Presented by Bowery Boston
Doors: 6:30 pm / Show: 7:30 pm
SOLD OUT!
Please note: this show is open to ALL AGES.
Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches, backpacks, professional cameras, video equipment, large bags, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. All patrons subject to search upon venue entry.
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HONNE
In 2018, unless an artist has a Drake-like grip on the charts, itâs tough to directly gauge success. Seven-digit streams donât always translate to actual fans at shows. One act might draw the attention of every tastemaker going, while still failingto sell more than a handful of physical records.In the case of London duo HONNE âAndy Clutterbuck and James Hatcher âtheir time in the spotlight has been disorientating. Success has paved every step, but tracking where it comes from has proved a tough task. One week theyâre selling out a 3,000 capacity show in their hometown, the next theyâre headliners at a festival in South Korea, playing to 20,000 people, and shortly after theyâre jet-setting to LA to collaborate with other artists. In this age when anyone can access music from virtually anywhere, HONNEâs 2016 debut LP âWarm on a Cold Nightâ has been embraced by different corners of the globe (the album went triple-platinum in South Korea), a swarm of fans all equally obsessed with the pairâs skill in writing relatable, emotion-fuelled, romantic pop.For their next move, instead of getting caught up in different audiences, vast territories and the demands of a world-spanning fanbase, they focused on themselves. Placing a microscope to their own lives âthe jet-setting highs and lows of being in a band, the relationships they tried to hold up back home âthey emerged with a touching, personal second album with its own universal appeal.âLove Me / Love Me Notâ-HONNE’s new album coming out on August 24th 2018 -captures the duality of lifeâs ups and downs, and the balancing act of navigating between two states at once. Whether itâs the honeymoon period high of a relationship, the frustration of a long-distance separation, the fear of losing someoneclose, Andyâs lyrics dial in at the reality of most peopleâs lives. The record acknowledges that for every peak, a challenge is round the corner; and equally, that whenever life throws everything at once, better times are ahead.Take âDay 1 ââ and âSometimes ââ, the first two tracks unveiled from the record. The former is a sunny-side-up ode to an everlasting love (âYouâll always be my day one, day zero when I was no-oneâ), complete with gospel choir and candy-coated synths. âSometimes ââ, meanwhile, sits at the opposite end of the emotional spectrum. It was penned when Andy heard news of a London terror attack and couldnât get hold of his girlfriend. The news turned out to be false, but the frontman spent hours dwelling on what might have happened. âItâsthe same with everyone, but your mind just starts to think the worst in a situation like that,â he explains. Via a Kanye-like vocoder that conveys despair through digital strain, he dwells on mistakes he might have made, wondering out loud if he might ever see his girl again. Itâs a touching reminder that we need to keep the ones we love close.Debut âWarm on a Cold Nightâ found itself under the covers and in a loved-up, blissed out state. âLove Me / Love Me Notâ instead looks outwards and considers thebigger picture. It also finds HONNE coming on leaps and bounds, both as producers and lyricists. Swapping a bedroom production aesthetic for a richer, more textured style, they also explore more beat-driven territory, nodding towards hip-hop royalty like Dr. Dre, DJ. Dahi, Pharrell and BadBadNotGood.Andyâs lyrics can be earnest, funny and self-mocking in the space of the same verse. Not least on â306â, a tribute to Jamesâ knackered Peugeot car, which he still drives today. The song jokes about the falsemirage of fame (âOne record down and Iâm riding in this piece of shitâ), and the days the pair spent as fearless twenty-somethings, driving round east London while blasting Kendrick Lamarâs âMoney Treesâ with the windows down. âEvery time I listen to it, I get nostalgic memories of growing up,â Andy says, reflecting on the track.Sticking to their London flat-turned-studio, HONNE worked with some of popâs most diverse, exciting talents on âLove Me / Love Me Notâ. North London drummer/vocalist Georgia stars on the jet-lagged âLocation Unknownâ; Norwegian singer Anna of the North gets caught up in the fidgety dayglow of âFeels So Goodâ; Jazz-pop prodigy Tom Misch and pianist Reuben James also make timely appearances. For some acts, collaboration is often a box-ticking exercise to cram big names into songs for the sake of it, but HONNE have a different motive, where theyâll only work with an artist who can provide something new. They scout out new music, track the artists down and promptly slide into their DMs. âThese people have a lot to offer, a fresh perspective that maybe you wouldnât otherwise see,â states James. âItâs a shame to limit yourself purely for pride, to limit it to just us two in a room.âIn-between records, the pair would spend hours on flights, dreaming up their next steps. âWeâd spent so long touring and listening to other music, we just had loads of inspiration bottled up,â James remembers. They drew up notes on their phones, recorded voice memos on the go, and by 2016âs debut release, they were raring to go on new material. Before hitting record, they seemed to have a clear idea on what they wanted to achieve: a lusciously-produced follow-up with an
emotional depth that went beyond their first work. Andy also saw the bandâs early ideals coming further into focus. He cites the bandâs name (âHonneâ meaning your true feelings, those you keep to yourself) and the name of their early record label (âTatemaeâ, which reflects the other side: what you say and what you display in public). In time, this dichotomy between an online persona and actual reality has become starker.âThose two sides have been rooted in us from the beginning. Perhaps we didnât explore it completely on the first album, but itâs been bubbling away,â Andy says. âFinally with this next album, we demonstrated it.â Honneâs early vision is more evident than ever, and the remarkable songs on this second LP capture themes and feelings their debut only hinted at.Andy journeys back to this idea of duality, something thatâs defined HONNE since the beginning. âI love how one side doesnât exist without the other. These songs have to be there together.â James agrees: âYou canât have good without the bad, and we wanted to show that: not everything is always rosy. In your head, you think everything you aspire to have doesnât come with its own problems. Relationships, work, home life, family âthereâs two sides to it all. Films and TV shows either show the good or bad, but we wanted to show a balance and the grey space.ââLove Me / Love MeNotâ achieves exactly that. Itâs a journey through grey space, fears and doubts, peaks and pitfalls and the in-betweens. These are soul-searching songs that make you look inwards, to the point where itâs impossible not to relate to each moment of introspection. That, in itself, is a remarkable and rare quality in a band âthis ability to make you listen closer to your own thoughts. A sign of success if ever there was one
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Hablot Brown
Formerly known as Linus Hablot, Hablot Brown is comprised of Linus Lester-Hodges, Austin Brown, & John Brown who together form a fresh neo-soul/R&B band with a unique sonic polish.
Bringing an interesting blend of vastly contrasting genres, the band borrows from musical influences such as Nick Hakim, Ned Doheny, & J.Dilla creating their own unique sound that is difficult not to fall in love with.
In their first 12 months of releasing music, Hablot Brown was streamed over 7.7 million times on Spotify, in addition to being featured on playlists like Global Viral 50, Fresh Finds, Sweet Soul Sunday, Alternative R&B, & Sin Estres.
The band just released their sophomore EP with Soulection and are gearing up to release three music videos along with several singles before the first of 2019.