NOTE: THIS SHOW IS SOLD OUT
Doors: 7:00 pm / Show: 8:00 pm
This event is all ages.
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What can we say about The Front Bottoms? We know we love them: a punk band that uses acoustic guitar, indie-rock dance grooves, Springsteen-y keyboard lines (this they might deny). Itâs hook-filled⊠itâs anthemic⊠itâs confessional. Maybe Joni Mitchell by way of Green Day? They must have heard some Replacements along the way, and it seems like what Jonathan Richman and the Modern Lovers did for the Boston suburbs these guys are doing for Bergen County, NJ. But they still leave us scratching our heads. Just what the hell have the Front Bottoms alchemized?
âWe like to keep it familiar so that itâs not too intimidating,â says singer-guitarist Brian Sella, âbut we always make sure itâs not immediately recognizable.â Itâs true, you just canât quite put your finger on âem but Bar/None Records invites you to try to peg these guys with the release of their self-titled debut The Front Bottoms.
Brian Sella and drummer-bullhornist Mathew Uychich have known each other since they were 10 and 8 years old respectively and have been making music for a lot of that time. It shows in the rich hooks and clever rhythms and the effortless way they string riffs together into surprising song structures. Take a song like âMapsâ – it opens with half a Sex Pistols riff before going into an orchestral flourish on keyboards. Then thereâs a verse complete with a hillbilly hiccup in the vocal followed by an arpeggio guitar part and full-on raging synthetic strings that lurch into handclaps and an enigmatic chorus âone day youâll be washing yourself with hand soap in a public bathroom,â And thatâs in the first minute and a half of the song.
Lyrically Brian Sella fires off scattershot images that the listener can gather up and make sense of like working puzzle pieces on the floor. Romance, freedom, paranoia, partying and somehow getting clean all tumble together from song to song.
âIâm swinging like a fist fight concrete colored basement all right, letâs keep this as clean as clean as you likeâ (âLooking Like You Just Woke Upâ)
âIâm a creature of a culture I created/ Iâm the last one on the dance floor as the chandelier gives way and I am permanently preoccupied with your past.â (âSwimming Poolâ)
âA lot of the kids we graduated with are homeless which puts them in shady situations with shady peopleâŠ.â (Flashlightâ)
In âThe Beers,â the narrator surveys said beverage âin coffee mugs, water bottles and soda cupsâ in the cinematic residue of a basement party. He recalls beefing up for a Jersey Shore summer of steroids âbecause you like a man with muscles and I like you.â In âFather,â the narrator dreams about beating his father with a baseball bat then tries to find solace in his girlfriendâs bed before musing about his ancestral bloodline, âYou look good tonight, girlfriend. Can I sleep in your bed? / And when I crawl out in the morning can I stay inside your head? Cause you were high school and I was just more like real lifeâŠâMatt and Brian started out playing a couple times a year for high school talent shows, learning a cover song and writing a crappy original each time. âI think we did Modest Mouse âOut of Gasâ one year and Green Day âHitchin a Rideâ another year,â recalls Brian. This led to Brianâs mom presenting him with three hours of professional recording studio time for Christmas one year. âWe went in and the guy showed us how to set up. He pressed ârecordâ and left the room. We recorded 12 songs without stopping.â And thus with enough original songs to play a full set, the Front Bottoms were officially born. Their first club date was an all-ages show at the Main Stage in Pompton Lakes, NJ. Most of the bands were teen punk bands. Casey Lee Morgan who was doing sound at the club befriended them, giving them some faint praise, telling them like they might not be very good but they were better than all the other bands that night. Eventually, Casey would record them in his basement studio. Much of the music on the Front Bottoms debut was recorded by Casey.
The Front Bottoms bounced around Bergen County, eventually branching out making connections in the DIY concert community that has included everything from punk flop houses, VFW halls and fire stations. That circuit got them from New England to Florida, starting in a Ford Escort eventually moving up to an 1989 Econoline van. Mathewâs brother (also named Brian) played keyboards for a while but left amicably after an onstage fistfight and the realization he preferred staying home making pot roasts to playing far flung punk squats. The image of âwashing yourself with hand soap in a public bathroomâ is the blessing and curse of the freedom and funkiness of life on the lo-fi road. More recently, Drew Villafuerte has been sitting in on bass and keyboards for select shows.
With the wonders of the internet and their obsessive gigging, they are now known from New Jersey toâŠSpain (?) where director Pablo Nieto found them online and asked to create a video for âMaps.â The video features Williamsburg, a farm (where Mathew sometimes works), and that aforementioned Econoline as well as some âloveableâ hand puppets. Word of mouth and great reviews has them fielding calls from promoters all over the tri-state area.
New Jerseyâs The Star-Ledger called them âone of the leading lights of the New Jersey pop underground. The groupâs amalgam of punk, guitar-folk, lo-fi experimentalism, imagist-inspired poetry (drawing heavily on Sellaâs upbringing in the Jersey suburbs) and playful humor (that betrays the singerâs youth) has caught discriminating ears on both sides of the Hudson.â
Theyâve played Bamboozle, opened for artists as varied as pop chanteuse Vanessa Carlton and Jersey cohorts Titus Andronicus.
âWe kinda thought we were a punk band but then weâd play on bills with real punk bands and weâd be like âWhoa, were not punks,â says Mathew. âWhat the hell are we?â
We canât wait to find out the convoluted answer to that question.