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[SOLD OUT] Marian Hill

May 24, 2017 @ 7:00 pm



[SOLD OUT] Marian Hill

May 24, 2017 @ 7:00 pm

Dress Code

NONE

Organizer

Bowery Boston
Phone
617-451-7700
Email
info@boweryboston.com
View Organizer Website

Other

with
Opia
advance:
$26
day of show:
$26

Venue

Royale Nightclub Boston, MA
279 Tremont Street
Boston, MA 02116 United States
+ Google Map

Bowery Boston presents

Doors: 7:00 pm / Show: 8:00 pm

This event is 18 and over. Patrons under 18 admitted if accompanied by a parent or legal guardian.

SOLD OUT

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Marian Hill

Marian_Hill_MG_9854_re02_HIRES

[Website] [Facebook] [Twitter]

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi- talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop — and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

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Opia

Opia_4

[Website] [Facebook] [Twitter]

Cole and Jacob met as Math and Physics majors at Yale University and began recording and collaborating on different music projects. Jacob’s extensive production and arrangement background clicked instantly with Cole’s guitar and vocal songwriting experience. At the top of 2016, the duo spent three weeks living out of an underground studio in New Haven, writing music for what would become Opia. Their debut release “Falling” instantly became a viral hit, rocketing to the top of the Spotify, Hype Machine, and SoundCloud charts.