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DTSTART;TZID=America/New_York:20190329T220000
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CREATED:20190130T192629Z
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SUMMARY:Bear Grillz
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/bear-grillz/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190328T190000
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CREATED:20181211T151451Z
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SUMMARY:Jukebox the Ghost & The Mowgli's
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:45 pm \nTickets on sale Fri. 12/14 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJukebox the Ghost \n \nWebsite\nFacebook\nTwitter \nJukebox the Ghost’s latest record\, Off To The Races is a giddy\, vibrant collection of Jukebox the Ghost’s most bombastic\, colorful songs to date. Though it’s the fifth studio outing from this long-running trio of piano pop wizards\, it plays like an energetic debut album: Just as eager to please as it is eager to surprise you. Every generation has a band that puts a fresh twist on piano-rock\, and Jukebox the Ghost’s latest studio offering serves as a memorably vivid and kaleidoscopic step forward for the genre. \nOff To The Races is their fifth studio outing\, mostly recorded at Studio G in Brooklyn and engineered\, produced and mixed by Chris Cubeta and Gary Atturio (two exceptions: “Everybody’s Lonely” was produced by CJ Baran and Peter Thomas and “Fred Astaire” was produced by Chris Wallace). Longtime fans will hear little bits of past Jukebox the Ghost embedded in the record blanketed in a fresh\, more colorful sonic palette. The flamboyance and quirkiness of Let Live and Let Ghosts (2008)\, the retro sensibility of Everything Under the Sun (2010)\, the concise modern pop smarts of their recent self-titled album (2014) and Safe Travels (2012) and the raw live energy of their live album Long Way Home (2016) are all on full display if you listen closely. \nThe album is the result of a three-year songwriting and recording process\, culled from dozens of demos that the band brought to the table. Recording in their home base of Brooklyn enabled them to do more outside-the-computer sonic experimentation and live performance than past records have afforded. “In ‘Boring’ we sent Tommy’s backing harmonies through a distorting rotary speaker which created this totally weird underwater sound\,” explained Jesse Kristin. “And for ‘See You Soon’ we ran an electronic tabla machine through an amplifier and then I played drums along with it. That’s the sort of thing I think we wouldn’t have spent the time to do on our other records.”  \nJukebox the Ghost formed in college in 2006 and has been a steadily growing cult favorite and a globally touring band ever since. Composed of Ben Thornewill (piano/vocals)\, Tommy Siegel (guitar/bass/vocals) and Jesse Kristin (drums/vocals)\, they have played over 1\,000 shows across the country and around the world over the course of their career. In addition to countless headlining tours\, they have also toured as openers alongside Ingrid Michaelson\, Ben Folds\, Guster\, Motion City Soundtrack\, A Great Big World and Jack’s Mannequin\, among others. In addition to festivals like Lollapalooza\, Outside Lands\, Bonnaroo\, and Bottlerock\, Jukebox the Ghost has also performed on The Late Show with David Letterman and Conan. Their 2018 national headlining tour will take them to their largest headlining venues to date across April and May. \n*** \nThe Mowgli’s \n \nWebsite\nFacebook\nTwitter \nOne of the most exciting things in all of music is discovering a band early on\, following them throughout their career and watching that moment as they come into their own. For California alt-pop band THE MOWGLI’S that moment is two-fold on their superb third album “Where’d Your Weekend Go?\,” due fall 2016. They not only get to share their songwriting growth with fans who have followed the band since they formed in 2010\, the band got to experience it themselves. \nAsk singers and principal songwriters KATIE EARL\, JOSH HOGAN and COLIN DIEDEN the secret to the band’s growth on this new album and they will all say it came from within. “Involving the whole band in the writing process was a hugely important factor in this new record. When everyone’s there you just have more brains\, more minds\,” HOGAN says. EARL echoes this: “A lot of our songs start with one or two people’s ideas and the band puts their mark on them later. This time we spent a great deal of time in the room together as the six of us\, building many songs from the ground up.” \nThe results of incorporating band members whose tastes run from “musical theater to black metal to pop” according to HOGAN\, are an incredibly diverse collection of songs that run like a musical time machine through the best of the past four decades of music. \nFrom the jangly folk/pop of the Sixties-infused “Arms & Legs\,”and the groovy Seventies feel of “Monster” to the 80’s inspired “Bad Thing” and anthemic “Spiderweb” this latest collection is a testament to songwriting. \nOne recent song released from the LP\, “Spacin Out” is one of the first tracks that came together from jamming in the studio. “‘Spacin Out’ has a kind of jazzy feel\, but it’s very Mowgli’s\, “says HOGAN. “In the bridge we cut to a seven/eight time signature — it’s little things like that come from the fact we have some really amazing musicians in our band.” In addition to Dieden\, Earl and Hogan\, the band is rounded out by MATTHEW DI PANNI (bass)\, DAVID APPELBAUM (keys) and ANDY WARREN (drums). \nThe band has been previewing some of the new songs on recent tour dates with great success. “‘Monster\,’ it’s just crazy the reaction we’ve been getting from audiences\,” DIEDEN says. “It’s an immediately familiar-sounding song.” They’re also playing the album’s first released track\, “Freakin’ Me Out\,” a thoroughly engaging and winning blend of summer-like pop\, R&B and soul that is one of the band’s favorite songs since their first LP’s debut single “San Francisco.” \nHOGAN\, EARL and DIEDEN freely admit that the success of “San Francisco\,” which led to TV appearances on The Tonight Show\, Conan and Jimmy Kimmel\, sold-out tours and\, arguably most excitedly\, a prominent role in the San Francisco Giants’ World Series title in 2012 (the team played it regularly on their way to the championship) had influence on the sophomore record\, Kids in Love. \nMaking that second LP\, they felt rushed and pressured by often conflicting outside opinions. But as the cliché goes\, “That which does not kill you….” HOGAN credits that experience with motivating the band to take a stand against external forces on this collection. “With this record we were very clear about doing it ourselves and we just said\, ‘Give us a little time and we’ll write you a sick record\,'” \nThey backed it up\, showing growth\, not only musically\, but lyrically as well. “These songs are about really digging deeper into personal issues because there are only so many times you can sing about loving each other. It’s not that we have moved past that message necessarily\, it’s that we want to explore other concepts\,” HOGAN says. “There’s one song on the record\, ‘Last Forever\,’ that was meant for the second album but we ended up reworking it a lot. It’s a song I was writing going through a breakup and life changes\, with a line in the song that says\, ‘If we lose it altogether\, maybe love will last forever.’ That\, to me\, is the opposite of what the Mowgli’s would normally say. But I hope people can connect with that sentiment.” \nHelping them channel all these changes into the growth on the new album is producer Mike Green (Pierce The Veil\, All Time Low\, The Wanted)\, who the band was so confident they wanted to work with that they revised their whole recording schedule to accommodate his availability. \nTo EARL\, it was absolutely the right call. “We’re a lot of really big personalities\, a lot of energy and Mike has this really calming\, relaxed vibe that’s much different from any of the rest of ours. And he works so fast that nothing gets lost or overthought\,” she says. “It just felt like the right fit. We had never worked with him before\, so we did a trial run\, and just clicked.” \nDIEDEN agrees. “Mike has a really good sense of contemporary popular music but I think he’s very aware of how to make ideas sound different and unique. He also understands what people want to hear right now\, which is a great balancing act.” The band also collaborated with U.K. producer Rob Ellmore on “Automatic” and “Bad Thing\,” the LP’s first radio single. “‘Bad Thing” says Dieden\, “is a song about the kind of person who feels so good they’re dangerous. The kind of person you want to run away from and pull closer to you simultaneously. The song also makes ya wanna shake your butt with your pals.” \nAll of these elements — Green\, the band’s renewed independence and collaborative process — have weaved together seamlessly to make The Mowgli’s third record a career album\, that moment where the band steps to the next level as artists. HOGAN and EARL hear it proudly as they listen to the album all the way through. \n“It’s been really cool to learn and experience everything we have and now\, us as people\, we’re very close and I think we’re just at our best\,” HOGAN says. \n“This record is the truest representation of who we are\, not just as individuals\, but as a band\,” EARL says. It’s the sound of collaboration\, it’s the sound of listening to and working with each other in ways that we’ve never done before. I’m really\, really proud of every moment. Everybody shines more than they’ve ever shone. To me\, it feels like a rebirth for us.” \n*** \nTwin XL \n \nFacebook
URL:https://royaleboston.com/event/jukebox-the-ghost-the-mowglis/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190327T190000
DTEND;TZID=America/New_York:20190327T190000
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CREATED:20181030T173818Z
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SUMMARY:Big Wild
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 11/2 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nBig Wild \n \nWebsite\nFacebook\nTwitter \nAs Big Wild\, producer Jackson Stell crafts lush soundscapes and sweeping melodies that challenge the status quo of electronic music. Formerly a hip-hop beat producer\, known as J Beatz\, in his native Massachusetts\, Stell switched creative lanes following a life-altering trip to Big Sur\, California. He adopted influences from the state’s natural glory and open spaces to create the atmospheric and wide-spanning Big Wild sound\, which today traverses electronic\, indie\, pop and beyond.  \nSince officially launching in 2012\, Big Wild has become one of the fastest-rising dance/electronic artists in recent years. He first broke out in April 2015 with the incendiary track “Aftergold” (Foreign Family Collective)\, which topped the Spotify Global Viral Chart upon release. He followed the success of “Aftergold” with his debut EP\, Invincible\, in February 2017 (Foreign Family Collective).  \nAs the next progression\, in February 2019 Big Wild will release his debut album\, Superdream\, on Counter Records. The new album sees Stell pushing the boundaries as a producer and artist like never before\, as he serves as the primary lyricist\, singer and songwriter for the first time ever. Each song is diverse in sound and scope and represents the full spectrum of emotions and experiences that are central to the essence of being: in one moment\, you’re dancing out of your seat\, only to find yourself in joyful tears seconds later. The album title\, thus\, reflects this amalgamation: a super dream combining all of life’s curious\, inspiring occasions. The album’s first two lead singles\, “Joypunks” and “Maker\,” are out now\, with additional tracks to be released in the coming months. \n“The album was inspired by a need to create music that was a greater reflection of who I am now\,” Stell says of Superdream. “This led me to feature my voice and songwriting as the main focus for the first time ever. I wanted to create a personal record that people could relate to using my own life experiences. When I listen to Superdream\, it feels more like me than any of my other music.” \nAs a performer\, Big Wild is one of the most progressive live acts on the electronic circuit today. His live show has him switching between multiple instruments (drum pads\, synths\, keyboards & live vocals) to deliver unique energetic performances every night. Coinciding with the release of Superdream\, Big Wild will kick off a 17-date 2019 headlining tour across the US\, which will bring the Superdream album experience to the stage via a brand-new live show. www.bigwildmusic.com  \n—John Ochoa\, October 2018 \n*** \nRobotaki \n \nWebsite\nFacebook\nTwitter \nRobotaki: There is a lot more behind the name and the mask than most people may perceive. Coming in to the spotlight with his top-tier remix work\, and being recognized for his impeccable sounds\, Preston Chin\, the man behind the moniker\, has prepared himself to take on a much greater task. A task that entails enveloping the world with a powerful new take on funk and disco. A responsibility to brighten peoples days and to make people dance. A quest to bring a fresh musical experience to humans that has never been done before. \nAfter months in the studio crafting and harnessing forward thinking new sounds and ideas\, Robotaki is now armed with an arsenal of exciting original material. Material that will change the world with its superior production. Records and experiences that will lead listeners to question\, is he super human? \n*** \nMild Minds \n \nWebsite\nFacebook\nTwitter \nMild Minds’ SWIM EP is simultaneously dance-y and introspective\, painting a nuanced story atop of melancholic melodies and lo-fi house influenced beats.\nBenjamin David first started creating music at the young age of 13 in his home of Australia\, and has since found himself as the creative force behind several successful artist projects. Now\, with Mild Minds\, David has been able to find a solace in returning to his dance music roots\, creating a project without pressure and expectation. The result is authentic and unrestricted. \nMild Minds was immediately signed to ODESZA’s label Foreign Family Collective alongside Aussie mates RUFUS Du Sol\, as well as Inertia in Australia/New Zealand\, joining the likes of Bicep\, Bonobo\, and Leon Vynehall. His unreleased music was first debuted at Mercedes-Benz Fashion Week in Sydney.\nThe project was spawned after having a momentous epiphany in Japan\, where David was immediately compelled to head back to this current home in the states and get started creating music from his new found perspective. SWIM was written\, explored\, and created between Joshua Tree and Lake Arrowhead. He states\, “I wanted to do something that was completely ‘me’ in that moment. After being used to working with songs that had elaborate visions over long periods of time\, it was nice to make music simply as it came out. Without overthinking it\, without pausing or questioning the process like I was used to”.
URL:https://royaleboston.com/event/big-wild/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190323T220000
DTEND;TZID=America/New_York:20190323T220000
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CREATED:20190313T024105Z
LAST-MODIFIED:20190320T165946Z
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SUMMARY:T-Pain The Official Afterparty with Live Performance
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/spring-fling-ft-djrm/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190323T180000
DTEND;TZID=America/New_York:20190323T180000
DTSTAMP:20260408T085623
CREATED:20181212T181059Z
LAST-MODIFIED:20190311T190135Z
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SUMMARY:[SOLD OUT] T-Pain
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nT-Pain \n \nWebsite\nFacebook\nTwitter \nWith 60 hit songs under his belt and two Grammy trophies on his mantle\, T-Pain has cemented himself as one of the most influential artists of all time. But even he needed a bit of time to himself to reload. After a successful run of #1 hits\, albums\, tours and a plethora of cameo appearances\, T-Pain took some time off to enjoy the fruits of his labor and perfect his craft.  \nIn 2018\, T-Pain has returned and he is back and better than ever. He launched an “Everything Must Go” campaign in August to clear out his vault of unreleased music as a gift to his dedicated fans\, he is currently the star of the hit television show on Fuse titled “T-Pain’s School of Business”\, the dean of his very own university-Wiscansin University\, and has an album slated to come out in early 2019. T-Pain is showing no signs of slowing down and has proven that he only gets better with time.  \n*** \nAbby Jasmine \n \nWebsite\nFacebook\nTwitter \nStaten Island native Abby Jasmine\, is best known for her viral comedic videos across multiple social media platforms.  With over 700\,000 followers across Instagram\, Twitter\, and Musical.ly\, the 19-year old has created a following largely based on freestyle rap videos\, parodies & short skits.  She just released her first song “Long Live”\, a freestyle over Baka’s “Live Up To My Name” with a premiere from The Culture Plug.  Look for more from Abby heading into 2018\, including her debut EP.
URL:https://royaleboston.com/event/t-pain/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
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DTSTART;TZID=America/New_York:20190322T220000
DTEND;TZID=America/New_York:20190322T220000
DTSTAMP:20260408T085623
CREATED:20190225T155731Z
LAST-MODIFIED:20190225T155731Z
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SUMMARY:One More Time (Daft Punk Tribute)
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/one-more-time-daft-punk-tribute/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190322T180000
DTEND;TZID=America/New_York:20190322T180000
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CREATED:20181204T200026Z
LAST-MODIFIED:20190204T185058Z
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SUMMARY:[SOLD OUT] Lennon Stella - Love\, Me Tour
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nLennon Stella \n \nWebsite\nFacebook\nTwitter \nAt just 19 years old\, Lennon Stella (born August 13\, 1999) who was born in Ontario\, Canada\, has already achieved immense success in her career.  She began starring in the hit ABC TV series Nashville in 2012 as Maddie Conrad\, alongside her real-life sister Maisy Stella\, who plays Daphne Conrad. The series moved over to CMT (Country Music Television) for Season 5. Season 6 premiered January 2018 on CMT. Prior to acting in Nashville\, Lennon had already gained national attention when her and Maisy’s cover of Robyn’s “Call your Girlfriend” went viral. The performance captured the hearts of millions worldwide and resulted in their first appearance on Good Morning America. Their YouTube channel has over 100 million views and nearly 800\,000 subscribers. \nIn April 2013\, the sisters had a show-stopping performance of “Ho Hey” by The Lumineers on Nashville. When ABC released the cover to the radio\, it not only became the #1 most added song in the nation\, but it also rose to the Top 40 of the Billboard Songs chart. Their rendition remains the #1 most downloaded song of all the hit TV show’s releases. In addition\, Lennon and Maisy have sold more singles than any other cast member on the show. Later that same year\, they were invited to perform at the CMA awards and present Taylor Swift with the Pinnacle Award. \nIn April 2015\, Lennon added a new title to her resume: “Author.” Lennon and Maisy partnered with HarperCollins Publishing to release a children’s book called “In The Waves\,” which is based on their original song with the same title. To promote their new book\, Lennon and Maisy appeared on Good Morning America for the 3rd time\, The View\, Entertainment Tonight and BuzzFeed. She also presented at the Radio Disney Awards\, appeared on the TODAY show\, Fox & Friends and countless other media outlets. \nLennon has made her mark in the fashion world. She has been included on numerous “best dressed lists\,” such as U.S. Weekly\, People Magazine and USA Today. She partnered with Seventeen Magazine and InStyle to be a special correspondent. In February 2016\, she attended New York Fashion Week for the second time and walked in the Red Dress fashion show. Her eye for fashion is not limited to just clothing though. In July 2016\, Lennon and Maisy came out with an exclusive furniture collection with Pottery Barn Teen. The line highlights their eclectic and vintage style. \nLennon’s success with her songwriting career began during her time on Nashville. She was one of the writers on nine different songs that were featured in 15 episodes of the series. These songs include\, “Saved\,” “In Love\,” “Clockwork” and “Tennis Shoes. Towards the end of 2017\, Lennon recorded a rendition of “Baby It’s Cold Outside” alongside Barns Courtney. The track is featured on the Holidays Rule Volume 2\, which was curated by Paul McCartney. \n2018 has been an exciting year for Lennon as she signed her first label deal with RECORDS/Columbia Records. She released an acoustic version of her original song “Like Everybody Else” in August – it hit #1 on both the US and Canada Spotify Viral Charts. ‘Love\, me\,’ Lennon’s debut EP\, was released on November 16 and features lead single “Bad\,” which reached #19 on the Global Viral Chart. \n*** \nValley \n \nWebsite\nFacebook\nTwitter \nVALLEY is a band comprised of the four kids you used to know back in grade school. They were the ones talking excitedly about that classic band and some new artist in the same breath. They were the ones feverishly writing songs and rushing home to record them so you could finally understand what they were trying to say. \nMade up of Rob Laska (vocals)\, Michael Brandolino (guitar)\, Alex Dimauro (bass) and Karah James (drums) is forged from two bands who were accidentally double-booked for studio time. The born-and-raised Canadians seized the opportunity in disguise and began developing what would ultimately become one of the most refreshing and engaging new bands of the decade. \nVALLEY wrote and self-produced the acclaimed 2016 EP This Room Is White\, amassing over 10 million streams\, as well as garnering radio and TV placements for indie pop hit “Swim”. Now VALLEY have returned with two new singles. “Closer To The Picture” written and produced by the band in collaboration with Andy Seltzer (Maggie Rogers\, Tor Miller\, Penguin Prison)\, deals with the cycle of anxiety and self-reflection inherent in the deafening digital noise of 21st century living. The second single\, “Push For Yellow (Shelter)”\, rings as a declaration\, inviting listeners to embrace feelings of uncertainty\, knowing they’re not alone in their search for security. So far\, the new music has caught the attention of the indie music world with features on The 405\, Idobi Radio\, Indie88 and many more. \nBoth tracks are featured on their upcoming EP\, MAYBE – Side A\, the first installment of a full length project that VALLEY have been working on for the past two years and will be released in three parts over the next few months. \nThe timeless\, anthemic songcraft for which VALLEY has become known has been refined in their home studio in Toronto’s outer suburban rim\, the bright sunshine of Los Angeles\, and the gritty real of New York City. The group found a lot of inspiration for new music in the neighborhoods of Brooklyn and found a sound that is utterly contemporary and sophisticated\, but also\, in all the right ways\, a little bit throwback. VALLEY are the Toronto band with an undeniable New York sound that are about to be at the top of your radar.
URL:https://royaleboston.com/event/lennon-stella-love-me-tour/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190316T220000
DTEND;TZID=America/New_York:20190316T220000
DTSTAMP:20260408T085623
CREATED:20190221T164130Z
LAST-MODIFIED:20190221T164709Z
UID:10002032-1552773600-1552773600@royaleboston.com
SUMMARY:Royale Saturdays: St. Patty's Day Bash ft. Richard Fraioli
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-st-pattys-day-bash/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190315T220000
DTEND;TZID=America/New_York:20190315T220000
DTSTAMP:20260408T085623
CREATED:20190125T160006Z
LAST-MODIFIED:20190125T153647Z
UID:10002021-1552687200-1552687200@royaleboston.com
SUMMARY:Borgore
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/borgore/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190311T173000
DTEND;TZID=America/New_York:20190311T173000
DTSTAMP:20260408T085623
CREATED:20190213T190944Z
LAST-MODIFIED:20190213T190944Z
UID:10002744-1552325400-1552325400@royaleboston.com
SUMMARY:Speed Rack: Charity Female Bartending Competition
DESCRIPTION:21+
URL:https://royaleboston.com/event/speed-rack-charity-female-bartending-competition/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190309T220000
DTEND;TZID=America/New_York:20190309T220000
DTSTAMP:20260408T085623
CREATED:20190221T164539Z
LAST-MODIFIED:20190221T164539Z
UID:10002033-1552168800-1552168800@royaleboston.com
SUMMARY:Royale Saturdays: Fyre Island ft. Dirty Dek
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-fyre-island-ft-dirty-dek/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190309T180000
DTEND;TZID=America/New_York:20190309T180000
DTSTAMP:20260408T085623
CREATED:20181022T145530Z
LAST-MODIFIED:20181223T210406Z
UID:10002698-1552154400-1552154400@royaleboston.com
SUMMARY:[SOLD OUT] Ella Mai
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nElla Mai \n \nWebsite\nFacebook\nTwitter \n*** \nKiana Ledé \n \nWebsite\nFacebook\nTwitter \n*** \nLucky Daye \n \nWebsite\nTwitter
URL:https://royaleboston.com/event/ella-mai/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190308T220000
DTEND;TZID=America/New_York:20190308T220000
DTSTAMP:20260408T085623
CREATED:20190115T160049Z
LAST-MODIFIED:20190114T160015Z
UID:10002006-1552082400-1552082400@royaleboston.com
SUMMARY:4B
DESCRIPTION:21+\nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/4b-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190307T190000
DTEND;TZID=America/New_York:20190307T190000
DTSTAMP:20260408T085623
CREATED:20190130T175140Z
LAST-MODIFIED:20190130T175140Z
UID:10002734-1551985200-1551985200@royaleboston.com
SUMMARY:Loboda : Superstar
DESCRIPTION:21+ \nValid ID required. \nUS Drivers license or state issues ID. \nInternational Passports allowed but copies will not be accepted \n 
URL:https://royaleboston.com/event/loboda-superstar/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190305T190000
DTEND;TZID=America/New_York:20190305T190000
DTSTAMP:20260408T085623
CREATED:20181023T160808Z
LAST-MODIFIED:20190304T171226Z
UID:10002699-1551812400-1551812400@royaleboston.com
SUMMARY:Aurora
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri. 10/26 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue.  Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nAurora \n \nWebsite\nFacebook\nTwitter \nIt is as if pure magic runs through AURORA’s veins. Enchanting by name and by nature\, there’s something decidedly singular and strange about this tiny Nordic musician with the massive talent.\nWith an eye-watering 200 million+ streams and 500\,000+ sales for her stunning 2016 debut album\, ‘All My Demons Greeting Me As A Friend’\, it’s hard to believe that the dynamic Norwegian singer/songwriter is still only 21\, and AURORA is now pushing things forward like never before. “There’s a deeper understanding of myself and what I want to say and do than on my first album. It’s more tuned into my soul and who I am\,” explains the Bergen-based artist of her new material. “It’s about the many\, many different aspects of what it is to be human. It covers the way we hurt and we love and the way we are so beautiful but also so awful.” See\, AURORA isn’t just a singer\, but a warrior\, a sage and a protector. Oh\, and a bloody good songwriter to boot.\nRecorded in a fairytale studio/chateau in the middle of nowhere\, somewhere out in the south of France\, her new songs veer from the personal to the political\, taking in everything from break-ups and death to feminism and environmentalism. These are songs you can find solace in but also songs that pose questions. “The world is becoming really quite chaotic\,” says AURORA of the swirling uncertainty reflected in those soon-to-be-shared new tunes\, but that isn’t necessarily a bad thing. “I think it’s good for us. It’s good to get tastes of this chaos so we can understand the places where it happens all the time better.”\nThough co-produced with British duo MyRiot [London Grammar\, Rae Morris] and fellow fast-rising Norwegian talent Askjell\, AURORA was adamant that she would play a large part in the production of her new music. “It’s so important to me that the music is a good enough reflection of who I am inside\,” she states. “I’m the only one who really knows me\, the core of me\, and I do me the best!” In a world where too many female artists are corralled into working with male producers\, it’s a move that makes a significant statement.\nShoring up her unique\, enchanting sound are Trondheim Symphony Orchestra and Florence and the Machine harpist Ruth Potter\, a cello quartet\, and a 32 strong gay male voice choir from Oslo. “They’re spectacular\,” she beams of the vocal troupe\, who appear on three songs. “The energy they have is so amazing\, it’s so alive and naughty\, but happy. I just love them.” AURORA has balanced the smooth with the rough. “Every song asks for a different thing and every line asks for a different emotion\,” she explains. “Sometimes an ugly vocal presentation\nmakes for the better emotion\, so it can be quite ugly and gritty and messy\, which you can hear even more on this album.”\nSentimental and fragile\, but tough and strong too\, AURORA wants her next full length project to make people “feel like they can accomplish things. It makes me feel like a fighter or a hunter – someone that can do whatever.” Reflecting the many facets of her character\, it’s ‘The Seed’ which shines a light on AURORA’s innate love of nature. Based on a traditional Native American saying\, she asks what will happen after the last tree has fallen and the rivers have been poisoned. “More than anything else around me Mother Earth is my biggest inspiration\,” she says\, calling the song “a fight for the things that can’t really fight for themselves.”\nThe strident returning single ‘Queendom’ is not just AURORA’s ‘Time’s Up’ anthem\, but a song for everyone. “Queendom has a feminist angle and it’s an important time for women right now; we are constantly fighting for each other to have a better life on this planet\, but it also stretches its arms further than that – to everything that’s alive\, to the men and boys\, to the animals and to nature.” In AURORA’s Queendom\, everyone fights for everything that’s alive and its right to live. Which is kind of awesome\, don’t you think?\nIn whatever form it eventually takes\, this collection of new songs she now sits on offer up a powerful look not just at one of the most exciting\, singular artists around\, but the most important issues of 2018. We’ll leave it to her to have the final word though. “Singing makes me feel like I’m opening a window in my skin\, the biggest window I have. The voice comes from my belly and out to the world – it’s such a powerful thing.\n“It makes me feel like some kind of portal\, which is a very nice feeling because I’m not me\, I’m not anyone – I’m just a voice\, which is not the worst thing to be!” \n*** \nTalos \n \nWebsite\nFacebook\nTwitter \n*** \nSean McVerry
URL:https://royaleboston.com/event/aurora/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190304T190000
DTEND;TZID=America/New_York:20190304T190000
DTSTAMP:20260408T085623
CREATED:20181205T220044Z
LAST-MODIFIED:20190122T185629Z
UID:10002715-1551726000-1551726000@royaleboston.com
SUMMARY:[Moved to The Sinclair ]Wet & Kilo Kish
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nThis show has been moved to The Sinclair. All tickets for the Royale show will be honored. Tickets are available here. \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM.
URL:https://royaleboston.com/event/wet-kilo-kish/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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GEO:42.3499959;-71.0656288
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Royale Nightclub Boston MA 279 Tremont Street Boston MA 02116 United States;X-APPLE-RADIUS=500;X-TITLE=279 Tremont Street:geo:-71.0656288,42.3499959
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190303T190000
DTEND;TZID=America/New_York:20190303T190000
DTSTAMP:20260408T085623
CREATED:20190115T201835Z
LAST-MODIFIED:20190206T201925Z
UID:10002013-1551639600-1551639600@royaleboston.com
SUMMARY:[SOLD OUT] Dean Lewis
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:30 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nDean Lewis \n \nWebsite\nFacebook\nTwitter \nOn Dean Lewis’s latest single “Be Alright” for Island Records\, he perfectly captures gut-wrenching heartbreak that comes with the hardships of a break-up. But while it deals candidly with anguish\, the chorus swells with hope; a recognition that this pain is only temporary\, with Lewis emotively singing “It’s never easy to walk away/ Let her go/ it’ll be ok”. “Be Alright” has already amassed over 200 million streams and is the first taste of Lewis’ forthcoming album and signals a newfound conviction in his own storytelling and singing capabilities. Buy / Listen to Dean Lewis: www.DeanLewis.lnk.to/BeAlrightID. \nLewis’ debut EP Same Kind Of Different\, gave us chart-topping single\, “Waves\,” which was added to Triple J rotation\, has had over 122 million streams\, 31 million video views and was the second biggest Australian single of 2017. Suddenly\, Lewis was gracing the stages of Europe’s biggest television shows\, playing headline shows and festivals slots across Australia and the US. “Waves” even appeared on programs like Suits\, Riverdale and Grey’s Anatomy. \n*** \nSYML \nWebsite\nFacebook\nTwitter \n*** \nJack Gray \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/dean-lewis/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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GEO:42.3499959;-71.0656288
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190302T220000
DTEND;TZID=America/New_York:20190302T220000
DTSTAMP:20260408T085623
CREATED:20190218T141820Z
LAST-MODIFIED:20190218T141820Z
UID:10002025-1551564000-1551564000@royaleboston.com
SUMMARY:Royale Saturdays: Mardi Gras ft. DJ Tao
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-mardi-gras-ft-dj-tao/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190302T180000
DTEND;TZID=America/New_York:20190302T180000
DTSTAMP:20260408T085623
CREATED:20180903T160031Z
LAST-MODIFIED:20190124T171434Z
UID:10002679-1551549600-1551549600@royaleboston.com
SUMMARY:The Cat Empire
DESCRIPTION:Presented by Bowery Boston \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri. 9/7 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nThe Cat Empire \n \nWebsite\nFacebook\nTwitter \nf it has been a while since you danced up a storm\, sang out loud\, smiled until your face hurt\, had a night out with your friends or lover…the time has come…  \nFor over a decade\, The Cat Empire have been known far and wide as one of the worlds greatest party bands. Their colourful\, genre-bending music\, shipped across the globe in travellers backpacks\, seems at home almost anywhere. Difficult to describe and impossible to categorise\, The Cat Empire’s reputation is built upon a chaotic and fiercely uplifting live show that saw their last album debut Top 20 in 16 countries around the world.  \nLoved around the globe for their melody driven mood lifting music\, and with well over 1200 shows under their belts\, their career has been spectacular. This is testament to the quality of their musicianship\, showmanship and unstoppable energy and generosity as performers.  \nThe Cat Empire have chosen to kick off their 2019 Global Tour in North America to celebrate the release of their new album\, due Feb 2019.  Expect to hear new songs\, and old favourites.  Shows will sell out quickly\, so secure your tickets early. \n*** \nNeal Francis \n \nWebsite\nFacebook\nTwitter \n“I just wanted to be honest about everything\, from my musical influences to my story\,” muses Neal Francis. After years of dishonest living — consumed by drugs\, alcohol\, and addiction — such sincerity is jarring from the 30-year-old Chicago-based musician. Liberated from a self-destructive past and born anew in sobriety\, Francis has captured an inspired collection of songs steeped in New Orleans rhythms and Chicago blues. His music evokes a bygone era of R&B’s heyday while simultaneously forging a new path on the musical landscape. Ohio-based Karma Chief Records (a subsidiary of rising soul label Colemine Records) will release two songs\, “These Are The Days” and “Changes\, Pt. 1\,” in early 2019 with the full LP to follow in summer 2019. \nThere is a deep connection between Francis’s childhood — his obsession with boogie woogie piano\, his father’s gift of a dusty Dr. John LP — and the songs he’s created. The result is an astonishing collection of material without parallel in the contemporary funk and soul scene. The influences are unmistakable: the vocal stylings of Allen Toussaint and Leon Russell; the second line rhythms of The Meters and Dr. John; the barroom rock ‘n’ roll of The Rolling Stones; the gospel soul of Billy Preston; the roots music of The Band. Francis pays tribute to the masters but has his own story to tell: “It’s the life I’ve lived so far.” \nAnd what a life it’s been. Born Neal Francis O’Hara\, the piano prodigy found himself touring Europe by the age of 18 with Muddy Waters’ son and backing up other prominent blues artists coast-to-coast. In 2012\, Francis joined popular instrumental funk band The Heard. With Francis at the creative helm\, The Heard transformed into a national act\, touring with boogaloo progenitors The New Mastersounds and chart toppers The Revivalists and appearing at Jazz Fest and Bear Creek. As The Heard’s star rose\, however\, Francis sunk deeper into addiction. Once a promising sideman\, by 2015 he had been fired from his band\, evicted from his apartment\, and was perilously close to self-destruction. “When you get close to death like that you can feel it\,” Francis recalls. An alcohol-induced seizure that year led to a broken femur\, dislocated arm\, and\, finally\, the realization that he needed to get clean. \nThe journey from a hospital bed to launching his solo career was neither predictable nor straightforward. There were musical fits and starts\, relapses\, and broken relationships. Yet the overwhelming passion driving Francis in this second act has been an overabundance of creative energy. “Drinking held my music in a half-cocked slingshot. I was always so consumed by drugs and alcohol that I didn’t have the time\, money\, or creative energy to do it. Sobriety let it loose.” \nDetermined to realize the songs swirling in his head\, Francis assembled a crack team of musicians\, calling on bassist Mike Starr (The Heard) and drummer PJ Howard (The Revivalists\, The Heard). He linked up with producer and analog-obsessive Sergio Rios (Orgone\, Cee Lo Green\, Alicia Keys) and self-funded a trip to Killion Sound in Los Angeles to record the initial batch of material. “I learned to trust my instincts in that room\,” says Francis. Buoyed by classic horn arrangements and Rios’ fierce guitar work\, the resulting tracks illuminate a lifetime spent studying the masters of soul music. \nFrom the RMI electra-piano riff that kicks off “She’s A Winner” to the screaming organ swells of “This Time\,” Francis and company let it all hang out. This is fun music\, dance music. Yet verse after verse and chorus after chorus\, Francis wrestles with his past in a straightforward manner: “It’s 5 o’clock in the morning\, but I’m not home/ I’m surrounded by people\, but I’m really alone.” Like Toussaint and Russell before him he’s married the upbeat rhythms of New Orleans R&B with the lyrical approach of a confessional singer/songwriter. The refrain on “This Time” serves as a foxhole prayer for a better future: “Let me get it this time/I won’t let you down/Let me get it this time/I won’t fool around.” \n2018 has been a busy year. In February Francis finished recording basic tracks for the yet-to-be named debut album in Los Angeles and spent the following months doing overdubs in Chicago with engineer Mike Novak (who also recorded demos for the project). After playing his first show in November\, Francis was signed by Paradigm Talent Agency. He is now preparing to tour relentlessly to promote his own music. “I’m doing this to fulfill a drive within myself\, but also to pay tribute to the gifts I’ve been given. And it comes from a place of immense gratitude. I’ve been given so much in my life\, especially in the last two years\, that this feels like a bonus.”
URL:https://royaleboston.com/event/the-cat-empire/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190301T220000
DTEND;TZID=America/New_York:20190301T220000
DTSTAMP:20260408T085623
CREATED:20190205T181404Z
LAST-MODIFIED:20190205T181404Z
UID:10002739-1551477600-1551477600@royaleboston.com
SUMMARY:A-Trak x Laidback Luke
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/a-trak-x-laidback-luke/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190301T190000
DTEND;TZID=America/New_York:20190301T190000
DTSTAMP:20260408T085623
CREATED:20181030T140034Z
LAST-MODIFIED:20190228T180637Z
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SUMMARY:[SOLD OUT] Jacob Collier
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 7:45 pm \nThis show is SOLD OUT! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: This show is open to all ages. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJacob Collier \n \nWebsite\nFacebook\nTwitter \nJacob Collier’s series of viral YouTube videos are what first made him a star\, and caught the attention of Quincy Jones.  On 2016’s In My Room\, which won 2 GRAMMYs and a Jazz FM Award\, Collier sang\, played\, and produced everything himself.  And he made it all in his childhood bedroom.  In My Room led to collaborations with Herbie Hancock and Hans Zimmer\, performances with the likes of Pharrell\, a TED Talk\, a BBC Proms concert and much more.  After releasing that astonishing gambit\, he decided he wanted to open the process up to the world\, to allow the music and musicians that had influenced him to participate in the very songs he wrote. \nOn January 1\, 2018\, Jacob woke up in London and began something bold: He sat down and started composing for an orchestra for the first time\, giving himself just four weeks to finish an entire album before flying to The Netherlands to record the songs with the Metropole Orkest. That was only the first day and first act of a year of new musical adventures for the British singer\, multi-instrumentalist\, and production wunderkind—the dawn of a profound period of musical dialogue and discovery that is now poised to dazzle the world.   \nThat morning\, Collier started making Djesse\, a four-album cycle composed entirely during 2018 and featuring contributions from a global cast of his musical inspirations. It is one of the most audacious recording projects to emerge this decade from someone who has already established himself as one of music’s most brazen and electrifying new minds. Djesse is a universal wonder. \n“I never planned to record a four-album project\, but it occurred to me that there was so much music I wanted to write at this point that I might as well just write it all\,” explains Collier\, laughing. “I’ve always been a huge fan of going to the deepest waters of something I don’t truly understand and making something happen. It’s amazing to see how oftentimes when you just jump in and do the thing\, something magical will happen.” \nTake\, for instance\, “Everlasting Motion\,” the ecstatic rhythmic centerpiece of Djesse’s first volume. For years\, the musically omnivorous Collier had studied gnawa\, a spiritual and relentlessly percussive ancient sound rooted in Northern Africa. He loved its hypnotic rhythms and the way its vocals seemed to unfurl in endless ribbons. Collier wanted to collaborate with Hamid El Kasri\, a modern Moroccan master of the form. He asked around\, eventually obtained an email address\, and sent a note explaining his backstory and project. Nearly three months passed. Collier had essentially given up on El Kasri\, assuming that either the email address he had found was outdated or that one of Morocco’s living legends simply had no interest in such a nebulous project.  \nBut suddenly\, an enthusiastic answer arrived: Come to Morocco\, and make music. Collier booked a flight to and studio time in Casablanca\, where he spent 24 hours recording with El Kasri and asking one of gnawa’s current wellsprings about the history of the genre itself. He left with new information and a radiant piece of polyglot pop\, where strings and horns and funky bass dance in jubilation.  It is a magnificent moment of ignored borders and a positive affirmation of Collier’s central vision for Djesse. \nIn one story and one song\, this is the spirit of Djesse. (Pronounced “Jesse\,” the album’s name is an extrapolation of Collier’s initials\, though he’s not the character at the center of this epic.) In these four albums\, all written and engineered and produced by Collier\, he has taken the singular approach to arrangement and harmony that have earned him acclaim since he was a teenager on YouTube and paired it with the artists he treasures. In the process\, he has traveled from Los Angeles to New York\, Tokyo to Casablanca\, Nashville to Abbey Road with a compact version of his home studio in tow. Documenting a year in Collier’s life and of his musical loves\, Djesse is a monumental testament to creative exploration and collaboration.  \nOn the first volume\, his key partner is the Metropole Orkest\, the 70-year-old Dutch ensemble that programs and performs with the aplomb and energy of youth. Led by conductor Jules Buckley\, the Metropole continues to reimagine how modern symphonies can sound and how they should play. Alongside Collier\, they animate the voices of El Kasri\, stunning a cappella group Take 6\, and the rapturous soul singer Laura Mvula. You hear Collier wink awake through a gorgeous vocal aubade\, then assert his distinctive voice as an arranger and orchestrator\, where the ensemble becomes new limbs with which to create motion and harmony. “Keep in motion/Stay unspoken\,” he sings again and again. “If I’m broken/Keep me open.” There are sweeping ballads\, classical beauties\, electric R&B tunes\, and a cover of “All Night Long” that swings from South America to the American South in seven minutes that rush past in an instant. \nAnd that’s just the start. As the volumes are revealed\, different textures and themes and sounds will be explored in equally astonishing ways. Jacob imagined Djesse as a grand journey through space and time\, and the volumes follow his path. In addition\, across the quartiles nearly two-dozen collaborators will be featured\, from pop stars and folk songwriters to guitar wizards and soul singers.  Collier stands bravely at the center of it all\, the writer\, producer\, arranger\, and singer putting himself in conversation with the musical world at large. \n“I’m treating it as this great big puzzle. Piece by piece\, it comes together\,” he says. “An idea like this can’t come without obsession on every single plane ride\, every single day\, every single night\, staying up to think about how it all fits together. Rather than being my four walls\, this time my room is the Planet Earth. I have been able to call many rooms my room.”  \nIn times of political turmoil\, the assumption is that the artistic response should be one of bile and vitriol\, the raised fist of barbed punk or plaintive folk or urgent hip-hop instructing us how best to broadcast our anger and how best to organize it. Djesse isn’t a disavowal of that idea so much as an alternative that stares into a darkness with an irrepressible light\, a universal ecstasy. During these four volumes\, Jacob Collier doesn’t merely embrace globalism or give it the deference of lip service. He lives it\, sings it\, arranges for it through songs that fight for something—music and its power to remind us of the connections we all share\, the joy\, and pain and humanity of being alive at all.
URL:https://royaleboston.com/event/jacob-collier/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190226T200000
DTEND;TZID=America/New_York:20190226T200000
DTSTAMP:20260408T085623
CREATED:20190108T140052Z
LAST-MODIFIED:20190226T155127Z
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SUMMARY:Wiz Khalifa and Curren$y
DESCRIPTION:Presented by Bowery Boston \nDoors: 8:00 pm / Show: 9:00 pm \nTickets on sale Fri 1/11 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nWiz Khalifa \n \nWebsite\nFacebook\nTwitter \nMulti-platinum selling\, Grammy and Golden Globe nominated recording artist Wiz Khalifa burst onto the scene with mainstream success with the release of his first major label debut\, Rolling Papers‎ in 2011. ‎Rolling Papers spawned the hugely successful hits “Black and Yellow\,” “Roll Up” and “No Sleep” and gave Wiz the platform to win the award for Best New Artist at the 2011 BET Awards and Top New Artist at the 2012 Billboard Music Awards. His sophomore studio album\, Blacc Hollywood\, ‎debuted at #1 on Billboard’s Top 200 album chart and featured the hit single “We Dem Boyz.” Soon after Khalifa’s track\,‎ “See You Again\,” off the FURIOUS 7 soundtrack\, catapulted to the top of the charts across 95 countries. Holding the #1 spot for 12 consecutive weeks\, “See You Again” broke records by being Spotify’s most-streamed track in a single day in the United States and in a single week in 26 countries. In addition to winning 3 Teen Choice Awards in 2015\, “See You Again” continued its success by winning a Critics’ Choice Award in the category Best Song\, winning two Billboard Music Awards in the categories Top Hot 100 Song and Top Rap Song\, earning three Grammy Award nominations in the categories Song of the Year\, Best Pop Duo/Group Performance and Best Song Written for Visual Media\, and a Golden Globe nomination in the category Best Original Song – Motion Picture. Wiz released his album Khalifa in February of 2016 as a thank you to fans which includes the tracks “Bake Sale” featuring Travis Scott\, “Zoney” and “Elevated.” On June 3 Wiz released TGOD Mafia Presents: Rude Awakening with his TGOD Mafia collaborator Juicy J. Wiz recently co-headlined The High Road Summer Tour with Snoop Dogg this past July. \n*** \nCurren$y \nWebsite\nFacebook\nTwitter \nNew Orleans rapper and Hip-Hop connoisseur Curren$y thrives on making music on his own terms. With his “Jet Life” mantra about living life to the fullest\, the savvy rhyme spitter (why do you think they call him “Spitta”?) is focused on a lyrical devotion to the truth and authenticity. It’s because of this ethos that the man born Shante Anthony Franklin has transcended any regional rap stereotypes to become a favorite of bloggers\, critics\, fans and everyone in between. Now aligned with Atlantic Records.\, the plan is to let Spitta be himself\, but have even more people get acquainted with the Jet (Just Enjoy This Sh*t) Life.\nInspired by a litany of Hip-Hop heavyweights (“You’re putting your voice on top of some shit\, you gotta say something.”) including Slick Rick\, Snoop Dogg\, Camp Lo\, DJ Quick\, A Tribe Called Quest\, OutKast and 8Ball & MJG\, by 2002 the young Curren$y took his talents to Master P. Signing a recording deal with No Limit Records\, he was a member of the 504 Boyz. Only two years later\, he switched over to Cash Money Records\, becoming the marquee artist of Lil Wayne’s then fledgling Young Money Records. The experience with the hometown labels taught him not only how to be a team player but about the type of artist he wanted to be.\n“I was in other places. The verse before would be about possibly decapitating somebody with a shotgun and boatloads of cocaine\,” recalls Curren$y. “So young me was like\, so I shot him too and I got two keys out of the ten. Then I would try to sneak in something else about how I got the newest Jordans and this that and third to still be myself.”\nCurren$y went for self in late 2007 when he formally left the Young Money fold. An album called Music To Fly To was recorded for the label but never released. After walking away from the Lil Wayne co-sign\, Curren$y began releasing mixtapes (Life At 30\,000 Feet\, Independence Day\, et al.) to let fans know his talents didn’t go to waste when he was sitting on the shelf. Off the strength of his mixtapes\, Curren$y earned a spot on the 2009 Freshmen cover of XXL Magazine (December 2008 issue)\, labeling him as one of Hip-Hop’s most promising acts.\nLabels began sniffing around for Curren$y’s services around this time\, but he preferred to remain independent. “The rap game\, I didn’t know the politics of it until I was completely dolo in making the music that I make. I started going to meetings and realizing how the machine was set up.”\nSpitta was increasing his music business IQ but was still adamant about not compromising his art. “Any song that an artist gives you\, if there’s a world for him out there\, it’s going to do what it do\,” he says. “It doesn’t have to sound like whatever’s popping on the radio. It has to sound like that artist because that’s what people want.”\nThe New Orleans native moved to New York City because he felt that the creative energy there would only help him bolster his movement. “It was just smarter for my hustle to be somewhere where everything is right at my fingertips\,” he says. “It just so happened that the city was fucking with me. I felt the love the \nwhole time and I still do. When I got out here to New York\, I was able to be with so many people absolutely on the grind. I could shoot a video every day\, and they wanted to do it. Once I got all that work done\, people [back home] came out of their shells and said I can do this. Now I’m assembling a team in the city of people that are talented and I’m working with them as well.”\nTo call Curren$y output of music prolific would be an understatement. In 2009 Curren$y released This Ain’t No Mixtape\, via Amalgam Digital\, and the same year released another album\, Jet Files. He also aligned with ex-Roc-a-fella Records head honcho Dame Dash and his new DD172 venture. The result was in 2010\, Curren$y would again drop two albums\, Pilot Talk and Pilot Talk 2\, via Dash’s DD172 label with distribution from Def Jam Record. Throughout this time Spitta was receiving acclaim for his music\, and videos\, as well as making moves with lifestyle and streetwear brands like Married to the Mob\, Diamond supply and Rocksmith. An avid automobile fan and collector\, he also has a couple of car clubs (Boxed Sets with Chuck English from rap group the Cool Kids\, and Cruise Life in New Orleans with his manager/business partner and long time friend Mousa Hamdan).\nYes\, Curren$y is living the good life\, but don’t make the mistake of calling him some type of stoner rapper. “When you rapping about weed and kicking it\, how pissed off can people be with you. dog?\,” he observes. “If that’s really what you doing. Just don’t be a studio chiller. Everybody wants to get on with this fucking weed rap. It’s not weed rap. There’s no stoner rap. It’s not a genre\, that’s bullshit. Anybody that’s doing that should be kicked in the balls because that’s some gimmick shit. Four bars ago you were barely smoking\, dog\, and now you’re smoking a doobie.”\n The charismatic Curren$y is living\, breathing example of that tried and true quote from from Confucius: “Picking a job you love\, you’ll never have to work a day in your life.”\n“I hit the ultimate liq. I watch basketball like\, ‘Yo\, they’re getting paid to play’\,” says Curren$y. “This is the equivalent. Yeah\, it’s work\, but the trade off is pretty G’d up.” Now that’s the Jet Life. \n*** \nChevy Woods \nWebsite\nFacebook\nTwitter \n*** \nFendi P/T.Y. \nWebsite\nTwitter
URL:https://royaleboston.com/event/wiz-khalifa-and-curreny/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190224T190000
DTEND;TZID=America/New_York:20190224T190000
DTSTAMP:20260408T085623
CREATED:20181030T120039Z
LAST-MODIFIED:20181029T203158Z
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SUMMARY:Deerhunter
DESCRIPTION:Presented by Bowery Boston \nDoors: 7:00 pm / Show: 8:00 pm \nTickets on sale Fri 11/2 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \nDeerhunter \n \nWebsite\nFacebook\nTwitter \nFrom Atlanta\, Georgia\, the origins of Deerhunter can be traced back to when frontman Bradford Cox first met guitarist Lockett Pundt at high school. Years later Bradford met Moses Archuleta and started jamming together. Other contributors to Deerhunter since its establishment in 2001 include Josh Fauver\, Colin Mee and Whitney Petty. The current incarnation consists of Cox\, Pundt and Archuleta plus bassist Josh Mckay and guitarist Frankie Broyles. \nDeerhunter’s first album was a lo-fi experiment not initially intended for the wider world\, but appeared in 2005 on a local Atlanta label\, Stickfigure. Although officially untitled\, it has since become known as Turn It Up\, Faggot; a phrase that doesn’t actually appear on the sleeve but is an insult that Cox claimed was often thrown at the band during their early gigs. Their next album\, Cryptograms (2006)\, was generally considered to be their real debut and as such things started to get serious for the band. They had moved to fêted Chicago indie\, Kranky (Godspeed You! Black Emperor\, Low\, Stars Of The Lid)\, and the world outside was starting to pay attention. \nThen in mid-2008\, Deerhunter and Kranky signed a deal with 4AD\, allowing them to finally release music outside the US and the band’s next move was to prove epic in more than just musical terms.?? Recorded over the course of a week at the Rare Book Studios in Brooklyn\, NY\, the Can and Wire-inspired Microcastle (2008) was to propel them to further heights. However\, the album leaked four months before release\, leading the band back to the studio to record Weird Era Cont.\, an album in its own right added as a bonus disc to make Microcastle a 25-track colossus. Not content with such prolificacy\, the band announced a new five track EP\, Rainwater Cassette Exchange\, in 2009 and that its release would coincide with the band’s extensive European\, Japanese and Australian tour in May and June.?? \nDisplaying few signs of slowing down\, Halcyon Digest\, the band’s fourth studio album was released in September 2010. Remaining in their native Georgia to piece together the album\, Halcyon Digest took just a few weeks to complete. The recording sessions took place at Chase Park Transduction in Athens with Ben H. Allen helping to co-produce the album\, while final track\, ‘He Would Have Laughed\,’ was recorded separately by Bradford Cox at NOTOWN SOUND in Marietta. To announce the release\, the band fully embraced the DIY mindset of their New Wave heroes from the 70’s and 80’s with a Cox-designed\, cut-and-paste Xeroxed flyer. It’s with these kind of approaches that Deerhunter continue to widen their sphere of influence and impress with each subsequent release. \nAfter a brief hiatus\, during which time Bradford Cox and Lockett Pundt released their own albums as Atlas Sound and Lotus Plaza respectively\, a new Deerhunter line-up (with additions of bassist Josh Mckay and guitarist Frankie Broyles) reconvened in January 2013 at Rare Book Studio in Brooklyn\, New York. Produced by Nicholas Vernhes and Bradford Cox and recorded in the dead of night\, Deerhunter’s new longplayer Monomania will be released in May. Monomania finds the group recalling its scrappy punk aesthetic; a perfect nocturnal garage rock album full of the layered and hazy vintage guitar sounds that define them. \n*** \nMary Lattimore \n \nWebsite\nFacebook\nTwitter \nMary Lattimore is a Los Angeles-based harpist. She experiments with effects through her Lyon and Healy Concert Grand pedal harp\, concocting half-structured improvisations which can include both ambient glitter and unsettling noise. Her first solo record\, the Withdrawing Room\, was released on Desire Path Recordings in 2014. The solo recordings that followed\, At the Dam and Collected Pieces\, were released by Ghostly International. \nMary has also recorded synth + harp duo projects with Elysse Thebner Miller (And the Birds Flew Overhead) and Jeff Zeigler (Slant of Light) and has co-written reimagined scores for the 1968 experimental silent film Le Revelateur\, directed by Philippe Garrel (who approved of the project)\, and the Czech New Wave classic Valerie and Her Week of Wonders\, and performed these scores live throughout the US with Jeff Zeigler and the Valerie Project\, respectively. She has contributed and written harp parts for such artists as Kurt Vile\, Thurston Moore\, Sharon Van Etten\, Meg Baird\, Steve Gunn\, the Clientele\, Hop Along\, Jarvis Cocker\, Karen Elson\, Ed Askew and Quilt. \nGhostly International will release her third solo record in late spring of 2018.
URL:https://royaleboston.com/event/deerhunter-2/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20190223T220000
DTEND;TZID=America/New_York:20190223T220000
DTSTAMP:20260408T085623
CREATED:20190206T151737Z
LAST-MODIFIED:20190206T151737Z
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SUMMARY:Royale Saturday: 'I'm Raging It' ft.  the deadbeatz
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturday-im-raging-it-ft-the-deadbeatz/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190223T180000
DTEND;TZID=America/New_York:20190223T180000
DTSTAMP:20260408T085623
CREATED:20181009T170057Z
LAST-MODIFIED:20190207T191704Z
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SUMMARY:Jacob Banks
DESCRIPTION:Presented by The River \nDoors: 6:00 pm / Show: 7:00 pm \nTickets on sale Fri 10/12 at 10am! \nTickets available at AXS.COM\, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. \nPlease note: this show is 18+ with valid ID. Patrons under 18 admitted if accompanied by a parent. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches\, backpacks\, professional cameras\, video equipment\, large bags\, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry. \n*** \n \n*** \nJacob Banks \n \nWebsite\nFacebook\nTwitter \nBorn in Nigeria and based in England\, 25-year-old singer/songwriter Jacob Banks creates soul music that’s uncompromisingly honest but thrillingly cinematic. A self-taught musician who began singing\, playing guitar\, and writing songs at the age of 20\, Banks got his start at open mic nights around Birmingham in 2011 and quickly won major attention for his commanding vocal presence and daringly intimate songwriting. In early 2013 he released his powerful debut EP The Monologue\, earning feverish acclaim that soon saw him supporting such artists as Emeli Sandé and Alicia Keys on tour. \nNow at work on his Interscope Records debut (the follow-up to 2015’s self-released\, critically praised EP The Paradox)\, Banks thrives on constant innovation in the richly textured beats and grooves that give his music such intensity. “I think the epicness of my songs partly comes from being African — that really heavy\, four-on-the-floor\, foot-thumping\, warrior kind of vibe has a lot to do with where I’m from\,” notes Banks\, who moved to England at age 14. And with his nuanced yet arresting vocal delivery\, Banks proves himself attuned to the darker dimensions of the human experience while instilling each track with a profoundly hopeful spirit. “I’m never defeated in any of my songs; I always seem to win\,” he says. “I want to use that to empower everyday people\, to be their battery pack on a Monday morning and help them get through the day. All of these songs are about triumph\, and how to keep going when everyone and everything is telling you to stop.” \n*** \nABIR \n \nWebsite\nFacebook\nTwitter
URL:https://royaleboston.com/event/jacob-banks/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190222T220000
DTEND;TZID=America/New_York:20190222T220000
DTSTAMP:20260408T085623
CREATED:20181213T180001Z
LAST-MODIFIED:20181213T160026Z
UID:10002005-1550872800-1550872800@royaleboston.com
SUMMARY:The Glitch Mob
DESCRIPTION:21+\nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/the-glitch-mob/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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DTSTART;TZID=America/New_York:20190217T220000
DTEND;TZID=America/New_York:20190217T220000
DTSTAMP:20260408T085623
CREATED:20190130T200933Z
LAST-MODIFIED:20190131T171853Z
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SUMMARY:Gay Mafia Boston present - Dragathon Official After Party - Present DJ Alain Jackinsky
DESCRIPTION:21+ \nDoors at 10 \nDj Alain Jackisnky
URL:https://royaleboston.com/event/presidents-day-dragathon-official-after-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts,Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190217T180000
DTEND;TZID=America/New_York:20190217T220000
DTSTAMP:20260408T085623
CREATED:20190130T184750Z
LAST-MODIFIED:20190130T184935Z
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SUMMARY:Dragathon
DESCRIPTION:All ages
URL:https://royaleboston.com/event/dragathon/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190216T220000
DTEND;TZID=America/New_York:20190216T220000
DTSTAMP:20260408T085623
CREATED:20190111T190741Z
LAST-MODIFIED:20190111T190741Z
UID:10002729-1550354400-1550354400@royaleboston.com
SUMMARY:Royale Saturdays: Official Richard Fraioli Birthday Party
DESCRIPTION:Call or text 617.733.0505 for VIP table reservations.\n21+
URL:https://royaleboston.com/event/royale-saturdays-official-richard-fraioli-birthday-party/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190215T220000
DTEND;TZID=America/New_York:20190215T220000
DTSTAMP:20260408T085623
CREATED:20181005T135952Z
LAST-MODIFIED:20181005T135952Z
UID:10002690-1550268000-1550268000@royaleboston.com
SUMMARY:Herobust: WTF Tour
DESCRIPTION:21+ \nCall or text 617.733.0505 for VIP table reservations.
URL:https://royaleboston.com/event/herobust-wtf-tour/
LOCATION:Royale Nightclub Boston\, MA\, 279 Tremont Street\, Boston\, MA\, 02116\, United States
CATEGORIES:Nightclub
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