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Skip the bar line and pre-order your drink with Noble

The Wonder Years: Intimate Acoustic Tour

October 7, 2017 @ 5:00 pm - 9:30 pm

Dress Code

NO DRESS CODE

Venue

Royale Nightclub Boston, MA
279 Tremont Street
Boston, MA 02116 United States

Organizer

Bowery Boston
Phone:
617-451-7700
Email:
info@boweryboston.com
Website:
boweryboston.com

Other

with
Laura Stevenson, The Obsessives, Jetty Bones
advance:
$22
day of show:
$25

Bowery Boston presents

Doors: 5:00 pm / Show: 6:00 pm

This event is all ages.
Tickets on sale Fri. 8/4 at 10AM!

Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM.

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The Wonder Years

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What was originally a one-off song written by a group of bored suburban kids turned into a five-year plan none of them were expecting. Call it the ultimate after-school project. With only the intent and purpose of taking that one song and infecting it on everyone they knew, this ragtag group of “socially awkward” musicians called The Wonder Years found themselves in the middle of a burgeoning – wait for it – career. Now, as the band joins the Hopeless Records family, it’s obvious their easygoing short-term plans have changed dramatically.

The Wonder Years have come a long way from piggybacking their friends’ shows in Philly with that one initial song to sharing stages with the likes of New Found Glory, Set Your Goals and Comeback Kid. Oh, and Boyz II Men. Comprised of Dan “Soupy” Campbell (vocals), Casey Cavaliere and Matt Brasch (guitar), Nick Steinborn (keys/guitar), Josh Martin (bass) and Michael Kennedy (drums), they’re a band that used to borrow gear from their friends, trying to make shows memorable and exciting without worrying whether it was a perfect set or if they were even on time. It shows what the relatable appeal of a band can do – even when, as in the early days, they’re not even really trying.

Their influences, ranging from tour mates NFG to Saves the Day and the Hold Steady, are apparent in the attitude of a band that just want to connect with their audience in the most authentic and unpretentious way possible. “We’re just ourselves all the time, and we don’t have any rad gimmicks,” Campbell said. “We play loud and fast and recklessly. We front flip off speakers and sweat and spit and break just about everything. We’ve walked off stage needing stitches more than once.”

“We’re a band very much charge of ourselves. We always kind of know exactly what we want to do and exactly how we want to do it, and we like Hopeless because they let us do just that,” Campbell said.

The Wonder Years released their follow up to “The Upsides” this year. Their highly anticipated album “Suburbia, I’ve Given You All And Now I’m Nothing” is available now.

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Laura Stevenson

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Laura Stevenson is finally learning not to worry. After more than a year of national and worldwide touring following the release of her critically acclaimed album Wheel, both headlining, and alongside such varied acts as Against Me!, The Go-Go’s, Kevin Devine, Tim Kasher of Cursive, and The Gaslight Anthem, the songwriter made the move from her between-tour home base of Brooklyn, to upstate New York’s Hudson River Valley. There, she rented a nineteenth- century Victorian, a former brothel in a cement-mining town-turned hippie-enclave, and converted the attic into a makeshift studio. It was in this space that she and her band went to work arranging and demoing the eleven songs she had written that would make up Cocksure, Stevenson’s fourth album. The record features musicians Mike Campbell, Alex Billig and Peter Naddeo, who in various incarnations have performed with her for over seven years, as well as newcomer Samantha Niss, a long-time Hudson Valley resident and the veritable go-to drummer of the region.

Where 2013’s Wheel was full of lingering uncertainty, harkening to Stevenson’s folk and country leanings, Cocksure is a straightforward, to the point, emboldened rock and roll album. Although some existential dread still peaks through the cracks, Stevenson treats themes as heavy-hearted as sudden and tragic death, self-imposed exile in small windowless rooms, and that back-of-your- mind anxiety that the road you’re on may not be the right one, as their own signs of life; a life that is brightly colored by those realities.

With influences ranging from The Lemonheads, Liz Phair, and The Replacements, to early Weezer and the Smoking Popes, Cocksure maintains Stevenson’s unique vulnerability, and steadfast devotion to a solid and honest melody. In the writing process, she challenged herself to be true to whatever was going to come out of her, with many of the tracks featuring melodies that were purely stream of consciousness. “I felt like over-working it would suck some of the spirit out of the songs… this record needed that spontaneity. Spending so much time editing and second guessing yourself takes all the life out of it.”

This sense of spontaneity was maintained in the way Cocksure was recorded. In May of 2015, Stevenson and her band traveled city-bound to Room 17, a studio located in her old neighborhood of Bushwick, Brooklyn. “It’s this very positive and amazing space, and Joe Rogers, the engineer, was so enthusiastic about what we were doing. Everyone was comfortable enough to just really play and not get caught up in anything else.” All the main instrumentation on Cocksure was performed live, no clicks/no punches, under the watchful eyes of Rogers and producer Jeff Rosenstock, Stevenson’s long-time friend and collaborator. “Jeff was the perfect person for the job. All of his Bomb The Music Industry! and solo recordings have this energy to them, they’re like living things. I wanted to capture some of the magic he has.” The album was later mixed and mastered by Jack Shirley (Joyce Manor, Deafheaven, Tony Molina) at Atomic Garden Studios in Palo Alto, CA.

Self-assurance is a new hat for Stevenson, and on Cocksure she confronts her usual tendencies toward self-deprecation head-on. “It’s freeing to stop being so hard on yourself, and to quiet down all of the outside noise,” she says. “Once you’re able to do that, you can actually write what you should be writing.”

Laura Stevenson will release Cocksure on October 30, 2015, via Don Giovanni Records.

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The Obsessives

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Lo-fi EP “A Great Menace Weighs Over the City” is out now! theobsessives.com
These songs were written and recorded by both of us this summer, just for you guys – enjoy 8)
/////New LP coming in 2017 on Lame-o Records/////

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Jetty Bones

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kelc writes the songs and asks for help from her friends. then they play you the songs. then we all hug and dance. then we build this life long bond where we can all just be friends and a progressive, mutually supportive team in the seemingly endless race to establish the kindness we know as genuine humanity.