Events
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DTSTART;TZID=America/New_York:20200228T220000
DTEND;TZID=America/New_York:20200228T220000
DTSTAMP:20260405T085332
CREATED:20200220T155403Z
LAST-MODIFIED:20200220T155403Z
UID:10002167-1582927200-1582927200@royaleboston.com
SUMMARY:Underground Space Jam - Downstairs @ Legacy
DESCRIPTION:Tech-house & groovers all night long with BØATS\, OONAGI\, iNiT B2B Phil plus more special guests and space themed surprises. Enter through Royale entrance (279 Tremont St) and head underground to check in.
URL:https://royaleboston.com/event/underground-space-jam-downstairs-legacy/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20200229T220000
DTEND;TZID=America/New_York:20200229T220000
DTSTAMP:20260405T085332
CREATED:20200103T162158Z
LAST-MODIFIED:20200130T220329Z
UID:10002147-1583013600-1583013600@royaleboston.com
SUMMARY:Royale Saturdays: Cosmic Leap
DESCRIPTION:Click ‘Buy Tickets’ for FREE BEFORE 11PM RSVP.\n617.733.0505 for VIP table reservations. \nBoston’s favorite dance party – featuring the area’s top resident DJs spinning Top-40 mashups and dance hits.\n21+
URL:https://royaleboston.com/event/royale-saturdays-bostons-1-dance-party-7/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200303T190000
DTEND;TZID=America/New_York:20200303T190000
DTSTAMP:20260405T085332
CREATED:20191105T200024Z
LAST-MODIFIED:20200224T173951Z
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SUMMARY:Allen Stone
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 11/8 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nAllen Stone \n \nWebsite\nFacebook\nTwitter \n*** \nSamm Henshaw \n \nWebsite\nFacebook\nTwitter \n*** \nAndy Suzuki and The Method  \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/allen-stone-4/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200306T220000
DTEND;TZID=America/New_York:20200306T220000
DTSTAMP:20260405T085332
CREATED:20191217T191404Z
LAST-MODIFIED:20191217T191404Z
UID:10002856-1583532000-1583532000@royaleboston.com
SUMMARY:Funhouse Fridays ft. Herobust
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/funhouse-fridays-ft-herobust/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200307T220000
DTEND;TZID=America/New_York:20200307T220000
DTSTAMP:20260405T085332
CREATED:20200103T162513Z
LAST-MODIFIED:20200224T191253Z
UID:10002148-1583618400-1583618400@royaleboston.com
SUMMARY:Royale Saturdays: Gold Rush
DESCRIPTION:Click ‘Buy Tickets’ for FREE BEFORE 11PM RSVP.\n617.733.0505 for VIP table reservations. \nOn Saturday\, March 7\, we’re partying in the pursuit of GOLD at Royale! Top 40\, EDM and hip-hop beats by city favorite DJ Rico Suave + Vegas DJs MDC… A massive night is in store and you are WANTED. \nBoston’s favorite dance party – featuring the area’s top resident DJs spinning Top-40 mashups and dance hits.\n21+
URL:https://royaleboston.com/event/royale-saturdays-bostons-1-dance-party-8/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200309T173000
DTEND;TZID=America/New_York:20200309T213000
DTSTAMP:20260405T085332
CREATED:20200205T162310Z
LAST-MODIFIED:20200205T164604Z
UID:10002877-1583775000-1583789400@royaleboston.com
SUMMARY:Speed-Rack Challenge - March 9th 2020
DESCRIPTION:
URL:https://royaleboston.com/event/speed-rack-challenge-march-9th-2020/
LOCATION:MA
CATEGORIES:Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200312T190000
DTEND;TZID=America/New_York:20200312T190000
DTSTAMP:20260405T085332
CREATED:20191111T180058Z
LAST-MODIFIED:20200114T160753Z
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SUMMARY:Ekali
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 11/15 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nEkali \nwww.bvwphoto.com © Brian Van Wyk \nWebsite\nFacebook\nTwitter \nEkali is more than just an alter ego for musician Nathan Shaw. It’s not only the name for an electronic production project that — just a few months after posting his first track — brought a level of recognition that most artists spend a career dreaming about. It’s also a reflection of a remarkable musical journey that’s led him far outside the crowded beat-making field. \nAlthough only 26 years old\, Shaw has already been playing music for almost half his life. Growing up bouncing between Vancouver\, British Columbia and tiny Mayne Island (just across the Strait of Georgia from the city)\, Shaw absorbed his parents vinyl obsession early before picking up a violin when he was 12. Within a couple years he’d moved on to guitar\, then to bass\, which he played in his school’s jazz program before dropping out at age 15 to pursue music full time. He was a session bassist and touring musician\, playing indie rock\, folk\, jazz\, hardcore\, and posthardcore — and along the way won a Juno award his work with Vancouver indie group Said the Whale — before setting out on his own four years ago. \nEkali has given Shaw the chance to show off the stylistic flexibility he picked up from years playing across the musical spectrum. His breakthrough single “Unfaith” mixes Ciara samples and jazzy piano chords with the sonic and emotional intimacy of the indie rock and classic singer-songwriters he grew up on. (Which might explain how the track ended up being sampled not once but twice on Drake’s If You’re Reading This\, It’s Too Late.) He’s made apocalyptic trap music with rapper Denzel Curry (“Babylon”) and transcendent electronic pop with ZHU (“Blame”). \nBut while the self-taught musician draws from a sprawling set of influences — from Burial to Joni Mitchell to progressive metal icons Dream Theater — one constant in Shaw’s music is its commitment to analog-era ideals like warmth and texture that often go missing in modern beats. In an era of music tuned to computerized precision\, Ekali’s tracks resonate with a defiantly human touch. \nEkali’s debut EP\, Crystal Eyes was released last September 2018\, collaborating with the talented likes of K. Flay\, Yuna\, Slumberjack\, and Mossy. Following the release of the EP\, Shaw\, headed out on his third headline North America tour\, selling out most venues throughout the US & Canada. Ekali’s first full length album project is due out in January 2020 which features the likes of Au/Ra\, Kiiara\, Illenium\, Reo Cragun\, Nitti Gritti\, and more.  \n*** \nWilliam Black \n \nWebsite\nFacebook\nTwitter \nWilliam Black is a Los Angeles based producer and DJ. The blossoming electronic scene of Southern California in the late 2000s heavily influenced William’s music. His uniquely emotional sound and melodies are respected for being progressive\, inventive\, and meaningful. William’s artistic designs draw inspiration from the natural world around us\, and our interaction with it. His songs touch on important topics including depression\, addiction\, love\, and loss. These songs feature his signature soundscape of beautiful uplifting melodies with passionate singers. These qualities allowed his 2018 debut EP “Universe” to climb the iTunes Dance Charts to #1. The lead single\, “Wasted on You” premiered at #7 on the Billboard Dance Charts thanks to its immediately memorable chorus. William Black played to tens of thousands of fans in 2019 on both Adventure Club’s Spring “Death or Glory” tour and Illenium’s Fall Arena tour for “Ascend.”  In between this his first album\, “Pages”\, was released to critical acclaim for taking on important topics with unexpected music.  2020 continues to see William Black creating and playing emotionally raw dance music in his mission to display nostalgia through sound. \n*** \nJuelz \n \nWebsite\nFacebook \nFor the last three years\, Vancouver based producer Juelz has been crafting a catalog that fuses hip-hop and electronic boundaries effortlessly. Classical training in violin and a culturally diverse upbringing have proven fundamental in the development of his strong music writing and production skills.\nJuelz found initial success with the release of the SoundCloud club hit “Cocaine”\, which quickly led him to collaborations with the likes of josh pan\, Falcons\, and Promnite. In 2018 he teamed up with bbno$ to release a collaborative EP titled moneytalk\, and in early 2019 he released his Sophomore EP Shanghai Nights on Fools Gold Records.\nWith an influx of support coming from tastemakers including RL Grime\, A-Trak and his next EP coming soon\, Juelz is poised to make a colossal splash in the electronic music scene.
URL:https://royaleboston.com/event/ekali/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200313T220000
DTEND;TZID=America/New_York:20200313T220000
DTSTAMP:20260405T085332
CREATED:20200109T202714Z
LAST-MODIFIED:20200313T181053Z
UID:10002153-1584136800-1584136800@royaleboston.com
SUMMARY:[POSTPONED] - Mercer
DESCRIPTION:Due to the COVID-19 situation and the guidelines put forth by the Commonwealth of Massachusetts\, the Mercer event has been postponed. We are working hard to find a new date\, and look forward to announcing one soon. Any tickets purchased for the March 13th event can be used for the rescheduled performance. Refunds may also be obtained at the point of sale. \nThank you for your support and understanding. \n– The Royale Team \n—————————————————- \nON SALE 1.10.20 @ 10AM EST \nCall or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/mercer/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200314T180000
DTEND;TZID=America/New_York:20200314T180000
DTSTAMP:20260405T085332
CREATED:20191125T154327Z
LAST-MODIFIED:20200417T142938Z
UID:10002846-1584208800-1584208800@royaleboston.com
SUMMARY:[CANCELED] Archers of Loaf
DESCRIPTION:The Archers of Loaf show at Royale on March 14th has been canceled. Refunds are available at point of purchase. \n*** \nArchers of Loaf \n \nWebsite\nFacebook \n*** \nSavak \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/archers-of-loaf/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200314T220000
DTEND;TZID=America/New_York:20200314T220000
DTSTAMP:20260405T085332
CREATED:20200103T162926Z
LAST-MODIFIED:20200313T192250Z
UID:10002149-1584223200-1584223200@royaleboston.com
SUMMARY:[CANCELLED] - Royale Saturdays: Annual St. Patty's Day Bash
DESCRIPTION:Click ‘Buy Tickets’ for FREE BEFORE 11PM RSVP.\n617.733.0505 for VIP table reservations. \nOn Saturday\, March 14\, experience the luck of the Irish at Royale for our annual St. Patty’s Day Bash! Festive music by DJ Tao + friends… you might just find a pot o’ gold! \nBoston’s favorite dance party – featuring the area’s top resident DJs spinning Top-40 mashups and dance hits.\n21+
URL:https://royaleboston.com/event/royale-saturdays-bostons-1-dance-party-9/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200319T190000
DTEND;TZID=America/New_York:20200319T190000
DTSTAMP:20260405T085332
CREATED:20200123T170005Z
LAST-MODIFIED:20200326T142612Z
UID:10002872-1584644400-1584644400@royaleboston.com
SUMMARY:[CANCELED] Blood Orange
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nBlood Orange \n \nWebsite\nFacebook\nTwitter \nProducer\, multi-instrumentalist\, composer\, director and vocalist\, London born polymath Devonté Hynes is among the most influential voices in music today. Raised in England by Guyanese and Sierra Leonean immigrant parents\, Hynes started out as a teenage punk in the UK band Test Icicles before releasing two orchestral acoustic pop records as Lightspeed Champion. In 2011\, he released Coastal Grooves\, the first so far of five solo albums under the moniker Blood Orange. His 2016 album\, Freetown Sound\, was released to critical acclaim\, and saw Hynes defined as one of the foremost musical voices of his time\, receiving comparisons to the likes of Kendrick Lamar and D’Angelo for his own searing and soothing personal document of life as a black man in America. His 2018 album\, Negro Swan\, was released to equally rapturous response\, exploring elements of black depression and identity. His most recent release\, the 2019 mixtape Angel’s Pulse\, described by Hynes as an epilogue to Negro Swan\, further explores and builds upon those themes. He has collaborated with Solange Knowles\, fka twigs\, A$AP Rocky\, Puff Daddy\, Mariah Carey Janet Mock\, and many more\, and was recently one of four artists invited to the Kennedy Center to perform alongside Philip Glass. In addition to his production work\, he has sold out headlining tours around the world\, directed and edited 7 Blood Orange music videos as well as one for Beck’s 2019 “Uneventful Days”\, and composed the scores for the films “Palo Alto\,” directed by Gia Coppola\, and “Queen & Slim”\, directed by Melina Matsoukas.
URL:https://royaleboston.com/event/blood-orange/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200320T191500
DTEND;TZID=America/New_York:20200320T191500
DTSTAMP:20260405T085332
CREATED:20191209T154118Z
LAST-MODIFIED:20200312T231611Z
UID:10002140-1584731700-1584731700@royaleboston.com
SUMMARY:[RESCHEDULED] True Crime Obsessed
DESCRIPTION:This show has been rescheduled to Saturday\, August 8th.  \nTickets originally purchased for the Friday\, March 20th date will be honored at the rescheduled date. \n*** \nPresented by Bowery Boston \nDoors: 7:15 pm / Show: 8:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nTrue Crime Obsessed \n \nWebsite\nFacebook\nTwitter \nTrue Crime Obsessed is the True Crime / Comedy podcast you need in your life!  Each week\, hosts Gillian Pensavalle and Patrick Hinds recap true crime documentaries with humor\, sass\, heart\, and just the right amount of snark.  In their live show\, Gillian and Patrick bring their hilarious take on the absurdities of true crime characters and storylines to the stage\, tearing into one of your favorite true crime documentaries using video clips\, music\, and their signature garbage bell.
URL:https://royaleboston.com/event/true-crime-obsessed/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200321T180000
DTEND;TZID=America/New_York:20200321T180000
DTSTAMP:20260405T085332
CREATED:20191209T160830Z
LAST-MODIFIED:20200316T142225Z
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SUMMARY:[POSTPONED] ZZ Ward
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored for the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nZZ Ward \n \nWebsite\nFacebook\nTwitter \n*** \nPatrick Droney \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/zz-ward-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200321T220000
DTEND;TZID=America/New_York:20200321T220000
DTSTAMP:20260405T085332
CREATED:20200103T163631Z
LAST-MODIFIED:20200316T153405Z
UID:10002150-1584828000-1584828000@royaleboston.com
SUMMARY:[Cancelled] - Royale Saturdays: Spring Fling
DESCRIPTION:Due to the recent large gatherings mandate by Commonwealth of Massachusetts\, all events at Royale have been impacted. \nRoyale Entertainment Complex will remain closed until the date(s) specified by the Commonwealth of Massachusetts\, subject to ongoing reassessment. \nOur hope is that we are able to reschedule as many of the affected events as possible\, but at this time there is no information on new dates. If a new date is announced\, there is nothing you need to do: your tickets are valid for the new date and you will be notified. \nIf a show cannot be rescheduled once the moratorium is lifted\, a refund will automatically be issued to the credit card you used to purchase\, again within 30 business days. \nWe will follow the recommendations of local health authorities as to when each of the affected venues will re-open. Please check back here\, or on each venue’s site for updated re-opening information. \nSincerely\,\nThe Royale Entertainment Group \n——————————————— \nClick ‘Buy Tickets’ for FREE BEFORE 11PM RSVP.\n617.733.0505 for VIP table reservations. \nFINALLY…It’s officially Spring! On Saturday\, March 21\, we’re raising our glasses to making it through another cold winter as we party the night away at Royale! \nBoston’s favorite dance party – featuring the area’s top resident DJs spinning Top-40 mashups and dance hits.\n21+
URL:https://royaleboston.com/event/royale-saturdays-bostons-1-dance-party-10/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200328T183000
DTEND;TZID=America/New_York:20200328T183000
DTSTAMP:20260405T085332
CREATED:20190925T140049Z
LAST-MODIFIED:20200316T143619Z
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SUMMARY:[POSTPONED] L'Impératrice - Matahari World Tour 2020
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:15 pm \nThis show has been postponed to a TBD date. All tickets will be honored at the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nL’impératrice \n \nFacebook\nTwitter \nL’Impératrice’s debut album arrived in 2018 all the pomp and circumstance of a coronation. “Impératrice” is French for “Empress”\, and if their moniker is the most difficult thing to grasp for anglophones\, then musically there’s nothing that doesn’t translate. The Parisians draw from a range of genres\, from 70s space disco to downtempo 90s synth pop\, taking in French film composers like François de Roubaix and Michel Legrand along the way. “Albums that sold 500 copies in the 1970s are the records that interest us most\,” they say. Matahari is a glittering\, cinematic summation of six years hard work that draws on some of the finest found sounds and forgotten sonic fandangos hiding in crates across the land\, all given L’Impératrice’s own inimitable 21st century twist.  \nWhat began as the project of one disaffected culture journalist is now\, some six years later\, a six-headed beast. Charles de Boisseguin had carved out a niche for himself as a respected journalist. Bylines all over France’s most respected music weekly Les Inrockuptibles sufficed for a time\, and he and some friends started Keith magazine in 2007 in homage to culture’s greatest Keiths\, from Richards to Haring. As a critic\, Boisseguin had a burning conviction that he could no longer disparage the works of others until he had a go himself. And so one beautiful spring morning in 2012 he made the jump and L’Impératrice was born. The poacher had turned gamekeeper. \nEarly productions were modest. Boisseguin traded in his poisoned pen for a Moog synthesiser and cut his teeth on GarageBand. This inchoate noise was still some way from becoming the chimerical analog disco monster that has enchanted so many ears in France\, but a strong feminine sound began to emerge nonetheless\, which eventually beget the name. A self-titled EP arrived on cool Parisian underground dance label Cracki in October of that year\, and by then Boisseguin was getting the hang of being a musician. The eponymously-titled track that opens the EP features slick jazzy motifs conflated with some old-skool hip hop flow. It won instant plaudits and set the tone for future successes.  \nThe band grew by stealth\, with Hagni Gwon arriving on claviers\, David Gaugué on the bass and Tom Daveau on the drums\, soon turning a one-man project into a gang. Chanteuse Flore Benguigui’s arrival gave their sophisti-pop sound a tangible femininity that had always been there as an undercurrent. Achille Trocellier on guitars became the final piece of the puzzle. L’Impératrice’s signed to microqlima in 2016. EPs such as Odyssée and Séquences received critical adulation. \nThen came a first glimpse of the long-awaited album in 2017 – with ‘Erreur 404’ – a lead single that juxtaposes silky\, almost simplistic French synthpop with a barbed lyric (the deliciously impertinent “bon voyage imbécile” line is a highlight). L’Impératrice make writing radio-friendly earworms look easy\, and the French have been voting with their feet in a positive way\, both on the dancefloor and at gigs. A show at La Cigale\, a 2\,000 capacity venue with an illustrious history in the 18eme arrondissement of Paris\, recently sold out within two weeks. \nMatahari is laden with sumptuous grooves and replete with potential singles\, subsuming all the elements\, from Air to Frank Ocean. The title track mixes analogue space disco with ostentatious\, irrepressible funk\, a mightily impressive undertaking featuring swooping philly strings and emphatic brass. It’s an ambitious production with a percussive core that was clearly recorded live in the studio\, and while there are many layers\, it’s pieced together with a deft hand. The track returns as a penultimate instrumental send-off\, and ‘Là-Haut’\, a weightless and dreamy instrumental to open proceedings\, features some inspired peripatetic bass from Gaugué and some diaphanous percussion that melts in the ears.   \nElsewhere ‘Paris’ captures the contemporary mise en scène of the bustling la Ville Lumière\, with a delectable vocal performance from Benguigui. Her adaptability as a vocalist is demonstrated with a sultry sprechgesang delivery on ‘Balade Fantôme’\, a spooky spoken word about being lost in space. ‘Masques’ adopts an almost klezmer-like tristesse\, with vertiginous violins and a classy musical chassis. Meanwhile ‘Dreaming of You’ is a steamy\, almost claustrophobic collaboration with electropop kindred souls and labelmates Isaac Delusion.  \nSubtle yet majestic\, L’Impératrice have a bright future in the republic\, though if the six-headed beast is to become real French musical royalty then they’ll have to watch their têtes. In fairness\, Boisseguin hasn’t put a foot wrong since he threw in the day job six years ago. If L’Impératrice’s stealthy rise to pre-eminence has all been part of the plan at home\, then you wouldn’t rule out la domination du monde being on the cards in the future.
URL:https://royaleboston.com/event/limperatrice/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200328T220000
DTEND;TZID=America/New_York:20200328T220000
DTSTAMP:20260405T085332
CREATED:20200103T163817Z
LAST-MODIFIED:20200316T153506Z
UID:10002151-1585432800-1585432800@royaleboston.com
SUMMARY:[Postponed] - Royale Saturdays: James Kennedy of Vanderpump Rules
DESCRIPTION:Due to the recent large gatherings mandate by Commonwealth of Massachusetts\, all events at Royale have been impacted. \nRoyale Entertainment Complex will remain closed until the date(s) specified by the Commonwealth of Massachusetts\, subject to ongoing reassessment. \nOur hope is that we are able to reschedule as many of the affected events as possible\, but at this time there is no information on new dates. If a new date is announced\, there is nothing you need to do: your tickets are valid for the new date and you will be notified. \nIf a show cannot be rescheduled once the moratorium is lifted\, a refund will automatically be issued to the credit card you used to purchase\, again within 30 business days. \nWe will follow the recommendations of local health authorities as to when each of the affected venues will re-open. Please check back here\, or on each venue’s site for updated re-opening information. \nSincerely\,\nThe Royale Entertainment Group \n———————————————- \nClick ‘Buy Tickets’ for FREE BEFORE 11PM RSVP.\n617.733.0505 for VIP table reservations. \nOn Saturday\, March 28\, English music producer + Vanderpump’s finest James Kennedy takes the stage for a not-to-be-missed DJ set at Royale! \nBoston’s favorite dance party – featuring the area’s top resident DJs spinning Top-40 mashups and dance hits.\n21+
URL:https://royaleboston.com/event/royale-saturdays-bostons-1-dance-party-11/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200402T190000
DTEND;TZID=America/New_York:20200402T190000
DTSTAMP:20260405T085332
CREATED:20191029T142552Z
LAST-MODIFIED:20200320T143522Z
UID:10002833-1585854000-1585854000@royaleboston.com
SUMMARY:[POSTPONED] The Driver Era
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored at the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nThe Driver Era \n \nWebsite\nFacebook\nTwitter \nLike the band name\, the music of The Driver Era captures a certain classic feeling while looking toward tomorrow. With the two brothers\, Ross and Rocky Lynch\, writing\, performing\, and producing all of the tracks\, their stylistically unpredictable music also conjures up every romantic association with heading out on the open road: limitless possibility\, the thrill of escape\, a refusal to stay in one place for any real length of time. \nWith massive hooks and immaculate production\, songs like “Feel You Now” and “Low” show the tight musicianship that Ross and Rocky have honed over the years in their longtime band R5-a five-piece whose self-produced 2017 EP New Addictions was praised as “full of sharply constructed pop confections” by Rolling Stone. It was during that band’s recent worldwide tour\, the two began dreaming up a new project that would allow them to explore their more experimental tendencies. \n“We had a bunch of songs we’d been gathering for a while\,” says Rocky. Although they avoided restricting their vision to any specific sound or style\, the duo did set some firm intentions for the new band: to create music without self-imposed limitations\, and to always push for sonic innovation. \nIn between polishing off the new songs-and hitting the road for their first tour as The Driver Era\, Ross is a critically acclaimed actor (he recently drew raves for his title role in the serial-killer biopic My Friend Dahmer and currently stars in Netflix’s The Chilling Adventures of Sabrina). And when they’re not actively creating\, the two are often out riding around\, listening back to mixes and working out song ideas\, constantly expanding what’s possible in The Driver Era. \n“A while ago I was reading a book that talked about how if you and a person are able to connect deeply enough\, you almost form a third consciousness\,” says Ross. “I think Rocky and I have that on some level. I don’t think either of us has felt so creatively charged up in a long time\, and it’s just a really cool feeling. The whole thing’s opened up our minds in this amazing way.” \nThe band released their debut album X in June of this year\, and just put out two new tracks\, “A Kiss” and “Forever Always”. Stay tuned for tour dates and new music by visiting https://www.thedriverera.com/. \n*** \nThe Wrecks \n \nWebsite\nFacebook\nTwitter \nLos Angeles-based indie rock band The Wrecks root from Thousand Oaks\, CA. The group consists of Nick Anderson (vocals/guitar)\, Nick Schmidt (lead guitar)\, Westen Weiss (guitar)\, Aaron Kelley (bass)\, and Billy Nally (drums). Heavily influenced by groups such as The Pixies\, The Strokes\, Weezer\, and Vampire Weekend\, this 5-piece isn’t afraid to blend undeniably catchy choruses\, with self-deprecative\, honest lyrics and vocals that pull you right to the center of each song.\nThe band actually recorded their debut EP on a whim\, alongside friend and engineer Andrew D’Angelo\, when they were surprised with the news that a friend had been granted access to a studio for just a few days. With a total budget of $0\, and only a week as a band under their belts\, the group set out to record the best songs that they could in 3 days. After working ridiculous hours through the night\, and to the next day whenever they could get in the studio\, the 3 days were over and the EP was cut. Little did the band know\, they were not even allowed to be in the studio that week. So through feelings of guilt and worry\, they cleaned every bit of information of theirs from the studio computer\, every crumb of Dominoes from the studio couch\, and they were off with their entire EP on an hard drive in a backpack.\nThe homemade “We Are The Wrecks” EP was self-released in March 2016. After hundreds of spins on Sirius XM’s Alt Nation\, and features on some of Spotify’s biggest rock playlists\, the band signed to Another Century/Sony Music in December of 2016. Their debut single Favorite Liar broke the Top 40 on alternative radio\, has over 6 million plays on Spotify\, and spent almost a dozen weeks in the top 10 of Alt Nation’s Alt-18 Countdown. After signing their record deal\, The Wrecks sought out to record a new EP in Los Angeles. 3 weeks into recording\, and after blowing almost the entire budget\, the band decided the music was going in the wrong direction and threw the EP away. “I just felt that we had strayed too far from the core of the band’s sound\,” says frontman Nick Anderson. “It sounded like we were trying really hard to get on the radio or something\, and I feel like that rarely gets you on the radio anyway.” So after getting their label and management on board\, The Wrecks decided to move into Anderson’s grandmother’s house in his small hometown (Wellsville\, NY) to work on the new record in a barn studio that their friend Patrick Barry owns. Co-produced again by Nick Anderson and Andrew D’Angelo\, The Wrecks say their new upcoming EP “comes from a genuine place\, and is something we’re all truly proud of.”
URL:https://royaleboston.com/event/the-driver-era/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200403T230000
DTEND;TZID=America/New_York:20200403T230000
DTSTAMP:20260405T085332
CREATED:20190403T140044Z
LAST-MODIFIED:20200316T153716Z
UID:10002826-1585954800-1585954800@royaleboston.com
SUMMARY:[Postponed] - Jason Ross
DESCRIPTION:Due to the recent large gatherings mandate by Commonwealth of Massachusetts\, all events at Royale have been impacted. \nRoyale Entertainment Complex will remain closed until the date(s) specified by the Commonwealth of Massachusetts\, subject to ongoing reassessment. \nOur hope is that we are able to reschedule as many of the affected events as possible\, but at this time there is no information on new dates. If a new date is announced\, there is nothing you need to do: your tickets are valid for the new date and you will be notified. \nIf a show cannot be rescheduled once the moratorium is lifted\, a refund will automatically be issued to the credit card you used to purchase\, again within 30 business days. \nWe will follow the recommendations of local health authorities as to when each of the affected venues will re-open. Please check back here\, or on each venue’s site for updated re-opening information. \nSincerely\,\nThe Royale Entertainment Group \n—————————————————- \n21+\nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/jason-ross/
LOCATION:MA
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200411T180000
DTEND;TZID=America/New_York:20200411T180000
DTSTAMP:20260405T085332
CREATED:20200121T150056Z
LAST-MODIFIED:20200313T150250Z
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SUMMARY:[POSTPONED] Lukas Nelson & Promise of the Real
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 6:30 pm \nThis show has been postponed to a TBD date. All tickets for the 4/11 show will be honored for the new date. If you can no longer make the new date\, refunds will be available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nLukas Nelson & Promise of the Real \n \nWebsite\nFacebook\nTwitter \nLukas Nelson & Promise of the Real: For ten years running\, Lukas Nelson & Promise of the Real—bassist Corey McCormick\, drummer Anthony LoGerfo\, percussionist Tato Melgar\, and multi-instrumentalist Logan Metz—have been crossing the globe\, playing thousands of shows as one of the most talented\, in-demand rock and roll ensembles working today. In song after song\, on stage after stage\, Lukas Nelson & Promise of the Real have sharpened the edges of their singular sound\, straddling rock and roll\, country\, soul\, folk and R&B. An emergent and vital force in American music\, their latest album\, the critically-acclaimed Turn Off The News (Build A Garden)\, was released in June 2019\, and planted itself at #1 on the Americana album chart for 10 consecutive weeks.\nIn the past year alone\, the quickly rising quintet have been wowing audiences and gaining fans with their headlining tour and blistering television performances\, and have turned in star-making sets at major festivals including Stagecoach\, Newport Folk Festival\, New Orleans Jazz Fest and dozens of shows as part of Willie’s traveling Outlaw Music Festival.
URL:https://royaleboston.com/event/lukas-nelson-promise-of-the-real/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200414T200000
DTEND;TZID=America/New_York:20200414T200000
DTSTAMP:20260405T085332
CREATED:20191206T170139Z
LAST-MODIFIED:20200313T220626Z
UID:10002138-1586894400-1586894400@royaleboston.com
SUMMARY:[CANCELLED] Billy Strings
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nBilly Strings \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/billy-strings/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200415T190000
DTEND;TZID=America/New_York:20200415T190000
DTSTAMP:20260405T085332
CREATED:20200122T150021Z
LAST-MODIFIED:20200316T195329Z
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SUMMARY:[POSTPONED] Stephen Malkmus
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored for the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nStephen Malkmus \n \nWebsite\nFacebook\nTwitter \nIs that a goddamn bouzouki? you may ask. A pedal steel guitar? What kind of Stephen Malkmus album is this\, anyway?  \nIt’s called folk music\, and it’s taking the country by storm. Stephen Malkmus is only the latest popular artist to apply this old new approach to their rock and roll sounds.  \nTake the name Traditional Techniques with as much salt as you’d like or dig the Adorno reference\, Malkmus’s third solo LP without the Jicks (or Pavement) is as organic as they come. It’s packed with handmade arrangements\, modern folklore\, and 10 songs written and performed in Malkmus’s singular voice. An adventurous new album in an instantly familiar mode\, Traditional Techniques creates a serendipitous trilogy with the loose fuzz of the Jicks’ Sparkle Hard (Matador\, 2018) and the solo bedroom experiments of Groove Denied (Matador\, 2019). Taken together\, these three very different full-lengths in three years highlight an ever-curious songwriter committed to finding untouched territory. Perhaps some of these “folk” musicians could take a lesson or two. \nCreated in the spontaneous west coast style adopted so infectiously by young American musicians in this time of global turmoil\, Malkmus took on Traditional Techniques as a kind of self-dare. Conceived while recording Sparkle Hard with the Jicks at Portland’s Halfling Studio\, Malkmus had observed the variety of acoustic instruments available for use. The idea escalated within a matter of weeks into a full set of songs and shortly thereafter into a realized and fully committed album. When he returned to Halfling\, Malkmus drew from a whole new musical palette–including a variety of Afghani instruments–to support an ache both quizzical and contemporary. Stephen Malkmus isn’t one of those “hung up” musicians one reads about so frequently these days\, sequestered in a jungle room of the heart. The jukebox in Malkmus’s private grotto remains fully updated. Not only is the artist present\, but he’s on Twitter.  \nTraditional Techniques is new phase folk music for new phase folks\, with Malkmus as attuned as ever to the rhythms of the ever-evolving lingual slipstream. Instead of roses\, briars\, and long black veils\, prepare for owns\, cracked emojis\, and shadowbans. Centered around the songwriter’s 12-string acoustic guitar\, and informed by a half-century of folk-rock reference points\, Traditional Techniques is the product of Malkmus and Halfling engineer/arranger-in-residence Chris Funk (The Decemberists). Playing guitar is friend-to-all-heads Matt Sweeney (Bonnie “Prince” Billy\, Chavez\, and too many other to count)\, who’d previously crossed paths with Malkmus on the opposite end of the longhairs’ map of the world\, most lately gnarling out together back east in the jam conglomerate Endless Boogie. \nBut\, buyer beware\, no matter how these recordings might be tagged by your nearest algorithm\, the expansive and thrilling folk-rock sounds of Traditional Techniques aren’t SM Unplugged. One might even question his commitment to acoustic instruments\, but we’ll leave that for somebody else’s hot take. All we’re saying is watch your head. Because alongside all that gorgeous folk music (“The Greatest Own in Legal History\,” “Cash Up”)\, there are also occasional bursts of flute-laced swagger (“Shadowbanned”)\, straight-up commune rock (“Xian Man”)\, and mind-bending fuzz in places you least expect it (“Brainwashed”).  \nIt’s hard to call Traditional Techniques “long awaited\,” because Stephen Malkmus just put out an album last year\, but it’s also exactly that. While he may have taken his sweet time in jumping on the folk music boom\, surely there are those among us who have fantasized about how lovely it might sound if SM would just get with the times. And it sounds like all that and beyond. Set a day or two aside to transcribe the lyrics like the Dylanlogists of yore (though please keep your garbology to yourself) and vibe on the shape of folk to come with Stephen Malkmus. \n– Jesse Jarnow \n*** \nQais Essar & the Magik Carpet \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/stephen-malkmus/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200416T190000
DTEND;TZID=America/New_York:20200416T190000
DTSTAMP:20260405T085332
CREATED:20200122T150058Z
LAST-MODIFIED:20200319T192452Z
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SUMMARY:[CANCELED] Waxahatchee
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been canceled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nWaxahatchee \n \nWebsite\nFacebook\nTwitter \nOn September 7\, Katie Crutchfield’s ever-shifting musical project Waxahatchee returns with the Great Thunder EP. Featuring a collection of songs written with now-dormant experimental recording group Great Thunder while Crutchfield was also writing the Waxahatchee albums Cerulean Salt and Ivy Tripp\, the original recordings have mostly faded into obscurity. Unearthing and reimagining them with producer Brad Cook at Justin Vernon’s April Base studio in Wisconsin was a cathartic experience\, she says. \nOn the heels of last year’s critically acclaimed Out in the Storm\, Crutchfield found herself looking to take a sharp turn away from the more rock-oriented influences of her recent records towards her more folk and country roots. “I would say that it is a complete 180 from the last record: super stripped-down\, quiet\, and with me performing solo\, it’s a throwback to how I started\,” writes Crutchfield. “Overall\, the EP is a warm\, kind of vibey recording.” \nSome of the songs on Great Thunder\, like “Chapel of Pines” and “Singer’s No Star\,” stayed the same and will be recognizable to those intensely familiar with Crutchfield’s catalog to date\, while closer “Takes So Much” was built back up on piano from the bones of the original version\, surprising even the songwriter: “Until then\, I didn’t realize how beautiful this song was.” As Crutchfield entered April Base to record\, she became ill but opted to forge on\, beautifully stretching her voice to its emotional limits. \n*** \nOhmme \n \nWebsite\nFacebook\nTwitter \nOhmme\, Fantasize Your Ghost \nThere’s an obvious chemistry emanating throughout Ohmme’s music that’s so tangible it can only come from a decades-spanning friendship. Songwriters Sima Cunnningham and Macie Stewart formed their unbreakable bond performing throughout the fringes of Chicago’s many interlocking communities\, collaborating with titans from the city’s indie rock\, hip-hop\, and improvised worlds. But together\, along with drummer Matt Carroll\, they’ve stretched the boundaries of what guitar music can do starting with the band’s experimental 2016 self-titled EP and their adventurous debut 2018 LP Parts. Now their longstanding partnership culminates with the stunning and muscular follow-up Fantasize Your Ghost. \nOhmme formed in 2014 as an outlet for Cunningham and Stewart to explore an unconventional approach to their instruments. “That’s the whole genesis of the band: us walking up to our guitars and saying\, ‘how can we make this noisemaker do something different?’” says Cunningham. But as their musical collaboration strengthened\, bringing Parts and intensive tours with acts like Wilco\, Iron & Wine\, Twin Peaks\, and more\, the band’s scope and focus has also broadened. Fantasize Your Ghost is the direct result of the band spending more time on the road than in Chicago\, a record deeply concerned with questions of the self\, the future\, and what home means when you’re travelling all the time. \n“Grinding on tour last year for so long\, it can alter your mental state where you have to think about your life in a different way than you would if you’re home. A lot of the songs stemmed from just thinking about all of the possibilities that life could be and could take\,” says Stewart. On the commanding single “3 2 4 3\,” which tackles the terrifying realization of needing to make a change. The song opens with the two singing in transfixing harmony\, “Looked in the mirror the other day / Caught my reflection / My mouth had moved a different way / The muscles were straining.” Their deft scene-setting and the way their disparate voices blend together heightens the song’s inherent anxiety. Later\, they sing\, “Filling the holes to make amends / Tearing them up to start again.” These moments of emotional clarity fill Fantasize Your Ghost. \nWritten across 2019\, early sketches of the album’s tracklist were demoed at Sam Evian’s Flying Cloud Studios in upstate New York. “That’s where we really started to see the record come together\,” says Cunningham. The sessions were intensely collaborative and open: the product of long\, existential conversations between Stewart and Cunningham in the van about their lives and how to channel the anger they were feeling about the state of the world. Tracks like the driving opener “Flood Your Gut” underwent several revisions with Ohmme uncovering several new directions the song could go before finishing it. The refrain “your whole vision’s not enough” is a call to action\, says Cunningham. “Do you want to be someone who can disconnect or someone who is hyper-engaged and present?” \nFantasize Your Ghost was recorded over a six day session in August 2019 when the band decamped to the Post Farm in southern Wisconsin\, where Cunningham runs a yearly DIY music festival. With indie rock journeyman producer Chris Cohen and the idyllic setting just outside Chicago\, the songs came to vibrant life. Though Parts showcased their wildly burgeoning\ninfluences and talents\, Fantasize Your Ghost captures the astounding magnetism and ferocity of their live show. “Selling Candy” is the perfect example. It’s a small snapshot of childhood complete with nostalgic references to summertime hot dogs and wandering the city but set to an explosive\, stadium-ready fuzzed-out arrangement. Elsewhere\, songs like the dystopian dance rocker “The Limit” further stretch their already dynamic palette. \nFantasize Your Ghost encapsulates the thrilling and sometimes terrifying joy of moving forward even if you don’t know where you’re going. It’s an album that asks necessary questions: When life demands a crossroads\, what version of yourself are you going to pursue? What part of yourself will you feed and let flourish and what do you have to let go of? When they sing\, “Just walk out the door and / Don’t tell them goodbye” it’s drastic but also exhilaratingly hopeful. This is a record of strength\, of best friends believing in each other. Unapologetic and brave\, Ohmme are ready to figure it all out together.
URL:https://royaleboston.com/event/waxahatchee-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200417T183000
DTEND;TZID=America/New_York:20200417T183000
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CREATED:20191111T152525Z
LAST-MODIFIED:20200306T175439Z
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SUMMARY:[CANCELLED] Astrid S
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:30 pm / Show: 7:00 pm \nThis show has been cancelled. Refunds are available at point of purchase. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages.  Opening acts and set times are subject to change without notice.  All sales are final unless a show is postponed or canceled.  All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time.  All patrons subject to search upon venue entry. \n*** \nAstrid S \n \nWebsite\nFacebook\nTwitter \nA bona fide national treasure in her home country with an ever-broadening global fanbase\, Astrid S has gained over 1 billion streams with hit songs such as “Hurts So Good”\, “Think Before I Talk” and “Such A Boy”. \nAstrid was born in the tiny Norwegian hamlet of Berkåk – “In the heart of Norway\,” she says\, “quite literally”. Music was her first love\, soccer her second. After turning her focus primarily towards the former\, she entered Norwegian Idol and went on to earn her first hit\, “Shattered”. She signed to Sony ATV Music Publishing as a songwriter later that year and has since been honing her ear for a perfect pop chorus and identifiable\, genre-bending lyrics. \nIn 2018\, Astrid sold out her Party’s Over World Tour with 32 shows in the US\, UK and Europe before the release of her summer smash “Emotion”. Going from strength to strength\, Astrid ended the year by joining Years & Years on their UK tour\, culminating in a show at London’s O2 Arena. \n2019 kicked off with the release of Astrid’s upbeat smash “Someone New”\, alongside sold-out-shows in New York and Los Angeles. Shortly after\, Astrid joined Swedish superstar Zara Larsson on her US-tour dates throughout April\, concluding with the release of her huge\, emotional single “The First One”. \nThe end of summer saw the release of Astrid’s highly anticipated EP\, “Trust Issues”\, which was followed by her sold-out “Stripped Down Tour” across the US and Europe. The EP consisted of five tracks\, including inevitable fan-favorites “Doing To Me” and “Trust Issues”. The grand finale of the Stripped Down Tour was the surprise release of yet another EP\, “Down Low”\, which added four stripped down tracks to Astrid’s rapidly increasing catalogue. \nAs she looks towards her debut album and a 50 date World Tour in 2020\, Astrid recalls exactly what pop music made her feel like as a young girl in a small town. ‘The moment I put a Discman on I was in another world. It was magical.’ Now she is ready to translate that early metamorphosis for her own fans. ‘To give them a world to get lost in as well.’ She is ready to colonize pop music with her own indefatigable energy. ‘Now I feel ready to fly.’ \n*** \nJosie Dunne \n \nWebsite\nFacebook\nTwitter \nWhen most effective\, music possesses an almost supernatural ability to take listeners on a vibrant journey. Listen closely to a well-constructed song\, and an artist’s pathway to the present comes into laser-sharp focus. To that end\, if ever one was curious where Josie Dunne stands at a given point in her life\, her sophisticated and ever-soulful songs told the tale. Songwriting then\, for the 22-year old breakout singer\, has always been a matter of “deep diving into who you are as a person\,” she offers. Because you have to be super self-aware to figure out your sound.”  Having worked as a professional songwriter since age 16\, and now on the cusp of releasing Late Teens Early Twenties\, her soul-baring second EP for Atlantic Records\, Dunne says in so many ways we have been and are continuing to play witnesses in real time to her self-discovery.  \n“You’re hearing me grow up — the real growth spurt\,” the singer says of her meandering road towards finding herself and\, in the process\, her unique brand of soul-infected pop. On Late Teens Early Twenties\, a collage of sweet-and-sticky pop and timeless soul\, “You’re seeing me learn these lessons for the first time\,” Dunne says of her warts-and-all storytelling that\, in conjunction with an electrifying sonic evolution\, makes her one of the most thrilling\, buzzed-about young pop stars of the moment.   \nTo hear Dunne tell it\, Late Teens Early Twenties is the clearest distillation of her sonic and lyrical maturation. The process of constructing  To Be The Little Fish\, her debut EP released last year via Atlantic\, was a soul and sound-searching process Dunne likens to a healthy dose of trial and error. Only a teenager at the time\, she experimented with a mélange of sounds and styles. Not until she wrote and recorded “Old School\,” that EP’s centerpiece and her breakout single\, did she feel she’d truly found her musical voice. “When we wrote Old School\,” she says of the sticky-sweet single directly inspired by her parents’ relationship\, “everything shifted. I was like\, Boom! That’s the direction!” she recalls\, noting how prior to its completion she’d felt compelled to write for any and every genre\, but in pinning down what made her tick — fresh and funky soul music with a contemporary pop flair–  she finally felt at home.  \nAnd\, not surprisingly\, her evolution as a songwriter and artists has only continued: Dunne’s new music is the result of endless sonic tweaking and intense self-examination – a process that first began in her middle school years when she’d post cover songs to YouTube and play local bars and restaurants in her native Chicago suburbs\, and was aided by her endlessly supportive family of artists. “Everyone in my family is super-creative\, Dunne says. “All of my siblings do something in the arts. They’re my biggest fans. I don’t know how I could have done it without them. To that end\, her sister\, Maisy Dunne\, choreographed and stars in an alternative dance video for “Ohh La La\,” the infectious single from Late Teens she released earlier this year. \n“I have such a different viewpoint now\,” Dunne says of the songs that comprise her bold new EP. In addition to opening herself up like never in her songs\, the singer-songwriter injected them with a diverse palette of influence that more accurately reflects her current musical tastes  \n“Listen\,” she continues. “A shirt that I would wear as a 17-year old I’m not really trying to wear now. And it’s the same with songs.” It’s why\, Dunne says\, while her latest work undoubtedly pays tribute to her longtime love affair with vintage soul\, it also points to an ever-growing love of mainstream pop and hip-hop. \nDunne points to “Ooh La La” as a major turning point in her artistic advancement. Its initial spark occurring when holed up in a hotel room on a songwriting retreat in Las Vegas (“I have all these voice memos where I was humming the melody\,” she recalls)\, the hooky jam which she completed with Andrew DeRoberts\, one of her most trusted collaborators\, was a major vote of songwriting self-confidence for Dunne. “It was just me and my brain\,” she says of first dreaming up the chorus\, “so it became my baby  Having first been thrown into professional songwriting rooms as an inexperienced teenager at the time making monthly trips to Nashville while on leave from high school\, Dunne admits she’s long been a bit insecure about her songwriting prowess. “Ooh La La” then\, which since being released has notched more than 2 million listens across streaming platforms\, represents a major creative leap forward for her. Dunne calls it “the biggest personal step forward in my confidence as a writer and as an artist\,” but it’s only one of her several groundbreaking new songs. There’s Same\,” all sly ukulele riff and gentle finger snaps\, which found Dunne digging into the writing process like never before. “I really workshopped that song\,” she notes of the multi-month process finessing the track with co-writers Ryan Ogren and Sarah Solovay\, before it finally felt perfect. And on “Stay The Way I Left You\,” written with writer-producer Sam Ellis\, Dunne says she discovered how even a song so seemingly spare and small – it started only with a simple guitar figure – can have so much emotional resonance.  \nWhat Dunne is perhaps most excited about\, however\, is that her artistic evolution is an ongoing one. So much of that\, she notes\, can be witnessed via her mesmerizing live show. Dunne admits at first she suffered from terrible stage fright– “You could probably literally see my hands shaking” – but that’s hardly the case anymore. Having toured with a wrecking crew of top-notch A-list musical talent\, from Julia Michaels to Andy Grammar and Ben Rector\, she’s become a confident and charismatic must-see entertainer. “It’s been really fun for me to give life to these songs\,” she says humbly of taking her infectious anthems from the studio to the stage\, and in the process developing a fervent fan base.  “It’s been amazing because it’s such a great challenge but also anything is possible. You just keep learning.” \nDunne also says that it’s been entirely self-empowering learning how it’s not only acceptable but advantageous to forever be discovering fresh avenues of her creative DNA.  “Because every time I’d write a new song people would say\, “How does it compare to the last one?” And my answer always was\, “Um\, I thought I knew who I was and what I sounded like but now I guess this is really it” To honest\,” she continues\, “I realized that as a human being growing in the world your sound  and perspective are always going to change. And that’s a beautiful thing.” \nWhich leads back to Late Teens Early Twenties. Sure\, Dunne admits the title pays tribute to that critical time period between adolescence and adulthood which\, as it should happen\, runs parallel to when she created her new music. But\, on a larger level\, she says it more speaks to the way in which we should always be aiming to find out more about who we are as individuals as we do during that time period. “Everything stems from that growth\,” Dunne says. At any age\, she says\, “You think you’re an adult and you know the world but you’re still constantly discovering more about yourself and the world you live in. I wanted to take that feeling and turn it into sound.”
URL:https://royaleboston.com/event/astrid-s/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20200423T190000
DTEND;TZID=America/New_York:20200423T190000
DTSTAMP:20260405T085332
CREATED:20191108T200039Z
LAST-MODIFIED:20200320T144116Z
UID:10002121-1587668400-1587668400@royaleboston.com
SUMMARY:[POSTPONED] Real Estate
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been postponed to a TBD date. All tickets will be honored at the new date. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nReal Estate \n \nWebsite\nFacebook\nTwitter \nThe band Real Estate have spent the last decade crafting warm yet meticulous pop-minded music\, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. They released their fourth and most recent album ​In Mind in early 2017\, which was met with glowing reviews from media and fans alike\, many of whom fell in love with the brilliantly melodic songwriting and rich lyricism of the band’s previous breakthrough record\, ​Atlas​ (2014). Real Estate have played festival stages worldwide\, including Coachella and Glastonbury\, and the​ In Mind​ tour saw them play the largest rooms of their career\, to fans eager to experience album highlights like singles “Darling” and “Stained Glass”. Real Estate have been hinting at a new release\, with fans at recent 2019 shows being surprised with live versions of previously-unheard songs. It seems likely that 2020 will bring a fifth record from the beloved group\, who excel at “deriving meaning from shimmering beauty” ​[NEW YORK TIMES]. \n*** \nPalm \n \nWebsite\nFacebook\nTwitter \nPalm plays rock music backwards. Eve Alpert and Kasra Kurt’s guitars occupy themselves most often with the pace-keeping work typical of a rhythm section. Meanwhile\, Gerasimos Livitsanos’ bass and Hugo Stanley’s drums perform commentary and reportage from their deeply embedded positions at the front. The band is firmly attached to the physicality of rock\, but not as much its tone; their instruments tend to sound like any number of things at any given time. \nNone of the members of Palm are formally trained on their instruments. The band formed in 2011 at college in Upstate New York\, when high school friends Eve and Kasra met Gerasimos and Hugo. In those early days\, the band was just beginning to forge its collective musical identity through experiments in recording and performing live. \nTheir first album\, Trading Basics (2015)\, was written in Hudson\, NY\, a riverside outpost where the group could clarify its intentions outside the direct influence of nearby cultural capitals. That year\, the members of Palm relocated to Philadelphia\, where they continue to live only a few blocks apart from one another. This proximity has facilitated a level of collaboration necessary for a sound so slippery to remain in the firm grasp of its players. \nOn 2017’s Shadow Expert EP\, they made use of the steady hand granted by a tireless touring schedule\, cutting their songs to efficiencies of pop confection without sacrificing the avant-adventurism at the center. The effort was met with praise from such outlets as Pitchfork\, Stereogum\, Spin\, and Tiny Mix Tapes\, who likened the sound variously to Stereolab\, Slint\, Sonic Youth and Broadcast. With Rock Island (2018)\, Palm excuses the company of these myriad influences with a sly brush of a hand\, ushering the listener into a new domain\, thrillingly strange for all its familiarity.
URL:https://royaleboston.com/event/real-estate-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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ORGANIZER;CN="Bowery Boston":MAILTO:info@boweryboston.com
GEO:42.3499959;-71.0656288
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