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Jamestown Revival

May 4, 2017 @ 7:30 pm


Skip the bar line and pre-order your drink with Noble

Jamestown Revival

with
The Ghost of Paul Revere
advance:
$18
day of show:
$20

May 4, 2017 @ 7:30 pm

Dress Code

NO DRESS CODE

Organizer

Bowery Boston

Other

with
The Ghost of Paul Revere
advance:
$18
day of show:
$20

Bowery Boston presents

Doors: 7:30 pm / Show: 8:30 pm

This event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.
Tickets on sale Fri. 3/3 at noon!

Tickets available at AXS.COM, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only.

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Jamestown Revival

Jamestown Revival - Press Photo - 2017

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The story of Jamestown Revival feels suited for the dog-eared pages of a timeless American novel.

Chapter one opens with Jonathan Clay and Zach Chance meeting in Magnolia, TX at 15-years-old. Fast friends, the duo attended college together, started Jamestown Revival, and traded their home state for Los Angeles, CA in late 2011. By 2014 they released their debut album UTAH (which included the hit single ‘California’), built a committed fan base with countless road shows, and received critical acclaim from the likes of Rolling Stone and The Wall Street Journal. They were named iTunes “Best of 2014: Singer-Songwriter Album of the Year,” graced the sound stages of Conan and The Late Late Show with Craig Ferguson, and performed at some of America’s legendary music festivals including Coachella, Austin City Limits, Bonnaroo, Bottlerock Festival, and Willie Nelson’s Fourth of July Picnic.

“UTAH opened a lot of doors for us and put us on the road for the first time,” says Zach. “We learned how to play for a crowd and how to perform.”

But when it came time to record a second album, the band found themselves in a different place.

“This album is like chapter two,” agrees Jonathan. “The story begins at the point where we decided to head back to Texas. We wrote many of the songs when we were entering a different phase of our lives. We settled back into Austin, and my wife and I had our first child. That was a big shift. It was all about leaving behind our last bastion of adolescence, if you will.”

This process resulted in The Education Of A Wandering Man [Republic Records], an album that looks back at the journey of the band’s past. The record chronicles the lessons learned and the experiences that color the life-lived along the way.

“This album is a snapshot of our observations and learnings over the past four years. Our education has been gained not in a classroom, but in our experience,” Zach and Jonathan write in a letter to fans announcing the album.

Musically, the record remains loyal to Jamestown Revival’s indie rock/alt country aesthetic while also reaching into new creative territory.

“You can hear all of our influences on the new album. It feels like a late night drive after a show. There’s some Motown, rock ‘n’ roll, and even a little country. We paid homage to a lot of the people we listened to while stuck in a car between gigs,” says Zach.

Tapping into almost a lifetime of natural chemistry, the band started sharing musical ideas while sitting on Jonathan’s porch before holing up in a Hill Country farmhouse a few hours from Austin for recording. Producing themselves alongside longtime collaborator Ryan Lipman, the sessions lasted only two weeks, and Jamestown Revival emerged with 12 new tracks.

“It was a bunch of good friends in a relaxed setting making a record,” says Zach. “It never felt like a nine-to-five. We could have a smoke outside, play horse on the basketball hoop, and hang out and wait for the muse to find us.”

Though the record came together quickly, nailing down the first song proved more difficult. After wrestling to overcoming the pressure, the band emerged with their first single “Love Is A Burden,” kick-starting the creative process.

“We wrote that song about our last single ‘California’,” admits Jonathan. “When we started writing, all we did was compare every song we wrote to ‘California.’ We never thought anything lived up to it, and that started to squelch our creativity. This piece of music that did amazing things for us became like a lead weight. ‘Love Is A Burden’ is about the successes, the failures, the triumphs, and the fears of the past really starting to weigh you down and having a hard time moving on. It’s a metaphor we related to a relationship you can’t move past in the lyrics. As far as inspiration goes, the chorus just popped in my head, and we ran with it. After all of that overthinking, it was done in ten minutes.”

Album opener “Company Man” captures the heartbreak of corporate greed. “My family’s got some land where we birthed the idea of Jamestown Revival, and we’ve both been going there together since we were kids,” says Jonathan. “”One day my family gets a call that there’s an oil company who wants to put a pipeline right through the property. They were doing it under the protection of ‘public domain’. That piece of land is sacred to us, but ironically, nobody else cared about it until there was something to gain.” Company Man speaks to that feeling of helplessness and frustration.

“American Dream” comments on similar themes, while “Head On” explores the claustrophobia of the concrete jungle. Elsewhere, the acoustic-driven “Back To Austin” serves as an upbeat love letter to their hometown. Throughout, the record speaks to themes inherent to the meaning within its title The Education Of A Wandering Man.

“The Education Of A Wandering Man is actually an autobiography by classic western novelist Louis L’Amour,” Zach says. “He traveled the world and lived a fascinating life. Jonathan and I read the book years ago and fell in love with it. It’s like looking back on a life unplanned. That really resonated with us when we were making the album. The more you travel, the more perspective you get. Our travels have been an education.”

For Jamestown Revival, the album is simply a continuation of their ongoing story. “We’ll be writing and telling stories until we’re six feet under,” Jonathan leaves off. “This album is just the next step on the path.”

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The Ghost of Paul Revere

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“Mumford & Sons meet the Avett Brothers with a twist of bluegrass. Old Crow Medicine Show with three-part harmonies. The Band for millennials… The Maine-grown, foot-stompin’ holler-folk quartet create the type of music for which festivals are made.” – The Boston Globe

Born on the banks of the Saco River, brothers in all but name, the Ghost of Paul Revere is Maine’s holler-folk band. A powerful, energetic, non-traditional American folk band that’s renowned for harmony fueled, heart-pounding performances full of songs with unique identities that remain undeniably the Ghost of Paul Revere.
Formed around childhood friends Max Davis, Sean McCarthy, and Griffin Sherry, joined by Matt Young on harmonica, the Ghost of Paul Revere played their first show together in 2011 at a tiny bar in Portland, Maine. Now, they play across the nation, bringing holler-folk into houses, bars, and music halls. They have shared the stage with the Avett Brothers, The Travelin’ McCourys, Brown Bird, Spirit Family Reunion, Darlingside, as well as members of Greensky Bluegrass, the Infamous Stringdusters, and Old Crow Medicine Show.

Their critically acclaimed, Billboard charting full length album Believe, as well as their two EPs North and Field Notes Vol. 1, have continually been the top selling local albums in Maine and New Hampshire for more than four years. The Ghost of Paul Revere has since sold out Port City Music Hall, Stone Mountain Arts Center, and the Strand Theater multiple times, won Best In Maine at the 2014 New England Music Awards, were an official showcase artist at Folk Alliance International 2015 and made their Newport Folk Festival debut in August 2015. They capped off 2015 with an electrifying headline performance on New Year’s eve at Portland’s State Theatre in front of 1,600 enraptured fans.

In 2016, amidst touring nationally, they returned to the studio to craft their second full length album, engineered by Jonathan Wyman at Halo Studios and mastered by Adam Ayan of Gateway Mastering. The album is expected to be released in early 2017.

“Robustly played, masterful amalgamation of bluegrass, folk, and gospel for the Millennial Generation… The Ghost of Paul Revere prove that superior roots music can come from anywhere.” – No Depression

“Simply put, this band is one to see live… A gorgeous blend of bluegrass, folk and good old fashioned rock and roll… their performance takes on a boot-clacking brilliance that transforms each song into a full-on participatory event, sending an electric surge about the room that’s near impossible not to feel. Add to that a layered three part harmony coursing through each soulful song, and The Ghost of Paul Revere demonstrated they not only had the chops, but the heart to reach their audience and leave an undeniable impression as well. As the floorboards shook with each pounding stomp, one thing was certain: the band announced they had arrived, loud and clear.” – Dispatch Magazine

“Simply put North is an album that shouldn’t be missed. (It will) make even the most callous of individuals feel the unbridled joy of Holler-Folk.” – Ear to the Ground Music

“A distinguished sound that only seasoned musicians can usually attain” – Portland Press Herald

“(The Ghost of Paul Revere) stole the show. I was so impressed with them. Their harmonies, stomping percussion, and vocal power were stellar… their songs progressed from mellow to powerhouse… their harmonies are superb and their songs have power.” – whatbreesees.com