Doors: 7:00pm / Show: 8:00pm
This event is 18+. Patrons under 18 admitted if accompanied by parent or legal guardian.
Tickets on sale Fri. December 11 at 12PM!
Tickets available at TICKETMASTER.COM, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only.
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Reel Big Fish was one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-â90s success of No Doubt and Sublime. Like most of their peers, the band was distinguished by their hyperkinetic stage shows, juvenile humor, ironic covers of new wave pop songs, and metallic shards of ska. The group cultivated an underground following that broke into the mainstream in summer 1997, when their single âSell Outâ became a modern rock radio and MTV favorite. Their appearance in the movie âBaseketballâ as the halftime band also gained them more fans and helped the bands popularity to grow. Still fronted by original lead singer and song writer Aaron Barrett, they continue releasing albums and touring relentlessly, playing more and more countries and bigger venues all over the world.
Reel Big Fish recorded its self-released debut album, âEverything Sucksâ, in 1995. âEverything Sucksâ became a word-of-mouth underground hit in ska-punk and college circles, which gave the band enough leverage to sign with the indie label Mojo Records. The labelâs president, Jay Rifkin, and former Oingo Boingo bassist John Avila co-produced âTurn the Radio Offâ, which marked Reel Big Fishâs first album for Mojo. âTurn the Radio Offâ was unleashed in August 1996, and over the next year, the group continually toured in support of the albumâs release, expanding their fan base all the while. In spring 1997, the single âSell Outâ began receiving heavy airplay from several influential modern rock stations in the U.S., which soon translated into MTV support for the songâs quirky video. By summer, the song had become a moderate modern rock hit, and the album had charted in the Top 100.
In 1998 the song âTake on Meâ from the âBaseketballâ motion picture soundtrack was released as the promotional single for the movie and once again found the band in regular rotation on rock radio and MTV in the USA.
The Album âWhy Do They Rock So Hardâ followed a year later, once again enlisting Oingo Boingo Bassist John Avila as producer. The album was not as commercially successful but is still regarded by many fans as the bands finest work. The band filmed a music video for âthe Set up (You Need This)â, the only single released from this album.
The guys wound up on Jive Records in fall 2001 when their current label, Mojo, was bought by Jiveâs parent label, Zomba. Reel Big Fishâs first release for Jive, a more rock-oriented record entitled âCheer Up!â, appeared in mid-2002. This album was very successful in Europe with the video for the single âWhere Have You Beenâ receiving heavy airplay on many music video channels.
Later that same year, RBF did a song for a Rice Krispies called âSnap, Krackle, Pop-punkâ which was used in 3 separate commercials. Also that year, they recorded a cover of Toots and the Maytals âMonkey Manâ for the Nickelodeon movie âThe Wild Thornberrys.â The single for âMonkey Manâ was also released in the UK and received heavy radio play as well as the music video being put on heavy rotation on Kerrang TV.
The bandâs next album, the cynical yet catchy âWeâre Not Happy âTil Youâre Not Happyâ, was issued in April 2005. Touring continued for the rest of the year, and Reel Big Fish happily parted ways with Jive in January 2006, having wished to be dropped from the label since the âCheer Up!â release.
In August 2006, the group self-released a double-disc live CD (along with an accompanying DVD) titled âOur Live Album Is Better Than Your Live Albumâ.
Barrett said of this album âWe finally captured the energy, excitement and humor of our live shows that we were previously unable to create in the recording studio environment. And it all sounds really good!â
This album is very popular with RBF fans and is sometimes referred to as âthe Reel Big Fish Stand-up comedy albumâ because of all the silly stage banter.
The band returned with some new material in February 2007, splitting an EP âDuet All Night Longâ with their friends in Zolof the Rock & Roll Destroyer. âMonkeys for Nothinâ and the Chimps for Freeâ followed several months later, marking Reel Big Fishâs first full-length studio release since leaving Jiveâs roster, and 2009âČs âFame, Fortune and Fornicationâ found the band covering songs by the likes of Poison, the Eagles, and Tom Petty.
In 2010, the band released âA Best of Us for the Rest of Usâ. It includes a 22 song disc of re-recorded hits and classic fan favorites as well as a bonus disc of 14 Acoustic or âSKAcousticâ versions.
On July 31st, 2012 Reel Big Fish released their 7th studio album, Candy Coated Fury (Rock Ridge Music), an inspired and infectiously catchy return to the hyperkinetic ska and biting wit of the bandâs beloved early albums. âThis album is a lot like our first two albums. Itâs got a lot of the same intensity, frantic energy in the music, and the same sarcastic sense of humor. I think these are the fastest songs weâve done since those albums,â Aaron Barrett, founding vocalist, guitarist, and principal songwriter says. âWeâre finally just doing what Reel Big Fish does best, and thatâs what we did on those first two albums.â
âCandy Coated Fury pretty much describes what Reel Big Fish does,â Barrett says of the significance of the new albumâs title. âItâs hateful, mean, sarcastic, and, sometimes sad lyrics, over happy, wacky, silly, joyous, fast music that makes you want to dance. This album is mostly love songs, but bitter, angry, hateful love songs. Just about everybody knows what itâs like to be in a bad relationship. These songs could be sung by a 15 year old about his first love-gone-wrong, or by a 55 year old about a bitter divorce after 30 years. Theyâre bad-relationship songs that everybody can relate to.â
Candy Coated Fury is Reel Big Fishâs first album of newly recorded original material in five years. Overall, itâs the seventh in the bandâs twenty year history, and it feels as vital and vitriolic as RBFâs foundational releases. The record opens with the huge sing-along vocal, balmy horns, and hyperactive ska groove of âEveryone Else Is An Asshole.â The track is an exceptional distillation of Reel Big Fishâs classic euphorically-juvenile ska punk. The stately arena riffs in âI Dare You To Break My Heartâ reference cock rock, new wave, and soul without sacrificing one iota of RBFâs signature simmering skank. âI listen to the Darkness a lot; it was only a matter of time till I wrote a song like this! I canât really sing as high as that guy so this song sounds more like Kiss, if Kiss was a Motown band that played ska,â Barrett says, detailing the songâs diverse stylistic touchstones. The anthemic âI Know You Too Well To Like You Anymoreâ features some of Barrettâs finest cutely cruel lyrics. âI think that is an amazing bad-relationship song,â he laughs. âI really captured the hateful love of two people who were once madly in love, but have been together so long, they canât stand the sight of each other anymore but still say âthey drive me crazy, and I hate this and this about them, but I love them.ââ No RBF album would be complete without playfully irreverent 1980s covers. The band rounds things out ska-ifying the Wonderstuffâs âDonât Let Me Down Gentlyâ and When In Romeâs âThe Promise.â
On December 12th, 2014 RBF released their first Christmas Album, A six song, digital only album entitled âHappy Skalidaysâ. This album includes 4 classic Christmas songs and 2 RBF originals.
Reel Big Fish continues to tour non-stop, playing over 250 shows a year to thousands of loyal fans all over the world, gaining more and more underground popularity as the Ska scene continues to flourish.